Poem of the Week, by Stanley Kunitz

I’ve kept two journals in my life, one at age nine and the other at nineteen. Most entries as a nine-year-old were about my cute baby brother or the boy I had a crush on. As a nineteen-year-old I wrote in code about things that felt overwhelming. Yesterday I read an interview with a woman who’s kept journals since she was a child. Sometimes she reaches for one and leafs through it, remembering who she used to be and the changes she’s been through. I wish I’d done that, I said to the Painter last night, then I would remember all the selves I’ve ever been. Who and what are our true affections? How do we reconcile our hearts to their feasts of losses?

The Layers, by Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

Click here for more information about Stanley Kunitz, who, in 2000, at age ninety-five, became the tenth poet laureate of the United States. Today’s poem is from from The Collected Poems of Stanley Kunitz​, published in 1978. 

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My podcast: Words by Winter

Poem of the Week, by Wendy Cope

Sometimes I look at the people around me, on the bus, on the sidewalk, in the theater, in the grocery store, and think about the secret love stories they carry in their hearts. Stories they haven’t told anyone else, maybe, or a love so far in the past that no one in their lives today remembers that person but them. I hope that when they remember that love and how treasured they felt, even for a few days or a few months or a few years, that somewhere in the world their former love thinks of them, and smiles, and lights up for a minute.

Postcards, by Wendy Cope

At first I sent you a postcard
from every city I went to.
𝘎𝘳ü𝘴𝘴𝘦 𝘢𝘶𝘴 𝘉𝘢𝘵𝘩, 𝘢𝘶𝘴 𝘉𝘪𝘳𝘮𝘪𝘯𝘨𝘩𝘢𝘮,
𝘈𝘶𝘴 𝘙𝘰𝘵𝘵𝘦𝘳𝘥𝘢𝘮, 𝘢𝘶𝘴 𝘛𝘦𝘭 𝘈𝘷𝘪𝘷.
𝘔𝘪𝘵 𝘓𝘪𝘦𝘣𝘦. Cards from you arrived
in English, with many commas.
𝘏𝘰𝘱𝘦, 𝘺𝘰𝘶’𝘳𝘦 𝘧𝘪𝘯𝘦 𝘢𝘯𝘥 𝘴𝘵𝘪𝘭𝘭 𝘢𝘭𝘪𝘷𝘦,
says one from Hong Kong. By that time
we weren’t writing quite as often.

Now we’re nearly nine years away
from the lake and the blue mountains,
And the room with the balcony,
But the heat and light of those days
can reach this far from time to time.
Your latest was from Senegal,
mine from Helsinki. I don’t know
if we’ll meet again. Be happy.
If you hear this, send a postcard.

Click here for more information about Wendy Cope. Today’s poem is from If I Don’t Know, published in 2001 by Faber and Faber.

alisonmcghee.com
My podcast: Words by Winter


Poem of the Week, by Andrea Gibson

When things are too much, build yourself an invisible wall of Andrea Gibson poems to keep yourself safe and keep your heart open. Remind yourself you’ll never be out of the woods, but there’s something lovely about the woods.

In the chemo room, I wear mittens made of ice so I don’t lose my fingernails. But I took a risk today to write this down, by Andrea Gibson, 1975-2025

Whenever I spend the day crying, 
my friends tell me I look high. Good grief,  

they finally understand me.  
Even when the arena is empty, I thank god  

for the shots I miss. If you ever catch me  
only thanking god for the shots I make,  

remind me I’m not thanking god. Remind me  
all my prayers were answered  

the moment I started praying  
for what I already have.  

