Poem of the Week, by Philip Levine

You Can Have It
– Philip Levine

My brother comes home from work
and climbs the stairs to our room.
I can hear the bed groan and his shoes drop
one by one. You can have it, he says.

The moonlight streams in the window
and his unshaven face is whitened
like the face of the moon. He will sleep
long after noon and waken to find me gone.

Thirty years will pass before I remember
that moment when suddenly I knew each man
has one brother who dies when he sleeps
and sleeps when he rises to face this life,

and that together they are only one man
sharing a heart that always labors, hands
yellowed and cracked, a mouth that gasps
for breath and asks, Am I gonna make it?

All night at the ice plant he had fed
the chute its silvery blocks, and then I
stacked cases of orange soda for the children
of Kentucky, one gray boxcar at a time

with always two more waiting. We were twenty
for such a short time and always in
the wrong clothes, crusted with dirt
and sweat. I think now we were never twenty.

In 1948 in the city of Detroit, founded
by de la Mothe Cadillac for the distant purposes
of Henry Ford, no one wakened or died,
no one walked the streets or stoked a furnace,

for there was no such year, and now
that year has fallen off all the old newspapers,
calendars, doctors’ appointments, bonds,
wedding certificates, drivers licenses.

The city slept. The snow turned to ice.
The ice to standing pools or rivers
racing in the gutters. Then bright grass rose
between the thousands of cracked squares,

and that grass died. I give you back 1948.
I give you all the years from then
to the coming one. Give me back the moon
with its frail light falling across a face.

Give me back my young brother, hard
and furious, with wide shoulders and a curse
for God and burning eyes that look upon
all creation and say, You can have it.



For more information on Philip Levine, please click here: http://www.poetryfoundation.org/bio/philip-levine

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Poem of the Week, by W.H. Auden

Funeral Blues
– W.H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.



For more information on W.H. Auden, please click here: http://www.poets.org/poet.php/prmPID/120

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What Was Really Happening

Late last night you drove three hours in deep darkness on the highways and then byways of a nearly-forgotten southern coast.

What was really happening was that you were thinking about another trip you took at the tail end of last summer. One of your youthful companions was with you, the middle one. Her belongings were jigsaw-puzzled into the trunk and the back seat.

She sat in the passenger seat, or rather she reclined in the passenger seat, and slept. She slept almost the entire way, over a thousand miles, as you piloted the rental car through the highways and byways of Minnesota and Wisconsin.

On the car ferry that crosses Lake Michigan the two of you made your way to the top deck and dragged lounge chairs over to the side. She reclined hers fully and fell asleep for most of the four-hour journey across that vast lake, waking up when you pressed half of a giant chocolate chip cookie into her hand.

Once in the car again, on the other side, she fell asleep again while you drove through the vast forests and hills of Michigan, a remote and, in your opinion, highly underrated state. When you crossed over into Canada –blessings on Canada, that vast and beautiful country– she fell asleep again.

She came awake when you spontaneously steered the car toward Niagara Falls –where you hadn’t been since you were a child– and the two of you got out and walked the length of the stone-walled path, cooled and softened by the ever-present mist rising from those enormous falls.

“Why am I sleeping so much on this trip?” she said.

“You’re tired,” you said. “It’s been a busy summer.”

She nodded. It had been a busy summer. Travel and socializing and working, all busy things, things that could tire a person out, but not so much when you’re her age.

One of the things that was really happening was that she had spent the summer not thinking about what was coming at the end of it, which was this long trip that was carrying her away from the city of her birth, the city she loved. That was carrying her away from the place that held her childhood.

But here she was, and here you were, getting back in the car for the final few hours of the trip which would bring her to a new place, where you would leave her. You decided to say something true.

“You’re sleeping so much because I’m driving and you feel safe because your mother’s taking care of you and it reminds you of being a little girl, so you let go and you fall asleep,” you said.

She smiled. There were only a few hours left to this trip and she didn’t fall asleep again. It was too late now not to think about what was to come, all the newness, all the unfamiliar people, all her friends back home.

All her friends weren’t back home, not really. They too were dispersing, if not to places a thousand miles distant then to places closer. But still: different. Different places. New places. New lives.

The thing that was really, truly happening was that she knew, fundamentally, that the life she had lived up until now was over. Still part of her, as it would always be, but over.

