Poem of the Week, by Dorianne Laux

Screen Shot 2018-04-05 at 8.44.54 AMA few days ago at the store I stood in line, my groceries on the conveyor belt: butter, greens, an avocado, carrots and peppers and potatoes. The person behind me placed their items on the belt: two packages of ice cream sandwiches. About once a year I get a craving for an ice cream sandwich, and looking at the picture on the boxes made me want one. I turned to see who was buying them. She was middle-aged, with faded hair and a worn, tired face, wearing a jacket with a broken zipper. Hunched over. She’s been through some things, was the thought in my mind, and I waited for her to look up so I could smile at her and chat a little while we waited for the cashier. But she never did look up. And I thought of this poem, by the wondrous Dorianne Laux. So many people out there, all of us maybe, who have been through some things. Oh, the water.

 

Oh, The Water, by Dorianne Laux

You are the hero of this poem,
the one who leans into the night
and shoulders the stars, smoking
a cigarette you’ve sworn is your last
before reeling the children into bed.

Or you’re the last worker on the line,
lifting labeled crates onto the dock,
brown arms bare to the elbow,
your shirt smelling of seaweed and soap.

You’re the oldest daughter
of an exhausted mother, an inconsolable
father, sister to the stones thrown down
on your path. You’re the brother
who warms his own brother’s bottle,
whose arm falls asleep along the rail of his crib.

We’ve stood next to you in the checkout line,
watched you flip through tabloids or stare
at the TV Guide as if it were the moon,
your cart full of cereal, toothpaste, shampoo,
day-old bread, bags of gassed fruit,
frozen pizzas on sale for 2.99.

In the car you might slide in a tape, listen
to Van Morrison sing Oh, the water.
You stop at the light and hum along, alone.

When you slam the trunk in the driveway,
spilling the groceries, dropping your keys,
you’re someone’s love, their one brave hope;
and if they don’t run to greet you or help
with the load, they can hear you,
they know you’ve come home.

 
 
​For more information on Dorianne Laux, please ​check out her website.
 

Poem of the Week, by Dorothea Grossman

Randoms, Calvin & HobbesMy son was two years old and we were in the backyard. It was early spring, and I was digging around in the dirt when he suddenly bent double and started laughing and pointing. Dinosaurs, he said, dinosaurs! I followed his pointing finger to the patch of ferns next to us. They were just beginning to unfurl their fronds, and the stem of each was bent and curved, and in that instant I saw what he saw: the long curved necks of T-Rexes. My laughing little boy, looking at the world in a way I’d never seen it before. I have never looked at ferns the same way since. The memory of that day almost chokes me up, and so does this small poem. 

 

The Two Times I Loved You Most in a Car, by Dorothea Grossman

It was your idea 
to park and watch the elephants 
swaying among the trees 
like royalty 
at that make-believe safari 
near Laguna.
I didn’t know anything that big 
could be so quiet.

And once, you stopped 
on a dark desert road 
to show me the stars 
climbing over each other 
riotously
like insects
like an orchestra 
thrashing its way 
through time itself 
I never saw light that way 
again. 

 

For more information on Dorothea Grossman, please click here.​

Website
Blog
Facebook page
@alisonmcghee

 

Poem of the Week, by Lisel Mueller

Screen Shot 2018-04-05 at 8.43.51 AMRough, rough week. Children torn from their parents at borders, the suicides of loved people who projected happiness, the cruelty of our elected employees and the ongoing and unfathomable cowardice of their minions who stand by, watching our democracy crumble. Last night I scrolled through poem after poem, looking for one with clear eyes and a level gaze, like this one below. A poem that sees the situation for what it is and imagines it as it can be. Time for us to be the goddesses who remake this world. 