Jenny says when people ask if she’s out of the woods,  
she tells them she’ll never be out of the woods,  

says there is something lovely about the woods.  
I know how to build a survival shelter  

from fallen tree branches, packed mud,  
and pulled moss. I could survive forever  

on death alone. Wasn’t it death that taught me  
to stop measuring my lifespan by length,

but by width? Do you know how many beautiful things  
can be seen in a single second? How you can blow up

a second like a balloon and fit infinity inside of it? 
I’m infinite, I know, but I still have a measly wrinkle

collection compared to my end goal. I would love  
to be a before picture, I think, as I look in the mirror

and mistake my head for the moon. My dark  
thoughts are almost always 238,856 miles away 

from me believing them. I love this life, 
I whisper into my doctor’s stethoscope

so she can hear my heart. My heart, an heirloom
I didn’t inherit until I thought I could die.

Why did I go so long believing I owed the world
my disappointment? Why did I want to take

the world by storm when I could have taken it
by sunshine, by rosewater, by the cactus flowers

on the side of the road where I broke down?
I’m not about to waste more time

spinning stories about how much time
I’m owed, but there is a man

who is usually here, who isn’t today.  
I don’t know if he’s still alive. I just know

his wife was made of so much hope  
she looked like a firework above his chair.

Will the afterlife be harder if I remember
the people I love, or forget them?

Either way, please let me remember.

Click here for more information about beloved poet and spoken word artist Andrea Gibson. Today’s poem was originally published in Poem-a-Day on May 30, 2023, by the Academy of American Poets. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by J. Hope Stein

This past week, helping to coax a new baby into the world, I beamed her images of some of the things waiting for her, like her first ice cream cone. The smell of lily of the valley in spring. Maple leaves turned fiery in autumn. Cotton sheets hung in the sun. A porch swing. Ferdinand the little Spanish bull, who didn’t want to fight. A great green room with a telephone and a red balloon. The cocoon of love that would surround her. In trying to reassure her that the world isn’t all chaos and cruelty, I ended up reassuring myself.

little astronaut, by J. Hope Stein

a newborn rests her head on the earth of mother.
everything else is outer space.

Click here for more information about J. Hope Stein. This poem is from her collection little astronaut, published in 2022 by Andrew McMeel Publishing.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Gregory Djanikian

Is it pure racism? Is that the only reason? I asked a friend late Thursday night, after they voted the repulsive bill into being. Do they not know any immigrants? I ask myself, do they not know their doctors, their teachers, their cooks, servers, friends? What about the people who pick their food, landscape their lawns, line up at the day labor pickup sites, or used to, before they were too scared to do anything but hide? Do they not know anything about their own families?

Because unless you’re Indigenous or your ancestors were brought here in chains, you yourself are descended from immigrants, people who left everything behind for a dream. There’s strength in that for me. If they had that kind of determination and strength to make things better, Alison, I tell myself, then so do you.

Immigrant Picnic, by Gregory Djanikian

It’s the Fourth of July, the flags
are painting the town,
the plastic forks and knives
are laid out like a parade.

And I’m grilling, I’ve got my apron,
I’ve got potato salad, macaroni, relish,
I’ve got a hat shaped   
like the state of Pennsylvania.

I ask my father what’s his pleasure
and he says, “Hot dog, medium rare,”
and then, “Hamburger, sure,   
what’s the big difference,”   
as if he’s really asking.

I put on hamburgers and hot dogs,   
slice up the sour pickles and Bermudas,
uncap the condiments. The paper napkins   
are fluttering away like lost messages.

“You’re running around,” my mother says,   
“like a chicken with its head loose.”

“Ma,” I say, “you mean cut off,
loose and cut off  being as far apart   
as, say, son and daughter.”

She gives me a quizzical look as though   
I’ve been caught in some impropriety.
“I love you and your sister just the same,” she says,
“Sure,” my grandmother pipes in,
“you’re both our children, so why worry?”

That’s not the point I begin telling them,
and I’m comparing words to fish now,   
like the ones in the sea at Port Said,   
or like birds among the date palms by the Nile,
unrepentantly elusive, wild.   

“Sonia,” my father says to my mother,
“what the hell is he talking about?”
“He’s on a ball,” my mother says.