You glanced at her, gazing out the passenger window. She was the second of your three youthful companions. Her brother had two years of being the only one, before she was born. Her sister would have three years of being the only one, now that she was leaving. She was the only one who had never had a single stretch of time with just you.

For some reason this had never occurred to you before, and as you watched her looking quietly out the window at the woods and lakes of upstate New York, the knowledge smote your heart.

Something else you knew but didn’t say was that she slept so much on that trip because what was to come was inevitable. There was nothing she could do, at this point, to prevent it.

Choosing where to go to college, whether to go to college, who you’ll live with when you’re there –none of these decisions were the catalysts of the change she was facing. Time was. The simple fact of years, years that go by, that ferry a person from one stage of life to another.

Sometimes you’re aware that it’s happening, other times it just happens.

There have only been a few times when you yourself weren’t trying to influence the outcome of something in your own life. When you weren’t striving for something, urging yourself on, making lists, working on something that would not see completion for a long time, if ever.

What all this busy-ness means, ultimately, is that you count on there being a future. You count on there being days and weeks and years ahead of you. How often has it happened that you just. . . stop? Shut down the planning, the thinking?

Rarely. Almost never. Two times come to mind.

The first: you were a child, riding in the back seat of the station wagon with your sisters. Your mother was driving. It was winter in upstate New York: snow and wind and black ice on the road. The car began to slide. It was sliding sideways and you were looking out the window and you knew it was going to slide right into the ditch, right into that wall of snow on the side of the hill.

There was nothing you could do. You let go and let it happen.

The second: about an hour after that girl, the one looking out the window on the final leg of the thousand-mile journey, was born. She was a long time coming, like her brother before her, and by the time she was clean and swaddled you were so exhausted you couldn’t speak.

When everyone was gone –the nurses, her father, the silent smiling man who brought you a plate of supper– there was only one lamp lit in the room.

It was night. It was winter. She was sleeping in a plastic-walled box on wheels next to you.

You don’t know why you turned on the t.v., but you did, muting the sound. There on the screen, bombs were falling on a distant country. Your country was bombing another country. You had brought another human being into a world full of bombs and violence and terror.

For the first and only time you can remember, this didn’t matter to you. You didn’t start planning and worrying and shaking your head.

Here was a quiet room, a lamp, a sleeping baby, a plate that held baked chicken and green beans and buttered toast. You let go and let it happen.

Then you closed your eyes and went to sleep.

In the end, is this the way it is? From one life into whatever, if anything, comes next, does there come that sleep? That letting go?

Between two unknowns, I live my life.
Between my mother’s hopes, older than I am
by coming before me, and my child’s wishes, older than I am
by outliving me. And what’s it like?
Is it a door, and good-bye on either side?
A window, and eternity on either side?
Yes, and a little singing between two great rests.

(excerpt from “The Hammock,” by Li-Young Lee)

Poem of the Week, by Ross Gay

Overheard
– Ross Gay

It’s a beautiful day
the small man said from behind me
and I could tell he had a slight limp
from the rasp of his boot against the sidewalk
and I was slow to look at him
because I’ve learned to close my ears
against the voices of passersby, which is easier than closing
them to my own mind,
and although he said it I did not hear it
until he said it a second or third time
but he did, he said It’s a beautiful day and something
in the way he pointed to the sun unfolding
between two oaks overhanging a basketball court
on 10th Street made me, too
catch hold of that light, opening my hands
to the dream of the soon blooming
and never did he say forget the crick in your neck
nor your bloody dreams; he did not say forget
the multiple shades of your mother’s heartbreak,
nor the father in your city
kneeling over his bloody child,
nor the five species of bird this second become memory,
no, he said only, It’s a beautiful day,
this tiny man
limping past me
with upturned palms
shaking his head
in disbelief.


