poet

Poem of the Week, by Robyn Sarah

Posted on by alisonmcghee

Write Together 2026 is now open for registration! Come write with us for an hour each morning, January 12-17. Each day’s Zoom session features different readings, different prompts, and the chance to write quietly together in solidarity and appreciation. Click here for more information and to sign up. 

Last month, a week after my mother died, I was on the couch practicing Duolingo when my entire body began to shake, my gut turned to ice, and a feeling of terror overwhelmed me. You’re having a panic attack, I thought, but why? Then it came to me: there is no one in the world anymore to take care of you. No one will ever love you the way she did. This feeling was not rational, but neither is grief or panic.

Many of my mother’s favorite Poems of the Week from this blog were scattered around her apartment –she read them online and printed them out, tucked them into drawers, stuck them on the fridge, propped them up in window frames. But the one below didn’t come from me. She must have found it somewhere and loved it and printed it out. I brought it back with me and use it as a bookmark now, a small token of the essence of my mother.

Bounty, by Robyn Sarah

Make much of something small.
The pouring-out of tea,
a drying flower’s shadow on the wall
from last week’s sad bouquet.
A fact: it isn’t summer any more.

Say that December sun
is pitiless, but crystalline
and strikes like a bell.
Say it plays colours like a glockenspiel.
It shows the dust as well,

the elemental sediment
your broom has missed,
and lights each grain of sugar spilled
upon the tabletop, beside
pistachio shells, peel of a clementine.

Slippers and morning papers on the floor,
and wafts of iron heat from rumbling rads,
can this be all? No, look — here comes the cat,
with one ear inside out.
Make much of something small.

Click here for more information about Canadian writer Robyn Sarah. Today’s poem is from A Day’s Grace, published in 2003 by The Porcupine’s Quill.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Ada Limón

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A few months ago I was tromping around the Zurich airport train station, backpack heavy on my shoulders, following signs, twisting and turning down this hallway and that. Now to figure out the ticket kiosk. Now to find the right platform. Now to double check the time. Tired. Hungry. Thirsty. Worried worried worried and so sad about my country.

Ticket in hand, I turned a corner and locked eyes with a small brown dog who looked at me calmly, as if she’d been waiting for me. I dropped to my knees next to her and held out the back of my hand and she lay her head on it. The animal part of me wanted to live with this dog forever, and I looked up at her human, who smiled in understanding. The world was calm for a moment.

While Everything Else Was Falling Apart, by Ada Limón

In the Union Square subway station nearly fifteen
years ago now, the L train came clanking by
where someone had fat-Sharpied a black heart
on the yellow pillar you leaned on during a bleak day
(brittle and no notes from anyone you crushed upon).
Above ground, the spring sun was the saddest one
(doing work, but also none). What were you wearing?
Something hopeful to show the world you hoped?
A tall man was learning from a vendor how to pronounce
churro. High in the sticky clouds of time, he kept
repeating churro while eating a churro. How to say
this made you want to live? No hand to hold
still here it was: someone giving someone comfort
and someone memorizing hard how to ask for it again.

Click here for more information about Ada Limón. Today’s poem is from The Chorus These Poets Create: Twenty Years of Letras Latinas. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Charlotte Parsons

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The elementary school bus I grew up riding, nearly an hour each way to and from school, was an ongoing nightmare. Fights, bullying, cruelty, all egged on by our horrible bus driver. That school bus has appeared and reappeared in many of my novels, always as a place of fear and torment. (There’s a reason I’m a fiction writer.)

We can replicate that kind of cruelty or we can push back against it. It’s beyond exhausting and beyond terrifying to see our current vicious administration rise up against our fellow humans. We are all in this together. We will all come to an end one day. Those who called from the planes and towers on 9/11 were calling with messages of love.

