Poem of the Week, by Todd Boss

These days I spend a fair amount of time walking the beach and watching surfers. I don’t know how they do it, how they paddle out there and then hang out, waiting and watching for oncoming waves that are big enough to skim underneath, along, in front of. I don’t know they can see that wave coming and not want to duck right under it or paddle frantically back to the shore, the way I would do because big waves terrify me. The black-wetsuited surfers are maybe like the whales in this poem below, fearless without thinking about fear, because water is their home. A world without hem.

Whales Wear the Patterns of the Surface of the Water

– Todd Boss

all over their bodies whenever they rise for breath,
forever slipping in and out of sheaths of silk and sheer,
the sun’s hookless fishnets gliding over and over them,
over and over again. The surface is their coutourière,
and her daring glitz and glamour is what all the girls are
wearing this summer. How beautiful they are in their azure
negligees, their silver-spangled zigzag rags aglimmer!
Later, when the day’s bead curtains shift away and they drift
into the dreamless deep, they’ll leave their lovely lingerie
behind and find themselves unashamed between seamless
sheets of black satin—a world without hem—where nothing,
not even the moon’s thin strings of pretty under-things,
can come between their lovers and them.

For more information on Todd Boss, please click here.

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Poem of the Week, by Jehanne Dubrow

When I was a kid I used to make my own clothes: skirts and pants and shirts and prom dresses. I was/am not a perfectionist and didn’t care about things like cutting straight and matching stripes to stripes and thread color to fabric color (which explains why my elephant bell green and pink striped pants looked the way they did). What I loved instead of perfection was going to thrift stores and spending pennies on old dresses and shirts and cutting them up and turning them into new shirts and skirts and quilts. Making something new out of something old. I still love doing this. One of the quilts on my bed right now contains parts of a dress my grandmother used to wear, parts of an old tablecloth, and embroidered scraps from a skirt I wore to shreds in college. Making a quilt and writing a book feel the same to me. Bits and pieces of old clothes, flickers of images and ideas, put them all together over a long time and one day you wake up and you’ve made a whole new something-out-of-nothing.

Garment Industry
– Jehanne Dubrow

Q: What’s the difference between a tailor and a poet?
        A: One generation.
                                        —Yiddish joke

My mother lifts a seam ripper, its miniature
hook made for a world of tiny violence.

Not only for ripping seams, she says.

There is a thread between us: we work at a
humming machine.

We are shirtwaist and sonnet.

She splits body from sleeve, neck from yoke.

I sift through rag paper, write down the
sound of tearing fabric.

Look. Look at the dress we sew from the shreds
of other things.

 

For more information about Jehanne Dubrow, please click here.

Poem of the Week, by Brian Turner

Someone once told me to think up a safe place where I could magically be transported when I needed to, when I had no reserves left to deal with whatever was going on around me. This place took about half a second to conjure itself up: a stream, flowers, grass, a sunny field beyond, and invisible me inside some kind of invisible hollow tree. Warm. I can see out but no one can see me. The sound of children playing nearby comes faintly through the invisible bark. There is nothing wrong, no tension and no anger in this place. I still go there sometimes, and the sense of it came rippling over me when I read this poem by Brian Turner.

​
R&R
     – Brian Turner
The curve of her hip where I’d lay my head,
that’s what I’m thinking of now, her fingers
gone slow through my hair on a blue day
ten thousand miles off in the future somewhere,
where the beer is so cold it sweats in your hand,
cool as her kissing you with crushed ice,
her tongue wet with blackberry and melon.
That’s what I’m thinking of now.
Because I’m all out of adrenaline,
all out of smoking incendiaries.
Somewhere deep in the landscape of the brain,
under the skull’s blue curving dome—
that’s where I am now, swaying
in a hammock by the water’s edge
as soldiers laugh and play volleyball
just down the beach, while others tan
and talk with the nurses who bring pills
to help them sleep. And if this is crazy,
then let this be my sanatorium,
let the doctors walk among us here
marking their charts as they will.
I have a lover with hair that falls
like autumn leaves on my skin.
Water that rolls in smooth and cool
as anesthesia. Birds that carry
all my bullets into the barrel of the sun.

—

​For more information on Brian Turner, please click here: http://www.poetryfoundation.org/bio/brian-turner​

Poem of the Week, by Tina Kelley

Sometimes I lie in the hammock at my shack in Vermont and look up –way up– at the two white pines it’s roped between. One of those white pines is so huge that it scares my friend. She thinks it holds too much power, like a keeper of the gates, but that’s what I like about it. Trees, trees, trees and me go way back. All the mountains I’ve hiked up, where the trees get shorter and spindlier until they disappear, and there’s nothing but the sky and rock and you. Once, I beheld a gray owl on a tree limb. I tilted my head left, the better to take him in, and so did he. I tilted right, and  so did he. We stood that way for a long time, regarding each other. There could be worse things than being descended from trees.

