Poem of the Week, by Mary Oliver

Excerpt from Work
– Mary Oliver

4.

All day I have been pining for the past.
That’s when the big dog, Luke, breathed at my side.
Then she dashed away then she returned
in and out of the swales, in and out of the creeks,
her dark eyes snapping.
Then she broke, slowly,
in the rising arc of a fever.

And now she’s nothing
except for mornings when I take a handful of words
and throw them into the air
so that she dashes up again out of the darkness,

like this–

this is the world.




For more information on Mary Oliver, please click here: http://www.poetryfoundation.org/bio/mary-oliver

Poem of the Week, by William Stafford

Remembering Brother Bob
– William Stafford

Tell me, you years I had for my life,
tell me a day, that day it snowed
and I played hockey in the cold.
Bob was seven, then, and I was twelve,
and strong. The sun went down. I turned
and Bob was crying on the shore.

Do I remember kindness? Did I
shield my brother, comfort him?
Tell me, you years I had for my life.

Yes, I carried him. I took
him home. But I complained. I see
the darkness; it comes near: and Bob,
who is gone now, and the other kids.
I am the zero in the scene:
“You said you would be brave,” I chided
him. “I’ll not take you again.”
Years, I look at the white across
this page, and think: I never did.


For more information on William Stafford, please click here: http://www.poets.org/poet.php/prmPID/224

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Poem of the Week, by Sharon Olds

STATION
– Sharon Olds

Coming in off the dock after writing,
I approached the house,
and saw your long grandee face
in the light of a lamp with a parchment shade
the color of flame.

An elegant hand on your beard. Your tapered
eyes found me on the lawn. You looked
as the lord looks down from a narrow window
and you are descended from lords. Calmly, with no
hint of shyness you examined me,
the wife who runs out on the dock to write
as soon as one child is in bed,
leaving the other to you.

Your long
mouth, flexible as an archer’s bow,
did not curve. We spent a long moment
in the truth of our situation, the poems
heavy as poached game hanging from my hands.

For more information on Sharon Olds, please click here: http://www.poetryfoundation.org/bio/sharon-olds

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Poem of the Week, by David Bottoms

In a U-Haul North of Damascus
– David Bottoms

1

Lord, what are the sins
I have tried to leave behind me? The bad checks,
the workless days, the scotch bottles thrown across the fence
and into the woods, the cruelty of silence,
the cruelty of lies, the jealousy,
the indifference?

What are these on the scale of sin
or failure
that they should follow me through the streets of Columbus,
the moon-streaked fields between Benevolence
and Cuthbert where dwarfed cotton sparkles like pearls
on the shoulders of the road. What are these
that they should find me half-lost,
sick and sleepless
behind the wheel of this U-Haul truck parked in a field
on Georgia 45
a few miles north of Damascus,
some makeshift rest stop for eighteen wheelers
where the long white arms of oaks slap across trailers
and headlights glare all night through a wall of pines?

2

What was I thinking, Lord?
That for once I’d be in the driver’s seat, a firm grip
on direction?

So the jon boat muscled up the ramp,
the Johnson outboard, the bent frame of the wrecked Harley
chained for so long to the back fence,
the scarred desk, the bookcases and books,
the mattress and box springs,
a broken turntable, a Pioneer amp, a pair
of three-way speakers, everything mine
I intended to keep. Everything else abandon.

But on the road from one state
to another, what is left behind nags back through the distance,
a last word rising to a scream, a salad bowl
shattering against a kitchen cabinet, china barbs
spiking my heel, blood trailed across the cream linoleum
like the bedsheet that morning long ago
just before I watched the future miscarried.

Jesus, could the irony be
that suffering forms a stronger bond than love?

3

Now the sun
streaks the windshield with yellow and orange, heavy beads
of light drawing highways in the dew-cover.
I roll down the window and breathe the pine-air,
the after-scent of rain, and the far-off smell
of asphalt and diesel fumes.

But mostly pine and rain
as though the world really could be clean again.

