Poem of the Week, by Ross Gay

Click here for details and to register for this Thursday, November 17’s Memoir in Moments evening workshop and January’s Write Together week-long session – I’d love to see you in the Zoom room!

Once, just out of college, I went to the movies with a friend. In the pocket of my jeans were nine dollars – a five and four ones. This was my cash for the week. I leaned back and draped my legs over the seat in front of me (terrible, I know) and watched the movie.

Walking home, I put my hands in my pockets, realized they were empty –my nine dollars must have fallen out to the floor of the theater–and panicked. My friend was weirded out. “Nine bucks?” he said. “Why are you so upset?”

He was a trainee investment banker. I was a trainee novelist.

Some of us – most of us? – are panicked by money worries at some point in our lives. For some, it’s a lifelong condition. I’ve never forgotten that night at the movies, the loss of that precious cash, how I tried to comfort myself by picturing some other penniless person, maybe a movie usher, maybe a late-night cleaner, and the wild happiness they must have felt when they found that $9 scattered beneath my seat.

The Truth, by Ross Gay

Because he was 38, because this
was his second job, because
he had two daughters, because his hands
looked like my father’s, because at 7
he would walk to the furniture warehouse,
unload trucks ’til 3 AM, because I
was fourteen and training him, because he made
$3.75 an hour, because he had a wife
to look in the face, because
he acted like he respected me,
because he was sick and would not call out
I didn’t blink when the water
dropped from his nose
into the onion’s perfectly circular
mouth on the Whopper Jr.
I coached him through preparing.
I did not blink.
Tell me this didn’t happen.
I dare you.

Click here for more information about the wonderful Ross Gay.

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August 2021 Books I Read and Loved

(Note: I only write about books I love.)

The Book of Delights, by Ross Gay. I’d dipped in and out of this book before, but finally read it straight through, essayette to essayette, until all the essayettes were gone, kind of like I do with the bags of Lindt milk chocolate truffles I buy and stash away on a high shelf. These tiny essays, every one of them, made me laugh, smile, nod, frown, and see something about the world in a slightly different way. Every time I read something by Ross Gay I feel like calling him and talking about it, that’s how much I love his work, and then I remember that oh, we’ve never met and we’re not friends in real life. (Yet…bwahaha.) So far I’ve bought four copies of this tiny book –FOUR–at my beloved neighborhood indie Magers and Quinn to give to people I adore. That alone should tell you something.

Goldenrod, by Maggie Smith. How I love this book of poems. I treasure it as much as Good Bones, and I didn’t think that would be possible. Maggie Smith’s poems are so spare. There’s space and light on every page of her books, yet what she conjures in both image and feeling is vast. She’s a word artist in her use of the visual, and of negative space. Same thing in her imagery – the woman has an uncanny ability to flip a situation, or an emotion, inside out and upside down until suddenly you see possibility and freedom where you didn’t before. (I’ve also bought four copies of this book too, one to keep, three to give away.)

Pablo and Birdy, by me. You would think that, having written this book myself, I would remember everything about it. You would be wrong. I want to adapt Pablo and Birdy into a screenplay, so I re-read it in preparation, only to find that I’d forgotten so much. In fact, it felt like a novel I’d never read before. Who was Pablo’s original family? Why was he floating alone on the sea with only a parrot to watch over him? What will happen when the winds of change come over Isla? What if there really were such a bird as a Seafaring Parrot – what could I learn, and put to rest, about my own past? (Yes, I realize this not-remembering my own novel reveals way too much about me, but so be it. Shrug emoji.)

The Night Watchman, by Louise Erdrich. Damn, this woman knows how to tell a story. I was captivated by this book from page one and didn’t want to put it down. Pixie! She will live inside me forever, and so will her sister Vera. So will Thomas, and dear Wood Mountain, and the unearthly Zhaanat. So will the land they live on so deeply that when I think about this novel I think about its people as part-land. Historical fiction based on the life of Erdrich’s grandfather, this novel is contemporary and timeless and sweeping and specific and just wonderful.

Leaving Time, by Jodi Picoult. You know those little shelf cards you often see in indie bookstores, placed by booksellers next to books they love? Sometimes one of my novels has one with something like “If you love Jodi Picoult, give Alison McGhee a try!” So I’ve always been scared to read a Jodi Picoult novel because what if I hated it, and by extension hated my own books? Finally I decided it was time to get over it, and wow did I love Leaving Time. It’s captivating, mysterious, sad, funny, with a wild twist at the end, and I learned so, so much about elephants, those beautiful creatures. Now I want to read all Jodi Picoult’s novels – which one should I read next?

Sanity and Tallulah, by Molly Brooks. This graphic novel has been on my shelf for a while now, and I finally plucked it off and figured I’d read a few pages to see if I was interested. Three hours later I’d gobbled the whole thing down – so funny and full of adventure. Two best friends relegated, with their cool and funny parents, to a far corner of the universe in a falling-apart space station who have to figure out, on the fly, how to fix the thing before everyone dies. That’s kind of the plot – I was having too much fun reading it to keep close track. The whole way through I kept thinking damn, Molly Brooks must’ve had a blast with this book. Reading Sanity and Tallulah made me want to come up with my own joyride of a graphic novel.

Poems of the Week, by Ross Gay

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My daughter to me last night, as I weeded the front gardens with empty streets and choppers circling overhead: “Hey Ma. It’s past 8. Curfew.”

Me: “If I see the national guard tearing down the block I’ll just run inside.”

Another conversation I wouldn’t have predicted I’d ever be having, but this is where we are. I’ll be working the rest of my life to undo the racism baked into me, my community, and this country.

 

Pulled Over in Short Hills, NJ, 8:00 AM, by Ross Gay

It’s the shivering. When rage grows
hot as an army of red ants and forces
the mind to quiet the body, the quakes
emerge, sometimes just the knees,
but, at worst, through the hips, chest, neck
until, like a virus, slipping inside the lungs
and pulse, every ounce of strength tapped
to squeeze words from my taut lips,
his eyes scanning my car’s insides, my eyes,
my license, and as I answer the questions
3, 4, 5 times, my jaw tight as a vice,
his hand massaging the gun butt, I
imagine things I don’t want to
and inside beg this to end
before the shiver catches my
hands, and he sees,
and something happens.

A Small Needful Fact, by Ross Gay

Is that Eric Garner worked
for some time for the Parks and Rec.
Horticultural Department, which means,
perhaps, that with his very large hands,
perhaps, in all likelihood,
he put gently into the earth
some plants which, most likely,
some of them, in all likelihood,
continue to grow, continue
to do what such plants do, like house
and feed small and necessary creatures,
like being pleasant to touch and smell,
like converting sunlight
into food, like making it easier
for us to breathe.

 

For more information about Ross Gay, please click here.

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Poem of the Week, by Ross Gay

Screen Shot 2020-01-13 at 7.55.08 AMThe other night I swooped around the living room to 80’s music: the Police, Prince, Queen. It was late. I was tired. But the day had been too much –all these days are too much, it’s been three and a half years now of too damn much–and the music brought back Vermont and my best friend’s lavender shirt and my red shirt and weekend nights on the Alibi’s tiny dance floor. So I danced it all out. Woke up next morning to the daily dose of awful news and, also, neighbors offering to deliver groceries and medicine, free home visits by a pediatrician, free online classes. Yes, fear and panic are in us, and so are generosity and kindness. 

 

Sorrow Is Not My Name, by Ross Gay

—after Gwendolyn Brooks

No matter the pull toward brink. No
matter the florid, deep sleep awaits.

There is a time for everything. Look,
just this morning a vulture
nodded his red, grizzled head at me,
and I looked at him, admiring
the sickle of his beak.
Then the wind kicked up, and,
after arranging that good suit of feathers
he up and took off.
Just like that. And to boot,
there are, on this planet alone, something like two
million naturally occurring sweet things,
some with names so generous as to kick
the steel from my knees: agave, persimmon,
stick ball, the purple okra I bought for two bucks
at the market. Think of that. The long night,
the skeleton in the mirror, the man behind me
on the bus taking notes, yeah, yeah.
But look; my niece is running through a field
calling my name. My neighbor sings like an angel
and at the end of my block is a basketball court.
I remember. My color’s green. I’m spring.

for Walter Aikens

 

For more information about Ross Gay, please check out his website.

Poem of the Week, by Ross Gay

IMG_0696A child I didn’t have has been with me throughout my adult life. He has grown up without me in a shadow world that exists within this world: invisible but close by. In dreams he stands in the doorway of a room I’m writing in, his feet on the doorsill, never stepping into the room itself. He’s tall now, and lean, and always smiling. The fact that he never existed makes him no less real to me. Every one of Ross Gay’s poems goes straight to my heart, but none quite like this. 

