Poem of the Week, by Ada Limon

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The way the dark-to-light green concentric curves of artichokes, halved, look on the wooden cutting board. The way the round radishes, sliced thin, fan out on top of the slices of blood oranges in the white serving dish. The way baking powder biscuits can be a love letter if you cut them out with a heart-shaped cutter. The way the tightly-closed daffodils, $3/bunch at the grocery store, open in a few hours when set in a glass full of water. The way the hummingbirds dart in and out of the birds-of-paradise bush just outside the window. The way my little girl used to lean her head against my hands as I braided her hair. These and a thousand other little things, and only the little things, are what I’ll miss, if missing is possible in the beyond. Poem of the Week, by the magnificent Ada Limon.

 

The Last Thing, by Ada Limon

First there was the blue wing
of a scraggly loud jay tucked
into the shrubs. Then, the bluish
black moth drunkenly tripping
from blade to blade. Then,
the quiet that came roaring
in like the RJ Corman over
Broadway near the RV shop.
These are the last three things
that happened. Not in the universe,
but here, in the basin of my mind,
where I’m always making a list
for you, recording the day’s minor
urchins: silvery dust mote, pistachio
shell, the dog eating a sugar
snap pea. It’s going to rain soon,
close clouds bloated above us,
the air like a net about to release
all the caught fishes, a storm
siren in the distance. I know
you don’t always understand,
but let me point to the first
wet drops landing on the stones,
the noise like fingers drumming
the skin. I can’t help it. I will
never get over making everything
such a big deal.

 

​For more information about Ada Limon, please click here.​

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Poem of the Week, by David Kirby

Me and ArthurOnce, a long time ago, I went to a jumprope exhibition in the gym of a middle school. There were teams of tandem jumpers, rope dancers, and synchronized twirling. The students had practiced for many weeks prior to the exhibition. This was back in the days of big VHS camcorders, and I had one on my shoulder so I could record the coolest moments. At the very end of the competition, the gym floor cleared and a single jump roper entered the room from a side door. One of his legs was twisted up behind his head –it looked effortless, he was that flexible and agile–and he did so many tricks so fast and so well, jump-roping the whole time, that I kept the camcorder trained on him. The crowd burst into a roar.

Then I realized that the jump-roper was my son. Holy shit! That’s my son! I said, and that got recorded too. 

It’s weird, when your kids grow up. Of course you expect it, and it’s wonderful, but still there are moments when you can’t believe it – like, wait, what? When did this happen? How did it happen? This bittersweet poem, which I loved the first moment I read it, makes me feel like crying the same way I feel like crying when I watch that long ago videotape. Holy shit, that’s my son. 

 

Taking It Home to Jerome, by David Kirby

In Baton Rouge, there was a DJ on the soul station who was
always urging his listeners to “take it on home to Jerome.”

No one knew who Jerome was. And nobody cared. So it
didn’t matter. I was, what, ten, twelve? I didn’t have anything

to take home to anyone. Parents and teachers told us that all
we needed to do in this world were three things: be happy,

do good, and find work that fulfills you. But I also wanted
to learn that trick where you grab your left ankle in your

right hand and then jump through with your other leg.
Everything else was to come, everything about love:

the sadness of it, knowing it can’t last, that all lives must end,
all hearts are broken. Sometimes when I’m writing a poem,

I feel as though I’m operating that crusher that turns
a full-size car into a metal cube the size of a suitcase.

At other times, I’m just a secretary: the world has so much
to say, and I’m writing it down. This great tenderness.

 
 
​For more information on David Kirby, please click here.​


 

Poem of the Week, by Ross Gay

IMG_0696A child I didn’t have has been with me throughout my adult life. He has grown up without me in a shadow world that exists within this world: invisible but close by. In dreams he stands in the doorway of a room I’m writing in, his feet on the doorsill, never stepping into the room itself. He’s tall now, and lean, and always smiling. The fact that he never existed makes him no less real to me. Every one of Ross Gay’s poems goes straight to my heart, but none quite like this. 