Somewhere behind me,
miles behind me on a two-lane that streaks across
west Georgia, light is falling
through the windows of my half-empty house.
Lord, why am I thinking about this? And why should I care
so long after everything has fallen
to pain that the woman sleeping there should be sleeping alone?
Could I be just another sinner who needs to be blinded
before he can see? Lord, is it possible to fall
toward grace? Could I be moved
to believe in new beginnings? Could I be moved?



For more information on David Bottoms, please click here: http://www.poetryfoundation.org/bio/david-bottoms

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Poem of the Week, by Mark Leidner

Things to Call Water
– Mark Leidner

friend of the cup
void soda
idiot’s vodka
fool’s oil
pipe sap
tap wine
faucet gumbo
boiler’s tool
baby of snow
steam’s mom
hot dog blood
“Cannonball!” shrapnel
diver’s excuse
island ender
navy gravy
torpedo media
The Artist Formerly Known as Ice
Dances with Eels
Señor Osmosis
drowner’s woe
world launderer
arsonist’s boycott
Cousteau’s milieu
hydrophobe’s gutcheck
“intern at the cistern”
tempest gristle
Odyssey sauce
hemisphere paint
the ghost in the sauna
the condensed mists of time
zodiac milk
casino preserves
stork’s anklets
periscope’s necktie
rowboat wingspan
catfish litterbox
starfish cathedral
turbulence skein
stream bacon
river luggage
crystal chowder
geyser sperm
fin wind
mer-air
loose frost
dank fire
blue flower


For more information on Mark Leidner, please click here: http://thermosmag.wordpress.com/2010/10/08/a-conversation-with-mark-leidner/

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NEW SECTION ADDED! One-day Creative Writing Kickstart class, Saturday, March 2

NOTE: NEW SECTION ADDED. SUNDAY, MARCH 3, SAME TIME, SAME EVERYTHING. PLEASE EMAIL ME AT alison_mcghee@hotmail.com IF YOU’D LIKE TO REGISTER.

 

Greetings, writers and writerly types,

I’m offering a one-day creative writing workshop –Creative Writing Kickstart– on Saturday, March 2. The class will touch on various aspects of creative writing craft, including point of view, chronology and tense, but our main focus is to get the creative juices flowing (it’s been a long winter).

In one afternoon, we’ll read and discuss some fabulous published works –poetry, memoir and fiction, with maybe a little children’s lit thrown in there– talk about what makes great writing great, and complete three or four short writing prompts.

The class will be fun and low-key and is designed for writers of all abilities, experience levels and genres. If you’re a longtime writer in need of a boost or someone who’s always had an interest in writing but never known how to sit down and get started, join us!

Limited to ten. If you’re interested, please email me at alison_mcghee@hotmail.com to reserve a spot.

Date: Saturday, March 2
Time: 12:30-4:30
Place: my house in the Uptown neighborhood of south Minneapolis. On-street parking is usually plentiful, and I’m three blocks from several bus stops in all directions.
Cost: $50.
Bring: yourself, a pen and a notebook. Water and some sort of tasty treat will be provided.

Poem of the Week, by Billy Collins

Memento Mori
– Billy Collins

There is no need for me to keep a skull on my desk,
to stand with one foot up on the ruins of Rome,
or wear a locket with the sliver of a saint’s bone.

It is enough to realize that every common object
in this sunny little room will outlive me–
the carpet, radio, bookstand and rocker.

Not one of these things will attend my burial,
not even this dented goosenecked lamp
with its steady benediction of light,

though I could put worse things in my mind
than the image of it waddling across the cemetery
like an old servant, dragging the tail of its cord,
the small circle of mourners parting to make room.

 

For more information on Billy Collins, please click here: http://www.poetryfoundation.org/bio/billy-collins

If you travel to the southern wild

–here are a few things you might see.

A revival taking place in a field set among pine barrens, cars and pickups parked on both sides of the road, a single strip mowed out of tall grass and a tall purple cross tilting over the bowed heads of those who came to be saved.

