Poem of the Week, by Warsan Shire
I’ll rewrite this whole life and this time there’ll be so much love, / you won’t be able to see beyond it.
These lines, from the gorgeous poem below, bring me back to childhood and the novel that more than any other book made me want to be a writer. A Tree Grows in Brooklyn is about Francie Nolan, who grew up on the mean streets of Brooklyn in the early part of the 20th century.
She was a lonely girl, even though she was loved, and so was I. Her love for the world and being alive in it was wild and intense, and so was mine. She was filled with longing and confusion, and so was I. That one teacher –the one she adored—told her that in life, she should tell the truth of the way things happened, but that in the stories she wrote, she could make up her own endings. She could write life the way it should be. Warsan Shire is too young to have read A Tree Grows in Brooklyn, but she knows way down deep in her bones the profound power of words to transcend experience.
Backwards, by Warsan Shire
for Saaid Shire
The poem can start with him walking backwards into a room.
He takes off his jacket and sits down for the rest of his life;
that’s how we bring Dad back.
I can make the blood run back up my nose, ants rushing into a hole.
We grow into smaller bodies, my breasts disappear,
your cheeks soften, teeth sink back into gums.
I can make us loved, just say the word.
Give them stumps for hands if even once they touched us without consent,
I can write the poem and make it disappear.
Step-Dad spits liquor back into glass,
Mum’s body rolls back up the stairs, the bone pops back into place,
maybe she keeps the baby.
Maybe we’re okay kid?
I’ll rewrite this whole life and this time there’ll be so much love,
you won’t be able to see beyond it.
You won’t be able to see beyond it,
I’ll rewrite this whole life and this time there’ll be so much love.
Maybe we’re okay kid,
maybe she keeps the baby.
Mum’s body rolls back up the stairs, the bone pops back into place,
Step-Dad spits liquor back into glass.
I can write the poem and make it disappear,
give them stumps for hands if even once they touched us without consent,
I can make us loved, just say the word.
Your cheeks soften, teeth sink back into gums
we grow into smaller bodies, my breasts disappear.
I can make the blood run back up my nose, ants rushing into a hole,
that’s how we bring Dad back.
He takes off his jacket and sits down for the rest of his life.
The poem can start with him walking backwards into a room.
For more information on Warsan Shire, please read this profile of her.
What wearies you? What renews you? Who brings you joy? Who exhausts you? When you think of safety and comfort and happiness, what place or person comes to mind? The answers to these questions are already known to you. They live in your body, in a place beyond conscious thought and its dangerous companions, rationalization and overriding.
Long ago I wanted to write a book with an underlying theme of superheroes, but I was stuck. So I asked my son, then a teenager, this question: “What, in your opinion, is the most essential trait of a superhero?” His answer was immediate and clear: “A super villain.”
Five years ago this week my older daughter and I were sitting on the porch of a cafe in Istanbul, smoking a hookah and eating mezes and pita bread. Later, we walked the streets of our neighborhood, which was on the Bosphorus. At one point the muezzins began their call to prayer, the sound of their voices wafting over the stone walls and cobblestones of that vast and sprawling city. The sun was falling below the horizon and my daughter was walking ahead of me, her tumble of dark curls falling over her navy jacket, and my heart seized up in a familiar way, the way it has seized up my entire life, when the world is too beautiful and you want to stop and freeze it but the minutes are passing and passing and passing regardless.
It’s been almost a week now. I washed your blankets and hung them on the line. The mats and small rugs we scattered around on the wood floors to help you with traction are stored away. The Painter put your bed in the storage room and washed your food and water bowls. Neither of us can talk about you in public, so we don’t.



Once, a long time ago, I went to a jumprope exhibition in the gym of a middle school. There were teams of tandem jumpers, rope dancers, and synchronized twirling. The students had practiced for many weeks prior to the exhibition. This was back in the days of big VHS camcorders, and I had one on my shoulder so I could record the coolest moments. At the very end of the competition, the gym floor cleared and a single jump roper entered the room from a side door. One of his legs was twisted up behind his head –it looked effortless, he was that flexible and agile–and he did so many tricks so fast and so well, jump-roping the whole time, that I kept the camcorder trained on him. The crowd burst into a roar.
A child I didn’t have has been with me throughout my adult life. He has grown up without me in a shadow world that exists within this world: invisible but close by. In dreams he stands in the doorway of a room I’m writing in, his feet on the doorsill, never stepping into the room itself. He’s tall now, and lean, and always smiling. The fact that he never existed makes him no less real to me. Every one of Ross Gay’s poems goes straight to my heart, but none quite like this. 
names and roles taken directly from a seriously cheesy VHS TV series called Ewoks (which I probably found for a quarter at a garage sale). What I remember most is my daughter’s bright eyes as she tromped around the house after her older brother, who was always kind to her.