 

Poem to My Child, If Ever You Shall Be, by Ross Gay

                        —after Steve Scafidi

The way the universe sat waiting to become,
quietly, in the nether of space and time,

you too remain some cellular snuggle
dangling between my legs, curled in the warm

swim of my mostly quietest self. If you come to be—
And who knows?—I wonder, little bubble

of unbudded capillaries, little one ever aswirl
in my vascular galaxies, what would you think

of this world which turns itself steadily
into an oblivion that hurts, and hurts bad?

Would you curse me my careless caressing you
into this world or would you rise up

and, mustering all your strength into that tiny throat
which one day, no doubt, would grow big and strong,

scream and scream and scream until you break the back of one injustice,
or at least get to your knees to kiss back to life

some roadkill? I have so many questions for you,
for you are closer to me than anyone

has ever been, tumbling, as you are, this second,
through my heart’s every chamber, your teeny mouth

singing along with the half-broke workhorse’s steady boom and gasp.
And since we’re talking today I should tell you,

though I know you sneak a peek sometimes
through your father’s eyes, it’s a glorious day,

and there are millions of leaves collecting against the curbs,
and they’re the most delicate shade of gold

we’ve ever seen and must favor the transparent
wings of the angels you’re swimming with, little angel.

And as to your mother—well, I don’t know—
but my guess is that lilac bursts from her throat

and she is both honeybee and wasp and some kind of moan to boot
and probably she dances in the morning—

but who knows? You’ll swim beneath that bridge if it comes.
For now let me tell you about the bush called honeysuckle

that the sad call a weed, and how you could push your little
sun-licked face into the throngs and breathe and breathe.

Sweetness would be your name, and you would wonder why
four of your teeth are so sharp, and the tiny mountain range

of your knuckles so hard. And you would throw back your head
and open your mouth at the cows lowing their human songs

in the field, and the pigs swimming in shit and clover,
and everything on this earth, little dreamer, little dreamer

of the new world, holy, every rain drop and sand grain and blade
of grass worthy of gasp and joy and love, tiny shaman,

tiny blood thrust, tiny trillion cells trilling and trilling,
little dreamer, little hard hat, little heartbeat,

little best of me.

 

For more information on Ross Gay, please click here.

Poem of the Week, by Robert Hedin

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Once, when I was bushwhacking through the woods and came to a clearing, I saw an owl in the tree closest to me. It was perched on a limb about ten feet off the ground, and the tree was about ten feet from me, and I had never been that close to an owl. The owl’s face was mesmerizing – flat and soft-looking, with eyes fixed on mine. I tilted my head to take it in better, and the owl tilted its head too. I tilted my head the other way, and so did the owl. Back and forth we went, in rhythm with each other, just me and the owl, in silence. When I need to conjure up peace inside myself, I think of that owl. And now I will also think of this quiet, beautiful poem below.  

 

Owls, by Robert Hedin

 

Owls glide off the thin
wrists of the night,
and using snow for their feathers
drift down on either side
of the wind.

I spot them
as I camp along the ridge,
glistening over the streambeds,
their eyes small rooms
lit by stone lamps.

 

For more information about Robert Hedin, please click here.

Poem of the Week, by Sinead Morrissey

The first time I read the poem below a scene from the past flashed up in my mind: a winter day which my then-preschool children spent playing Ewok, which translated into them marching around the house/forest with yardsticks as hiking sticks. My son was Master Logray and my daughter was Teebo, Luke, with little Dev on the deck at Irving housenames and roles taken directly from a seriously cheesy VHS TV series called Ewoks (which I probably found for a quarter at a garage sale). What I remember most is my daughter’s bright eyes as she tromped around the house after her older brother, who was always kind to her.

