Poem of the Week, by Jim Daniels

 

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A long time ago I decided not to grade my students on their creative writing, even though creative writing is what I teach. Grading someone on their talent usually means they’ll write what they think they they’re good at, smart at. Push out those boundaries, I tell them, try something new, something you’ve never tried before. Who knows what you might come up with? What they come up with is sometimes astonishing, and when they surprise themselves with it the whole room fills with light and energy and power. Smartness and talent are cool to witness and to experience, but beyond that, who cares? So many other things matter so much more. Like kindness.

Dim
     – Jim Daniels

Today my son realized someone’s smarter
than him. Not me or his mom —
he still thinks we know everything —
one of the other kids, Nathan. Making fun
of him at the computer terminal
for screwing up at the math game.
Other kids laughing at him. Second grade.
I’m never gonna be as smart as him,
he says.
I’m never gonna be as smart
as half my students if we’re talking
IQs. He doesn’t want me to explain.
He wants me to acknowledge
that he’s dumb. He’s lying in bed
and taking his glasses off and on,
trying to get them perfectly clean
for the morning. I’m looking around
his dark room for a joke or some
decent words to lay on him. His eyes
are glassy with almost-tears. Second grade.
The world wants to call on him.
I take his hand in mine.

 

For more information on Jim Daniels, please click here.

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Poem of the Week, by Robert Hayden

My father and I were in the car last month, driving back from the diner where we go early each morning I’m home visiting my parents. (Say the word “home” to yourself – what’s the image that comes instantly into your mind?) I asked him if he thought tIMG_3873here was anything beyond this world, and that my grandmother –his mother– had told me near the end of her life that she believed in a heaven where my grandfather, and her parents, and her sister and her friends would all be waiting for her when she got there. My father laughed and said he didn’t know about that, but that he did believe there was some kind of force in the universe, beyond his power to grasp. When I was a child my father was a force in my universe. He was a giant man with giant physical strength, the kind of man who would pour Clorox on a bleeding wound to disinfect it and avoid a doctor visit. This poem, by Robert Hayden, always comes to mind on Father’s Day. I first read it as a child and didn’t understand it. But I do now.

Those Winter Sundays 
     – Robert Hayden
Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.
I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,
who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?
For more information on Robert Hayden, please click here.

 

 

Poem of the Week, by Billy Collins

Istanbul, Turkish coffeeWhen it comes time to leave this world? That one perfect cup of coffee in the morning. The snap of the cards being shuffled for another game of rummy late at night at a bar. The red shirt I always wore on Saturday nights at the Alibi. The look on my toddler’s face that day he bent over laughing at the ferns unfurling in the back yard because to him they looked like dragons. The scarred brown heft of the chunk of wood I bought at a garage sale and use as a cutting board. These are the things that come to mind, when I think about what I’ll most miss.

Why are so many poets afraid to write about ordinariness? Stitch that abstraction back down to earth, I sometimes tell my students. Give us a shoelace or a candy wrapper or a torn birthday card to hang our hearts on.

Poem of the Week, by one of my favorite poets, a man who has never been afraid to write about the enchantment of ordinary things.

Aimless Love
     – Billy Collins

This morning as I walked along the lakeshore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.
In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.
This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.
The love of the chestnut,
the jazz cap and one hand on the wheel.
No lust, no slam of the door –
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.
No waiting, no huffiness, or rancor –
just a twinge every now and then
for the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.
But my heart is always propped up
in a field on its tripod,
ready for the next arrow.
After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,
so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.

 

For more information about Billy Collins, please click here.

 

 

Poem of the Week, by Kenneth Rexroth

12992796_10153436069706921_222675689_n-2“Live every day like it’s your last because someday you’re going to be right.”

“I am America. I am the part you won’t recognize. But get used to me. Black, confident, cocky, my name not yours. My religion, not yours; my goals, my own; get used to me.”

“The fight is won or lost far away from witnesses – behind the lines, in the gym, and out there on the road, long before I dance under those lights.”

“Man, I ain’t got no quarrel with them Viet Cong. No Vietcong ever called me nigger.”

Last night I woke up in the middle of the night to the news that Muhammad Ali had died. He was a hero to me, as he was to so many others. Not because he was a boxer (I’m not a fan of boxing; Ali suffered from Parkinson’s for over thirty years) but because he was only and ever himself; he stood up for what he believed in and he never backed down. Ali was tough as hell, and so is this poem.

The Bad Old Days
     – Kenneth Rexroth

The summer of nineteen eighteen
I read The Jungle and The
Research Magnificent. That fall
my father died and my aunt
took me to Chicago to live.
The first thing I did was to take
a streetcar to the stockyards.
In the winter afternoon,
gritty and fetid, I walked
through the filthy snow, through the
squalid streets, looking shyly
into the people’s faces,
those who were home in the daytime.
Debauched and exhausted faces,
starved and looted brains, faces
like the faces in the senile
and insane wards of charity
hospitals. Predatory
faces of little children.
Then as the soiled twilight darkened,
under the green gas lamps, and the
sputtering purple arc lamps,
the faces of the men coming
home from work, some still alive with
the last pulse of hope or courage,
some sly and bitter, some smart and
silly, most of them already
broken and empty, no life,
only blinding tiredness, worse
than any tired animal.
The sour smells of a thousand
suppers of fried potatoes and
fried cabbage bled into the street.
I was giddy and sick, and out
of my misery I felt rising
a terrible anger and out
of the anger, an absolute vow.
Today the evil is clean
and prosperous, but it is
everywhere, you don’t have to
take a streetcar to find it,
and it is the same evil.
And the misery, and the
anger, and the vow are the same.

 

For more information on Kenneth Rexroth, please click here.
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Poem of the Week, by Eve Grubin

IMG_0447Every morning, soon as I wake up, I make a list of things to do that day. As the day goes on, things get crossed off, until night comes, at which point I turn into a pumpkin and can do no more. Whatever wasn’t done on that day’s list goes onto tomorrow’s list. Once in a great while –like once a year or so– the end of the afternoon approaches and it looks as if everything on the list might actually get crossed off. This is a terrifying thought –what would happen if there were nothing left on the list?– so I quickly add a couple more things. To leave this world without having done it all, I guess that’s the only thing that feels right to me. So you can see why I love this poem.

 

Unfinished

– Eve Grubin

My husband has trouble finishing things.
When he washes the dishes
he leaves at least one pot in the sink and a few pieces of silverware.
He says that my writing about this
may constitute lashon hara, speaking negatively about others.
‘Not finishing things is zecher l’churban,’ he adds,
a way of remembering the destruction of the Temple
which stood in Jerusalem nearly two-thousand years ago.
Now he’s in the other room making the bed, which will look lovely
except for a few untucked corners, a pillow askew,
strange for a man who is slightly OCD, who can’t bear
a slanted piece of paper on my desk.

Yesterday, he almost
finished his article on Ælfric’s use of Latin in Old English prose,
and he began one of the tasks on his list of things to do.
Who needs finality when unfinishing creates a longing
for what has not yet happened?

 

For more information on Eve Grubin, please click here.

Poem of the Week, by Jalal al-Din Rumi

For the story behind this week’s choice of poem, click here.

Poem excerpt from One-Handed Basket Weaving, by Rumi

I’ve said before that every craftsman
searches for what’s not there
to practice his craft.
A builder looks for the rotten hole
where the roof caved in.
A water-carrier
picks the empty pot.
A carpenter
stops at the house with no door.
Workers rush toward some hint
of emptiness, which they then
start to fill. Their hope, though,
is for emptiness, so don’t think
you must avoid it. It contains
what you need!
Dear soul, if you were not friends
with the vast nothing inside,
why would you always be casting your net
into it, and waiting so patiently?

 

Poem of the Week

Never done before, Mary OliverI wrote this poem seventeen years ago, after watching one of my daughters standing on a stool at the kitchen sink. A few things have changed in those years: that daughter and her brother and sister have grown up, I’m happy with blonde hair and I’d settle for an eight-minute mile. But everything else still holds. My bargain with the planets remains the same.

Bargain
     – Alison McGhee

The newspaper reports that at twilight tonight
Venus and Jupiter will conjoin
in the southwestern sky,
a fist and a half above the horizon.
They won’t come together again for seventeen years.
What the article does not say is that Mercury, the
dark planet, will also be on hand.
He’ll hover low, nearly invisible in a darkened sky.
I stare out the kitchen window toward the sunset.

Seventeen years from now, where
will I be?
Mercury, Roman god of commerce and luck,
let me propose a trade:
Auburn hair, muscles that don’t ache, and a seven-minute mile.
Here’s what I’ll give you in return:
My recipe for Brazilian seafood stew, a talent for
French-braiding, an excellent sense of smell and
the memory of having once kissed Sam W.

Then I see my girl across the room.
She stands on a stool at the sink,
washing her toy dishes and
swaying to a whispered song,
her dark curls a nimbus in the lamplight.
The planets are coming together now.
Minute by minute the time draws nigh for me to watch.
Minute by minute my child wipes dry her red
plastic knife, her miniature blue bowls.

Mercury, here’s another offer, a real one this time:
Let her be.
You can have it all in return,
the salty stew, the braids, the excellent sense of smell
and the softness of Sam’s mouth on mine.
And my life. That too.
All of it I give for this child, that seventeen years hence
she will stand in a distant kitchen, washing dishes
I cannot see, humming a tune I cannot hear.

 

 

 

Poem of the Week, by David Kirby

 

Never done before, mosaic detail

There’s a video somewhere in my house, laboriously taken on a huge VHS camcorder and then laboriously transferred years later to a cd, of a Rope Power competition at my children’s elementary school. Rope Power is a compilation of incredible feats of jump ropery –synchronized jump roping, trick jump roping, speed jump roping– practiced for weeks and months on end.  At the completion of Rope Power there’s a performance that all can attend. Loud music. Team t-shirts. Scads of children wildly jumping to the gasps and applause of the audience. Toward the end of my home video the gym clears for a special performance by an ace jump roper, who enters with one leg wrapped around his neck, jump-roping on the other. At one point he may do a sort of flip-thing while still jumping. It’s not clear, because at that point in the video the camera suddenly jostles and you can hear me yell (having just realized it), “Holy shit! That’s my son!” There are many reasons why I love this poem, and the line But I also wanted to learn that trick where you grab your left ankle in your right hand and then jump through with your other leg is one of them.

 

Taking It Home to Jerome
     – David Kirby

In Baton Rouge, there was a DJ on the soul station who was
always urging his listeners to “take it on home to Jerome.”

No one knew who Jerome was. And nobody cared. So it
didn’t matter. I was, what, ten, twelve? I didn’t have anything

to take home to anyone. Parents and teachers told us that all
we needed to do in this world were three things: be happy,

do good, and find work that fulfills you. But I also wanted
to learn that trick where you grab your left ankle in your

right hand and then jump through with your other leg.
Everything else was to come, everything about love:

the sadness of it, knowing it can’t last, that all lives must end,
all hearts are broken. Sometimes when I’m writing a poem,

I feel as though I’m operating that crusher that turns
a full-size car into a metal cube the size of a suitcase.

At other times, I’m just a secretary: the world has so much
to say, and I’m writing it down. This great tenderness.

 

For more information about David Kirby, please click here.

Poem of the Week, by Ted Kooser

 

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My grandfather had a wild child of a sister who, if I’m remembering right, ran off in her teens to marry a carnie. She loved to fall in love, but it didn’t always end well. I only met her once, at lunch, when my family was on a road trip and we stopped at her and her current husband’s home. When he was spoken about among family members, it was always in dark, hushed tones. He was mean, apparently, angry and abusive, with a violent temper, and my great-aunt was afraid of him. At that lunch what I, the child, saw was an old man who sat silently at the head of the table. I watched as he tried to spread mustard on a piece of bread. The knife dropped from his hand and mustard splattered on his plate. I remember the covert look he darted around the table when this happened. No one said anything or looked at him, but I remember briefly meeting his eyes and sensing his humiliation. The image of that old man and the look in his eyes has been with me my whole life, and it came flooding back when I read this poem.

Tattoo
– Ted Kooser

What once was meant to be a statement—
a dripping dagger held in the fist
of a shuddering heart—is now just a bruise
on a bony old shoulder, the spot
where vanity once punched him hard
and the ache lingered on. He looks like
someone you had to reckon with,
strong as a stallion, fast and ornery,
but on this chilly morning, as he walks
between the tables at a yard sale
with the sleeves of his tight black T-shirt
rolled up to show us who he was,
he is only another old man, picking up
broken tools and putting them back,
his heart gone soft and blue with stories.

 

For more information on Ted Kooser, please click here.

 

 

Poem of the Week, by Kim Addonizio

IMG_3122I never paid much attention to tattoos until my children and their friends, and then my own friends, started getting them. For me, it’s been a natural progression from disinterest + a tinge of sadness (that beautiful skin, forever altered) to mild interest + resignation (that beautiful skin, forever altered) to deep interest (what’s the story behind that tattoo? + admiration (it’s an art form, with the body as medium) = these days, tattoos are among the first things I notice when out wandering the streets and beach. This poem, by one of my favorite poets, makes me think about them in a different way, in an everything-we-can’t-see-but-know-is-there kind of way. All the unknown stories walking around out there.

 

First Poem for You
     – Kim Addonizio

I like to touch your tattoos in complete
darkness, when I can’t see them. I’m sure of
where they are, know by heart the neat
lines of lightning pulsing just above
your nipple, can find, as if by instinct, the blue
swirls of water on your shoulder where a serpent
twists, facing a dragon. When I pull you

to me, taking you until we’re spent
and quiet on the sheets, I love to kiss
the pictures in your skin. They’ll last until
you’re seared to ashes; whatever persists
or turns to pain between us, they will still
be there. Such permanence is terrifying.
So I touch them in the dark; but touch them, trying.

 

For more information on Kim Addonizio, please click here.