poem of the week

Poem of the Week, by Emily Rechnitz

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Wedding
– Emily Rechnitz

I stumbled in high heels
across the wood chips
of the Christmas-tree farm
to take my place with the other guests
under coarse pine boughs.

In a coned damsel cap
the bride glimmered
through the woods, materialized
at the altar microphone.

In the barbecue line
his mother whispered on my neck,
“I thought you would be the one!”

I watched the bride and groom
shake hands, stared at his profile
til it buzzed, remembering
2 a.m. behind the high school
when we rocked on a blanket
rubbing jeans into jeans
until the moon jumped and I fell
off the hill slowly, a diamond in glycerine.

I remember walking down a road to meet him,
how the air tingled, in love
with how I looked in my underwear,
dancing in front of his mirror.


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I could not find any recent information on Emily Rechnitz and her poetry – anyone out there in the know, please update me.
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Poem of the Week, by Laura Kasischke

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Bike Ride with Older Boys

     – Laura Kasischke

The one I didn’t go on.

I was thirteen,
and they were older.
I’d met them at the public pool. I must

have given them my number. I’m sure

I’d given them my number,
knowing the girl I was. . .

It was summer. My afternoons
were made of time and vinyl.
My mother worked,
but I had a bike. They wanted

to go for a ride.
Just me and them. I said
okay fine, I’d
meet them at the Stop-n-Go
at four o’clock.
And then I didn’t show.

I have been given a little gift—
something sweet
and inexpensive, something
I never worked or asked or said
thank you for, most
days not aware
of what I have been given, or what I missed—

because it’s that, too, isn’t it?
I never saw those boys again.
I’m not as dumb
as they think I am

but neither am I wise. Perhaps

it is the best
afternoon of my life. Two
cute and older boys
pedaling beside me—respectful, awed. When we

turn down my street, the other girls see me …

Everything as I imagined it would be.

Or, I am in a vacant field. When I
stand up again, there are bits of glass and gravel
ground into my knees.
I will never love myself again.
Who knew then
that someday I would be

thirty-seven, wiping
crumbs off the kitchen table with a sponge, remembering
them, thinking
of this—

those boys still waiting
outside the Stop-n-Go, smoking
cigarettes, growing older.


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For more information on Laura Kasischke, please click here: http://www.poetryfoundation.org/bio/laura-kasischke
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Poem of the Week, by Patrick Cavanaugh

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The Dubliners
– Patrick Kavanagh

On Raglan Road of an autumn day
I saw her first and knew
That her dark hair would weave a snare
That I might one day rue
I saw the danger and I passed
Along the enchanted way
And said let grief be a fallen leaf
At the dawning of the day

On Grafton Street in November
We tripped lightly along the ledge
Of a deep ravine where can be seen
The worth of passion’s pledge
The Queen of Hearts still making tarts
And I not making hay
Oh I loved too much and by such by such
Is happiness thrown away

I gave her gifts of the mind
I gave her the secret signs
Known to the artists who have known
The true gods of sound and stone
And word and tint I did not stint
I gave her poems to say
With her own name there
And her own dark hair
Like clouds over fields of May

On a quiet street where old ghosts meet
I see her walking now
Away from me so hurriedly my reason must allow
That I had loved not as I should
A creature made of clay
When the angel woos the clay
He’ll lose his wings at the dawn of day


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For more information on Patrick Kavanagh, please click here: http://www.tcd.ie/English/patrickkavanagh/life.html
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Poem of the Week, by Adelia Prado

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The Mystical Rose
– Adélia Prado (translated from the Brazilian Portuguese by Ellen Doré Watson)

The first time
I became conscious of form,
I said to my mother:
“Dona Armanda has a basket in her kitchen
where she keeps tomatoes and onions”
and began fretting that even lovely things
eventually spoil,
until one day I wrote:
“It was here in this room that my father died,
here that he wound the clock
and rested his elbows
on what he thought was the windowsill
but was the threshold of death.”
I understood that words grouped like that
made it possible to live without
the things they describe,
that my father was returning, indestructible.
It was as if someone had painted a picture
of Dona Armanda’s basket and said:
“Now you can eat the fruit.”
So, there is order in the world!
—where does it come from?
And why does order, which is joy itself,
and bathes in a different light
than the light of day,
make the soul sad?
We must protect the world from time’s corrosion,
cheat time itself.
And so I kept writing: “My father died in this room …
Night, you can come on down,
your blackness can’t erase this memory.”
That was my first poem.


