Poem of the Week, by Naomi Shihab Nye

Luke and me, photo boothWhen my son was a year and a half he came down with a stomach flu. After a couple of days the vomiting and diarrhea had calmed down, but he was quiet and listless. I wasn’t terribly worried but something told me to take him to the clinic, so I did. His doctor examined him in the little bright-lit room the same way I had grown used to, with calm and gentleness. I trusted this doctor completely and instinctively the minute I met him. He was older, small and lean, with wise eyes. 

“I feel kind of dumb bringing him in,” I said, “but I just wanted to make sure.”

The doctor nodded. “It’s good you did bring him in,” he said. 

Then he went to the phone on the wall and called the hospital and asked them to reserve a room, that my son and I would be there shortly. I looked at him in bewilderment.

“The hospital?” I said, and he nodded. “Well, okay. I’ll go home and pack some clothes and”–but he shook his head. “Go now,” he said, gently. “Dehydration.”

So I went. And waited while the nurses and doctors sought to find a vein in my little boy’s small body, and then sat beside him for a couple of days while the i.v. dripped life-giving liquid into him. It was like watching a half-dead green plant revive. It took me a little while to realize that my baby had not been far from losing his life. I remembered how the doctor had pinched up the skin of his tiny belly, and how it had just stayed pinched up. I remembered how the doctor had gone immediately to the phone on the wall.

This doctor retired from active practice when my children were still small. Last week, for no known reason, the image of him flashed into my mind and I wondered where and how he was. It had been 20 years. Then, not two days later, I walked into my neighborhood bookstore to give a reading from my new novel, Never Coming Back, and just inside the door, there he was. He was older, still lean and small, still with those calm, observant eyes. He had seen that I was giving a reading, and he wanted to come. There was a lump in my throat as I hugged him.

That man is the kind of person that makes me think of this beautiful poem, one of my favorites, by Naomi Shihab Nye.

 

Famous
     – Naomi Shihab Nye

The river is famous to the fish.

The loud voice is famous to silence,
which knew it would inherit the earth
before anybody said so.

The cat sleeping on the fence is famous to the birds
watching him from the birdhouse.

The tear is famous, briefly, to the cheek.

The idea you carry close to your bosom
is famous to your bosom.

The boot is famous to the earth,
more famous than the dress shoe,
which is famous only to floors.

The bent photograph is famous to the one who carries it
and not at all famous to the one who is pictured.

I want to be famous to shuffling men
who smile while crossing streets,
sticky children in grocery lines,
famous as the one who smiled back.

I want to be famous in the way a pulley is famous,
or a buttonhole, not because it did anything spectacular,
but because it never forgot what it could do.

 

For more information on Naomi Shihab Nye, please click here.

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Poem of the Week, by Maggie Smith

IMG_4760After a reading from my new novel Never Coming Back the other night, I spoke with a woman in the audience about synesthesia, that syndrome whereby senses cross and fuse with each other. “So as someone is talking, you don’t simultaneously see the words they’re saying inside your head?” I asked the woman, and she shook her head.

 “Then how do you understand them?” I asked her. “Is it just. . . sound? Sound that makes sense in your ears and translates itself into meaning?” She nodded. 

Everything I say, and everything others say to me, transcribes itself instantly into words that run across the bottom of the movie screen in my mind. I can’t imagine how I would ever understand language otherwise, and the woman I was talking with couldn’t imagine how this happens for me. Our conversation reminded me of this poem by Maggie Smith, a poem that stays with me for many reasons: because I love flowers and their names, because I also love my children who can’t ever remember the names of the flowers I’ve grown in our garden their whole lives long, and because, in the end, I guess it’s the sight of them both that matters, and not the names we give them.

 

Goldenrod, by Maggie Smith 
        

I’m no botanist. If you’re the color of sulfur
and growing at the roadside, you’re goldenrod.

You don’t care what I call you, whatever
you were born as. You don’t know your own name.

