Day Eighteen: In which one goes against one's grain

Day Eighteen, in which one realizes that sometimes, one doesn’t want to do something one has never done before. One thinks, I just want to stick with the tried and true. But one has taken a vow, and one must forge on.

One casts one’s eye about the kitchen, wondering if something ne’er-done-before can be accomplished quickly, with little effort, and also with as few words as possible, since one is already incredibly weary of using “one” instead of “I.”

One decides to slice a cucumber and an onion in a way that one does not recall having sliced before.

Et voila.

One found this challenge easy, mildly interesting, and unexpectedly fruitful, in that it gave one a chance to practice having one’s own cooking show on television by speaking aloud to an invisible audience as one sliced and diced one’s vegetables.

Day 17: Camouflage

I had a friend, an old woman who lived nearby, who was born injured. Her hip was paralyzed. My friend was very small and when I hugged her I folded myself far, far down. She liked wearing leopard slacks around me because she knew I admired her leopard slacks.

She lived her whole life injured.

“She’s crippled,” I said in surprise when I saw her, facing someone else who had known her many, many years.

“No, no, no,” came a scoffing reply.

Scoffing-reply-person was wrong and she was also un-wrong. You’d never know my elderly friend was crippled. She danced, she walked, she worked all her life, she barely spoke of her injury. She never slowed down.

I’m seeing her in my mind now, alongside people like her, and animals like her.

A wee golden house near me holds a woman, a man, and a small feline companion missing one leg.

“Look! She’s missing a leg,” said my young companions when we saw her.

Small feline dashes from house, yard, alley, hopping gracefully, landing as if on springs. Does she ever slow down? No.

I know people who are in pain, people who are suffering, people who hide sorrow, hold sorrow inside, wrap arms around hidden pain so our world sees only a smile, a bend of head, eyes masking anguish and always, somehow, kind and loving.

I admire such people. Much of our human world is alike in such ways, I figure. Many of us –all of us?– camouflage pain, hide our inadequacies, walk and hop and dash along missing a leg, or dancing gracefully, masking a paralyzed hip. We choose courage, a good face, over despair, and we choose courage again and again and again. Choose courage enough and courage becomes one of our senses, always here, rarely acknowledged.

Much we lack, maybe all, can be made up for. Can be camouflaged. I wish so much I’d had a “t” available, for example, as I worked here in dawn silence, hunched over my keyboard. I never made myself go t-less before.

Hard, you know? Very, very challenging.

And possible.

Day Sixteen: and wild and sweet the words repeat

It was raining lightly in the early morning as my trusty canine companion, who answers to the human name of Pete, and I headed out. We were acting on a hot tip from a friend, whose mysterious instructions were only “Go to the Black Forest right away and look in the alley behind it.”

This was something I’d never done before, even though I used to eat at the Black Forest when I first moved to Minneapolis. The Black Forest was the site of a “wurst salad” which was as interesting as it sounds, and it was also the site of a Halloween night where I freaked out the bargoers by wearing my amazing half-black and half-white face mask, which fits so perfectly that people think it’s my actual face.

But enough of the Halloween mask and back to the hot tip.

Pete and I headed out from our house into the Black Forest/Whittier neighborhood, which adjoins ours and which we never walk in because we’re dumb creatures of habit and we stick to one of the four lake walks we’ve done thousands of times over the years.

Me to Pete: We’re so dumb. Why do we not walk in Whittier more often? It’s so cool.

Pete: ……..

Me: Do you want to hear a little Marcy Playground?

Pete: ………

I took that as a fervent yes.

Me: Hangin’ ’round downtown by myself
and I had so much time to sit and think about myself
and then there she was
like double cherry pie yeah there she was
like disco superfly

Pete: …………..

Me: I love that song!

Pete: ……………

After a while we came to the Black Forest, which is on a long street known as Eat Street for its dozens of great, cheap restaurants. At first I wondered if the mural on the side of the building is what my friend meant, because it’s so charming. I would like to go to the Black Forest and live in that castle for a while, breathe the pure mountain air and smile at fawns picking their way through the trees.

