Poem of the Week, by Patricia Fargnoli

Roofmen
– Patricia Fargnoli

Over my head the roofmen are banging shingles into place
and over them the sky shines with a light that is
almost past autumn, and bright as copper foil.

In the end I will have something to show for their hard labor–
unflappable shingles, dry ceilings, one more measure of things
held safely in a world where safety is impossible.

In another state, a friend tries to keep on living
though his arteries are clogged,
though the operation left a ten-inch scar

and, near his intestines, an aneurysm blossoms
like a deformed flower. His knees and feet
burn with constant pain.

We go on. I don’t know how sometimes.
For a living, I listen eight hours a day to the voices
of the anxious and the sad. I watch their beautiful faces

for some sign that life is more than disaster–
it is always there, the spirit behind the suffering,
the small light that gathers the soul and holds it

beyond the sacrifices of the body. Necessary light.
I bend toward it and blow gently.
And those hammerers above me, bend into the dailiness

of their labor, beneath concentric circles: a roof of sky,
beneath the roof of the universe,
beneath what vaults over it.

And don’t those journeymen
hold a piece of the answer– the way they go on
laying one gray speckled square after another,

nailing each down, firmly, securely.



For more information on Patricia Fargnoli, please click here: http://www.joefargnoli.com/

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Poem of the Week, by Kevin Hart

Snow
– Kevin Hart

Some days
The snow has taken me in
To know the time of snow, to live
Inside a world so quiet

Its music
Is all a shimmering. Some evenings
When quite alone
I turn off every light

And watch the snow
Enjoy the dark, moving lushly
Through spiky air,
Finding more time

In time
Than when I stretch myself
And am
My father’s father. Oh yes,

There is
A sparkling choir, there surely is,
And dark ice air
Through which we fall.



For more information about Kevin Hart, please click here: http://www.poetryinternational.org/piw_cms/cms/cms_module/index.php?obj_id=678

Poem of the Week, by Carole Satyamurti

Life on Mir
– Carole Satyamurti
  (Note: Mir was the former Russian space station)

       
They took small fish, to observe

the effects of weightlessness in water.


Goldfish, ordinary on earth, were now

miraculous, their glitter precious currency,

their tiny mouths’ O and O a greeting.


So that when they died some men wept,

feeling, as if for the first time,

how grave a life is. Any life at all.



For more information on Carole Satyamurti, please click here: http://www.poetrypf.co.uk/carolesatyamurtibiog.html

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Poem of the Week, by Mark Irwin

Woolworth’s
– Mark Irwin (for Gerald Stern)


Everything stands wondrously multicolored

and at attention in the always Christmas air.

What scent lingers unrecognizably

between that of popcorn, grilled cheese sandwiches,


malted milkballs, and parakeets? Maybe you came here

in winter to buy your daughter a hamster

and were detained by the bin


of Multicolored Thongs, four pair

for a dollar. Maybe you came here to buy

some envelopes, the light blue par avion ones


with airplanes, but caught yourself, lost,

daydreaming, saying it’s too late over the glassy

diorama of cakes and pies. Maybe you came here


to buy a lampshade, the fake crimped

kind, and suddenly you remember

your grandmother, dead


twenty years, floating through the old

house like a curtain. Maybe you’re retired,

on Social Security, and came here for the Roast


Turkey Dinner, or the Liver and Onions,

or just to stare into a black circle

of coffee and to get warm. Or maybe


the big church down the street is closed

now during the day, and you’re homeless and poor,

or you’re rich, or it doesn’t matter what you are


with a little loose change jangling in your pocket,

begging to be spent, because you wandered in

and somewhere between the bin of animal crackers


and the little zoo in the back of the store

you lost something, and because you came here

not to forget, but to remember to live.



For more information on Mark Irwin, please click here: http://www.markirwinauthor.com/

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"And the water made a sound like memory when we sailed. . ."

This was a long time ago. You were, what, twenty years old? Yes, twenty, which is about how old you are in that crappy photo to the right.