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For more information on Adelia Prado, please click here: http://bombsite.com/articles/2289
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Poem of the Week, by Lisel Mueller

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What the Dog Perhaps Hears
– Lisel Mueller

If an inaudible whistle
blown between our lips
can send him home to us,
then silence is perhaps
the sound of spiders breathing
and roots mining the earth;
it may be asparagus heaving,
headfirst, into the light
and the long brown sound
of cracked cups, when it happens.
We would like to ask the dog
if there is a continuous whir
because the child in the house
keeps growing, if the snake
really stretches full length
without a click and the sun
breaks through clouds without
a decibel of effort,
whether in autumn, when the trees
dry up their wells, there isn’t a shudder
too high for us to hear.

What is it like up there
above the shut-off level
of our simple ears?
For us there was no birth cry,
the newborn bird is suddenly here,
the egg broken, the nest alive,
and we heard nothing when the world changed.


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For more information on Lisel Mueller, please click here: http://www.poetryfoundation.org/bio/lisel-mueller
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Poem of the Week, by Sharon Olds

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Little Things
– Sharon Olds

After she’s gone to camp, in the early
evening I clear our girl’s breakfast dishes
from the rosewood table, and find a small
crystallized pool of maple syrup, the
grains standing there, round, in the night. I
rub it with my fingertip
as if I could read it, this raised dot of
amber sugar, and this time
when I think of my father, I wonder why
I think of my father, of the beautiful blood-red
glass in his hand, or his black hair gleaming like a
broken-open coal. I think I learned to
love the little things about him
because of all the big things
I could not love, no one could, it would be wrong to.
So when I fix on this tiny image of resin
or sweep together with the heel of my hand a
pile of my son’s sunburn peels like
insect wings, where I peeled his back the night before camp,
I am doing something I learned early to do, I am
paying attention to small beauties,
whatever I have –
as if it were our duty to
find things to love, to bind ourselves to this world.


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For more information about Sharon Olds, please click here: http://www.poetryfoundation.org/bio/sharon-olds/
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Poem of the Week, by Bob Hicok

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In Michael Robins’s class minus one
– Bob Hicok

At the desk where the boy sat, he sees the Chicago River.
It raises its hand.
It asks if metaphor should burn.
He says fire is the basis for all forms of the mouth.
He asks, why did you fill the boy with your going?
I didn’t know a boy had been added to me, the river says.
Would you have given him back if you knew?
I think so, the river says, I have so many boys in me,
I’m worn out stroking eyes looking up at the day.
Have you written a poem for us? he asks the river,
and the river reads its poem,
and the other students tell the river
it sounds like a poem the boy would have written,
that they smell the boy’s cigarettes
in the poem, they feel his teeth
biting the page.
And the river asks, did this boy dream of horses?
because I suddenly dream of horses, I suddenly dream.
They’re in a circle and the river says, I’ve never understood
round things, why would leaving come back
to itself?
And a girl makes a kiss with her mouth and leans it
against the river, and the kiss flows away
but the river wants it back, the river makes sounds
to go after the kiss.
And they all make sounds for the river to carry to the boy.
And the river promises to never surrender the boy’s shape
to the ocean.

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Poem of the Week, by Mary Karr

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A Blessing from My Sixteen Years’ Son
– Mary Karr

I have this son who assembled inside me
during Hurricane Gloria. In a flash, he appeared,
in a heartbeat. Outside, pines toppled.

Phone lines snapped and hissed like cobras.
Inside, he was a raw pearl: microscopic, luminous.
Look at the muscled obelisk of him now

pawing through the icebox for more grapes.
Sixteen years and not a bone broken,
not a single stitch. By his age,

I was marked more ways, and small.
He’s a slouching six foot three,
with implausible blue eyes, which settle

on the pages of Emerson’s “Self Reliance”
with profound belligerence.
A girl with a navel ring

could make his cell phone go brr,
or an Afro’d boy leaning on a mop at Taco Bell —
creatures strange as dragons or eels.

Balanced on a kitchen stool, each gives counsel
arcane as any oracle’s. Bruce claims school
is harshing my mellow. Case longs to date

a tattooed girl, because he wants a woman
willing to do stuff she’ll regret.
They’ve come to lead my son

into his broadening spiral.
Someday soon, the tether
will snap. I birthed my own mom

into oblivion. The night my son smashed
the car fender, then rode home
in the rain-streaked cop car, he asked, Did you

and Dad screw up so much?
He’d let me tuck him in,
my grandmother’s wedding quilt

from 1912 drawn to his goateed chin. Don’t
blame us, I said. You’re your own
idiot now. At which he grinned.

The cop said the girl in the crimped Chevy
took it hard. He’d found my son
awkwardly holding her in the canted headlights,

where he’d draped his own coat
over her shaking shoulders. My fault,
he’d confessed right off.

Nice kid, said the cop.


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For more information on Mary Karr, please click here: http://www.poetryfoundation.org/bio/mary-karr
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Poem of the Week, by Seamus Heaney

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Postscript
– Seamus Heaney
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open


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For more information about Seamus Heaney, please click here: http://www.poetryfoundation.org/bio/seamus-heaney
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