Alison McGhee
Vow
I am so sorry. Especially to the beautiful young people whom I know and don’t know, I am sorry. To my Muslim and Somali, Hmong and Black and Latina/Latino and Asian and LGBTQ students and friends, I am sorry. To my own children, I am sorry. This country and the world have been in hideous places before now –before the end of slavery, before the beginning of civil rights and women’s right to vote and women’s right to sovereignty over their bodies– but from here on out I am stepping it up. I vow to be as kind as I can, whenever I can. To speak up when I see someone being bullied. To call out the perpetrators when I see acts of racism and sexism. To protect the right to a safe and legal abortion for all the young women who, like me when I was a terrified and birth control-using teenager, make that agonizing decision. To listen, no matter the views of the person speaking, so that I can try to connect in even a tiny way, one human heart to another. To put one foot in front of the other for the next four years and for every year after that to make this world a better place.
Poem of the Week, by Kevin Carey
Tough choosing a poem this week amidst the hours spent hiking, walking, trying to tromp my way into some form of inner calm. More hours on the couch scrolling through my thousands of poems. Searching for certain poets, the ones who bring me comfort because they’re fearless, because they talk about life the way it is, because they use ordinary words to write about ordinary things that in their magic hands turn transcendent and remind me that I’m not in this alone. That I am never alone. That all over this country right now, there are others waking every morning and breathing in and breathing out and reminding themselves that the world has never been easy, that humankind has always been under threat by the few among us who take pleasure in being cruel, in inciting violence, in tearing apart the social fabric because . . . why? because they can, I guess. Yes, we are always under siege by those who would divide us for their own sick pleasure, and also yes, we are always fighting back. Sometimes with harshness, and sometimes with a book that lasts for a lifetime, as in this beautiful poem.
Reading to My Kids
– Kevin Carey
When they were little I read
to them at night until my tongue
got tired. They would poke me
when I started to nod off after twenty pages
of Harry Potter or Lemony Snicket.
I read (to them) to get them to love reading
but I was never sure if it was working
or if it was just what I was supposed to do.
But one day, my daughter (fifteen then)
was finishing Of Mice and Men in the car
on our way to basketball.
She was at the end when I heard her say,
No, in a familiar frightened voice
and I knew right away where she was.
“Let’s do it now,” Lennie begged,
“Let’s get that place now.”
“Sure, right now. I gotta. We gotta,”
and she started crying, then I started crying,
and I think I saw Steinbeck
in the back seat nodding his head,
and it felt right to me,
like I’d done something right,
and I thought to myself, Keep going,
read it to me, please, please, I can take it.
For more information about Kevin Carey, please click here.
Poem of the Week, by Kait Rokowski
Driven, impatient and judgmental person that I am, I constantly work to hold myself in check. Be kind, for everyone is fighting a great battle*, I remind myself. Every time I’m about to walk into a room, a classroom especially, because teachers have enormous power and please, please do not ever let me abuse that power, I recite those words to myself. Be gentle, Alison. Be kind. Keep the lesser angels of your nature in check, because you don’t know the whole story. You will never know the whole story. 
A Good Day
– Kait Rokowski
Yesterday, I spent 60 dollars on groceries,
took the bus home,
carried both bags with two good arms back to my studio apartment
and cooked myself dinner.
You and I may have different definitions of a good day.
This week, I paid my rent and my credit card bill,
worked 60 hours between my two jobs,
only saw the sun on my cigarette breaks
and slept like a rock.
Flossed in the morning,
locked my door,
and remembered to buy eggs.
My mother is proud of me.
It is not the kind of pride she brags about at the golf course.
She doesn’t combat topics like, ”My daughter got into Yale”
with, ”Oh yeah, my daughter remembered to buy eggs”
But she is proud.
See, she remembers what came before this.
The weeks where I forgot how to use my muscles,
how I would stay as silent as a thick fog for weeks.
She thought each phone call from an unknown number was the notice of my suicide.
These were the bad days.
My life was a gift that I wanted to return.
My head was a house of leaking faucets and burnt-out lightbulbs.
Depression, is a good lover.
So attentive; has this innate way of making everything about you.
And it is easy to forget that your bedroom is not the world,
That the dark shadows your pain casts is not mood-lighting.
It is easier to stay in this abusive relationship than fix the problems it has created.
Today, I slept in until 10,
cleaned every dish I own,
fought with the bank,
took care of paperwork.
You and I might have different definitions of adulthood.
I don’t work for salary, I didn’t graduate from college,
but I don’t speak for others anymore,
and I don’t regret anything I can’t genuinely apologize for.