You were living in Taiwan, eating potstickers and shrimp fried rice and mapo dofu, taking classes in a random sort of way, washing your clothes in a big sink –did you know it’s very hard to get laundry soap out of jeans by hand? It is– wandering the streets of Taipei, sometimes getting on a random bus and riding it as far as it went in order to see the sights, knowing that eventually the bus would circle back and you could get off where you got on.

(But did you know that not all buses eventually circle back? Some buses rumble along for hours until they’re far, far away, and then the bus driver parks and turns off the bus and motions you to get out, that this is the end of the line.)

You were living in Taipei in an apartment where your roommates taught you that you didn’t need to bathe and wash your waist-length hair every day, “taught” being, in this case, a synonym for “made you pay the water bill yourself because what kind of person other than a crazy American girl washes their hair every day?”

Potstickers, a penny apiece. Watermelon shakes, sesame ice cream, also cheap. Rent, cheap. The bus, cheap. Clothes, cheap. Everything was cheap except apples, which were absurdly expensive and came individually packaged in little foam and gilt-wrapped boxes.

For money, you taught English and sold your blood. You did everything on the cheap, which is how you and your two friends came to take the pig-and-vegetable boat to Orchid Island, off the southern tip of Taiwan. You had heard that there was nothing there but ocean and sand and the Tao people who had always lived there.

“You’re going to Orchid Island?” one of your Chinese roommates said. “Hey, bring me back a monkey, will you?”

Were there monkeys on Orchid Island? You had no idea. It seemed possible. Anything seemed possible, back then in Taiwan.

“Sure,” you said. “I’ll bring you back a monkey.”

You and your two friends could have taken another, faster boat, but it was more expensive. You could have taken a plane, which was also more expensive. The pig-and-vegetable boat was cheap, which is how you came to stand in a line on an industrial dock, waiting to board.

The only other passengers, and there were many of them, were green-uniformed Taiwanese soldiers. As you boarded the boat, you were handed a plastic bag.

“What’s this for?” you asked one of the soldiers standing next to you.

“Don’t know,” he said, and shrugged.

You both found out once you left shore. The pig-and-vegetable boat pitched and tossed in the big waves, under the blue sky, and the sun beat down as you and the soldiers began barfing into the plastic bags, which quickly filled and left you with nowhere to turn but the ocean itself, where the wind blew both spray and barf back at you.

Before long you were lying on the filthy floor, tossed beneath the metal deck benches with each swell, covered with vomit, not caring if in your sickened state you rolled up against a soldier, because you were all in the same boat, literally, and you knew you would die if this kept on much longer.

Which could probably have happened, but didn’t. By the time you docked at Orchid Island, four hours or four months later, you and your two friends were so weak and worn out that when a man on a motorbike sped up to one and motioned her to get on, she got on.

Off she zoomed, clinging to the man, and up a hill they disappeared. Who was he? Where was he taking her? Another man on another motorbike appeared and your second friend got on and zipped away down the road.

You waited your turn and it came. Here is a man, here is a motorbike. Sure, why not? Off you went, assuming that he would take you someplace and that when that someplace appeared, you would see your friends again.

And so it happened. The three of you reunited at an abandoned half-built hotel. Who were the men on the motorbikes? You never found out. They didn’t want anything, not even money. They disappeared, their motorbikes whining like mosquitoes as they rounded a distant hill.

Was there any place to stay on Orchid Island? No. How you ended up staying in the kindergarten room of a two-room school, you have no idea. Tiny chairs, tiny tables, a floor to sleep on, and on it you slept.

Besides dried fish and a strange fruit whose name you don’t know, you don’t remember what you ate. You don’t remember talking to anyone but your two friends. There were the Tao people, the Orchid Islanders, but they didn’t speak Mandarin.They wore few clothes and lived, it seemed, on dried fish and that nameless fruit.

Next morning you woke before dawn, like always. Your two friends were sound asleep on the floor of the kindergarten. You walked down the road to the beach –Orchid Island was all beach– and sat down on the sand to watch the sun come up.

