Poem of the Week, by Gerard Manley Hopkins

Friends, if you read and liked my new novel Telephone of the Tree, I’d be grateful if you gave it a good review on Amazon or elsewhere (online reviews are extremely important to a book’s success). You can find the book here. Thank you! 

I was nine or ten when I found this poem, maybe in one of my grandmother’s huge and heavy high school English anthologies. I remember laboriously copying it word by word, line by line, into my little blue diary, complete with the strange and inscrutable marks I would learn much later were called ‘scansion.’ What it was about I couldn’t have told you then, but it felt as if the poet somehow knew the silent longing that lived inside me and knew that I would need this poem. So he reached into the future and wrote it for me to find long after he died.

Spring and Fall, by Gerard Manley Hopkins

to a young child

Margaret, are you grieving
over Goldengrove unleaving?
Leaves, like the things of man, you
with your fresh thoughts care for, can you?
Ah! as the heart grows older
it will come to such sights colder
by and by, nor spare a sigh
though worlds of wanwood leafmeal lie;
and yet you will weep and know why.
Now no matter, child, the name:
sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
what heart heard of, ghost guessed;
It is the blight man was born for,
It is Margaret you mourn for. 

Click here for more information on Gerard Manley Hopkins. A version of this post first appeared here in 2019.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Michael Lee

Friends, my novel Telephone of the Tree has received three starred reviews so far and is an Amazon Best Book of the YearIf you know a young or not-so-young person who might be comforted by it, please respond and let me know why and I’ll enter their name in a drawing for a signed copy. 

A month after my father died, I went out to do some errands and saw him at the end of the block. There he was, big man wearing his windbreaker and Yankees cap, maneuvering along with his walker. Dad! But it was another old man, and not a Yankees cap but a local firefighters’ cap. He told me to come on down to the Patriots’ Day fair, that as a former volunteer fireman he would be manning the firefighters’ booth, cooking hotdogs, welcoming passersby, same as he did every year.

This is not the kind of man I ever run into in the small wealthy Southern California town where I spend time, but he was the kind of man I grew up with, and he, with his cap and his big hearing aids and his walker, was so much like my father, who was a Lion, a Citizen of the Year, a soup kitchen volunteer and a volunteer driver for elderly and disabled people, that a lump rose in my throat as we talked.

Pass On, by Michael Lee

When searching for the lost remember 8 things.

1.
We are vessels. We are circuit boards
swallowing the electricity of life upon birth.
It wheels through us creating every moment,
the pulse of a story, the soft hums of labor and love.
In our last moment it will come rushing
from our chests and be given back to the wind.
When we die. We go everywhere.

2.
Newton said energy is neither created nor destroyed.
In the halls of my middle school I can still hear
my friend Stephen singing his favorite song.
In the gymnasium I can still hear
the way he dribbled that basketball like it was a mallet
and the earth was a xylophone.
With an ear to the Atlantic I can hear
the Titanic’s band playing her to sleep,
Music. Wind. Music. Wind.

3.
The day my grandfather passed away there was the strongest wind,
I could feel his gentle hands blowing away from me.
I knew then they were off to find someone
who needed them more than I did.
On average 1.8 people on earth die every second.
There is always a gust of wind somewhere.

4.
The day Stephen was murdered
everything that made us love him rushed from his knife wounds
as though his chest were an auditorium
his life an audience leaving single file.
Every ounce of him has been
wrapping around this world in a windstorm
I have been looking for him for 9 years.

5.
Our bodies are nothing more than hosts to a collection of brilliant things.
When someone dies I do not weep over polaroids or belongings,
I begin to look for the lightning that has left them,
I feel out the strongest breeze and take off running.

6.
After 9 years I found Stephen.
I passed a basketball court in Boston
the point guard dribbled like he had a stadium roaring in his palms
Wilt Chamberlain pumping in his feet,
his hands flashing like x-rays,
a cross-over, a wrap-around
rewinding, turn-tables cracking open,
camera-men turn flash bulbs to fireworks.
Seven games and he never missed a shot,
his hands were luminous.
Pulsing. Pulsing.
I asked him how long he’d been playing,
he said nine 9 years

7.
The theory of six degrees of separation
was never meant to show how many people we can find,
it was a set of directions for how to find the people we have lost.
I found your voice Stephen,
found it in a young boy in Michigan who was always singing,
his lungs flapping like sails
I found your smile in Australia,
a young girl’s teeth shining like the opera house in your neck,
I saw your one true love come to life on the asphalt of Boston.

