Poem of the Week, by Carl Sandburg

River Roads
– Carl Sandburg

Let the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let ’em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old
swimmers from old places.

Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman’s
shawl on lazy shoulders.

–For more information on Carl Sandburg, please click here: http://www.poetryfoundation.org/bio/carl-sandburg
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Poem of the Week, by Coleman Barks

Hummingbird Sleep
– Coleman Barks

A hummingbird sleeps among the wonders.
Close to dark, he settles on a roosting limb
and lowers his body temperature
to within a few degrees of the air’s own.

As the bird descends into torpor,
he assumes his heroic sleep posture,
head back, tilted beak pointing to the sky,
angling steep, Quixotic, Crimean.

This noctivation, the ornithologist word for it,
is very like what bears do through the winter.
Hummingbirds live the deep drop every night.
You can yell in his face and shake the branch.

Nothing. Gone. Where? What does he dream of?
He dreams he is the great air itself, the substance
he swims in every day, and the rising light
coming back to be his astonishing body.

—

For more information on Coleman Barks, please click here: http://www.colemanbarks.com/

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Poem of the Week, by Richard Kenney

Coda
– Richard Kenney

I tried lacing loss into these lines,
thinking to bind it safely there.

But when much lifetime had raced by I
saw rather

trapped in the scrag noose, too,
joy and daylight.

I bottled also bile in these poems,
thinking to isolate

the toxin. But when much lifetime had raced by I
found it on the mantel.

I thought to lower these poems into a salt dome—
stable, it’s said, for aeons.

And who isn’t one?
Once

I tried to write invisibly,
but all lifetime is a candle.

—

F​or more information on Richard Kenney, please click here: http://www.poetryfoundation.org/bio/richard-kenney​

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Poem of the Week, by Tony Hoagland

The Word
– Tony Hoagland

Down near the bottom
of the crossed-out list
of things you have to do today,

between “green thread”
and “broccoli” you find
that you have penciled “sunlight.”

Resting on the page, the word
is beautiful, it touches you
as if you had a friend

and sunlight were a present
he had sent you from some place distant
as this morning—to cheer you up,

and to remind you that,
among your duties, pleasure
is a thing

that also needs accomplishing.
Do you remember?
that time and light are kinds

of love, and love
is no less practical
than a coffee grinder

or a safe spare tire?
Tomorrow you may be utterly
without a clue

but today you get a telegram,
from the heart in exile
proclaiming that the kingdom

still exists,
the king and queen alive,
still speaking to their children,

—to any one among them
who can find the time,
to sit out in the sun and listen.

—

For more information about Tony Hoagland, please click here: http://www.poetryfoundation.org/bio/tony-hoagland
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Miniature Torta #2: A nimbus-clouded voice

I walked into the Y this morning and saw an old friend at the other end of the room, next to the window, studying the instructions for a new machine. She lifted her hand and tucked her dark hair behind her ear. She looked young and fit.

Happiness rushed through me at the sight of her, along with the feeling of Wow, how long has it been?

Then I realized that time had done one of its hiccups. The darkhaired woman across the room wasn’t the friend I was thinking about. I haven’t seen that particular friend, even though we live in the same city, in well over a decade. The woman I was looking at could have been her niece, or her much younger cousin.

Sometimes time picks you up and sets you down, momentarily, in another place. Another era. My old friend might not think about me anymore. The last time I saw her I was forging solo into new territory. Maybe it seemed too hard to maintain the friendship; maybe she wished I would stay put, in the place where she had always known me.

But as I stood there, looking at the familiar-looking stranger studying the machine across the room, I was suddenly back in the living room of an apartment I used to rent, back when I was struggling my way into that new life.

This was the last time I saw her. We were both sitting crosslegged on the floor and drinking red wine and she was telling me about something hard in her life. I could hear her voice, which I remember as calm and bell-like, as if all the vowels became somehow rounded and soft when they emerged from her throat into the air.

Her voice had the texture of what I imagine bubbles from a bubble-pipe would feel like if you could touch them without them popping. What a beautiful voice she had, I thought.

She must still have that voice.

I left that room and went down to the weight room and started doing pull-ups, conjuring up people from my past, to see if their voices were still there. My grandmother, yes. As clear as if she were standing right there in the Y.

Do I hear her so clearly because of the six hours of video I took of her and then had transferred to a cd and then into my computer, so that sometimes, when I’m cooking or cleaning, I pull her up on the screen and she keeps me company?

No. At least I don’t think so. I’m pretty sure I will remember her voice forever and ever. But I don’t really know.

How about my best friend from childhood? She appears immediately in my mind, the way she would have looked in, say, fifth grade. Blonde hair, bangs, blue-blue eyes. She was a very small person but her voice was low, older than her years.

Was it, though? I try to listen, but I can only see her, standing in the framed-up doorway of her always-in-progress bedroom. Her voice is low and calm. I can hear it, and yet I can’t. The way I hear it is the way you remember a bubble drifting in the air, undulating in that rainbowy way, just before it vanishes. It’s the sense of a voice, but not the voice itself.

Try someone else. My friend Absalom, yes, I can hear his voice whenever I want, maybe because I spend a fair amount of time with him these days. But I distinctly remember driving to the airport to pick him up a few years ago. This would be the first time I had seen him since college, when we were great friends.