Clouds on the far horizon lit themselves from beneath with pink and orange and the sky began to turn gold. You were wearing your pink skirt, that same pink skirt you wore almost every day when you lived in Taiwan, and the sand under your bare feet was cool and soft and white. You pulled your knees up and wrapped your arms around them and watched the world take form.

The South China Sea was calm that morning, with a gentle surf. Far across the sand you saw something coming toward you. It looked to be an enormous animal of some kind. You don’t remember being afraid. There was something un-scary about it.

The sky grew lighter and the animal turned into a prone man, elbowing his way across the sand. His thighs tapered to stubs just below the narrow band of cloth tied around his butt. He finned his way up to you, sitting there on the sand, and laughed and gestured with one arm toward the water.

What was he asking you? To go swimming? You shook your head and smiled back at him. He kept talking, laughing. You shook your head and lifted your shoulders and tilted your head. You tried a few words in Mandarin, but he didn’t understand it, and you didn’t understand his language.

Then he was off, finning his laborious way across that vast expanse of sand to the water. He looked back as if to make sure you were still there. You were. You waved.

He reached the water and turned into a fish. He was no longer a man, he was a creature of the ocean, a beautiful man-fish in that beautiful water. Flipping and diving and surfacing and diving again. You have never seen anyone so effortless in the water before or since.

The sun was up by the time he returned, clutching something between his teeth, those powerful shoulders of his propelling him back across the sand. You met him halfway and he plucked the something from his mouth: a piece of coral, orange-pink like the sunrise you had just watched. An intricate whorled pattern.

He laughed again and dropped it into your hand, closed your fingers around it. A gift. That was all the sea-man wanted, to give you a gift. He waited until you smiled, until he was sure you liked the coral, and then he was off, looking back at you and smiling, making his way back across the sand to the sea that made him whole.

Your friends were still sleeping on the cement floor of the kindergarten when you returned. You stayed on the island for two more days, eating dried fish, digging your toes into the white sand, wandering up and down the road and the hills. You didn’t see the ocean man again.

When you left you didn’t take the pig-and-vegetable boat. You flew back to Taiwan in a tiny plane that held the pilot and the three of you, sitting on a vinyl bench seat that had been ripped out of a school bus and shoved haphazardly into the space behind the pilot. There was nothing between you and the sky but the thin skin of the tiny, droning plane.

When you got back to the apartment you showed the coral to your Chinese roommate and tried to explain the ocean man to her, what it had been like sitting on the beach while the sun came up, watching him fin his way across the sand to you. She was mildly interested.

“Nice,” she said, examining the coral. “But where’s my monkey?”

For years you carried that coral with you. It sat on every desk you had, in each apartment, from state to state.

You don’t know how or where you lost it, in which move to which apartment or house, but you did.

* * *

. . .And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,
I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
by pushing into it —

(from Voyage, a poem by Tony Hoagland)

Poem of the Week, by Aria Dominguez

The Things I Cannot See
– Aria Dominguez

The corner store went up in flames, and he talked about it for weeks.
An armada of fire engines, lights flashing: a two year-old’s dream.
The smoke, the steam, the frozen spray coating
the trees, bushes, and house next door.

Then the shell was demolished, yet more excitement.
Crane, wrecking ball, backhoe, dump trucks,
construction workers directing traffic
in yellow safety vests.

All year, every time we drove by the vacant lot.
he pointed out, There’s where the building burned down!
He wouldn’t let me forget the fire I fear, how easy it could be
to find myself out in the cold watching our life blaze into ashes.

At the end of summer, a construction fence went up
as hard hatted surveyors measured and planned.
One day we passed the site to find it crawling with machines,
excavation of the foundation begun.

Momma! he screamed with what seemed overmuch fervor,
even for diggers in action. He shrieked, Where are the plants?
The plants are gone! Indeed, the neck-high weeds blanketing the property
had been ground up under the metal tracks of the equipment.

I told him the plants were to be replaced with a new building,
thinking he would be excited to watch it go up. But he began to sob,
No, make them put the plants back. I loved those plants.
They were green and had pretty flowers. Put them back!