8.
We are not created or destroyed,
we are constantly transferred, shifted and renewed.
Everything we are is given to us.
Death does not come when a body is too exhausted to live
Death comes, because the brilliance inside us can only be contained for so long.
We do not die. We pass on, pass on the lightning burning through our throats.
when you leave me I will not cry for you
I will run into the strongest wind I can find
and welcome you home.

​Please click here for more information about Michael Lee. Today’s poem can be found in his collection The Only Worlds We Know, published by Button Poetry. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by John Ciardi

Friends, my novel Telephone of the Tree has received three starred reviews so far and is an Amazon Best Book of the YearIf you know a young or not-so-young person who might be comforted by it, please respond and let me know why and I’ll enter their name in a drawing for a signed copy. 

In summer I plant cherry tomatoes on either side of my poetry hut in the flower garden next to the sidewalk in front of my house. A sign in the hut says “Help yourself to a poem and a tomato!” I scroll up poems at night, and during the day, as I write books on my porch, I watch passersby help themselves to poems and tomatoes. Some of the poems in the poetry hut were written especially for children, so I write “For kids!” on them in black Sharpie.

But guess what? I’m a grownup and I know that grownups love kid poems too. Today’s poem is for all you grownups out there.

About the Teeth of Sharks​, by John Ciardi

The thing about a shark is—teeth,
One row above, one row beneath.

Now take a close look. Do you find
It has another row behind?

Still closer—here, I’ll hold your hat:
Has it a third row behind that?

Now look in and…Look out! Oh my,
I’ll never know now! Well, goodbye.

​Click here for more information about poet John Ciardi. Today’s poem is from his book You Read to Me, I’ll Read to You, published in 1962 by Lippincott Press. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Shel Silverstein

Friends, my novel Telephone of the Tree has received three starred reviews so far and is an Amazon Best Book of the YearIf you know a young or not-so-young person who might be comforted by it, please respond and let me know why and I’ll enter their name in a drawing for a free signed copy. 

I keep trying to write about why competition bothers me, how if someone’s a winner then someone else must be a loser, how sometimes I’ll secretly and intentionally lose a board game if I know it’ll make someone else happy, but the truth is the thing that keeps coming to me when I read this poem is the week my siblings and I spent every summer at our grandparents’ farm in downstate New York.

The red barns and weeping willow and white birch and porch swing. Our grandfather in coveralls, washing up at the laundry sink with Lava soap. Our grandmother driving us to Rudd Pond to go swimming. Both of them taking us all on a long country drive after dinner that would end up at Dairy Queen. How my grandmother always tried to get me to order more than a small vanilla cone – Oh honey, just that little cone? Can’t we get you a sundae instead? How my sister cried at the end of those summer weeks, because nothing in the world was like time spent with those two people: their laughter, their love, their absolute acceptance.

Hug o’ War, by Shel Silverstein

I will not play at tug o’ war.
I’d rather play at hug o’ war,
Where everyone hugs
Instead of tugs,
Where everyone giggles
And rolls on the rug,
Where everyone kisses,
And everyone grins,
And everyone cuddles,
And everyone wins.

Click here for more information about Shel Silverstein. Today’s poem is included in his collection Where the Sidewalk Ends, published by Harper & Row in 1974.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Tyehimba Jess

Friends, if you read and liked my new novel Telephone of the Tree, I’d be so grateful if you gave it a good review on Amazon (online reviews are extremely important to a book’s success). You can find the book here. Thank you! 

The psychic asked me if I had any birthmarks on my wrists, and I pulled up my sleeve to show her: two raised bumps on my left wrist. She nodded.

