Poem of the Week, by Mary Szybist

Girls Overheard While Assembling a Puzzle
– Mary Szybist

Are you sure this blue is the same as the
blue over there? This wall’s like the
bottom of a pool, its
color I mean. I need a
darker two-piece this summer, the kind with
elastic at the waist so it actually
fits. I can’t
find her hands. Where does this gold
go? It’s like the angel’s giving
her a little piece of honeycomb to eat.
I don’t see why God doesn’t
just come down and
kiss her himself. This is the red of that
lipstick we saw at the
mall. This piece of her
neck could fit into the light part
of the sky. I think this is a
piece of water. What kind of
queen? You mean
right here? And are we supposed to believe
she can suddenly
talk angel? Who thought this stuff
up? I wish I had a
velvet bikini. That flower’s the color of the
veins in my grandmother’s hands. I
wish we could
walk into that garden and pick an
X-ray to float on.
Yeah. I do too. I’d say a
zillion yeses to anyone for that.


For more information on Mary Szybist, please click here: http://www.poetryfoundation.org/bio/mary-szybist

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Poem of the Week (excerpt), by Albert Goldbarth

Liquid (excerpt from)
– Albert Goldbarth

“All told, the moon’s water—locked away in rocks
under the surface—equals “about two and a half times
the volume of the great lakes.”

                         —The Week, July 2-9, 2010

What other things, what other conditions, are locked away
improbably in rock—in an inhuman hardness?
Moses … doesn’t the story go he smote
a rock in the wilderness with his staff and, lo,
therefrom the waters poured? And Mrs. Sommerson,
the Great Stone Face my mother called her,
regent of the Eighth-Grade Algebra Kingdom, she
who pity’s violin strings couldn’t move a quarter inch
from her unyielding scowl and decimal-pointed grade book …
when one evening I was late in leaving,
and quietly making my passage
down those eerily untenanted halls, I saw
her home room door was opened just enough to show her
at her desk, in tears, her head held in her hands
with such an autonomous weight, she cradled it
as if trying to rock into comfort a terrorized infant.


For more information about Albert Goldbarth, please click here: http://www.poets.org/poet.php/prmPID/1295

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". . . and I heard my name as if for the first time. . ."

Unlike your sisters Oatie and Robert John, you had no nickname growing up. People, including your family, called you Alison.

You can remember your father, the bestower of nicknames, studying you one day and then trying out the nickname “Champ.” That lasted for about a day, whereas Oatie and Robert John still answer to their nicknames.

It seemed as if, from the get-go, you were not the nickname type. Which was all right, because you always liked your name. Alison. You still do. You like its one-l-instead of two-l-ness, its three-syllableness. You used to write it over and over in notebooks, in loopy middle-school script, when you got bored in class.

You drew the line at dotting the i with a heart, star or flower, though. (Is that evidence of a Puritanical streak? Did the Puritans dislike nicknames?)

Your nicknameless childhood passed and you went off to college, up there in the mountains, and life expanded in all directions. You met your best friend the day you arrived. Within days she was calling you Allie. That was your first real nickname. She is still your best friend, and she still calls you Allie. Sometimes she says “Alison” in a certain tone of voice if she needs you to listen up, and you listen up. You have nicknames for her too: El, or EBHBSP.

Some people find it almost impossible to call a person by their given name, their proper, legal name. This sort of person bestows nicknames instantly and without thinking. You work with such a person at the university where you teach in the fall. She is one of the reasons why you love teaching there.

“Hey, Allie,” she said the second time she ever saw you, her brown eyes full of fun. “You don’t mind if I call you Allie, do you?”

Nope. You didn’t. And don’t, as long as she and your best friend and your sister Oatie are the ones calling you Allie.

She has nicknames for all your other friends there at the university too. Some she calls only by their last names, others by shortened first names, and still others by nicknames which last only a day, or an hour. She’s a Jersey girl; talk and laughter come easily to her. Maybe that makes a nicknaming difference.

To this day, almost everyone calls you by your full first name. Because you’re not a Jersey girl? Because you give off a don’t-mess-with-my-name vibe? Because you never dotted the i in Alison with a heart or star or flower?

There is one nickname, though, that a very few people who know you very well use around you. This nickname seems to arise in each of them spontaneously, and each, over the years, began using it without asking first –“hey, do you mind if I call you _______?”– or even seeming to think about it.

This nickname crosses many years and much geography and is confined, again, to a very few.

When others who don’t know you well use this nickname, having heard those others use it, your entire body tenses. No. You have no right. Outwardly, you might smile politely, but inwardly, you bristle and fling up walls against the invasion.

From the original users, though, the ones who spontaneously arose with the nickname, it sounds exactly right. They don’t ask if they can use it, you barely notice (but you do notice) when they first do, and something inside you shifts.

