Poem of the Week, by Suzanne Cleary

We’re born with backups, twinned in so many ways: two hands, two ears, two eyes, two kidneys. Lose one and the other steps right up and does the job of both. But not with the heart. We each have only one of them.

Echocardiogram
– Suzanne Cleary

How does, how does, how does it work
so, little valve stretching messily open, as wide as possible,
all directions at once, sucking air, sucking blood, sucking air-in-blood,
how? On the screen I see the part of me that always loves my life, never tires
of what it takes, this in-and-out, this open-and-shut in the dark chest of me,
tireless, without muscle or bone, all flex and flux and blind
will, little mouth widening, opening and opening and, then, snapping
shut, shuddering anemone entirely of darkness, sea creature
of the spangled and sparkling sea, down, down where light cannot reach.
When the technician stoops, flips a switch, the most unpopular kid in the class
stands off-stage with a metal sheet, shaking it while Lear raves.
So this is the house where love lives, a tin shed in a windstorm,
tin shed at the sea’s edge, the land’s edge,
waters wild and steady, wild and steady, wild.

​For more information on Suzanne Cleary, please click here.


My blog: alisonmcghee.com/blog

My Facebook page.

Poem of the Week, by Janee H. Baugher

Every time I read this poem, the last line brings a lump to my throat. Not sure why. Maybe thinking about all the times in my life I’ve been afraid, but all those times there was something next to me, made by me, that was “never afraid”?

Light’s Effect on the Body
–  Janée J. Baugher

You’re not alone.
Your shadow’s your perfect fit.

It has no specificities
just imperial black — sum of all colors

all possibilities
to cast the pure, generalized you.

You are the body
that makes shadow possible.

Your body
is light’s filter on shadow.

When you run
from light, shadow’s the one sure thing before you.

Upon your death
shadow becomes a shadow of itself.

It began small
as you did. And through all that happened

your shadow was never afraid.


For more information on Janee H. Baugher, please click here.

My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Lianne Spidel

The workshops I teach, at my non-traditional, designed-for-working-adults university, are filled with all kinds of characters, with characters meaning people: tattoo artists, auto mechanics, journalists, pearl-wearing grandmothers, cops, military vets, hairdressers, graphic designers and you name it, you get the picture. Within the first class, friendships and alliances are formed. I can’t even call them unlikely alliances, because they aren’t. People are people, first and always. “A gentle affinity.”
Summer School
           – Liann Spidel
Because I needed to know for a poem,
I asked the science teacher sitting
next to me (the one they teased
about his massive chest) to explain
to me the composition of a cloud.
He had already told me he was there
only for the credit, a step up
on the salary scale. His wife
wanted a bigger house, the kids
were growing, he was overwhelmed

with bills and coaching.
I said, “When you’re my age
it will empty out.
There’s too much, then all
at once there’s almost nothing.”

When he answered me about the cloud,
his voice went soft:
“Moisture on dust,” and when
I asked him “in” or “on,”
he said it didn’t matter

either way. We never shared
a coffee and spoke only
of casual things, a still viable
jock and a graying grandmother
pretending to concentrate on the course

content, side by side through indolent
hours, easy in the peaceful co
existence a couple of prepositions
had provided–a gentle affinity,
pleasure like moisture on dust.

​For more information on Lianne Spidel, please click here: http://www.poetryfoundation.org/bio/lianne-spidel​


My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Patricia Smith

When the Burning Begins
– Patricia Smith
for Otis Douglas Smith, my father

The recipe for hot water cornbread is simple:
Cornmeal, hot water. Mix till sluggish,
then dollop in a sizzling skillet.
When you smell the burning begin, flip it.
When you smell the burning begin again,
dump it onto a plate. You’ve got to wait
for the burning and get it just right.

Before the bread cools down,
smear it with sweet salted butter
and smash it with your fingers,
crumple it up in a bowl
of collard greens or buttermilk,
forget that I’m telling you it’s the first thing
I ever cooked, that my daddy was laughing
and breathing and no bullet in his head
when he taught me.

Mix it till it looks like quicksand, he’d say.
Till it moves like a slow song sounds.

We’d sit there in the kitchen, licking our fingers
and laughing at my mother,
who was probably scrubbing something with bleach,
or watching Bonanza,
or thinking how stupid it was to be burning
that nasty old bread in that cast iron skillet.
When I told her that I’d made my first-ever pan
of hot water cornbread, and that my daddy
had branded it glorious, she sniffed and kept
mopping the floor over and over in the same place.

So here’s how you do it:

You take out a bowl, like the one
we had with blue flowers and only one crack,
you put the cornmeal in it.
Then you turn on the hot water and you let it run
while you tell the story about the boy
who kissed your cheek after school
or about how you really want to be a reporter
instead of a teacher or nurse like Mama said,
and the water keeps running while Daddy says

You will be a wonderful writer
and you will be famous someday and when
you get famous, if I wrote you a letter and
sent you some money; would you write about me?

and he is laughing and breathing and no bullet
in his head. So you let the water run into this mix
till it moves like mud moves at the bottom of a river,
which is another thing Daddy said, and even though
I’d never even seen a river,
I knew exactly what he meant.
Then you turn the fire way up under the skillet,
and you pour in this mix
that moves like mud moves at the bottom of a river,
like quicksand, like slow song sounds.