 

The End of Science Fiction
     – Lisel Mueller

This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.
Both hands are stopped at noon.
We are beginning to live forever,
in lightweight, aluminum bodies
with numbers stamped on our backs.
We dial our words like Muzak.
We hear each other through water.
The genre is dead. Invent something new.
Invent a man and a woman
naked in a garden,
invent a child that will save the world,
a man who carries his father
out of a burning city.
Invent a spool of thread
that leads a hero to safety,
invent an island on which he abandons
the woman who saved his life
with no loss of sleep over his betrayal.
Invent us as we were
before our bodies glittered
and we stopped bleeding:
invent a shepherd who kills a giant,
a girl who grows into a tree,
a woman who refuses to turn
her back on the past and is changed to salt,
a boy who steals his brother’s birthright
and becomes the head of a nation.
Invent real tears, hard love,
slow-spoken, ancient words,
difficult as a child’s
first steps across a room. 

For more information about Lisel Mueller, please click here.  

Website
Blog
Facebook page
@alisonmcghee

Poem of the Week, by Leigh Hunt

Shack hammockYesterday, after heavy rains, I went for a long walk. I kept hearing opera music and I looked around to see a man grinning at me and nodding from his car, where the windows were open and the volume turned way up. I laughed and waved back at him, and the below poem leaped up into my mind. My grandmother, whose life was extraordinarily hard, used to recite it to us with an unfamiliar lilt in her voice. 

Then, late last night when I was putting together this post, I scrolled through my sent-poem files and found notes between me and two old friends from 2006, when I first sent out this poem. From Norma Fox Mazer: Yeehaw! You should send this one out at least once a year! From Phebe Hansen: Yay for love! xxoo. I loved Norma and Phebe. Both are gone now, but their smiles and laughter and bright eyes leaped up from their words on the screen into my mind, full of life, just like this poem.

 

Jenny Kissed Me
            – Leigh Hunt

Jenny kissed me when we met,
    Jumping from the chair she sat in;
Time, you thief, who love to get
    Sweets into your list, put that in;
Say I’m weary, say I’m sad,
    Say that health and wealth have missed me,
Say I’m growing old, but add,
    Jenny kissed me.

For more information about Leigh Hunt, please click here.

Poem of the Week, by Pat Mora

img_0560

Mrs. Martin was the only one who believed in me.

When Mr. Jackson died I flew across the country to his funeral and told his family what he had meant to me. 

I still have the note that Miss Delaney gave me on the last day of third grade.  

I named my son after Mr. James, the way you might name a son for his father. Because that’s how important Mr. James was to me. 

Teachers wield power –sometimes for bad, like the first-grade teacher who hung a sign around my sister’s neck that read “I talk too much in class,” but mostly for good. And that power lasts a lifetime. How many times I have given this prompt in a workshop —Think of a powerful figure from your childhood and write about that person– and listened to story after story about a teacher. A magical teacher who created a cloud of safety around a child ignored, unseen, and unsung, as in the quiet, lovely poem below. 

 

Ode to Teachers, by Pat Mora

I remember
the first day,
how I looked down,
hoping you wouldn’t see
me,
and when I glanced up,
I saw your smile
shining like a soft light
from deep inside you.

“I’m listening,” you encourage us.
“Come on!
Join our conversation,
let us hear your neon certainties,
thorny doubts, tangled angers,”
but for weeks I hid inside.

I read and reread your notes
praising
my writing,
and you whispered,
“We need you
and your stories
and questions
that like a fresh path
will take us to new vistas.”

Slowly, your faith grew
into my courage
and for you—
instead of handing you
a note or apple or flowers—
I raised my hand.

I carry your smile
and faith inside like I carry
my dog’s face,
my sister’s laugh,
creamy melodies,
the softness of sunrise,
steady blessings of stars,
autumn smell of gingerbread,
the security of a sweater on a chilly day.    

 

For more information on Pat Mora, please click here.​

Website
Blog
Facebook page
@alisonmcghee

Poem of the Week, by Richard Jones

IMG_6359Old men who hold their wives’ handbags for them as they put on their coats. Young fathers who hold their toddlers’ hands as they cross the street. The girl who jumps up to open the door for the woman using the walker. The cafe manager who keeps a water bowl outside, filled with cool water, for passing dogs. The man with the truck who goes up and down the rural road, plowing out his elderly neighbors. Everyone waving goodbye, tears in their eyes, as the ones they love disappear into the airport, like in the movie Love Actually*. The movie Love Actually. A note left in a poetry box, thanking the “poem attendant” for “all the good poems.” A carful of grinning men chattering in Spanish, pulling over to the side of a snowy road and pushing the young woman’s car out of the ditch. The world is full of sweetness. When I need to remind myself of that, which is often, in these days of bewildering cruelty and greed by our elected employees, this is one of the poems I recite to myself. 

 

After Work, by Richard Jones

Coming up from the subway
into the cool Manhattan evening,
I feel rough hands on my heart –
women in the market yelling
over rows of tomatoes and peppers,
old men sitting on a stoop playing cards,
cabbies cursing each other with fists
while the music of church bells
sails over the street,
and the father, angry and tired
after working all day,
embracing his little girl,
kissing her,
mi vida, mi corazon,
brushing the hair out of her eyes
so she can see.

 

For more information on Richard Jones, please click here.

*I love Love Actually except for how mean they are to Aurelia’s sister. And I fast-forward past Sarah and Karl’s scenes because they are too painful. 


Website
Blog
Facebook page
@alisonmcghee

Poem of the Week, by Ellen Bass

Me and ArthurLast week my water filter leaked into the storage bin where my youngest’s childhood mementoes are kept. I brought it upstairs and spread her things out to dry. Onesies, footie pajamas, overalls with ripped-out knees. Her high school graduation cap. Notebooks filled with book reports and drawings and journal entries. Cards she’d written to me, mostly construction paper drawings along with I love you mom. The arc of eighteen years spread out on the kitchen table and counters. The tiny quilt I made for her before she was born and which she wore to literal shreds was damp, and I picked up the strands and held them to my heart.

The day my first baby was born was the day I knew true terror. What if something happened to him? That terror only grew when his sister was born, and again when my second daughter entered my life. There’s no way around that terror. All you can do is learn to live with it. That’s the price of love. I’m thinking now of daughters and sons and mothers stretching into infinity, all of them holding tight to some version of a blanket. 

  

For My Daughter on Her Twenty-First Birthday, by Ellen Bass

When they laid you in the crook
of my arms like a bouquet and I looked
into your eyes, dark bits of evening sky,
I thought, of course this is you,
like a person who has never seen the sea
can recognize it instantly.
They pulled you from me like a cork
and all the love flowed out. I adored you
with the squandering passion of spring
that shoots green from every pore.
You dug me out like a well. You lit
the deadwood of my heart. You pinned me
to the earth with the points of stars.
I was sure that kind of love would be
enough. I thought I was your mother.
How could I have known that over and over
you would crack the sky like lightning,
illuminating all my fears, my weaknesses, my sins.
Massive the burden this flesh
must learn to bear, like mules of love.

 

For more information about Ellen Bass, please click here.

Poem of the Week, by Robyn Sarah

IMG_9595

Last week I visited The Tenement Museum on the Lower East Side of Manhattan. My grandfather and his family lived there when they first emigrated to New York, after fleeing the pogroms in Russia at the turn of the 20th century. Small dark rooms. No electricity. No running water. Four toilets in the back yard for the entire building. Family piecework factories. One of my great-uncles died of TB, which he contracted in a sweatshop. No, scratch that. He died of suicide because he didn’t want to put his family through the pain and expense of a long and agonizing death. 

On our tour, I was the only American. When the tour guide asked if there had once been languages spoken in our families that are no longer spoken, I was the only one to raise my hand: “Sure. Russian, Yiddish, German, Danish, French.” My ancestors lived not an American dream but an American story, like most of us.  It was a relief to emerge from that dark, cramped tenement and stand in the sunshine. 