But driving near Peoria, the sky pink-orange,
the sun bobbing at the horizon, I see everything

is what it is, exactly, in spite of the words I use:
black cows, barns falling in on themselves, you.

Dear flowers born with a highway view,
forgive me if I’ve mistaken you. Goldenrod,

whatever your name is, you are with your own kind.
Look—the meadow is a mirror, full of you,

your reflection repeating. Whatever you are,
I see you, wild yellow, and I would let you name me.

 

​For more information on Maggie Smith, please click here​.

Poem of the Week, by Derek Sheffield

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Write about a powerful moment in your childhood, a time when you felt seen, heard, acknowledged and powerful,  for exactly who you were.

This was the ten-minute writing prompt a few weeks ago in my Writing for Children and Young Adults class. Memories conjured themselves up around the room. A boy known as the Fat Kid watched a Chris Farley sketch and ran to the mirror to begin practicing comedy. A shy girl, quiet and overshadowed by the big sister who had always scoffed at her taste in music, received a package filled with homemade mix tapes of classic rock songs put together by that same big sister’s college roommate, with a note that began, “So I hear you like classic rock. And so do I.” 

And a little girl watching her older sister perform a play, in Hmong, the language that she had grown up speaking and hearing only in the safety of her family home, and felt for the first time “that I was at a place that wasn’t home, but that in my heart felt like home.” 

I listened to these stories and felt like crying. It takes so little, in the life of a child. A single moment can either take away their power or infuse them with it, as in this beautiful poem below.

 

First Grade, by Derek Sheffield
Sunday afternoon and she looks up
from her drawing, wants to know
if I know the game where you put
your head down and thumb up

until someone picks you.
“Yes,” I say, across the room and half-
listening. “‘Well, I always pick my friends
but they never pick me.” I pause

in the middle of a sentence.
“Who are your friends?”
“Everyone!” she says, as if I had asked
one plus one or the color of the sky.

Sunlight draws a skewed rectangle
across the floor. “I see,” I say
and let my notebook close, seeing
children in rows, heads on desks,

her big ears poking through sandy hair,
listening for a step or a breath, “Yes,
I remember that game.” And I stand
and walk over to find the outline of her hand

plunging through a white sky.    

 

 

​For more information on​ Derek Sheffield, please click here

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Poem of the Week, by Bob Hicok

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This one goes out to all those who keep the world humming. To the servers and mechanics and plumbers and caterers and farmers and housecleaners and personal care attendants and orderlies and shift workers and convenience store clerks and landscapers and migrant workers and everyone else publicly championed and secretly scorned by those in power. We need more plumber poems, I always say to my students, we need more veteran poems and housecleaner poems and migrant worker poems. Write them. The world needs them. 

 

By Their Works

     – Bob Hicok

Who cleaned up the Last Supper? 
These would be my people. 
Maybe hung over, wanting 
desperately a better job,
standing with rags
in hand as the window
beckons with hills
of yellow grass. In Da Vinci,
the blue robed apostle
gesturing at Christ
is saying, give Him the check.
What a mess they’ve made
of their faith. My God
would put a busboy
on earth to roam
among the waiters
and remind them to share
their tips. The woman
who finished one
half eaten olive
and scooped the rest
into her pockets,
walked her tiny pride home
to children who looked
at her smile and saw
the salvation of a meal.
All that week
at work she ignored
customers who talked
of Rome and silk
and crucifixions,
though she couldn’t stop
thinking of this man
who said thank you
each time she filled
His glass.

 
 
​For more information on Bob Hicok, please click here.​
 

 

 

 

Poem of the Week, by Mary Oliver

Pete in first snow, 2011Yesterday my faithful companion and I were out for his twice-daily walk, and by “walk” I mean amble. Wander. Meander. Pete is fourteen years old now, and the boy who used to tear around the lakes for hours on end, never tiring, with me half-jogging to keep up, and who would then come home to do hot laps with the neighbor dogs in our adjoining back yard, now sways from side to side and every now and then stumbles over sidewalk heaves and steps. He breathes heavily and coughs often (heart failure), his joints are stiff (arthritis), he doesn’t notice the squirrels he used to leap after (eyes/hearing). This has happened gradually, so that I’ve had time to get used to it. Or so I thought.