That stuff pops something awful when it first hits
that blazing skillet, and sometimes Daddy and I
would dance to those angry pop sounds,
he’d let me rest my feet on top of his
while we waltzed around the kitchen
and my mother huffed and puffed
on the other side of the door. When you are famous,
Daddy asks me, will you write about dancing
in the kitchen with your father?
I say everything I write will be about you,
then you will be famous too. And we dip and swirl
and spin, but then he stops.
And sniffs the air.

The thing you have to remember
about hot water cornbread
is to wait for the burning
so you know when to flip it, and then again
so you know when it’s crusty and done.
Then eat it the way we did,
with our fingers,
our feet still tingling from dancing.
But remember that sometimes the burning
takes such a long time,
and in that time,
sometimes,

poems are born.




​For more information on Patricia Smith, please click here: http://www.wordwoman.ws/



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by William Butler Yeats

The Song of Wandering Aengus
– William Butler Yeats

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.





​For more information on Yeats, please click here: http://www.poetryfoundation.org/bio/william-butler-yeats



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Jeffrey Harrison

Renewal
– Jeffrey Harrison

At the Department of Motor Vehicles
to renew my driver’s license, I had to wait
two hours on one of those wooden benches
like pews in the church of Latter Day
Meaninglessness, where there is no
stained glass (no windows at all, in fact),
no incense other than stale cigarette smoke
emanating from the clothes of those around me,
and no sermon, just an automated female voice
calling numbers over a loudspeaker.
And one by one the members of our sorry
congregation shuffled meekly up to the pitted
altar to have our vision tested or to seek
redemption for whatever wrong turn we’d taken,
or pay indulgences, or else be turned away
as unworthy of piloting our own journey.
But when I paused to look around, using my numbered
ticket as a bookmark, it was as if the dim
fluorescent light had been transformed
to incandescence. The face of the Latino guy
in a ripped black sweatshirt glowed with health,
and I could tell that the sulking white girl
accompanied by her mother was brimming
with secret excitement to be getting her first license,
already speeding down the highway, alone,
with all the windows open, singing.

Poem of the Week, by Ted Kooser

A Washing of Hands
– Ted Kooser

She turned on the tap and a silver braid
unraveled over her fingers.
She cupped them, weighing that tassel,
first in one hand and then the other,
then pinched through the threads
as if searching for something, perhaps
an entangled cocklebur of water,
or the seed of a lake. A time or two
she took the tassel in both hands,
squeezed it into a knot, wrung out
the cold and the light, and then, at the end,
pulled down hard on it twice,
as if the water were a rope and she was
ringing a bell to call me, two bright rings,
though I was there.




For more information on Ted Kooser, please click here: http://tedkooser.net/



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Wallace Stevens

The Snow Man, by Wallace Stevens

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.



For more information on Wallace Stevens, please click here:



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Barbara Crooker

In the Middle
– Barbara Crooker

of a life that’s as complicated as everyone else’s,
struggling for balance, juggling time.
The mantle clock that was my grandfather’s
has stopped at 9:20; we haven’t had time
to get it repaired. The brass pendulum is still,
the chimes don’t ring. One day you look out the window,
green summer, the next, and the leaves have already fallen,
and a grey sky lowers the horizon. Our children almost grown,
our parents gone, it happened so fast. Each day, we must learn
again how to love, between morning’s quick coffee
and evening’s slow return. Steam from a pot of soup rises,
mixing with the yeasty smell of baking bread. Our bodies
twine, and the big black dog pushes his great head between,
his tail is a metronome, 3/4 time. We’ll never get there,
Time is always ahead of us, running down the beach, urging
us on faster, faster, but sometimes we take off our watches,
sometimes we lie in the hammock, caught between the mesh
of rope and the net of stars, suspended, tangled up
in love, running out of time.


For more information on Barbara Crooker, please click here: http://www.barbaracrooker.com/

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Coleman Barks

Hummingbird Sleep
– Coleman Barks

A hummingbird sleeps among the wonders.
Close to dark, he settles on a roosting limb
and lowers his body temperature
to within a few degrees of the air’s own.

As the bird descends into torpor,
he assumes his heroic sleep posture,
head back, tilted beak pointing to the sky,
angling steep, Quixotic, Crimean.

This noctivation, the ornithologist word for it,
is very like what bears do through the winter.
Hummingbirds live the deep drop every night.
You can yell in his face and shake the branch.

Nothing. Gone. Where? What does he dream of?
He dreams he is the great air itself, the substance
he swims in every day, and the rising light
coming back to be his astonishing body.

For more information on Coleman Barks, please click here: http://www.colemanbarks.com/


My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts