Poem of the Week, by Dan Bellm

Many years ago I used to teach creative writing workshops at the Minnesota AIDS Project. One of the writers was a man named Kirk. His eyes were dark blue and his face, like his personality, was calm and reserved except for one day, in the midst of discussing a play, he half-rose from his chair and leaned forward and acted out a few lines from a scene. It was an instantaneous change from contained and quiet to blazing; the air around him was electrified. (I later found out that he had spent his career working in theater.) Kirk’s writing, like everything else about him, was precise, psychologically acute and unforgettable. I still remember the first piece he wrote for our class, a brief memoir about growing up, washing the dishes with his mother and aunts and female cousins after a family dinner, knowing that the kitchen, with the women, was where he was most at home. “This is where I belong.” Kirk is gone now, but I think about him often, and lines of his beautiful writing float around in my head. I’m pretty sure he would have loved this poem.

 

Twilight
– Dan Bellm

After the men had
eaten, as always, very
fast, and gone—I thought

of them that way, my
father and brother—the men—
not counting myself

as of their kind—the
time became our own, for talks,
for confidences—

I was one of her,
though I could never be, a
deserter in an

open field between
two camps. Even my high school
said on its billboard,

Give us a boy, and
get back a man
, a wager
that allowed for no

exceptions, like an
article of war. Gay child
years away from that

lonely evening of
coming out to her at last,
of telling her what

she knew already
and had waited for, I’d sit
in the kitchen with

her after clearing
the meal away, our hands all
but touching, letting

a little peace fall
around us for the evening,
coffee steaming in

two cups, and try at
ways of being grown, with her
as witness, telling

the truth as I could—
which is how, one night, that room
became a minor,

historically
unrecorded battleground
of the Vietnam

War. I think she knew
before it began how she’d
be left standing in

the middle with her
improvised white flag, mother,
peacemaker, when I

said I refused to
go; never mind how, I’d thought
her very presence,

her mysterious
calm, would neutralize any
opposing force, draft

board, father—it’s not,
we know, how that war came to
pass. For years I’d still

call her at that hour,
the work done and the darkness
coming on, even

all those years when Dad
was the one who’d come to the
phone first, and then not

speak to me. Twilight
times with her, when a secret
or what I thought was

one could fall away
beneath her patient regard,
though I would never

manage to heal her
hurts the way she tended mine—
those crossings-over

to evening when the
in-between of every kind
seemed possible, and

doubt came clear, because
she heard, and understood, and
did not turn away.


​For more information on Dan Bellm, please click here: http://www.danbellm.com/

Poem of the Week, by Lianne Spidel

When I was little I read a novel called “A Lantern in Her Hand,” by Bess Streeter Aldrich. It was about a pioneer woman, surprise surprise (you wouldn’t think that there could be all that many pioneer woman books, but take it from me, there are) who homesteaded on the plains. The husband in that book has stayed with me lo these many years. His name was Will and he was so kind (and goodlooking). This book was one of my favorites ever, and my mother cried when I described the ending of it to her, in which the long-dead Will came walking back across a field. This lovely poem brought that whole book right back to me: the small worn paperback copy I had, the picture on the front cover, the scent of cut grass (I must have read it in summer), the love that man had for his wife.

Snowfall at Solstice
– Lianne Spidel

I wonder if this might be the night
when you decide to go, with snow
stippling the screen of your small window
and you snug in your chair, wound
in an afghan, full of shepherd’s
pie and the sugar cookie dunked for you

in tea. You are at peace. Listening, you
feel the soundless weight of this night,
starless, without sentinel or shepherd,
as heaven comes down to earth in snow
to level each crevice, seal each wound,
fill the cup of space outside your window.

The courtyard framed in the window
is all that remains of the world you
knew, a place where whiteness has wound
the tree with garlands heavy as night,
where there is no respite from snow,
no landmark to be seen by shepherds.

In young years, friends—winter shepherds
and maids—summoned you from any window
when the sky threw itself blue over snow,
over the ice of the Rideau. With them, you
learned ski trails curving into night
up the Gatineau, and every path wound

its way through some adventure, wound
magically toward one who would shepherd
you through cities on starless nights,
whose homecoming you awaited at windows,
who carried your furred boots for you
through seventy winters of snow.

He will find his way in winging snow,
white-haired, a woolen scarf wound
at his neck, coming from darkness to you
stooped but sure-footed as a shepherd,
an overcoated angel reflected in the window,
stamping from his shoes the snow, the night.

When you choose, take the shepherd’s arm, leave
the narrow window, walk safe with him by night
out where all stars are wound in snow.

 

For more information on Lianne Spidel, please click here.

My Facebook page.

Poem of the Week, by Mark Strand

I just returned from the Red Balloon Bookshop, where I sat at a table for a couple of hours signing books and talking to any of the customers who felt like talking. One of them was an older woman wearing a big poofy winter jacket. She was in town for a few days from Kentucky, where she lives, and buying up bunches of picture books to give to her grandchildren. She admired my pigtails; I admired her smile. “Well, I certainly am happy,” she said (and she was, she gave off a kind of lightness of being), and I told her that the older I got the happier I got. “Just wait till you’re 70!” she said. “You’re not going to BELIEVE how happy you’ll be!”
* * *
The Coming of Light
     – Mark Strand

Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.



​For  more information on Mark Strand, please click here.


Poem of the Week, by Suzanne Cleary

We’re born with backups, twinned in so many ways: two hands, two ears, two eyes, two kidneys. Lose one and the other steps right up and does the job of both. But not with the heart. We each have only one of them.

Echocardiogram
– Suzanne Cleary

How does, how does, how does it work
so, little valve stretching messily open, as wide as possible,
all directions at once, sucking air, sucking blood, sucking air-in-blood,
how? On the screen I see the part of me that always loves my life, never tires
of what it takes, this in-and-out, this open-and-shut in the dark chest of me,
tireless, without muscle or bone, all flex and flux and blind
will, little mouth widening, opening and opening and, then, snapping
shut, shuddering anemone entirely of darkness, sea creature
of the spangled and sparkling sea, down, down where light cannot reach.
When the technician stoops, flips a switch, the most unpopular kid in the class
stands off-stage with a metal sheet, shaking it while Lear raves.
So this is the house where love lives, a tin shed in a windstorm,
tin shed at the sea’s edge, the land’s edge,
waters wild and steady, wild and steady, wild.

​For more information on Suzanne Cleary, please click here.


My blog: alisonmcghee.com/blog

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Poem of the Week, by Janee H. Baugher

Every time I read this poem, the last line brings a lump to my throat. Not sure why. Maybe thinking about all the times in my life I’ve been afraid, but all those times there was something next to me, made by me, that was “never afraid”?

Light’s Effect on the Body
–  Janée J. Baugher

You’re not alone.
Your shadow’s your perfect fit.

It has no specificities
just imperial black — sum of all colors

all possibilities
to cast the pure, generalized you.

You are the body
that makes shadow possible.

Your body
is light’s filter on shadow.

When you run
from light, shadow’s the one sure thing before you.

Upon your death
shadow becomes a shadow of itself.

It began small
as you did. And through all that happened

your shadow was never afraid.


For more information on Janee H. Baugher, please click here.

My blog: alisonmcghee.com/blog

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Poem of the Week, by Lianne Spidel

The workshops I teach, at my non-traditional, designed-for-working-adults university, are filled with all kinds of characters, with characters meaning people: tattoo artists, auto mechanics, journalists, pearl-wearing grandmothers, cops, military vets, hairdressers, graphic designers and you name it, you get the picture. Within the first class, friendships and alliances are formed. I can’t even call them unlikely alliances, because they aren’t. People are people, first and always. “A gentle affinity.”
Summer School
           – Liann Spidel
Because I needed to know for a poem,
I asked the science teacher sitting
next to me (the one they teased
about his massive chest) to explain
to me the composition of a cloud.
He had already told me he was there
only for the credit, a step up
on the salary scale. His wife
wanted a bigger house, the kids
were growing, he was overwhelmed

with bills and coaching.
I said, “When you’re my age
it will empty out.
There’s too much, then all
at once there’s almost nothing.”

When he answered me about the cloud,
his voice went soft:
“Moisture on dust,” and when
I asked him “in” or “on,”
he said it didn’t matter

either way. We never shared
a coffee and spoke only
of casual things, a still viable
jock and a graying grandmother
pretending to concentrate on the course

content, side by side through indolent
hours, easy in the peaceful co
existence a couple of prepositions
had provided–a gentle affinity,
pleasure like moisture on dust.

​For more information on Lianne Spidel, please click here: http://www.poetryfoundation.org/bio/lianne-spidel​


My blog: alisonmcghee.com/blog

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Poem of the Week, by Patricia Smith

When the Burning Begins
– Patricia Smith
for Otis Douglas Smith, my father

The recipe for hot water cornbread is simple:
Cornmeal, hot water. Mix till sluggish,
then dollop in a sizzling skillet.
When you smell the burning begin, flip it.
When you smell the burning begin again,
dump it onto a plate. You’ve got to wait
for the burning and get it just right.

Before the bread cools down,
smear it with sweet salted butter
and smash it with your fingers,
crumple it up in a bowl
of collard greens or buttermilk,
forget that I’m telling you it’s the first thing
I ever cooked, that my daddy was laughing
and breathing and no bullet in his head
when he taught me.