My children rarely fought when they were little, but when they did, it always troubled me deeply. If the battle went on too long, I would tell them Listen to me. You have to be kind to each other, because someday I’ll be gone, and your dad will be gone, and it will be just the three of you to watch over each other. This is kind of a horrible thing to say, now that I look back on it, but it’s also kind of true. Which might be why reading this beautiful poem brought an instant lump to my throat.

 

The Rope
– Sinead Morrissey

I have paused in the door jamb’s shadow to watch you
playing Shop or Cliff! or Café or Under-the-sea
among the flotsam of props on our tarmacked driveway.
            All courtship. All courtesy.

At eight and six, you have discovered yourselves friends,
at last, and this the surprise the summer
has gifted me, as if some
             penny-cum-handkerchief conjuror

had let loose a kingfisher . . .
            you whirl and pirouette, as if in a ballet
take decorous turns, and pay for whatever you need
            with a witch’s currency:

grass cuttings, sea glass, coal, an archaeopteryx
of glued kindling from the fire basket.
You don two invisible outsize overcoats – for love?
For luck? And jump with your eyes shut.

And I can almost see it thicken between you –
your sibling-tetheredness, an umbilicus,
fattened on mornings like this as on a mother’s blood,
loose, translucent, not yet in focus

but incipient as yeast and already strong enough
to knock both of you off your balance
when you least expect it, some afternoon after work
            decades hence,

one call from a far-flung city and, look,
all variegated possibles – lovers, kids, apartments –
whiten into mist; the rope is flexing,
tugging you close, and you come, obedient

children that you are, back to this moment,
staggering to a halt and then straightening,
grown little again inside your oversize coats and shoes
and with sea glass still to arrange,
                                    but without me watching.
 

 

For more information on Sinead Morrissey, please click here​.

Poem of the Week, by Stephan Pastis

Alison and DonaldWe used to call them the funnies, and I have a memory of sitting on my dad’s big lap while he folded the newspaper in half, then quarters, so he could read them to me. This would have been on a Sunday, because I remember the strips as being full-color. I still read the daily comics, even though most of them are terrible – tired, unfunny, boring, and retreading the same exact ground for decades on end. Once in a while a strip comes along that’s electrifyingly good –Calvin & Hobbes, Boondocks, Cul de Sac–but they don’t last long, usually because their creators have the courage to cancel them when they’ve run out of steam. So I read out of habit, with no expectation of transcendence. But every once in a while one of them pierces my heart, like today’s Pearls Before Swine, by Stephan Pastis.

 

 

Tree Stump o’ Deep Thought You’re Not Usually Capable Of, by Stephan Pastis

No one knows what we’re doing here.
Some have faith that they do, but no one knows.

So we are scared.
We are alone.
We end.
And we don’t know where we go.

So we cling to money for comfort.
And we chase awards for immortality.
And we hide in the routine of our days.

But then the night.
Always the night.

Which, when it has you alone, whispers that
maybe none of this has any significance.

So love everyone you’re with.
Because comforting each other
on this journey we neither asked for
nor understand
is the best we can do.

And laugh as much as you can.

 

​For more information on Stephan Pastis, please click here.​

Poem of the Week, by Galway Kinnell

IMG_6637Minnesotans! I’m offering three free workshops this spring on the transformation of trauma. Click here for more information and to register. All are welcome, no writing experience necessary. (Non-Minnesotans, note that I will be adding these to my workshop offerings in the future, and they will always be free.)

Whenever I hear people say “I’m not afraid of death,” I feel a combination of shame and bewilderment, because I am completely afraid of death, and if all these other people aren’t afraid of it, then what am I missing and where am I falling short? I was walking along the beach yesterday, and surfers were out on the waves and I stopped to admire them the way I always do. Sleek black bodies springing up on their boards, riding the foam into shore.