But this mural wasn’t something that I’ve never done before. It’s been here a long time, and besides, it’s not in the alley. Down the street, around the corner, and into the alley went Pete and I.

Holy crud. That, below, is the mosaic of my dreams, right there in the alley behind the Black Forest.

Those are the ending lines of a poem that I love so much that I memorized it many years ago and recite it to myself at least a few times every week. Magical words in glass and stone and cement, right there in an alley on Eat Street.

Me to Pete: Would you like me to recite The Summer Day to you?

Pete: ………………….

I took that as a fervent yes.

We walked home in the now-pouring rain to the soundtrack of Marcy Playground followed by Mary Oliver, a strange and felicitous combination.

Day Fifteen: Starting with a box

As certain of my students know, I usually don’t like books on the craft of writing. There are a few exceptions (Bird by Bird and Art and Fear, for example), but anything that attempts to lay out a set of rules makes me chafe.

More to the point, I’ve seen too many people read endlessly about how to go about making art without ever actually making art. Just jump off the cliff, I always think.

A while ago, though, a young friend recommended that I read a book called The Creative Habit, by Twyla Tharp, the famous dancer/choreographer. This recommendation came after an evening which included me having dinner with his parents, him wandering into the kitchen during dessert, and some sort of conversation about typing speed in which I proclaimed that I was the fastest typist in the history of the world, after which he challenged me to a typing duel.

Which I won, thanks, because I am the fastest typist in the history of the world.

This photo conveys absolutely nothing of the intense drama, shrieked curses and fisticuffs that were thrown throughout the duel.

Which I won, by the way.

WON.

Anyway, when things had calmed down, my young friend, who’s an astonishing musician and composer despite having just graduated from high school, asked me what I thought of the Tharp book and was so genuinely taken aback that I had not only not read it but never heard of it that I was shamed into buying it the next day. I then put it in a prominent place on my living room bookshelf, where it remained, unread, until today.

Today’s challenge was to dive into the Tharp book, just open a page and start reading. Here’s what I opened up to.

Chapter Five: “Before you can think out of the box, you have to start with a box. Everyone has his or her own organizational system. Mine is a box, the kind you can buy at Office Depot for transferring files. I start every dance with a box. I write the project name on the box, and as the piece progresses I fill it up with every item that went into the making of the dance. This means notebooks, news clippings, CDs, videotapes of me working alone in my studio, videos of the dancers rehearsing, books and photographs and pieces of art that may have inspired me. . . If you want a glimpse into how I think and work, you could do worse than to start with my boxes.”

Reading this made me instantly jealous. I pictured a beautiful library in a beautiful Manhattan apartment, with dozens of built-in bookshelves lining the walls, each one filled with different beautifully-labeled Twyla Tharp project boxes. I was happy for her and sad for myself, because I have nothing like that. No records of anything. When people ask me to donate my “papers” for a particular book, I shake my head sadly and tell them I have nothing concrete, only cyber nothingness.

Me to youthful companion: I wish I kept a record of things in boxes, like Twyla Tharp does.

YC: You do.

Me: I do not.

YC, pointing dramatically: Then what are those?

Huh. Well, well, well. I guess those would be a whole bunch of boxes.

These boxes (above), which are on the walls of the upstairs “office” that I never work in, are all neatly labeled, and they look neat and tidy, but inside is a different story.

The “Travel” box, for example: maps and handscrawled notes and leftover euros and escudos and yuan and guidebooks and jotted-down directions to trailheads across the country.

These boxes? They contain ribboned bundles of letters, sorted by sender, some bundles containing hundreds, others only two or three, all of which I’ve been saving from high school on. These boxes have moved everywhere in the country that I have moved.

There are three whole boxes devoted to letters from my friend Kingsley. Each one of them is a work of art containing clippings and a manual-typewriter-typed letter in a handmade envelope.