I tried to explain that they were just weeds. I tired to explain
that many in the neighborhood have no cars
and nowhere else to walk for food. People often say
he is a kid you can explain things to, but there was no explaining this.

All I could do was pull over and hold him as he wept for the death
of flowers sown by the wind, the loss
of green growing for the sake of being green, the emptiness
of the earth left to do what it will.


Aria Dominguez is a Minneapolis poet and photographer. For more information on some of her work, please click here for information on the Powderhorn 365 Project: http://www.powderhorn365.com/index.php?/categories/54-Aria-Dominguez

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Poem of the Week, by Gerard Manley Hopkins

Spring and Fall: to a Young Child
– Gerard Manley Hopkins

Margaret, are you grieving
Over Goldengrove unleaving?
Leaves, like the things of man, you
With your fresh thoughts care for, can you?
Ah! as the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you will weep and know why.
Now no matter, child, the name:
Sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It is the blight man was born for,
It is Margaret you mourn for.


For more information on Gerard Manley Hopkins, please click here: http://www.poets.org/poet.php/prmPID/284

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Poem of the Week, by Ece Temelkuran

Squirrel
– Ece Temelkuran (translated from the Turkish by Deniz Perin)


Truthfully, I ruminated when I came down from the tree.

Had sorrow made me say all these things?

Had someone been with me, they would say at once

that I was ‘deeply wounded.’

I would like to show them

the squirrel that flickers in and out of sight, small as a crumb

but still able to animate the dark forest.


Her soul is surely the picture

of this tranquil elation that quivers and rests inside me.

The squirrel was drawing my path toward the forest.



For more information on Ece Temelkuran, please click here.

 

Poem of the Week, by Tony Hoagland

The Word
– Tony Hoagland

Down near the bottom
of the crossed-out list
of things you have to do today,

between “green thread”
and “broccoli” you find
that you have penciled “sunlight.”

Resting on the page, the word
is as beautiful, it touches you
as if you had a friend

and sunlight were a present
he had sent you from some place distant
as this morning—to cheer you up,

and to remind you that,
among your duties, pleasure
is a thing,

that also needs accomplishing
Do you remember?
that time and light are kinds

of love, and love
is no less practical
than a coffee grinder

or a safe spare tire?
Tomorrow you may be utterly
without a clue

but today you get a telegram,
from the heart in exile
proclaiming that the kingdom

still exists,
the king and queen alive,
still speaking to their children,

—to any one among them
who can find the time,
to sit out in the sun and listen.

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Poem of the Week, by Taha Muhammad Ali

Meeting at an Airport
– Taha Muhammad Ali

You asked me once,
on our way back
from the midmorning
trip to the spring:
“What do you hate,
and who do you love?”

And I answered,
from behind the eyelashes
of my surprise,
my blood rushing
like the shadow
cast by a cloud of starlings:
“I hate departure…
I love the spring
and the path to the spring,
and I worship the middle
hours of morning.”
And you laughed…
and the almond tree blossomed
and the thicket grew loud with nightingales.

…A question
now four decades old:
I salute that question’s answer;
and an answer,
as old as your departure;
I salute that answer’s question…

…And today,
it’s preposterous,
here we are at a friendly airport
by the slimmest of chances,
and we meet.
Ah, Lord!
we meet.
And here you are
asking—again,
it’s absolutely preposterous—
I recognized you
but you didn’t recognize me.
“Is it you?!”
But you wouldn’t believe it.
And suddenly
you burst out and asked:
“If you’re really you,
What do you hate
and who do you love?!”

And I answered—
my blood
fleeing the hall,
rushing in me
like the shadow
cast by a cloud of starlings:
“I hate departure,
and I love the spring,
and the path to the spring,
and I worship the middle
hours of morning.”

And you wept,
and flowers bowed their heads,
and doves in the silk of their sorrow stumbled.


For more information on Taha Muhammad Ali, please click here: http://www.poetryinternational.org/piw_cms/cms/cms_module/index.php?obj_id=3181

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