Watching them, it came to me that I was confusing a fear of death with a fear of not being alive. They are two separate things, and I don’t want to not be alive. What I want is more life. More love. More laughter. More surfers. More more more. And then this poem by Galway Kinnell, who died a few years ago and whose poetry I have loved all my life, came singing its way into my head. 

Prayer, by Galway Kinnell

Whatever happens. Whatever
what is is is what
I want. Only that. But that.

For more information on Galway Kinnell, please click here.

My podcast: Words by Winter 
 
 

Poem of the Week, by June Jordan

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I used to assume that the basic principles of U.S. democracy –however unequally and poorly applied– were firmly in place and would remain so, and would see us through this current nightmare. But I don’t believe that anymore. When I read this poem the other day I literally jumped up and cheered, even though I was the only one in the house. The one thing I’d change about it (not that I’d change anything about June Jordan’s poetry, ever) would be to swap out “minorities” in the title for “citizens.” We are not beholden to our elected employees. They are beholden to us. This is our government. Poem of the Week, by the magnificent June Jordan.

 

Calling on All Silent Minorities, by June Jordan

HEY

C’MON
COME OUT

WHEREVER YOU ARE

WE NEED TO HAVE THIS MEETING
AT THIS TREE

AIN’ EVEN BEEN
PLANTED
YET

For more information on June Jordan, please click here.​

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Poem of the Week, by Lucille Clifton

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It’s a city of sound, said the Painter, sound and color and light. We were in Havana for a week, soaking it up through the soles of our feet. Miles and miles a day we walked the streets of Habana Vieja, Habana Centro, Vedado. It was gorgeous in an unearthly way, and so were the people.
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The Cuban men were beautiful, the Cuban women were beautiful, and the Cuban children were beautiful. Everywhere was the sound of music and talking, the frites woman calling her haunting song, laughter and shouting and the high clear tones of solo trumpeters practicing in the far corners of public parks. 
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There was sadness and frustration too. Our friend, a star baseball pitcher in his youth, recruited by the Yankees —the Yanquis!– for their minor leagues: refused permission by his government to leave the country.
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Our other friend who longed to study English abroad, and who could have, had she either the funds or any way to earn enough funds to buy a plane ticket out. Another who had managed, over many years, to save enough money to buy one of the 70-year-old classic American cars so beloved by the tourists, few of whom understand that the charming car represents life support for an entire extended family.
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Another friend who had taught English for twelve years and was now a tour guide who, when I asked her which she preferred, hesitated and then said, “Honestly? Teaching. Teaching is my first love. But you cannot support a family on $25 CUCs a month, and the government knows it but pretends it doesn’t.”
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We were there for a week, a week filled with poems and songs and stories. The poem below, by one of our greatest American poets, a woman who knew well the power of both womanhood and adversity, keeps coming to mind whenever I think of Habana.
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homage to my hips, by Lucille Clifton
 
these hips are big hips.
they need space to
move around in.
they don’t fit into little
petty places. these hips
are free hips.
they don’t like to be held back.
these hips have never been enslaved,
they go where they want to go
they do what they want to do.
these hips are mighty hips.
these hips are magic hips.
i have known them
to put a spell on a man and
spin him like a top
 
 
For more information about Lucille Clifton, please click here.

Poem of the Week, by Danez Smith

15844716_10155000188034276_278107369234601833_oI’m thinking of the man in the white shirt and the black pants, the one holding a briefcase, who stepped in front of the tanks in Tiananmen Square and stood there. I’m thinking of the girl in the long dress, the one who slid a flower into the barrel of the gun the officer had trained on her. I’m thinking of the woman who began a conversation with and ended up becoming a second mother to the boy who murdered her own son. I’m thinking of this tiny beautiful prayer by Danez Smith. A new year to all. May ruin end here.

 

Little Prayer
Danez Smith

let ruin end here

let him find honey
where there was once a slaughter

let him enter the lion’s cage
& find a field of lilacs

let this be the healing
& if not    let it be

 
 
​For more information on Danez Smith, please click here.​