There are a bunch of boxes labeled “Manuscripts,” which is a catch-all term including notes for novels and picture books, actual printed-out or handwritten manuscripts, contracts, photos, catalogues, and letters, all of which are jumbled up together so that if I ever need to get to a particular contract or manuscript, I will be completely unable to do so.

After wandering around my house noting all the boxes piled up in closets and on shelves, I have come to the conclusion that today’s challenge –to dive into a brand-new book on the creative process that I had never before read– is less about the book and more about a) the ever so slight similarity between the fabulous Twyla Tharp’s in-a-box process and my completely unfabulous box system, b) the fact that there’s a lot more tangibility to the way I go about writing than I would have thought, and c) the disquieting notion that maybe there are a whole lot of other things I don’t really know about myself.

Day Fourteen: In Chinese we call this "kuaizi toufa." Or at least I do.

All my life I’ve admired those women who grab their long hair, twist it up into a lump on the back of their head, shove a pencil through the lump and then walk around for the rest of the day with a perfect pencil-held bun in their hair.

I’ve attempted this little trick many times but with no success. The pencil immediately falls out, the hair falls down, and I’m left wondering what I did wrong.

Have I ever asked one of these women to show me the secret? No, and that right there is the reason that youtube was invented, so that people like me can learn 1) how to cast on in knitting when not in the presence of their best friend or mother, who are always happy to cast on for them, 2) how to cast off in knitting, because no matter how many scarves they knit while trying to quell their innate fidgetiness in meetings, they can’t remember how to cast off, 3) how to make fringe at the ends of their scarves for the tenth time once they’ve learned how to cast off for the tenth time, 5) how to make a flip book, 6) how to color their hair so that it doesn’t look too raccoony, 7) how to take a front door off its hinges so as to repaint it, 8) (fyi, something I just learned, if you type the number eight and a parenthesis after it into this blog it will come out not as the number 8 but as a strange little smiley face) how to do a quick+dirty fix on the rusty worn-off enamel part of their bathtub, 9) how to fix their disposal, 10) how to count to ten in Mongolian, and ETCETERA ETCETERA, you get the picture.

So. Today’s never before done challenge was to learn how to put my hair up in a bun using not a pencil but chopsticks. The thought of that right there –the use of two chopsticks instead a single pencil– gave this challenge a certain Asiatic flair that made me extra-happy.

You would be surprised, or maybe you wouldn’t, to learn just how many how-to videos pop up when you type the following question into youtube: “How do you put your hair up into a bun using chopsticks?”

It was amazing to find out, as I studied these tutorials, that in all these years of pencil-bun attempts, there was only one tiny maneuver that I had been leaving out. Had I only asked someone, or had youtube only been invented twenty years ago, I could have been wearing a chopsticks bun for decades now.

And on Day Thirteen we cast our eyes downward

Today’s challenge? To find something on the ground, take it home, and use it for an interesting new purpose.

Here is what I found on the ground near Famous Dave’s BBQ, once I had hauled my sluggish self around the lake in pea soup-like humidity and gone to the Y, where I watched in awe as this lanky guy did the pull your arms together weight machine, the same machine that I load with a mere four bars, with every single weight loaded.

I was so impressed that I actually told him I was impressed, which I never do at the Y. Kudos to you, nameless giant-weight-lifting guy.

But, back to the thing I found on the ground near Famous Dave’s.

 

I had no idea what this thing could be. It’s made of what looks like bamboo, with what looks like bbq skewers threaded horizontally through tiny holes in the vertical, larger pieces. There are two large black rubber bands strung on one of the poles.

Some kind of weird homemade sling shot? That was the only thing I could come up with. It looked like nothing I’d ever seen, and I felt so lucky to have found such a great thing so early in the day. I plucked it up and took it home, where I showed it to the youthful companion.

Me: What in the world is this thing, do you think? It’s so strange! So interesting!

YC: It’s one of those things that hold up flowers. You stick it in the ground.

Oh.

Of course it is.