But when flipping through photos the other day, I found this one and it nearly brought me to my knees. I remember when I took it. It was the first snow of the year that night, probably ten years ago, and he stood there at the end of the leash waiting impatiently for me to take the photo so that he could get back to what he wanted, which was to go, go, go through new snow, down the unshoveled sidewalk.

Petey-boy, I hope you’re still around for this year’s first snow. Are you our good boy? Are you? Are you the best, best dog? 

 * * *

 

from “Work”
     – Mary Oliver

All day I have been pining for the past.
That’s when the big dog, Luke, breathed at my side.
Then she dashed away then she returned
in and out of the swales, in and out of the creeks,
her dark eyes snapping.
Then she broke, slowly,
in the rising arc of a fever.

And now she’s nothing
except for mornings when I take a handful of words
and throw them into the air
so that she dashes up again out of the darkness,

like this–

this is the world.

 
For more information on Mary Oliver, please click here.​
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Poem of the Week, by Alexandra Lytton Regalado

 

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A long time ago, far away, a wiggly baby dressed in a little purple-and-white striped number was handed over to me. She took one look at the tall, strange woman holding her and squinched up her face to cry.

Who could blame her? But I quickly whispered to her that it’s okay, it’s okay, I’m your mama and you’re my little girl and we’re going to have so much fun together. She unsquinched her face and kicked her legs and gave me a big grin and we went back to the hotel. I laid her on my stomach so we could have a chat and get to know each other, whereupon she peed on me a little. Which made me laugh. Which made her laugh. Which made me laugh. Which made her laugh, and this little closed loop of laughing went on for a while.

But then I needed to go to the bathroom, and not knowing yet if she were capable of rolling right off the bed, I lowered her into the little white iron crib that had been set up in the room. It’s okay, I’ll be right back, I said. She stopped laughing and looked up at me with dark, dark eyes. Those dark eyes followed me into the bathroom. She did not smile when I smiled and waved from the open door. She just watched me. I remember being overcome by how a baby has no control –beyond crying– over its world. How everything depends on decisions made by grownups. How the life of this dark-eyed child was now in my hands. The awesome, overwhelming responsibility of it all. Please, please let me be a good mother to her, I remember thinking. Please let me do right by her.

 

The T’ai Chi of Putting a Sleeping Child to Bed
     – Alexandra Lytton Regalado 

        
In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.

 

For more information on Alexandra Lytton Regalado, please click here

 

 

Poem of the Week, by Francine J. Harris

img_3343Sometimes I think cruel things about other people. I don’t want to think these things and sometimes I hate myself for doing so. You say that all matters to you is being kind, I think, and that was so unkind. Sometimes I try to be Buddhist about it: Recognize. Acknowledge. Sit with it. Let it go. Sometimes I turn to one of my lifelong mantras to forestall future cruel thoughts: You don’t know what his story is, Alison, or, You don’t know what his home life is like, Alison, or, She was once somebody’s baby, you know.

Even though I don’t say these cruel things out loud, they bother me. Which might be why this poem upset me so much the first time I read it. As the lines gathered speed, and the poem gathered torment, it seemed so full of cruelty that I had to get away from it, had to push it away from me. It brought back so much awfulness from the past: cruelty of the school bus, cruelty of creative writing workshops, cruelty witnessed on the sidewalks and in school hallways and . . . everywhere. Especially these days, under our current regime.

But I kept reading. And when I got to the ending, that is when I knew that the poet was like me, but braver. She made herself go into the cruelty so that she could come out the other side. 

 

Katherine with the lazy eye. short. and not a good poet, by Francine J. Harris

This morning, I heard you were found in your McDonald’s uniform.
 