Nine-Eleven, by Charlotte Parsons

You passed me on the street
I rode the subway with you
You lived down the hall from me
I admired your dog in the park one morning
We waited in line for a concert
I ate with you in the cafes
You stood next to me at the bar
We huddled under an awning during a downpour
We dashed across the street to beat the light
I bumped into you coming round the corner
You stepped on my foot
I held the door for you
You helped me up when I slipped on the ice
I grabbed the last Sunday Times
You stole my cab
We waited forever at the bus stop
We sweated in steamy August
We hunched our shoulders against the sleet
We laughed at the movies
We groaned after the election
We sang in church
Tonight I lit a candle for you
All of you

Although today’s poem has been featured on hundreds of websites I’m unable to find out any information about poet Charlotte Parsons other than that this poem first appeared on The Writer’s Almanac on September 11, 2017. This leads me to suspect that Charlotte Parsons is a pseudonym for someone else. If anyone’s in the know, please clue me in. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Jeanne Wagner

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Book party! I rarely do book events and I would love to see you at the book party for my brand-new novel, Weird Sad and Silent. Please come to the launch party at Next Chapter Booksellers in St. Paul on Tuesday, May 27, at 6 pm. I’ll read a little​ and tell you some secrets behind the writing of the book. We’ll talk, we’ll celebrate, and there might even be some tiny gifts for you.​ It’s a school night so we’ll get you home nice and early, too. Click here for all the details. 

My dog makes an almost inaudible tiny hoot when he wants me to get up in the morning. A low revving sound when he wants me to bring his food out to where I’m working (he doesn’t believe in eating alone). A short, sharp yip that means he needs to go out. He makes no sound at all when I pack my roller bag for a trip; he just sits in the middle of the rug with his head down.

A few months ago when he was frantically barking at something in the ceiling –a mouse? bugs? bat?–I searched for a Dogs and Wolves playlist. He froze, tilting his head this way and that, silent. When wolves began howling he looked at me, pointed his muzzle to the ceiling and began howling softly, howling and howling. It was one of the most mournful sounds I’ve ever heard. It made me want to howl too. As if on some deep level we know there are wild lives out there, wild lives we want, wild lives that are waiting for us.

​Dogs That Look Like Wolves, by Jeanne Wagner

When my dog hears the neighbor’s baby cry, he begins
to howl, his head thrown back. He’s all heartbreak and
hollow throat, tenderness rising in each ululation. He’s
a saxophone of sadness, a shepherd calling for his stray.
I’ve read that baying is both a sign of territory and
a reaching out for whatever lies beyond: home and loss,
how can they be understood without each other?
Once I had an outdoor dog who sang every day at noon
when the Angelus belled from the corner church.
She was a plain dog but I could prove, contrary to all
the theologians, that at least once a day she had a soul.
I’ve always loved dogs that look like wolves, loved
stories of wolves: the alphas, the bullies, the bachelors.
We have to forgive them when they break into our
fenced-off pastures, lured by the lull of a grazing herd,
or a complacent flock, heads bent down. Prey, it’s called.
At night wolves chorus into the trackless air, the range
of their song riding far from their bodies till they think
the stars will hear it and be moved, almost to breaking,
while my poor dog stands alone on the deck, howling
into the canyon’s breadth, as if he’s like me, looking
for a place where his song will carry. Dogs know,
if there is solace to be had, their voice will find it.
This air is made for lamentation.

​Click here for more information about Jeanne Wagner. This poem is from Everything Turns Into Something Else, published by Grayson Books in 2021. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Sarah Freligh

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A few of the thousands of memories I conjure when I need them: my grandmother, telling me of course I was doing the right thing. A night in summer when RJ and Doc and I slept on quilts on the beach, the sound of the waves and the smell of the ocean. How my father’s hug would lift me off the ground.

The day long ago when my phone chirped and I opened it to a tiny video from a daughter far away: a mother and child sea lion, sunning on the rough shore of a Galapagos sea. The mother sea lion stretched and flopped over. Then the camera flipped around and a girl with wide eyes and a tumble of dark curls was smiling at me. Love you, Mom, she whispered, and then the screen went blank. I still see her smile, hear that whisper.

Wondrous, by Sarah Freligh

I’m driving home from school when the radio talk
turns to E.B. White, his birthday, and I exit
the here and now of the freeway at rush hour,

travel back into the past, where my mother is reading
to my sister and me the part about Charlotte laying her eggs
and dying, and though this is the fifth time Charlotte

has died, my mother is crying again, and we’re laughing
at her because we know nothing of loss and its sad math,
how every subtraction is exponential, how each grief

multiplies the one preceding it, how the author tried
seventeen times to record the words She died alone
without crying, seventeen takes and a short walk during

which he called himself ridiculous, a grown man crying
for a spider he’d spun out of the silk thread of invention —
wondrous how those words would come back and make

him cry, and, yes, wondrous to hear my mother’s voice
ten years after the day she died — the catch, the rasp,
the gathering up before she could say to us, I’m OK.