“That’s roll!” I say, throwing up my hands,
“as in hot dog, hamburger, dinner roll….”

“And what about roll out the barrels?” my mother asks,
and my father claps his hands, “Why sure,” he says,
“let’s have some fun,” and launches   
into a polka, twirling my mother   
around and around like the happiest top,  
 
and my uncle is shaking his head, saying
“You could grow nuts listening to us,”  
 
and I’m thinking of pistachios in the Sinai
burgeoning without end,   
pecans in the South, the jumbled
flavor of them suddenly in my mouth,
wordless, confusing,
crowding out everything else.

Click here for more information about Gregory Djanikian.
alisonmcghee.com

My podcast: Words by Winter

Poem of the Week, by Julia Hartwig

One night in college I woke up because something kept crashing down the stairwell. I peeked out and saw two giant, drunk, laughing male acquaintances throwing my bike down the stairwell, hauling it up, and throwing it down again.

Did I yell at them to stop? Nope. Did I grab my bike and bring it into my room? Nope. Tell them they owed me a new bike? Nope. What I did was instantly accept that my bike and I had met our fate and there was nothing to do about it. All I was conscious of feeling was a deep, exhausted resignation.

There have been other times in my life, when wronged, that I’ve done the same thing: give up and give in without even the beginnings of resistance. These memories are profoundly disturbing to me and I’ve finally trained myself out of it. So should everyone, especially these days, when what rightfully belongs to all of us is being snatched away by those who have no right to take it.

Demand It Courageously, by Julia Hartwig

Make some room for yourself, human animal.
      Even a dog jostles about on his master’s lap to
improve his position. And when he needs space he
runs forward, without paying attention to commands
or calls.
      If you didn’t manage to receive freedom as a gift,
demand it as courageously as bread and meat.
      Make some room for yourself, human pride and
dignity.
      The Czech writer Hrabal said:
      I have as much freedom as I take.

Click here for more information about Polish poet Julia Hartwig. Today’s poem is from In Praise of the Unfinished, published in 2008 by Knopf. 
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by David Hernandez

Smile and say hi to everyone you pass. Be your kindest self. Focus all your energy on the students in this room. Make life better for everyone you can, every time you can. These are the vows I make and constantly break but keep re-upping nonetheless. My latest scheme: adding “with joy!” or “joyfully!” to my daily to-do lists. Vacuum joyfully! Weed with joy! Joyfully write1000 words! Weirdly, this helps.

Anyone Who Is Still Trying, by David Hernandez

Any person, any human, any someone who breaks
          up the fight, who spackles holes or FedExes
ice shelves to the Arctic to keep the polar bears
          afloat, who talks the wind-rippled woman
down from the bridge. Any individual, any citizen
          who skims muck from the coughing ocean,
who pickets across the street from antigay picketers
          with a sign that reads, GOD HATES MAGGOTS,
or, GOD HATES RESTAURANTS WITH ZAGAT RATINGS
          LESS THAN 27. Any civilian who kisses
a forehead heated by fever or despair, who reads
          the X ray, pins the severed bone. Any biped
who volunteers at soup kitchens, who chokes
          a Washington lobbyist with his own silk necktie—
I take that back, who gives him mouth-to-mouth
          until his startled heart resumes its kabooms.
Sorry, I get cynical sometimes, there is so much
          broken in the system, the districts, the crooked
thinking, I’m working on whittling away at this
          pessimism, harvesting light where I can find it.
Any countryman or countrywoman who is still
          trying, who still pushes against entropy,
who stanches or donates blood, who douses fires
          real or metaphorical, who rakes the earth
where tires once zeroed the ground, plants something
          green, say spinach or kale, say a modest forest
for restless breezes to play with. Any anyone
          from anywhere who considers and repairs,
who builds a prosthetic beak for an eagle—
          I saw the video, the majestic bird disfigured
by a bullet, the visionary with a 3-D printer,
          with polymer and fidelity, with hours
and hours and hours, I keep thinking about it,
          thinking we need more of that commitment,
those thoughtful gestures, the flight afterward. 