There must be something more to nicknames than you consciously know. There is so much in a name, after all; the same must be true or truer for a nickname.

The truth is that everyone who begins to call you by this nickname is someone you adore, someone who loves you back. This nickname is a name you didn’t choose and wouldn’t, in any other circumstance, like. But here? It means that you have been seen. You are known. You can let down your guard.

Sometimes it seems as if, on some level, you walk through life waiting to hear this name.

Poem of the Week, by Miller Williams

A Poem for Emily
– Miller Williams

Small fact and fingers and farthest one from me,
a hand’s width and two generations away,
in this still present I am fifty-three.
You are not yet a full day.

When I am sixty-three, when you are ten,
and you are neither closer nor as far,
your arms will fill with what you know by then,
the arithmetic and love we do and are.

When I by blood and luck am eighty-six
and you are someplace else and thirty-three
believing in sex and God and politics
with children who look not at all like me,

sometime I know you will have read them this
so they will know I love them and say so
and love their mother. Child, whatever is
is always or never was. Long ago

a day I watched awhile beside your bed,
I wrote this down, a thing that might be kept
awhile, to tell you what I would have said
when you were who knows what and I was dead
which is I stood and loved you while you slept.


For more information on Miller Williams, please click here: http://www.poetryfoundation.org/bio/miller-williams

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Poem of the Week, by Rosanna Warren

From New Hampshire
– Rosanna Warren

It’s not your mountain
but I almost expect
to meet you here

I think you have taken a long late evening walk
Your heavy shoes glisten with dew
I hear your footsteps pause on the dirt road

and I know you are picking out
the dark mass of the sleeping
mountain from the dark

mass of night and testing the heaviness of each
Your hands are small but they know weights and measures
You are a connoisseur of boundaries

You loved the bears
because they pass between
leaving their stories

in fat pudding turds on the grass
Here it’s raspberries they’re after not our
sour Vermont apples     No matter     You will find them

When they hoot in courtship
you always hoot back
more owl than bear

They don’t mind     They always answer you
And tonight I imagine you’re out waiting up for them
by the berries, which is why you don’t cross

the dew-sopped lawn
don’t press open the
warped screen door

of the kitchen where I sit late     by a single glowing bulb


For more information on Rosanna Warren, please click here:

Poem of the Week, by Leah Goldberg (translated by Annie Kantar)

Then I Walked Through the World

Then I walked through the world
as though someone adored me.
Laughter unfurled through heaps of stones,
and a wind through fathomless skies.

Then I walked through the world
as though someone dreamed me fair.
Across the night abysses bloomed
and the sea’s mirrors painted my face,
as though someone were writing poems about me.

I walked, until I reached an utter stillness within:
then, it seemed, something might begin.

For more information on Annie Kantar, please click here:

For more information on Leah Goldberg, please click here:

Poem of the Week, by Naomi Shihab Nye

Famous

– Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and is not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.


For more information on Naomi Nye, please click here.

Poem of the Week, by Marie Howe

The Boy
– Marie Howe

My older brother is walking down the sidewalk into the suburban summer:
night
white T-shirt, blue jeans — to the field at the end of the street.

Hangers Hideout the boys called it, an undeveloped plot, a pit overgrown
with weeds, some old furniture thrown down there,

and some metal hangers clinking in the trees like wind chimes.
He’s running away from home because our father wants to cut his hair.

And in two more days our father will convince me to go to him — you know
where he is — and talk to him: No reprisals.  He promised.  A small parade
of kids

in feet pajamas will accompany me, their voices like the first peepers in
spring.
And my brother will walk ahead of us home, and my father

will shave his head bald, and my brother will not speak to anyone the next
month, not a word, not *pass the milk*, nothing.

What happened in our house taught my brothers how to leave, how to walk
down a sidewalk without looking back.

I was the girl. What happened taught me to follow him, whoever he was,
calling and calling his name.

For more information about Marie Howe, please click here.

Poem of the Week

Signing My Name
– Alison Townsend

An artist always signs her name,
my mother said when I brought her my picture,
a puddled blur of scarlet tempera
I thought resembled a horse.

She dipped the brush for me
and watched while I stroked my name,
each letter drying, ruddy,
permanent as blood.

Later, she found an old gilt frame
for me at an auction.
We repainted it pink,
encasing the wobble-headed horse
I’d conjured as carefully
as if it were by da Vinci,
whose notebooks on art
she was reading that summer.

Even when I was six, my mother
believed in my powers, her own unsigned
pencil sketches of oaks and sugar maples
flying off the pad and disappearing,
while her French pastels hardened,
brittle as bone in their box.

Which is why, when I sign my name,
I think of my mother, all she couldn’t
say, burning, in primary colors –
the great, red horse I painted
still watching over us
from the smoke-scrimmed cave of the mind,
the way it did those first years
from the sunlit wall in her kitchen.