For more information on Sarah Freligh, please visit her website.

Poem of the Week, by Tony Hoagland

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Minnesotans! There’s still room in my FREE workshop on Friday, May 2, 1-4 Central Time: The Echo That Remains. This workshop, held via Zoom, is for anyone who loved someone who died of suicide, substance abuse, or untreated mental or physical illness. Click here for more information and to register. All are welcome, no writing experience necessary. 

How many times a day do you feel like a failure? I once asked the Painter. All day every day, he answered, to which I nodded.

Ten years ago, on a whim at the end of December, I sat down at my dining table and hand-wrote myself a letter. Dear Allie, it began, here are some things you did in 2015. The letter is a simple bulleted list, but each entry, such as tried to be a good teacher and stayed in good shape despite plantar fasciitis, holds within it an arc of emotion and effort and accomplishment. I hadn’t looked at that letter since I wrote it, nor the subsequent letters I’ve written to myself every year since, but everything I tried to do that year came rushing back over me, along with a deep sense of being just one of a long, long line of humans who are all just trying.

Which brings me to this beautiful farewell poem by Tony Hoagland. The ending, which I had to read twice to understand was not an admonition but a gentle acknowledgment to himself that he had been a good man who should have been kinder to himself, still chokes me up.

Distant Regard, by Tony Hoagland

If I knew I would be dead by this time next year
I believe I would spend the months from now till then
writing thank-you notes to strangers and acquaintances,
telling them, “You really were a great travel agent,”
or “I never got the taste of your kisses out of my mouth.”
or “Watching you walk across the room was part of my destination.”
It would be the equivalent, I think,
of leaving a chocolate wrapped in shiny foil
on the pillow of a guest in a hotel–
“Hotel of earth, where we resided for some years together,”
I start to say, before I realize it is a terrible cliche, and stop,
and then go on, forgiving myself in a mere split second
because now that I’m dying, I just go
forward like water, flowing around obstacles
and second thoughts, not getting snagged, just continuing
with my long list of thank-yous,
which seems to naturally expand to include sunlight and wind,
and the aspen trees which gleam and shimmer in the yard
as if grateful for being soaked last night
by the irrigation system invented by an individual
to whom I am quietly grateful.
Outside it is autumn, the philosophical season,
when cold air sharpens the intellect; 
the hills are red and copper in their shaggy majesty.
The clouds blow overhead like governments and years.
It took me a long time to understand the phrase “distant regard,”
but I am grateful for it now,
and I am grateful for my heart,
that turned out to be good, after all;
and grateful for my mind,
to which, in retrospect, I can see
I have never been sufficiently kind.

For more information about the one and only Tony Hoagland, please read his obituary.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Cati Porter

Posted on by alisonmcghee

Minnesotans! There’s still room in my FREE workshop tomorrow, April 6, 1-4 Central time: Rewriting the Story, Reclaiming the Self. This workshop, held via Zoom, is designed for anyone living with the memories, recent or long ago, of abuse: bullying, domestic violence, an emotionally abusive relationship, a sexual or physical assault. Click here for more information and to register. All are welcome, no writing experience necessary. 

Are you concealing a kidnapped child in the back of your car? Have you transported materials to make a bomb or flame thrower or grenade launcher across state lines? How much fentanyl or heroin, if any, are you concealing in your car? Where is your final destination? Do you know what you did wrong and why we pulled you over?

These were some of the many questions I was asked last week while driving from California to Minnesota after a cop and his partner tailed me for a good ten miles before finally pulling me over for an entirely fictitious reason.

Many things went through my head as they kept traipsing back and forth to their police car: how much more scared I would be if I weren’t white. How straightfaced and serious they looked as they told me what I (hadn’t) done wrong. How my dog would not stop barking and I was afraid they would get angry because of it. But mostly? That I’m the one being pulled over while a bunch of craven cowards are fine letting our democracy die. Am I angry, America? You have no idea.

Dear America, by Cati Porter

I am your daughter and
I am angry.

Born in a barn and
raised by wolves,

I have eaten
the porridge

and the plums
and I am not sorry.

You told me that
I can never go home again

but it was you
who sold me a bridge

that was not yours,
then set it on fire. 

Click here for more information about poet Cati Porter. Today’s poem is included in small mammals, published in 2023 by Mayapple Press.  
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Jeffrey Harrison

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Minnesotans! There’s plenty of room in my FREE workshop this coming Tuesday, March 25, 6-9 pm Central: Mapping the Unmapped. This workshop is offered free of charge and designed for anyone living in the wake of loss: of a loved one, a job, a home, a relationship, a long-cherished dream, your physical or mental health. Click here for more information and to register. All are welcome, no writing experience necessary.  (Non-Minnesotans, note that I will be adding these to my workshop offerings in the future, and they will always be free.)

A long time ago my dog and I got up at 3 am and drove north out of the city because I wanted to see the Perseid meteor shower, which was intense that year. By the time we reached our destination (the entrance to a closed state park) and parked, the meteors were streaking down the sky. I sat on the hood of my car and watched them.

Gradually the bottom half of the sky was swallowed up by clouds, while above the clouds the meteors streaked silently on. Within minutes all I could see was darkness. I pictured the meteors behind the clouds, silently falling through space, burning themselves out in blackness.

When I need to remember I’m part of something much bigger, full of mystery and beauty and far beyond my tiny human life, I remember that night.

Interval, by Jeffrey Harrison

Sometimes, out of nowhere, it comes back,
that night when, driving home from the city,
having left the nearest streetlight miles behind us,

we lost our way on the back country roads
and found, when we slowed down to read a road sign,
a field alive with the blinking of fireflies,

and we got out and stood there in the darkness,
amazed at their numbers, their scattered sparks
igniting silently in a randomness

that somehow added up to a marvel
both earthly and celestial, the sky
brought down to earth, and brought to life,

a sublunar starscape whose shifting constellations
were a small gift of unexpected astonishment,
luminous signalings leading us away

from thoughts of where we were going
or coming from, the cares that often drive us
relentlessly onward and blind us

to such flickering intervals when moments
are released from their rigid sequence
and burn like airborne embers, floating free.

Click here for more information about Jeffrey Harrison. Today’s poem first appeared in his book Feeding the Fire, published in 2001 by Sarabande Books.
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Bradley Trumpfheller

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​Minnesotans! I’m offering three free workshops this spring on the transformation of trauma. Click here for more information and to register. All are welcome, no writing experience necessary. (Non-Minnesotans, note that I will be adding these to my workshop offerings in the future, and they will always be free.)

When you fold laundry you see the insides of clothes and sheets and towels –their raggedy seams and straining buttonholes and raveling threads–before you turn them right side out so they’re presentable for public viewing.

I’m like that laundry. No matter what’s unraveling inside, I know how to look smooth and together. Maybe most of us are like this.

This poem makes me think about the invisible seams in everyone. From heartbreaks mended (you’re never the same), memories beautiful or awful (you remember them all), dreams you dreamed that came true (or didn’t), a place or a person you return to in your mind when you need to be soothed.

Loom, by Bradley Trumpfheller

My mother says when she is anxious she finds a seam, 
finds stitches on her clothes, on furniture she’s near, always 
a verge has that feel, birch joints, wrinkles. It’s a relief
to think with the hands. Not with what years do, 
not with rings or someone else’s sadness. With the repair 
in a sheet her sister tore, breeze-fretted in the yard. 
Finds exactly where the hickory trees start themselves
against the yard. And shows me on the photograph 
which is only one of several, where though again 
they did not touch each other, standing on some shore, 
her mothers’ shadows touch each other. 
She shows it to me now to soothe me. As if soon 
it will be that blue in the air. Soon is what 
she thinks with. What she runs 
the edge of her thumb, her index finger over. 

Click here for more information about Bradley Trumpfheller. Today’s poem was published in 2024 by the Academy of American Poets. 

alisonmcghee.com
My podcast: Words by Winter