For more information on David Hernandez, please click here.

Poem of the Week, by Lowell Jaeger

I’ve driven the Mexi-Cali border its full length many times, slowed and stopped for border patrol checks many times. I can predict the drivers whose vehicles will be pulled over and inspected. They usually don’t look like me, which is itself a problem.

Then came Kansas, a few months ago. Cops pulled me over for fictitious reasons and asked a series of questions–are you concealing a kidnapped child; are you concealing rocket launchers; are you transporting fentanyl and methamphetamines across state lines–that would have been laughable if the men standing next to my rolled-down window hadn’t been so flat-eyed and humorless. If they hadn’t been carrying guns and badges. If I hadn’t known no one would know if they chose to do something awful to me.

But here’s the thing: we can choose to turn off the lights and sirens. We can choose not to scare each other. We can choose to be the safe harbor, the soft landing, the helping hand. If not now, then when? See you at the protests.

After Second Shift, by Lowell Jaeger

She’s stopped to shop for groceries.
Her snow boots sloshing
up and down the aisles, the store
deserted: couple stock boys
droning through cases of canned goods,
one sleepy checker at the till.

In the parking lot, an elderly man
stands mumbling outside his sedan,
all four doors wide to gusting sleet
and ice. She asks him, Are you okay?
He’s wearing pajama pants, torn slippers,
rumpled sport coat, knit wool hat.

Says he’s waiting for his wife.
I just talked to her on the payphone
over there. He’s pointing at
the Coke machine. What payphone?
she says. That one, he says.
It’s cold, she says, and escorts him inside.

Don’t come with lights
and sirens, she tells the 9-1-1
dispatcher. You’ll scare him.

They stand together. The checker
brings him a cup of coffee.
They talk about the snow.

So much snow.
They watch for the cop.
This night, black as any night,
or a bit less so.

Click here for more information about poet Lowell Jaeger. Today’s poem appeared in Or Maybe I Drift Off Alone, published in 2016 by Shabda Press. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Nayyirah Waheed

On Tuesday this week, more than thirty heavily armed officers wearing FBI, ICE, ATF, and Minneapolis police badges descended on a Mexican restaurant on east Lake Street, supposedly for a “federal law enforcement operation” regarding a “criminal search warrant for drugs and money laundering.” Many of the officers wore masks covering their faces up to their eyes. The more than 100 protesters were dispersed using “chemical irritants.” *

No one was arrested.

Every statement regarding this raid has been vague and confusing. What is not vague or confusing is the fact that across this country, fully masked people carrying massive guns are pulling non-white residents off the streets, arresting them, detaining them, and sending them to prisons in other countries against the direct orders of U.S. courts. That’s how you create a police state.

poem, from Salt
– Nayyirah Waheed

you broke the ocean in
half to be here
only to find nothing that wants you

Click here for more information on Nayyirah Waheed.
alisonmcghee.com
My podcast: Words by Winter

*photo by Nicole Neri, Minnesota Reformer

Poem of the Week, by Tess Gallagher

Last fall I thinned and divided some of the daisies and phlox and coneflowers and lilies and peonies in my gigantic flower garden. I tried to do such a careful job, but this spring the daisies and some of the coneflowers didn’t come back, and neither did the lavender, which I left undisturbed. I’ve planted delphiniums and coneflowers in their place, but I’m in mourning, as if by disrupting their natural growth I set something unintended in motion.

Choices, by Tess Gallagher

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,   
an unseen nest
where a mountain   
would be. 

                              ​(for Drago Štambuk​)

Click here for more information about poet and short story writer Tess Gallagher. Today’s poem appears in her collection Midnight Lantern: New and Selected Poems, published in 2011 by Graywolf Press. 

alisonmcghee.com
My podcast: Words by Winter