The minute the words were out of her mouth, I looked at it and realized that I’ve seen a thousand of these things, stuck in gardens all over the city. All over the country, no doubt. They probably sell them 10/$10 at a giant store like Menard’s.

So my incredibly unusual possibly-homemade-slingshot-thing is not unusual at all. It’s still a thing on the ground that I found, however, so I forged on with the challenge and created the jewelry holder below.

Maybe I’ll start wearing jewelry now.

Day Twelve of the never done before challenge: Handstand!

Since it looks as if the universe doesn’t want me to eat with my left hand only, which is a nice way of saying that once again I couldn’t seem to manage even a sip of coffee without using my right hand hand, I’ve moved on to other things.

If you click here you’ll be able to see exactly what I’ve done with my time over the last two hours –and yes, that would be a full two hours, which you’ll find hard to believe once you click on the link, but I am nothing if not honest on this blog– but just in case you can’t really tell what’s going on in my little video, let me describe it to you:

That stick figure with the footless legs and handless arms (those things sticking out of her head are pigtails) is a girl.

She’s very unhappy because she can’t do a handstand (handstands are easier to draw than headstands, and yes, I do consider these pictures to be drawings).

She’s so unhappy that she even cries!

Then she decides to try to do a handstand one more time.

And this time, she succeeds!

See her big upside down smile? That’s because she’s so happy.

Then she un-handstands herself and keeps smiling.

See her giant teeth of happiness? (You might not be able to because the last few pages kept flipping too fast.)

Me to YC: This took me two hours to make.

YC: Really?

Me: Yup.

YC: Well, it’s really, really good.

Me: Thank you.

Day Eleven: Ugh again.

Despite the fact that I put an X on my right hand before I went to bed last night, as a reminder to myself of today’s challenge –to eat only with my left hand all day– I failed again. At 6:45 a.m. I stood in my kitchen before the giant jar of peanut butter, bike helmet on head, picked up a spoon, dug into the jar and conveyed the spoonful of peanut butter to my mouth all with my right hand. Completely ignored the X.

Tomorrow is another day, as Scarlett would say (again).

As penance for a third day of lefthand-eating-only failure in a row, I decided to tackle a challenge I’ve been dreading, which is to write a letter to my 16 year old self. This is something that a bunch of my writer friends have been doing on some site somewhere; I’ve only read one of them out of fear that I’d be cowed by their fabulousness.

Because I so don’t want to write this letter, I’m giving myself only ten minutes to do it, the way I give my students ten minutes to write in class every time we meet. That takes the pressure off. Sort of.

Ten minutes. No editing. Here goes.

Dear Sixteen-year-old self,

This is the only photo I could find of you, and it’s weirdly similar to a photo taken of herself by my friend Julie S. Like her at the same age, you held an instamatic out in front of you, hoping somehow to capture your own face, and pressed the little black button. The weirder thing is that I remember exactly when you took that photo. You had just gotten out of the shower. You were wearing cut-offs and that blue workshirt you wore every day back then.

You wondered if maybe you could capture something in a photo that would tell you something you didn’t know about yourself.

Now, I look at that photo and I think: You were on the verge. Of so much. If I could go back in time and tell you some things, here are a few things I’d tell you:

You don’t think of yourself as unhappy right now. You go to high school out in the country, you have friends, you belong to a bunch of things.

But in retrospect, you were waiting and you didn’t even know it. You were waiting for the doors of your life to blow open, for the sky to lift high overhead.

What can I tell you now, from this long perspective of time?

You can let up some. You think you have to push yourself every day, that you have to maintain some high rigid standard, be ultra-disciplined, but you don’t. Why are you setting your alarm every morning for 4:45? So sleepy.

Then again, that discipline will come in handy years later, when you have three little kids –yes! you do end up with three kids, just like you wanted!– and you get up at four because it’s the only time you can write in silence.

So many things that you think matter so much right now do not, in the end, matter. That one night you’re thinking about, when they took off and left you there? That doesn’t matter. Then again, it does matter, because they hurt you. Then, you blamed yourself. Now, you just think wow, what jerks they were.