A spotted dog lying on top of a rusty pickup as it lazily makes its way around the dirt roads of a campground by Howard Creek.

Roadside shacks selling boiled peanuts and beer.

Oystermen raking the oyster beds of the estuarial waters of the bay, with giant rakes that look like tongs, from oyster boats that look like wide rowboats.

A sign at the Honey Hole Liquor Store that finally, after years of admiring it, you capture on camera.

A peacock silhouetted against the night sky, wings tucked under himself and head drooping, asleep in the branches of a tall pine.

Baby alligators draped on half-submerged logs in the Apalachicola River, sunning themselves.

Shuckers standing behind the bar –any bar, any restaurant– heads down, plucking up oysters from a trough filled with ice and, with a single deft twist of an oyster knife, severing the muscle that holds the shell clenched shut. 

Red or brown plastic trays at a restaurant –any restaurant– piled with a dozen, a dozen meaning fourteen or so, oysters and slid unceremoniously onto a table. No bed of shaved ice. No formal presentation. Just a plastic tray of oysters, a plastic tub of horseradish, a roll of paper towels, a plastic squeeze bottle of cocktail sauce and an array of deep south hot sauce.

Mailboxes in the shape of giant open-mouth fish, one after another, mounted on wooden posts along a sandy byway.

Houseboats, schoolbuses-turned-into-houses, trailers-with-additions-built-onto-both-sides, campers mounted on cement blocks, and sheds that function as houses, up and down the sides of the chocolate-milk water of the Apalachicola and all its tributaries.

Hushpuppies, deep fried pickles and gumbo on most every menu, along with iced tea that must be specifed as Sweet or Unsweet.

A yellow flower rooted in the mud of the river, somehow grown up out of it, blooming.

The night sky by a sea so free of human-made light that you can lean back and stare up at stars massed and glimmering overhead, threaded through the visible Milky Way, and remember that your spinning blue-green planet is held within in a universe that is one of countless universes.

A shooting star falling so slowly that you witness it break into trails of light, flicker out and disappear.

 

"Give freely of what you find"

It was the end of a long day. You and your friend Absalom had spent it exploring the byways, talking and laughing and getting out of the car wherever the spirit moved you, taking in the sights and sounds and smells of the river and the tall pines and the pushing and pulling tides of this forgotten coast.

Now it was dusk. You parked, and the two of you walked into the little building next to the church. Fluorescent lighting buzzed overhead, and several long folding tables were set up in a square. There were four men there, plus you and Absalom.

This was the first time you had ever been to a meeting like this, and you were unsure of yourself. You felt like an outsider. Absalom had invited you and assured you that you would be welcome as a friend, that it was an “open” meeting.

Still, though. You aren’t an alcoholic and you had never struggled to defeat that demon of a disease the way these men had. It seemed intrusive to be there.

“You’re sure it’s okay?”

You had asked this of Absalom several times, and each time he had told you that yes, it was okay. That in fact you might find it to be a profound experience. So in you went, and shook hands with each of the men, and sat down at the plain table in the plain building attached to the little church, down here in the southern wild where you escape every February.

Absalom sat at the end of one table and you sat kitty-corner next to him. You watched as he rolled a little rubber ball around the table and tossed it from hand to hand. He has been going to these meetings for 17 years now, at least one a week.

The leader of the meeting handed you a blue xeroxed piece of paper listing all the nearby meetings. You scanned them: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday, sometimes twice a day, in the tiny towns of this remote part of the panhandle.

The leaders talked for a while, then the men told their stories, one after another, in quiet voices. Each man was older than you and Absalom by probably 20 years, and each had come to this meeting way of life late. You were tired, and the overhead fluorescence hurt your eyes, and you worried that you were intruding. But you sat still and listened carefully.

One of the men talked about many years ago, when he and his wife were out for the evening and witnessed a young woman being thrown out of a bar, drunk and screaming and kicking.

The man had laughed. “My wife had a different perspective, though. She said, ‘look at that poor woman, she must be in so much pain.’ And I thought about that, and it changed something in me.”