For more information on Ross Gay, please click here: http://en.wikipedia.org/wiki/Ross_Gay

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Poem of the Week, by Maria Baranda

(Excerpt from) 1
    – Maria Baranda (translated from the Spanish by Joshua Edwards)

Everything begins with the moon and a desolate sky,
a place of frail words to open
the native prose of dreams. Calm
country poplars, Indian laurels
rise up, anxious on this island of memory.
There go the men who sail into port
when the word burns like a suburb
of truth, a mark on the page
that formed the earth. They approach too quickly.
They have lost the light and now break open a sea curd
in which time crackles.
They want to erase their names, to plant scams
in slow spirals of foam.
They recite a verse in an exiled country
like a clear net around infinite oceans.
There is blood between the rocks.
You listen to them. You wait for their silence.
You know they constitute an era.
Who will defend them from themselves?
Who will endure their eternal burden,
their first night of wind?
They’ll remain in books forever.
Syllables of gratitude, sentences where the remnants
of their century glimmer.
They are a sliver of light within the atlas of time.
You pray for them.
You open a coconut and you drink from it.
Bells ring where birds chirp,
where fish throb with the calmness
of a heart that’s on its own.
Once again the dream flows beneath your palm-thatched hut.
Who delights in you? Who says such prayers for you?


For more information about Maria Baranda, please click here: http://www.shearsman.com/pages/books/authors/barandaA.html

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Poem of the Week, by Jim Harrison

June the Horse
– Jim Harrison

Sleep is water. I’m an old man surging
upriver on the back of my dream horse
that I haven’t seen since I was ten.
We’re night riders through cities, forests, fields.

I saw Stephanie standing on the steps of Pandora’s Box
on Sheridan Square in 1957. She’d never spoken
to me but this time, as a horse lover, she waved.

I saw the sow bear and two cubs. She growled
at me in 1987 when I tried to leave the cabin while her cubs
were playing with my garbage cans. I needed a drink
but I didn’t need this big girl on my ass.

We swam up the Neva in St. Petersburg in 1972
where a girl sat on the bank hugging a red icon
and Raskolnikov, pissed off and whining, spat on her feet.

On the Rhône in the Camargue fighting bulls
bellowed at us from a marsh and 10,000 flamingos
took flight for Africa.

This night-riding is the finest thing I do at age seventy-two.
On my birthday evening we’ll return to the original
pasture where we met and where she emerged from the pond
draped in lily pads and a coat of green algae.
We were children together and I never expected her return.

One day as a brown boy I shot a wasp nest with bow and arrow,
releasing hell. I mounted her from a stump and without
reins or saddle we rode to a clear lake where the bottom
was covered with my dreams waiting to be born.
One day I’ll ride her as a bone-clacking skeleton.
We’ll ride to Veracruz and Barcelona, then up to Venus.

For more information on Jim Harrison, please click here: http://www.poetryfoundation.org/bio/jim-harrison

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Ghazal*

Ocean Ghazal

He came spiraling back up the stairs, all four flights, two at a time
Dark coat flying, dark eyes searching, something more to tell her, that last time.

At night by the ocean, salt spray and laughter and a dive in dark water.
Kisses, soft, then silence and her body, alive with longing. It was time.

A stranger on a yellow windsurfer like his, slicing through the northern ocean.
Curving the board back and forth to shore before her, the girl displaced in time.

Memory conjures a face, floating beyond the streaks of the bus window.
Please, please tell her what you didn’t, those last weeks, running out of time.

Pesto is garlic and basil, oil and cheese. Salt. Dip your finger in green,
deep green its taste, green your finger in her mouth, green still seen in time.

When someone dies where do his memories go? Memories only you two know?
You are so much older now than that day he left you behind in time.

 

*ghazal, defined

Poem of the Week, by Elizabeth Barrett Browning

If thou must love me, let it be for nought
– Elizabeth Barrett Browning (from Sonnets for the Portuguese)

If thou must love me, let it be for nought
Except for love’s sake only. Do not say
‘I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day’—
For these things in themselves, Belovèd, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.



For more information on Elizabeth Barrett Browning, please click here: http://www.poets.org/poet.php/prmPID/152

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Longing for the Dance

Longing for the Dance

What were you faithful to, back then, alone
long nights when those in other rooms slept on?
You’d look out at the stars, those nights you spun

a world of other places, all undone
from your small self, so still in the small bed
that you were faithful to, back then, alone

in dark that held the sky, the moon. First one
breath in, then two, then three. Always awake
you’d look out at the stars, those nights you spun

out lives where you were grown, were not the one
without the skin to make the hurt, hurt less.
What were you faithful to, back then, the lone

girl that you were, with dreams you told to none
for fear they’d not come true, would disappear?
You’d look out at the stars, those nights you spun.

Long gone now, then. Long years have taught that none
of those who dream are lost, can be undone.
What were you faithful to, back then, alone?
Look now. Look at the dreams, that dark you spun.