 

Poem to My Child, If Ever You Shall Be, by Ross Gay

                        —after Steve Scafidi

The way the universe sat waiting to become,
quietly, in the nether of space and time,

you too remain some cellular snuggle
dangling between my legs, curled in the warm

swim of my mostly quietest self. If you come to be—
And who knows?—I wonder, little bubble

of unbudded capillaries, little one ever aswirl
in my vascular galaxies, what would you think

of this world which turns itself steadily
into an oblivion that hurts, and hurts bad?

Would you curse me my careless caressing you
into this world or would you rise up

and, mustering all your strength into that tiny throat
which one day, no doubt, would grow big and strong,

scream and scream and scream until you break the back of one injustice,
or at least get to your knees to kiss back to life

some roadkill? I have so many questions for you,
for you are closer to me than anyone

has ever been, tumbling, as you are, this second,
through my heart’s every chamber, your teeny mouth

singing along with the half-broke workhorse’s steady boom and gasp.
And since we’re talking today I should tell you,

though I know you sneak a peek sometimes
through your father’s eyes, it’s a glorious day,

and there are millions of leaves collecting against the curbs,
and they’re the most delicate shade of gold

we’ve ever seen and must favor the transparent
wings of the angels you’re swimming with, little angel.

And as to your mother—well, I don’t know—
but my guess is that lilac bursts from her throat

and she is both honeybee and wasp and some kind of moan to boot
and probably she dances in the morning—

but who knows? You’ll swim beneath that bridge if it comes.
For now let me tell you about the bush called honeysuckle

that the sad call a weed, and how you could push your little
sun-licked face into the throngs and breathe and breathe.

Sweetness would be your name, and you would wonder why
four of your teeth are so sharp, and the tiny mountain range

of your knuckles so hard. And you would throw back your head
and open your mouth at the cows lowing their human songs

in the field, and the pigs swimming in shit and clover,
and everything on this earth, little dreamer, little dreamer

of the new world, holy, every rain drop and sand grain and blade
of grass worthy of gasp and joy and love, tiny shaman,

tiny blood thrust, tiny trillion cells trilling and trilling,
little dreamer, little hard hat, little heartbeat,

little best of me.

 

For more information on Ross Gay, please click here.

Poem of the Week, by Ross Gay

How many times have I been driving in my city and glanced over at the face of a pulled-over-by-an-officer driver? Hundreds. How many of those times has the driver been a person of color? Most of the time.

 

Pulled Over in Short Hills, NJ, 8:00 AM, by Ross Gay

It’s the shivering. When rage grows
hot as an army of red ants and forces
the mind to quiet the body, the quakes
emerge, sometimes just the knees,
but, at worst, through the hips, chest, neck
until, like a virus, slipping inside the lungs
and pulse, every ounce of strength tapped
to squeeze words from my taut lips,
his eyes scanning my car’s insides, my eyes,
my license, and as I answer the questions
3, 4, 5 times, my jaw tight as a vice,
his hand massaging the gun butt, I
imagine things I don’t want to
and inside beg this to end
before the shiver catches my
hands, and he sees,
and something happens.

 

For more information on Ross Gay, please click here.

 

Poem of the Week, by Ross Gay

Overheard
– Ross Gay

It’s a beautiful day
the small man said from behind me
and I could tell he had a slight limp
from the rasp of his boot against the sidewalk
and I was slow to look at him
because I’ve learned to close my ears
against the voices of passersby, which is easier than closing
them to my own mind,
and although he said it I did not hear it
until he said it a second or third time
but he did, he said It’s a beautiful day and something
in the way he pointed to the sun unfolding
between two oaks overhanging a basketball court
on 10th Street made me, too
catch hold of that light, opening my hands
to the dream of the soon blooming
and never did he say forget the crick in your neck
nor your bloody dreams; he did not say forget
the multiple shades of your mother’s heartbreak,
nor the father in your city
kneeling over his bloody child,
nor the five species of bird this second become memory,
no, he said only, It’s a beautiful day,
this tiny man
limping past me
with upturned palms
shaking his head
in disbelief.


For more information on Ross Gay, please click here: http://en.wikipedia.org/wiki/Ross_Gay

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