You thought about it too, sitting there on the hard folding chair, and suddenly you were on the verge of tears. You thought about someone you love very much and the sort of pain that they too must be in, the kind of pain that drunken screaming laughter can’t really cover up.

The leader asked Absalom, as a new visitor, to tell his story and he did. You watched the little rubber ball bounce from hand to hand as he talked, revealing a whole part of his life that you knew little about.

You and Absalom have been buddies since the first week of college, when you were both 18 year old kids. He lived one floor below you in a freshman dorm. He usually wore an old Army jacket and he smoked a lot of unfiltered Camel cigarettes.

He had a big laugh, so big that he often ended up coughing and laughing at the same time. (This is something that still happens to him, now that you think of it.) You credit him with introducing you to John Prine, to whom he had set up a small shrine in the corner of his room.

Sometimes you would come home late at night from the library and walk into your room to see your rag doll or your stuffed dog silhouetted against the moonlit window, hanging by the neck from a noose that Absalom and his friend had hitched to the window frame. A horrifying and hilarious sight. Sometimes he and other friends would bang on your door and haul you downtown to one of the tiny town’s three bars, to drink and laugh.

You remained steadfast buddies throughout college, graduated, went your separate ways. Both of you got married and had children, built your working lives. You lost track of each other. Many years later the miraculous curse of Facebook brought you back together and the friendship sprang up anew.

Now here you were, at a meeting in a scraping-by town in the southern wild. You listened to him talk and you thought how little we know of the stories behind the people we pass on the street. How little we know, too often, about the people we most love.

You thought about the pain that Absalom was in, for so many years, and how he hid it from everyone. You thought about things that you yourself have hidden, or used to hide, and how hard you work now, not to hide.

Why is it so hard, this not-hiding?

What would it be like, to look at everyone, the known and the unknown, carefully, and listen with your whole heart, to what they are telling you?

There in that plain room with the buzzing overhead fluorescence, a group of people had gathered together with the sole purpose of not hiding. Of telling their stories. Of listening. Of saying Thank you. 

At the end of the meeting, the leader asked you to read something and pushed a creased piece of paper over to you, which you accepted.

“I’m Alison and I’m not an alcoholic,” you told them —Hi, Alison— “but I too have been in the grip of something I felt helpless to get out of, in the past, and your stories feel familiar to me. Thank you for letting me listen to them.”

Then you read the words on the piece of paper. Some of them —Clear away the wreckage of your past. Give freely of what you find and join us. We shall be with you in the fellowship of the spirit— again brought you to the verge of tears.

You and Absalom walked out of the little building into a dark night lit by stars, massed overhead and threaded through the Milky Way. Before you spread the Gulf, its pushing and pulling waters quiet tonight.

“I wish everyone had meetings like that to go to,” you told him.

“I know,” he said.

As you drove through the dark you thought of the men’s faces there, in the room. Ordinary-looking men, not trying to impress anyone. There only to tell their stories and be reminded that they were not in this alone, this being the endless trying and the endless gratitude for what they had come to see was a life that was theirs, held tight in their own hands and then given over to something bigger than themselves.

 

 

 

 

Poem of the Week, by Virginia R. Terris

The Uninvited
– Virginia R. Terris

As the heads of state feast with one another, the tables in the
gilded hall loaded with caviar, venison, exotic fruits and veg-
etables and gallons of champagne, there’s a tapping on the
windows. A child’s face, then another, presses against the
panes, the eyes in them black as the night the children stand
in, their mouths open as if they were howling with the wind.

“Who are they?” ask the guests uneasily. “Where did they
come from?”

“Keep them out!” yells the host. “Get Security! Where’s
Security?”

But the children are so thin, they slip under the doors,
around the edges of the windows. Noiselessly. In great
numbers. They move forward to the tables. Their fingers
grip the edges of the tables. Their eyes gaze upwards into the
enormous openings and closings of official mouths.

For more information on Virginia R. Terris (who died last year), please click here: http://www.virginiarterris.zoomshare.com/0.html

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