And my mother is proud of me.
I burned down a house of depression,
I painted over murals of greyscale,
and it was hard to rewrite my life into one I wanted to live
But today, I want to live.
I didn’t salivate over sharp knives,
or envy the boy who tossed himself off the Brooklyn bridge.
I just cleaned my bathroom,
did the laundry,
called my brother.
Told him, “it was a good day.”
For more information on Kait Rokowski, please click here.
*Wise words attributed, variously, to Philo of Alexandria or Plato or Ian MacLaren.
Poem of the Week, by Ada Limon
My dog is sleeping on the couch right now. We can read each other’s minds; before I get up from this table in a few minutes to go for a run, he will already have jumped down and trotted over to me, knowing I’m about to leave. When I return, he will be waiting at the door to greet me. He doesn’t wake up disturbed like me at the daily news, which even though I don’t watch television and I avoid certain headlines, I know anyway. It’s in the air, in the invisible waves that connect us to each other and the world. It’s a battle not to give in to the disgust and despair and cynicism and snark that sometimes feels omnipresent and, weirdly, more socially acceptable than hope. Hope is harder, and so is the steadfast work that makes things better. The dog in this beautiful poem reminds me of my own dog. Not everything is bad, he says, in action if not words.
The Leash
– Ada Limon
After the birthing of bombs of forks and fear,
the frantic automatic weapons unleashed,
the spray of bullets into a crowd holding hands,
that brute sky opening in a slate metal maw
that swallows only the unsayable in each of us, what’s
left? Even the hidden nowhere river is poisoned
orange and acidic by a coal mine. How can
you not fear humanity, want to lick the creek
bottom dry to suck the deadly water up into
your own lungs, like venom? Reader, I want to
say, Don’t die. Even when silvery fish after fish
comes back belly up, and the country plummets
into a crepitating crater of hatred, isn’t there still
something singing? The truth is: I don’t know.
But sometimes, I swear I hear it, the wound closing
like a rusted-over garage door, and I can still move
my living limbs into the world without too much
pain, can still marvel at how the dog runs straight
toward the pickup trucks break-necking down
the road, because she thinks she loves them,
because she’s sure, without a doubt, that the loud
roaring things will love her back, her soft small self
alive with desire to share her goddamn enthusiasm,
until I yank the leash back to save her because
I want her to survive forever. Don’t die, I say,
and we decide to walk for a bit longer, starlings
high and fevered above us, winter coming to lay
her cold corpse down upon this little plot of earth.
Perhaps, we are always hurtling our body towards
the thing that will obliterate us, begging for love
from the speeding passage of time, and so maybe
like the dog obedient at my heels, we can walk together
peacefully, at least until the next truck comes.
For more information on Ada Limon, please click here.
Poem of the Week, by Patricia Lockwood

I used to define “sexual assault” in my own head as rape. So, in my own definition, I had never been sexually assaulted. Then I woke up, and took a casual glance back at my life: 1) Fifth grade, waiting with my class to go back in after recess, a classmate reached out in front of everyone and twisted my breast bud as hard as he could. The shock and physical pain were so severe that I almost vomited. I still think about this pretty much every day. 2) In high school, the jocks lined up on both sides of the hallway to rate the girls on a scale of 1-10 as we walked in. 3) At age sixteen, as an exchange student in Portugal on a sardine-can-crowded bus, a man pushed himself against me, ran his fingers up under my skirt and shoved them inside me, all the while laughing and rubbing his face against mine. 4) In college one winter, there were rumors of multiple rapes on campus, never publicized by campus authorities, which had us all uneasy. My solution was to wear a long coat, hulk up my shoulders and stride across campus if I had to be out at night, so that I would be perceived as a strong man. 5) Also in college, a male friend would corner me when he got drunk and grope me while pinning me against the wall with his knee and telling me he couldn’t help himself because I was just so hot. 6) Age 23, I went on a date with a man who yanked my underwear down and from whom I ran away, to find out the next morning that he had preemptively gaslighted me by telling others that it was clear I had very little experience with men and was, sadly, a tease. These are a few small incidents out of a lifetime of incidents, almost all of which I’ve left out, including the masturbating perves. My experiences are completely run of the mill and common to all my women friends. I’m still grateful that I haven’t been violently raped, and I am sad that I just used the word “grateful” and that I actually feel that way.
Rape Joke
– Patricia Lockwood
The rape joke is that you were 19 years old.
The rape joke is that he was your boyfriend.
The rape joke it wore a goatee. A goatee.