I heard it while I was visiting a lake town, where empty woodsy highways
turn into waterside drives. I’d forgot
 
my toothbrush and was brushing with my finger, when a friend
who didn’t know you said he heard it like this: You know Katherine. Short.
 
with a lazy eye. Poet. Not a very good one. Yeah, well she died. the blue
 
on that lake fogs off into the horizon like styrofoam. The picnic tables
full of white people. I ask them where the coffee is. They say at Meijer.
 
I wonder if you thought about getting out of Detroit. When you read at the open mike
you’d point across the street at McDonald’s and told us to come see you.
 
Katherine with the lazy eye. short and not a good poet, I guess I almost cried.

I don’t know why, because I didn’t like you. This is the first time I remembered your name.
 
I didn’t like how you followed around a married man. That your poems sucked
and that I figured they were all about the married man.
 
That sometimes you reminded me of myself, boy crazy. That sometimes
I think people just don’t tell me that I’m kind of, well…slow.
 
Katherine with the lazy eye, short. and not a good poet.
I didn’t like your lazy eye always looking at me. That you called me
 
by my name. I didn’t
like you, since the first time I saw you at McDonald’s.
 
You had a mop. And you were letting some homeless dude
flirt with you. I wondered then, if you thought that was the best
 
you could do. I wondered then if it was.
 
Katherine with the lazy eye, short, and not a good poet.
You were too silly to wind up dead in an abandoned building.
 
I didn’t like you because, what was I supposed to tell you. What.
Don’t let them look at you like that, Katherine. Don’t let them get you alone.
 
You don’t get to laugh like that, like nothing’s gonna get you. Not everyone
will forgive the slow girl. Katherine
 
with the fucked up eye, short. Poetry sucked, musta’ knew better. I avoided you
in the hallway. I avoided you in lunch line. I avoided you in the lake.
 
I avoided you. My lazy eye. Katherine with one hideous eye, shit.
Poetry for boys again, you should have been immune. you were supposed
 
to be a cartoon. your body was supposed to be as twisted as
it was gonna get. Short. and not a good poet. Katherine
 
with no eye no more. I avoided you, hated it, when you said my name. I
really want to leave Detroit. Katherine the lazy short.
 
not a good poet. and shit. Somewhere someone has already asked
what was she like, and a woman has brought out her wallet and said
 
This is her. This is my beautiful baby.    

 

 

For more information about Francine J. Harris, please click here.

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Poem of the Week, by Albert Goldbarth

21034365_1822136601133837_3288638729780497471_nHurricanes and earthquakes and floods and the ongoing human cruelty inflicted by our elected employees against their fellow human beings. Jeez. It’s enough to make me understand (a tiny bit, anyway) why religious people start tossing around terms like “the end times.” Screw that, though. Enough good people determined to make the world better will do just that. Let us be like the whales in this strange and unforgettable poem by Albert Goldbarth, and sing to each other.

 

Forces, by Albert Goldbarth

It’s different for the spiderweb: 
the only architecture 
in a five-block radius not 
undone by yesterday’s tornado. 

Out at the More-4-Less, strands 
of uncooked spaghetti were driven, 
unbroken, like nails, through concrete. 
Different levels: different forces. 

I remember when Anna told me 
about the deep-sea dive that almost 
killed her, hammered and disoriented 
and tossed like debris in the middle 

of two converging vectors of power. 
That’s what she said. The whales 
only knew they were singing 
to each other. 

 

 

​For more information on Albert Goldbarth, please ​click here.

Poem of the Week, by Kay Ryan

IMG_0447People look at me with confusion when I tell them I’m deeply wary of charismatic people, with charisma defined in the broad sense as “a personal magic of leadership arousing special popular loyalty or enthusiasm for a public figure (such as a political leader).” But wait, isn’t charisma charming, magnetic, powerful? Sometimes. And sometimes it’s a mask for manipulation, a bottomless need for adulation, attention, look at me look at me look at me, take care of me and do as I say because I am more important than you. Charismatic people so often go unchecked, no matter their behavior, because a) people are drawn to them by that magnetic personality and b) charismatic people often snap at anyone who calls them out on their behavior, in a vicious, malevolent and wildly cruel way. 