 

On Closing the Apartment of My Grandparents of Blessed Memory, by Robyn Sarah

And then I stood for the last time in that room.
The key was in my hand. I held my ground,
and listened to the quiet that was like a sound,
and saw how the long sun of winter afternoon
fell slantwise on the floorboards, making bloom
the grain in the blond wood. (All that they owned
was once contained here.) At the window moaned
a splinter of wind. I would be going soon.

I would be going soon; but first I stood,
hearing the years turn in that emptied place
whose fullness echoed. Whose familiar smell,
of a tranquil life, lived simply, clung like a mood
or a long-loved melody there. A lingering grace.
Then I locked up, and rang the janitor’s bell.    

 

For more information on Robyn Sarah, please click here.

Website
Blog
Facebook page
@alisonmcghee

Poem of the Week, by William Stafford

IMG_0695You know those maps where you fill in all the states you’ve been to? The only one missing from mine is Alaska (I don’t count the time that I landed at the Anchorage airport on my way to China). I’ve been to all the lower 48 states, most of them multiple times, because road trips are big in my life. The earth is a living being beneath the tires, rising and falling, sweeping west and shrinking east. Most of the time I’m solo, like last week, when I drove 2089 miles in three days. When I get tired, or when it gets dark, I tuck my old tiny car behind a semi for comfort. Truckers sometimes get a bad rap, and once in a while it’s justified, but for the most part they drive their trucks way more safely than most people drive their cars. 

Once, a few years ago, it was late at night in the Rockies, and I trailed behind a semi for over a hundred miles before I reached my exit. As I turned off, he tooted and waved, and I waved back. Strangers in the dark, acknowledging their connection. This beautiful poem reminds me of that night, and of all the road trips I have taken in my life.

 

Father’s Voice, by William Stafford

“No need to get home early;
the car can see in the dark.”
He wanted me to be rich
the only way we could,
easy with what we had.

And always that was his gift,
given for me ever since,
easy gift, a wind
that keeps on blowing for flowers
or birds wherever I look.

World, I am your slow guest,
one of the common things
that move in the sun and have
close, reliable friends
in the earth, in the air, in the rock.


For more information on William Stafford, please click here​.


Website
Blog
Facebook page
@alisonmcghee

 

Poem of the Week, by E.E. Cummings

Screen Shot 2018-04-05 at 8.44.54 AMSometimes I dream that I’m trying to get to Paris. I’m at the airport but I left my passport at home, and I can’t get a cab to go fetch it, and once I’m home I can’t remember where the passport is, and once I’m back at the airport I’m at the wrong terminal, and now I can’t find my ticket, and what happened to my roller bag, and, and, and this dream goes on all night long and I wake up exhausted. Sometimes don’t you want to step out of yourself for a day, or even a few hours, and just be someone else? Or no one else? This is when you need to read the poem below, by the hypnotic Mr. Cummings, because he knows exactly how you feel.

 

You Are Tired, by Edward Estlin Cummings

You are tired,
(I think)
Of the always puzzle of living and doing;
And so am I.

Come with me, then,
And we’ll leave it far and far away —
(Only you and I, understand!)

You have played,
(I think)
And broke the toys you were fondest of,
And are a little tired now;
Tired of things that break, and —
Just tired.
So am I.

But I come with a dream in my eyes tonight,
And knock with a rose at the hopeless gate of your heart —
Open to me!
For I will show you the places Nobody knows,
And, if you like,
The perfect places of Sleep.

Ah, come with me!
I’ll blow you that wonderful bubble, the moon,
That floats forever and a day;
I’ll sing you the jacinth song
Of the probable stars;
I will attempt the unstartled steppes of dream,
Until I find the Only Flower,
Which shall keep (I think) your little heart
While the moon comes out of the sea.

 

​For more information on E.E. Cummings, please click here.​

Website
Blog
Facebook page
@alisonmcghee