Imagine the rape joke looking in the mirror, perfectly reflecting back itself, and grooming itself to look more like a rape joke. “Ahhhh,” it thinks. “Yes. A goatee.”
No offense.
The rape joke is that he was seven years older. The rape joke is that you had known him for years, since you were too young to be interesting to him. You liked that use of the word interesting, as if you were a piece of knowledge that someone could be desperate to acquire, to assimilate, and to spit back out in different form through his goateed mouth.
Then suddenly you were older, but not very old at all.
The rape joke is that you had been drinking wine coolers. Wine coolers! Who drinks wine coolers? People who get raped, according to the rape joke.
The rape joke is he was a bouncer, and kept people out for a living.
Not you!
The rape joke is that he carried a knife, and would show it to you, and would turn it over and over in his hands as if it were a book.
He wasn’t threatening you, you understood. He just really liked his knife.
The rape joke is he once almost murdered a dude by throwing him through a plate-glass window. The next day he told you and he was trembling, which you took as evidence of his sensitivity.
How can a piece of knowledge be stupid? But of course you were so stupid.
The rape joke is that sometimes he would tell you you were going on a date and then take you over to his best friend Peewee’s house and make you watch wrestling while they all got high.
The rape joke is that his best friend was named Peewee.
OK, the rape joke is that he worshiped The Rock.
Like the dude was completely in love with The Rock. He thought it was so great what he could do with his eyebrow.
The rape joke is he called wrestling “a soap opera for men.” Men love drama too, he assured you.
The rape joke is that his bookshelf was just a row of paperbacks about serial killers. You mistook this for an interest in history, and laboring under this misapprehension you once gave him a copy of Günter Grass’s My Century, which he never even tried to read.
It gets funnier.
The rape joke is that he kept a diary. I wonder if he wrote about the rape in it.
The rape joke is that you read it once, and he talked about another girl. He called her Miss Geography, and said “he didn’t have those urges when he looked at her anymore,” not since he met you. Close call, Miss Geography!
The rape joke is that he was your father’s high-school student — your father taught World Religion. You helped him clean out his classroom at the end of the year, and he let you take home the most beat-up textbooks.
The rape joke is that he knew you when you were 12 years old. He once helped your family move two states over, and you drove from Cincinnati to St. Louis with him, all by yourselves, and he was kind to you, and you talked the whole way. He had chaw in his mouth the entire time, and you told him he was disgusting and he laughed, and spat the juice through his goatee into a Mountain Dew bottle.
The rape joke is that come on, you should have seen it coming. This rape joke is practically writing itself.
The rape joke is that you were facedown. The rape joke is you were wearing a pretty green necklace that your sister had made for you. Later you cut that necklace up. The mattress felt a specific way, and your mouth felt a specific way open against it, as if you were speaking, but you know you were not. As if your mouth were open ten years into the future, reciting a poem called Rape Joke.
The rape joke is that time is different, becomes more horrible and more habitable, and accommodates your need to go deeper into it.
Just like the body, which more than a concrete form is a capacity.
You know the body of time is elastic, can take almost anything you give it, and heals quickly.
The rape joke is that of course there was blood, which in human beings is so close to the surface.
The rape joke is you went home like nothing happened, and laughed about it the next day and the day after that, and when you told people you laughed, and that was the rape joke.
It was a year before you told your parents, because he was like a son to them. The rape joke is that when you told your father, he made the sign of the cross over you and said, “I absolve you of your sins, in the name of the Father, and of the Son, and of the Holy Spirit,” which even in its total wrongheadedness, was so completely sweet.
The rape joke is that you were crazy for the next five years, and had to move cities, and had to move states, and whole days went down into the sinkhole of thinking about why it happened. Like you went to look at your backyard and suddenly it wasn’t there, and you were looking down into the center of the earth, which played the same red event perpetually.
The rape joke is that after a while you weren’t crazy anymore, but close call, Miss Geography.
The rape joke is that for the next five years all you did was write, and never about yourself, about anything else, about apples on the tree, about islands, dead poets and the worms that aerated them, and there was no warm body in what you wrote, it was elsewhere.
The rape joke is that this is finally artless. The rape joke is that you do not write artlessly.
The rape joke is if you write a poem called Rape Joke, you’re asking for it to become the only thing people remember about you.
The rape joke is that you asked why he did it. The rape joke is he said he didn’t know, like what else would a rape joke say? The rape joke said YOU were the one who was drunk, and the rape joke said you remembered it wrong, which made you laugh out loud for one long split-open second. The wine coolers weren’t Bartles & Jaymes, but it would be funnier for the rape joke if they were. It was some pussy flavor, like Passionate Mango or Destroyed Strawberry, which you drank down without question and trustingly in the heart of Cincinnati Ohio.
Can rape jokes be funny at all, is the question.
Can any part of the rape joke be funny. The part where it ends — haha, just kidding! Though you did dream of killing the rape joke for years, spilling all of its blood out, and telling it that way.
The rape joke cries out for the right to be told.
The rape joke is that this is just how it happened.
The rape joke is that the next day he gave you Pet Sounds. No really. Pet Sounds. He said he was sorry and then he gave you Pet Sounds. Come on, that’s a little bit funny.
Admit it.
For more information about Patricia Lockwood, please click here.
Poem of the Week, by Philip Terman
This poem makes me think of my mother and father, who, from my vantage point, seem to spend most of their time doing good things for others. Need sixty pounds of stuffing for the Octoberfeast? Sure. Need a ride to your dentist appointment sixty miles away? No problem. All-day help in the homeless shelter kitchen every third Wednesday? Of course. A listening ear in a time of sadness? They are there. They are there, they are there, they are there. Some people write checks and then there are the people like my parents, who wade in knee deep to fill the plates and then wash the plates, brew the coffee and then pour the coffee, welcome the new babies, slip a $20 in their graduation cards eighteen years later, and stand in line in dark clothes to say goodbye when the time comes. We are all headed to the same place; may as well name it Jerusalem, or Mecca, or the meaning-of-a-life-whatever-that-may-be, and make those steps count.
Walking to Jerusalem
– Philip Terman
Pedometer attached to her belt, your mother, spry and strong
at eighty, joins the other Methodist Church members
in calculating the 5,915 miles, no matter the weather, to add up
all the way from Linesville, Pennsylvania to Jerusalem.
They need not worry about miracles or pausing
at the signs of the cross. They need not stop for security
to check their purses for weapons. They need no visa
nor baggage, no money to exchange for shekels, no guide-
book, no guide. They need no ancient tongue or prophecies.
They are, simply, day by day, walking, mile after mile:
the sink to the table, uptown to the post office, down
the block to visit the sick neighbor. Sundays to and from church.
And when they walk far enough, adding up their pedometers
together, they will arrive in Jerusalem. And keep walking.
For more information on Philip Terman, please click here.
Poem of the Week, by Lisa Olstein

Hello, my grandparents. I drove by the farm before I came here. It took me a while to find it – I finally had to call Mom and Dad from the car because I drove up and down McGhee Hill Road and could not seem to find the driveway. No red barn, no white farmhouse, no sloping green lawn with big trees. Turns out I’d forgotten that you have to go up and over the hill before you get to the farm – it’s on the other side. You’ll be happy to hear that it looks beautiful. They’ve turned the barn into some kind of pottery place, or art studio. Artisanal cheese, maybe. Whoever those New Yorkers you sold it to are, they obviously love the place. Not the way we did, though. No one could love it the way we did, back then.
Dear One Absent This Long While
– Lisa Olstein
It has been so wet stones glaze in moss;
everything blooms coldly.
I expect you. I thought one night it was you
at the base of the drive, you at the foot of the stairs
you in a shiver of light, but each time
leaves in wind revealed themselves,
the retreating shadow of a fox, daybreak.
We expect you, cat and I, bluebirds and I, the stove.
In May we dreamed of wreaths burning on bonfires
over which young men and women leapt.
June efforts quietly.
I’ve planted vegetables along each garden wall
so even if spring continues to disappoint
we can say at least the lettuce loved the rain.
I have new gloves and a new hoe.
I practice eulogies. He was a hawk
with white feathered legs. She had the quiet ribs
of a salamander crossing the old pony post road.
Yours is the name the leaves chatter
at the edge of the unrabbited woods.
For more information on Lisa Olstein, please click here.
Poem of the Week, by Alan Gillis
When I was eighteen I left the landscape of my childhood –the foothills of the southwestern Adirondacks, in far upstate New York– for college in Vermont, and in all the years since I have never spent more than a week at a time in my homeland, always to visit my parents. You would think I left that world behind, the day I got to college, and in a way that’s true. The horizons of my life blew wide open that day, and they have kept right on opening. But every adult novel I’ve ever written is set in that land, with its maples and oaks that turn to flame in the autumn, pine trees in winter that look black against deep snow that looks blue or white or pink, depending. The people in those novels aren’t real, I conjured them up out of my heart and my head, but I wish they had been around when I was a girl. Maybe I would’ve loved them, maybe they would’ve loved me. When Alan Gillis in this beautiful, dreamlike poem below talks about the girl who sheds the skin of her longing only to escape into more longing, I know in my bones what he means. I guess everyone does.