Which means that the only thing to do is exactly that: call them on their behavior. Not after seventy years of uncontrolled power-grabbing, but the first time it happens. When I began (only a few years ago, sadly) to call people on their awful, manipulative behavior –sometimes only in my own mind and sometimes with a fake-it-till-you-make-it calm in public– the relief was immediate and enormous. We’re all in this world together, friends. Don’t stand for bad behavior. Call it when you see it, and tell your elected employees to call it when they see it. Otherwise we end up exactly where we are in this country, right now, with unchecked petty tyrants trying to take down our democracy. I turn to this poem below, by the strange and wondrous poet Kay Ryan, for strength.

 

Relief, by Kay Ryan

We know it is close
to something lofty.
Simply getting over being sick
or finding lost property
has in it the leap,
the purse, the quick humility
of witnessing a birth–
how love seeps up
and retakes the earth.
There is a dreamy
wading feeling to your walk
inside the current
of restored riches,
clocks set back,
disasters averted.

 

​Fo​r more information on Kay Ryan, please click here.

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Poem of the Week, by Mary Jo Salter

IMG_7772The other day a new friend walked into my house and stopped to look at some photos perched on a bookcase. “Is that you?” he said, pointing to one of a girl on a windsurfer. “No, that’s my daughter,” I said, admiring her, how the wind was blowing her long hair back. Then time did one of its weird pivots and I startled and sort of laugh/winced, because why had I said the girl on the windsurfer was my daughter? She wasn’t. She was me, long ago, when I was the age that my daughter is now. Do we, at some point, evolve into the mothers of our own selves? What a beautiful and sorrowful thought, a thought which keeps me re-reading Mary Jo Salter’s haunting poem below. 

 

Here I Am, by Mary Jo Salter

Here I am, making my grand tour
the summer after graduation.
What is this? Must be the Rome train station.
We never noticed we were poor.
Backpacks and low-rise jeans—
we never lived beyond our means.
(Back then there were no ATMs.)
Here we are,
my friends and me.
We’re napping on a bank of the Thames,
when love was free.

Here I am with that girl I met
on the trip to Brussels or Bruges.
(My God, her duffel bag is huge!)
What was her name? Yvonne? Yvette?
She ditched me; I’m forgetting why.
Oh yeah—when I slept with that Swedish guy.
His sleeping bag was full of fleas.
Here we are,
with our bread and cheese,
on a park bench in the Tuileries,
when love was free.

    Here I am,
    a woman in the middle
    of her life,
    and her life
    is an endless riddle.
    In all of Europe
    I couldn’t stir up
    a memory more un-
    likely and foreign
    than me at twenty-two.
    I can’t help gazing
    at her bright young eyes,
    at her nice firm thighs.
    Was I ever twenty-two?
    Look at her skin, it’s amazing.
    Can you be me? Am I you?

Here I am at the Berlin Wall.
They tore it down, but it’s still there
in this picture, like my long dark hair.
But there’s a wall between her and me
that, like me, won’t be getting thinner.
Here we are,
myself and me,
thinking, Ich bin ein Berliner,
but who is free?

    Here I am,
    looking at this kernel
    of myself,
    and I feel
    so strangely maternal.
    Do I have a choice?
    I can’t believe I’m hearing
    my own mother’s voice
    giving me advice:

Did you pack your passport?
Sign your traveler’s checks?
Don’t talk to men,
they only want sex;
keep a ladylike appearance
and when was the last time you sent
a postcard to your parents?

Here it is.
Here’s my postcard to me.
I’ve become my own mother;
never thought I’d be.
But here I am …
here I am.

 

For more information on Mary Jo Salter, please click here.

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