Mix it till it looks like quicksand, he’d say.
Till it moves like a slow song sounds.

We’d sit there in the kitchen, licking our fingers
and laughing at my mother,
who was probably scrubbing something with bleach,
or watching Bonanza,
or thinking how stupid it was to be burning
that nasty old bread in that cast iron skillet.
When I told her that I’d made my first-ever pan
of hot water cornbread, and that my daddy
had branded it glorious, she sniffed and kept
mopping the floor over and over in the same place.

So here’s how you do it:

You take out a bowl, like the one
we had with blue flowers and only one crack,
you put the cornmeal in it.
Then you turn on the hot water and you let it run
while you tell the story about the boy
who kissed your cheek after school
or about how you really want to be a reporter
instead of a teacher or nurse like Mama said,
and the water keeps running while Daddy says

You will be a wonderful writer
and you will be famous someday and when
you get famous, if I wrote you a letter and
sent you some money; would you write about me?

and he is laughing and breathing and no bullet
in his head. So you let the water run into this mix
till it moves like mud moves at the bottom of a river,
which is another thing Daddy said, and even though
I’d never even seen a river,
I knew exactly what he meant.
Then you turn the fire way up under the skillet,
and you pour in this mix
that moves like mud moves at the bottom of a river,
like quicksand, like slow song sounds.

That stuff pops something awful when it first hits
that blazing skillet, and sometimes Daddy and I
would dance to those angry pop sounds,
he’d let me rest my feet on top of his
while we waltzed around the kitchen
and my mother huffed and puffed
on the other side of the door. When you are famous,
Daddy asks me, will you write about dancing
in the kitchen with your father?
I say everything I write will be about you,
then you will be famous too. And we dip and swirl
and spin, but then he stops.
And sniffs the air.

The thing you have to remember
about hot water cornbread
is to wait for the burning
so you know when to flip it, and then again
so you know when it’s crusty and done.
Then eat it the way we did,
with our fingers,
our feet still tingling from dancing.
But remember that sometimes the burning
takes such a long time,
and in that time,
sometimes,

poems are born.




​For more information on Patricia Smith, please click here: http://www.wordwoman.ws/



My blog: alisonmcghee.com/blog

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Poem of the Week, by William Butler Yeats

The Song of Wandering Aengus
– William Butler Yeats

I went out to the hazel wood,
Because a fire was in my head,
And cut and peeled a hazel wand,
And hooked a berry to a thread;
And when white moths were on the wing,
And moth-like stars were flickering out,
I dropped the berry in a stream
And caught a little silver trout.

When I had laid it on the floor
I went to blow the fire aflame,
But something rustled on the floor,
And some one called me by my name:
It had become a glimmering girl
With apple blossom in her hair
Who called me by my name and ran
And faded through the brightening air.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.





​For more information on Yeats, please click here: http://www.poetryfoundation.org/bio/william-butler-yeats



My blog: alisonmcghee.com/blog

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Poem of the Week, by Jeffrey Harrison

Renewal
– Jeffrey Harrison

At the Department of Motor Vehicles
to renew my driver’s license, I had to wait
two hours on one of those wooden benches
like pews in the church of Latter Day
Meaninglessness, where there is no
stained glass (no windows at all, in fact),
no incense other than stale cigarette smoke
emanating from the clothes of those around me,
and no sermon, just an automated female voice
calling numbers over a loudspeaker.
And one by one the members of our sorry
congregation shuffled meekly up to the pitted
altar to have our vision tested or to seek
redemption for whatever wrong turn we’d taken,
or pay indulgences, or else be turned away
as unworthy of piloting our own journey.
But when I paused to look around, using my numbered
ticket as a bookmark, it was as if the dim
fluorescent light had been transformed
to incandescence. The face of the Latino guy
in a ripped black sweatshirt glowed with health,
and I could tell that the sulking white girl
accompanied by her mother was brimming
with secret excitement to be getting her first license,
already speeding down the highway, alone,
with all the windows open, singing.

Poem of the Week, by Ted Kooser

A Washing of Hands
– Ted Kooser

She turned on the tap and a silver braid
unraveled over her fingers.
She cupped them, weighing that tassel,
first in one hand and then the other,
then pinched through the threads
as if searching for something, perhaps
an entangled cocklebur of water,
or the seed of a lake. A time or two
she took the tassel in both hands,
squeezed it into a knot, wrung out
the cold and the light, and then, at the end,
pulled down hard on it twice,
as if the water were a rope and she was
ringing a bell to call me, two bright rings,
though I was there.




For more information on Ted Kooser, please click here: http://tedkooser.net/



My blog: alisonmcghee.com/blog

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