Having Evolved From Trees
– Tina Kelley
We are hazel-eyed.
Some things we are certain of:
Sun in the forest adds extra rooms.

We hide inner twisting under our skin.
A beehive within is a blessing.
Never play with matches. Ever.

We teach: to bloom, to fruit, to peel,
to heal in a swirling burl,
to suffer pruning silently.

We remember the itch of chickadees,
blue air of twilight like a shawl,
the liquor it resembles. We taste with whole selves.

Our women are never too stocky, don’t diet.
Our day — dressing, bedding down — is a year.
At weddings we wear wrensong tatting in our hair.

We converse in the pulses of rained-on leaves.
Our god is wind. We need no heartbeat.
We worship by swaying, masts in a marina.

Our low song, too low, withers and flaps.
We sanctify the privilege of embrace,
of running, the afterlife of dance.

The sun pulls life through us,
up and flaring, a yellow scarf
from a magic tube, higher, wider.

We die with loved ones, rot in their presence,
nourish their offspring and watch
the continuance, ever, exulting.

—

​For more information on Tina Kelley, please click ​here.

—
My blog: alisonmcghee.com/blog

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Poem of the Week, by Chard deNiord

My favorite phrase in Mandarin is “Changjiang shangyou hen feiwo,” which translates to “The upper reaches of the Yangtze River valley are very rich and fertile,”a fact that has nothing to do with why I love it. If you could hear it spoken you might understand, because the way the chang rises up to meet the jiang (Chinese is a tonal language) and then swoops from the abrupt shang waaaay down to the you, the curving sonority of which is matched by the hen, the whole sentence ending with a slight curve of fei to the command of the WO! is entrancing. That whole rhythm=hypnotic thing is why I love this poem.

Anchorite* in Autumn
– Chard deNiord

She rose from bed and coughed
for an hour. Entered her niche
that was also her shower. Shaved
her legs with Ockham’s razor.
Rinsed her hair with holy
water. Opened the curtain
that was double-layered. Slipped
on her robe in the widening
gyre. Gazed in the mirror
with gorgeous terror. Took out
a cigarette and held it
like a flower. Lit it devoutly
like the wick of a pyre. Smoked
like a thurible in the grip of a friar.
Stared out the window
at the leaves on fire, fire, fire…

—

*If you, like me, aren’t entirely sure what anchorite means, it means “religious recluse.”

​For more info on Chard deNiord, please click here.

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Poem of the Week, by Dan Bellm

Many years ago I used to teach creative writing workshops at the Minnesota AIDS Project. One of the writers was a man named Kirk. His eyes were dark blue and his face, like his personality, was calm and reserved except for one day, in the midst of discussing a play, he half-rose from his chair and leaned forward and acted out a few lines from a scene. It was an instantaneous change from contained and quiet to blazing; the air around him was electrified. (I later found out that he had spent his career working in theater.) Kirk’s writing, like everything else about him, was precise, psychologically acute and unforgettable. I still remember the first piece he wrote for our class, a brief memoir about growing up, washing the dishes with his mother and aunts and female cousins after a family dinner, knowing that the kitchen, with the women, was where he was most at home. “This is where I belong.” Kirk is gone now, but I think about him often, and lines of his beautiful writing float around in my head. I’m pretty sure he would have loved this poem.

 

Twilight
– Dan Bellm

After the men had
eaten, as always, very
fast, and gone—I thought

of them that way, my
father and brother—the men—
not counting myself

as of their kind—the
time became our own, for talks,
for confidences—

I was one of her,
though I could never be, a
deserter in an

open field between
two camps. Even my high school
said on its billboard,

Give us a boy, and
get back a man
, a wager
that allowed for no

exceptions, like an
article of war. Gay child
years away from that

lonely evening of
coming out to her at last,
of telling her what

she knew already
and had waited for, I’d sit
in the kitchen with

her after clearing
the meal away, our hands all
but touching, letting

a little peace fall
around us for the evening,
coffee steaming in

two cups, and try at
ways of being grown, with her
as witness, telling

the truth as I could—
which is how, one night, that room
became a minor,

historically
unrecorded battleground
of the Vietnam

War. I think she knew
before it began how she’d
be left standing in

the middle with her
improvised white flag, mother,
peacemaker, when I

said I refused to
go; never mind how, I’d thought
her very presence,

her mysterious
calm, would neutralize any
opposing force, draft

board, father—it’s not,
we know, how that war came to
pass. For years I’d still

call her at that hour,
the work done and the darkness
coming on, even

all those years when Dad
was the one who’d come to the
phone first, and then not

speak to me. Twilight
times with her, when a secret
or what I thought was

one could fall away
beneath her patient regard,
though I would never

manage to heal her
hurts the way she tended mine—
those crossings-over

to evening when the
in-between of every kind
seemed possible, and

doubt came clear, because
she heard, and understood, and
did not turn away.

—

​For more information on Dan Bellm, please click here: http://www.danbellm.com/​

Poem of the Week, by Lianne Spidel

When I was little I read a novel called “A Lantern in Her Hand,” by Bess Streeter Aldrich. It was about a pioneer woman, surprise surprise (you wouldn’t think that there could be all that many pioneer woman books, but take it from me, there are) who homesteaded on the plains. The husband in that book has stayed with me lo these many years. His name was Will and he was so kind (and goodlooking). This book was one of my favorites ever, and my mother cried when I described the ending of it to her, in which the long-dead Will came walking back across a field. This lovely poem brought that whole book right back to me: the small worn paperback copy I had, the picture on the front cover, the scent of cut grass (I must have read it in summer), the love that man had for his wife.

Snowfall at Solstice
– Lianne Spidel

I wonder if this might be the night
when you decide to go, with snow
stippling the screen of your small window
and you snug in your chair, wound
in an afghan, full of shepherd’s
pie and the sugar cookie dunked for you

in tea. You are at peace. Listening, you
feel the soundless weight of this night,
starless, without sentinel or shepherd,
as heaven comes down to earth in snow
to level each crevice, seal each wound,
fill the cup of space outside your window.

The courtyard framed in the window
is all that remains of the world you
knew, a place where whiteness has wound
the tree with garlands heavy as night,
where there is no respite from snow,
no landmark to be seen by shepherds.

In young years, friends—winter shepherds
and maids—summoned you from any window
when the sky threw itself blue over snow,
over the ice of the Rideau. With them, you
learned ski trails curving into night
up the Gatineau, and every path wound

its way through some adventure, wound
magically toward one who would shepherd
you through cities on starless nights,
whose homecoming you awaited at windows,
who carried your furred boots for you
through seventy winters of snow.

He will find his way in winging snow,
white-haired, a woolen scarf wound
at his neck, coming from darkness to you
stooped but sure-footed as a shepherd,
an overcoated angel reflected in the window,
stamping from his shoes the snow, the night.

When you choose, take the shepherd’s arm, leave
the narrow window, walk safe with him by night
out where all stars are wound in snow.

 

For more information on Lianne Spidel, please click here.

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Poem of the Week, by Mark Strand

I just returned from the Red Balloon Bookshop, where I sat at a table for a couple of hours signing books and talking to any of the customers who felt like talking. One of them was an older woman wearing a big poofy winter jacket. She was in town for a few days from Kentucky, where she lives, and buying up bunches of picture books to give to her grandchildren. She admired my pigtails; I admired her smile. “Well, I certainly am happy,” she said (and she was, she gave off a kind of lightness of being), and I told her that the older I got the happier I got. “Just wait till you’re 70!” she said. “You’re not going to BELIEVE how happy you’ll be!”
* * *
The Coming of Light
     – Mark Strand

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.


—

​For  more information on Mark Strand, please click here.


Poem of the Week, by Suzanne Cleary

We’re born with backups, twinned in so many ways: two hands, two ears, two eyes, two kidneys. Lose one and the other steps right up and does the job of both. But not with the heart. We each have only one of them.

Echocardiogram
– Suzanne Cleary

How does, how does, how does it work
so, little valve stretching messily open, as wide as possible,
all directions at once, sucking air, sucking blood, sucking air-in-blood,
how? On the screen I see the part of me that always loves my life, never tires
of what it takes, this in-and-out, this open-and-shut in the dark chest of me,
tireless, without muscle or bone, all flex and flux and blind
will, little mouth widening, opening and opening and, then, snapping
shut, shuddering anemone entirely of darkness, sea creature
of the spangled and sparkling sea, down, down where light cannot reach.
When the technician stoops, flips a switch, the most unpopular kid in the class
stands off-stage with a metal sheet, shaking it while Lear raves.
So this is the house where love lives, a tin shed in a windstorm,
tin shed at the sea’s edge, the land’s edge,
waters wild and steady, wild and steady, wild.

—

​For more information on Suzanne Cleary, please click here.

—
My blog: alisonmcghee.com/blog

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Poem of the Week, by Janee H. Baugher

Every time I read this poem, the last line brings a lump to my throat. Not sure why. Maybe thinking about all the times in my life I’ve been afraid, but all those times there was something next to me, made by me, that was “never afraid”?

Light’s Effect on the Body
–  Janée J. Baugher

You’re not alone.
Your shadow’s your perfect fit.

It has no specificities
just imperial black — sum of all colors

all possibilities
to cast the pure, generalized you.

You are the body
that makes shadow possible.

Your body
is light’s filter on shadow.

When you run
from light, shadow’s the one sure thing before you.

Upon your death
shadow becomes a shadow of itself.

It began small
as you did. And through all that happened

your shadow was never afraid.

—
For more information on Janee H. Baugher, please click here.
—
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