To Be Young and in Love in Middle Ireland
– Alan Gillis
The girl from the satellite
town holds berries in the fast stream
supermarket queue.
She carries her longing like a stream of song,
her melody
a body over the boundary
of what is solid and what flows.
The guys in the depression-
hit town are tripping in the fruit
aisle. Falling for her
berry lightness they slip out
from their outlines. One guy says
she takes the form of a dream,
or the dream of a form.
On the page of the regional
night berries
pulse like the notes of a song
in the stream. The girl
who sheds the skin of her longing
escapes into more
longing.
In a dream on the margins
of town one of the guys
hears a girl sing, her voice
like strings,
a basket of ripe berries
floating into the night
on a stream.
The girl, the guy, in derelict
bedrooms hear lucent songs
undressing,
streaming from their outlines
through the boundaries
of town wrapping around them
the scent of fresh berries.
And I was the guy and the girl
was within
the page of the town
ever, over, after, never, the song
long, long, long, long.
The stream is slipped as the ground
you stand on.
Build houses out of song.
The berries are undressing.
The stream is long, gone, long.
The girl dreams a form of dream,
or forms a dream of form:
the boundaries of song in the night
undressed as a stream in the morning.
For more information on Alan Gillis, please click here.
Poem of the Week, by Dorianne Laux
长江上游很肥沃

That little phrase above there, “changjiang shangyou hen feiwo,” is one of my favorite sentences in the world. It translates as “the upper reaches of the Yangtze River valley are very rich and fertile” which is all well and good, but what I love about it is the way it sounds when you say it. The upward swoop of the chang, the sustained note of the jiang, the downward bark of the shang and the swing of the you, the deep growl of the you, and the swift up and down finish of the feiwo. Mandarin is a language I speak to myself inside my own head. It’s part of the language of words themselves, the sound and feel of them, phrases and fragments and little mantras that in my life others have used to soothe, like All shall be well, and all shall be well, and all manner of things shall be well. All the good words that save us, that have saved us.
Tonight I Am in Love
Dorianne Laux
Tonight, I am in love with poetry,
with the good words that saved me,
with the men and women who
uncapped their pens and laid the ink
on the blank canvas of the page.
I am shameless in my love; their faces
rising on the smoke and dust at the end
of day, their sullen eyes and crusty hearts,
the murky serum now turned to chalk
along the gone cords of their spines.
I’m reciting the first anonymous lines
that broke night’s thin shell: sonne under wode.
A baby is born us bliss to bring. I have labored
sore and suffered death. Jesus’ wounds so wide.
I am wounded with tenderness for all who labored
in dim rooms with their handful of words,
battering their full hearts against the moon.
They flee from me that sometime did me seek.
Wake, now my love, awake: for it is time.
For God’s sake hold your tongue and let me love!
What can I do but love them? Sore throated
they call from beneath blankets of grass,
through the windtorn elms, near the river’s
edge, voices shorn of everything but the one
hope, the last question, the first loss, calling
Slow, slow, fresh fount, keep time with my salt tears.
When as in silks my Julia goes, calling Why do I
languish thus, drooping and dull as if I were all earth?
Now they are bones, the sweet ones who once
considered a cat, a nightingale, a hare, a lamb,
a fly, who saw a Tyger burning, who passed
five summers and five long winters, passed them
and saved them and gave them away in poems.
They could not have known how I would love them,
worlds fallen from their mortal fingers.
When I cannot see to read or walk alone
along the slough, I will hear you, I will
bring the longing in your voices to rest
against my old, tired heart and call you back.
Once, at a magic show held at night in a converted barn in rural New Hampshire, I watched a girl gasp in amazement as a happy young man in a cape pulled a rabbit from a hat, and then –somehow– made a bird in a cage disappear from the stage and reappear at the back of the room. Did you see that? the girl said to me. That was amazing. She was fifteen at the time, and I remember thinking how beautiful it was that she could still be captivated by magic. Some years later, from her first job, a year spent at the poorest elementary school in the poorest neighborhood of a big city, a job which taxed her spirit to the limit because of the nearly unimaginable suffering her students lived under, she sent me a text. It was “Atten-Dance” day for the fourth-graders, a day on which all the students with good attendance got to stay after school for a dance put on for them by the girl and her colleagues. This is the best day of the year, her text said. My babies —which is what she, at 22, called her students– are so excited. They’re jumping around like the little kids they for once get to be. Like the poem below says, we can make this place beautiful. Even now.