On second thought, maybe things like that night do still matter, but when you get to my age, instead of blaming yourself –too ugly, too boring, all your fault– it’s clear that whatever you were back then, you at least weren’t mean.

All those times on the schoolbus, in school, walking the dirt roads past broken-down trailers, when you feel helpless in the face of others’ pain, will eventually be transformed into art. Even if you feel right now as if you’ll break apart from it, it will be worth it.

Most everything that you are going to live through will, in the end, be worth it.

It’s too late to go back and re-do things, but if I could, I’d tell you a few things that you’re too young to know:

When your grandmother and your father and your mother tell you not to change your plans, that the tickets are nonrefundable, that he knew how much you loved him, don’t listen to them. Go to your grandfather’s funeral, because when you don’t, you will forever regret it.

You don’t need to wash your hair every day.

Don’t listen when people tell you that love fades, that it becomes humdrum, ordinary, that this is the way it is for everyone. It’s not.

You are not ugly the way you fear you are.

Don’t be so afraid, out of self-consciousness, of trying things that it seems as if everyone around you already knows how to do. Skiing, for example. You’re going to go to a college that has its own snow bowl; learn to ski.

Four years from now, when that boy you have the massive crush on comes to your room in Hepburn Hall with a bottle of wine and bunch of roses, invite him in. Do not stand there in dumb shyness, your heart beating like a hummingbird, and thank him politely and watch his face fall and say goodnight and shut the door. Because that’s something else you’re going to regret forever.

When you’re afraid of something, tell someone.

When you need help, ask for it.

When your insides are whirling around and you feel as if you’re drowning, panicking and desperate, don’t put a calm smile on your face and walk around as if you’re fine.

There are lots of people who would love to help you.

There are lots of people who love you. You don’t know that yet, but you will.

You are going to be so much happier when you’re older than you could believe possible, and most of that happiness will come when you let go of trying to come across a certain way, when you just let yourself be.

It’s weird, but you’re going to live your life in reverse of most people your age. Awful things are going to happen to you when you’re young, and you’re going to feel much older than your friends. For many years your interior will not match your exterior.

But guess what? Time will go by, and your friends will catch up to you. Life catches up to everyone. The older you get the happier you get, the more rebellious, the less willing to suffer fools, to put up with shit. You’re going to feel so free when you get older.

So many years from the day you held this camera out and hoped this photo would reveal something you couldn’t explain, something you wanted so badly to know about yourself, you will look at it and feel this big sweep of love for that young girl, her whole life stretching out before her, as if she isn’t you.

But she is.

Day Ten of the never done before challenge: A Small, Good Thing

Both yesterday and today I failed at the never done before challenges that I assigned myself. Actually, it was the same challenge both days; yesterday I failed in the first minute of the challenge, while today I made it a full hour.

Who was it that said “Tomorrow is another day”? Scarlett O’Hara? If so, I’ll go along with her, despite the fact that I never liked her (she was too stupid to see how great Rhett was). Tomorrow is another day, and I shall try, try again.

In the meantime, I did do something new today. I went to the Wagon Wheel Cafe in Mankato, Minnesota. Have you ever been there? If not, you need to go. Here are some of the things you will see when you walk in the door.

Booths with tabletop jukeboxes.

Plastic menus with Specials of the Day paper-clipped to them. The specials are typed (on a manual typewriter) on 3×5 cards, and they look as if they’ve been in rotation for twenty or more years.

Sample special of the day, ordered by my elder male companion:

Bean Soup, Chicken Salad Sandwich, Beverage: $3.36. (I am not kidding you.)

Pie: $1.35/slice. I ordered cherry and my elder companions ordered banana cream and apple. They came a la Cool Whip.

After much contemplation of the tabletop jukebox, the patrons of the Wagon Wheel, and my elder companions, I put a quarter in, set the volume on “soft,” and chose The Way You Do the Things You Do by the Temptations, and they crooned to us while we ate our pie.