Will I even recognize him?, I remember thinking. And I also remember trying to conjure up his voice, there in the car as I drove down the highway to the airport. No. Nothing.

I pulled up to Baggage Claim and there he was, standing by a post, the same but not. Twenty and more years pass; how can someone not change? Then he called out Allie! and we both started laughing, and his voice came washing over me in that moment but also it came welling up from some deep reservoir of memory.

Now I’m picturing people from long ago in my mind and trying to conjure their voices. Some are there, others are lost. But are they really?

I’m thinking of my darkhaired friend’s voice as it was that night, the last time I saw her. Is that conversation –her soft words, filled with sorrow, and my responses– still somewhere in the world? Do the voices of everyone we know, everyone we loved, hang somewhere in the air after they’ve spoken? After they’re gone from the earth?

Does everything that rises converge, somewhere beyond where we can see and hear?

. . . In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me . . .
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

Poem of the Week, by Archibald MacLeish

The Young Dead Soldiers, by Archibald MacLeish

The young dead soldiers do not speak.

Nevertheless, they are heard in
the still houses: who has not
heard them?

They have a silence that speaks for
them at night and when the clock
counts.

They say: We were young. We
have died. Remember us.

They say: We have done what we
could but until it is finished it is not
done.

They say: We have given our lives
but until it is finished no one can
know what our lives gave.

They say: Our deaths are not ours;
they are yours; they will mean what
you make them.

They say: Whether our lives and
our deaths were for peace and a
new hope or for nothing we cannot
say: it is you who must say this.

They say: We leave you our deaths.
Give them their meaning.

We were young, they say. We
have died. Remember us.

 

—

F​or more information on Archibald MacLeish, please click here: http://www.poetryfoundation.org/bio/archibald-macleish​

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Poem of the Week, by Kaylin Haught

God Says Yes to Me

     – Kaylin Haught

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don’t paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I’m telling you is
Yes Yes Yes

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Andes Mint #30: Poem of the Week, by Sara Teasdale

Winter Stars
     – Sara Teasdale
I went out at night alone;
 The young blood flowing beyond the sea
Seemed to have drenched my spirit’s wings—
 I bore my sorrow heavily.
But when I lifted up my head
 From shadows shaken on the snow,
I saw Orion in the east
 Burn steadily as long ago.
From windows in my father’s house,
 Dreaming my dreams on winter nights,
I watched Orion as a girl
 Above another city’s lights.
Years go, dreams go, and youth goes too,
 The world’s heart breaks beneath its wars,
All things are changed, save in the east
The faithful beauty of the stars.

—

For more information on Sara Teasdale, please click here: http://www.poetryfoundation.org/bio/sara-teasdale

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Andes Mint #26: Poem of the Week (novel excerpt), by Louise Erdrich

Excerpt from “The Painted Drum”
– a novel by Louise Erdrich

Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up. And when it happens that you are broken, or betrayed, or left, or hurt, or death brushes near, let yourself sit by an apple tree and listen to the apples falling all around you in heaps, wasting their sweetness. Tell yourself that you tasted as many as you could.
—
For more information on Louise Erdrich, please click here: http://www.poetryfoundation.org/bio/louise-erdrich
—
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Andes Mint #21: Poem of the Week, by Ellen Bass

Pleasantville, New Jersey, 1955
– Ellen Bass

I’d never seen a rainbow or picked
a tomato off the vine. Never walked in an orchard
or a forest. The only tree I knew
grew in the square of dirt hacked
out of the asphalt, the mulberry
my father was killing slowly, pounding
copper nails into its trunk.
But one hot summer afternoon
my mother let me drag the cot onto the roof.
Bed sheets drying on the lines,
the cat’s cardboard box of dirt in the corner,
I lay in an expanse of blueness. Sun rippled
over my skin like a breeze over water.
My eyelids closed. I could hear the ripe berries
splatting onto the alley, the footsteps
of customers tracking in the sticky, purple mash.
I heard the winos on the wooden crates,
brown bags rustling at the throats of Thunderbird.
Car engines stuttered, came to life and died
in the A&P parking lot and I smelled grease and coffee
from the diner where Stella, the dyke, washed dishes
with a pack of Camels tucked
in the rolled-up sleeve of her t-shirt.
Next door, Helen Schmerling leaned on the glass case
slipping her fist into seamed and seamless stockings,
nails tucked in, to display the shade, while Sol
sucked the marrow from his stubby cigar,
smoke settling into the tweed skirts and mohair sweaters.
And under me something muscular swarmed
in the liquor store, something alive
in the stained wooden counter and the pungent dregs
of beer in the empties, my mother
greeting everyone, her frequent laughter,
the shorn pale necks of the delivery men,
their hairy forearms. The cash register ringing
as my parents pushed their way, crumpled dollar
by dollar, into the middle class.
The sun was delicious, lapping my skin.
I felt that newly arrived in a body.
The city wheeled around me–
the Rialto movie, Allen’s shoe store, Stecher’s Jewelry,
the whole downtown three blocks long.
And I was at the center of our tiny
solar system flung out on the edge
of a minor arm, a spur of one spiraling galaxy,
drenched in the light.

For more information on Ellen Bass, please click here: http://www.ellenbass.com/poems.php