They came with you into this life as a reminder from long ago, she said. Scars from the manacles they used to chain you to the wall. At first you fought and fought, but over time, you grew meek and silent. Your great purpose in this life is to reclaim your voice and your freedom. You’re getting better at it. Don’t ever let anyone abuse you again. The hell with them.

What the Wind, Rain, and Thunder Said to Tom, by Tyehimba Jess

Hear how sky opens its maw to swallow
Earth? To claim each being and blade and rock
with its spit? Become your own full sky. Own
every damn sound that struts through your ears.
Shove notes in your head till they bust out where
your eyes supposed to shine. Cast your lean
brightness across the world and folk will stare
when your hands touch piano. Bend our breath
through each fingertip uncurled and spread
upon the upright’s eighty-eight pegs.
Jangle up its teeth until it can tell
our story the way you would tell your own:
the way you take darkness and make it moan.

Click here to read more about poet Tyehimba Jess. Today’s poem is from his Pulitzer Prize-winning collection Olio, which gives imagined voice to minstrels forced to perform to make money for others, published by Wave Press in 2016.

alisonmcghee.com
My poetry podcast: Words by Winter

Poem of the Week, by Andrea Gibson

Friends, if you read and liked my new novel Telephone of the Tree, I’d be so grateful if you gave it a good review on Amazon (online reviews are extremely important to a book’s success). You can find a review link here. Thank you!

People who text in to the crisis textline where I volunteer as a crisis counselor are often ashamed. So ashamed of things they’ve done or things they can’t stop doing. We listen and reassure them that they aren’t alone. That they’re showing strength, and a determination to live, by reaching out. Sometimes it can help to reframe things.

I hear how angry you are at yourself because you keep cutting when you feel desperate. Maybe another way to look at it is, “I’m suffering. And cutting brings relief. And I don’t want to cut anymore but I still deserve relief.” Taking the shame out of something is so freeing, and it sometimes leads to instant brainstorming about other, safer ways to find peace and relief.

Sometimes I turn the lens on myself, on things I did at times I was suffering, things I’m ashamed of. Maybe another way of looking at it is that you were trying to survive, Allie. And look, you did survive, and you don’t do that anymore. Can you try to be kinder to yourself?

Instead of Depression, by Andrea Gibson

try calling it hibernation.
Imagine the darkness is a cave
in which you will be nurtured
by doing absolutely nothing.
Hibernating animals don’t even dream.
It’s okay if you can’t imagine
Spring. Sleep through the alarm
of the world. Name your hopelessness
a quiet hollow, a place you go
to heal, a den you dug,
Sweetheart, instead
of a grave.

Click here for more information about the astonishing Andrea Gibson. Today’s poem is from From You Better Be Lightning, published in 2021 by Button Poetry.  

 alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Michael Miller

Click here to read more about my new novel Telephone of the Tree, which has received three starred reviews and is an Amazon Best Book of the Year. 

When I was a kid my family went on a long road trip every summer: four kids spread here and there in the station wagon, sometimes peaceful, sometimes not. Sleeping bags, pillows, car games like how many different states’ license plates can you spot. Night would fall and the sky filled with stars. Road signs flashed by. The squeak-squeak of wipers pushing back rain. Swish of tires, hum of engine. This was years and years before I took the wheel, years and years before I was responsible for anyone else’s life.

December, by Michael Miller

I want to be a passenger
in your car again
and shut my eyes
while you sit at the wheel,
awake and assured
in your own private world,
seeing all the lines
on the road ahead,
down a long stretch
of empty highway
without any other
faces in sight.
I want to be a passenger
in your car again
and put my life back
in your hands.

Click here for more information about poet Michael Miller. Today’s poem is from his collection College Town, published in 2010 by Tebot Bach Press. 
 alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Joseph Fasano

Click here to read more about my new novel Telephone of the Tree, which has received three starred reviews and is an Amazon Best Book of the Year. 

Sometimes I envy people who have a group of friends they do things with as a group over decades: book clubs, game nights, dinners, theater, music, a yearly fishing or camping trip. My friendships are deep and close and span decades but they’re mostly individuals here, couples there, spanning all ages and stations and places in life.

Once, in a hard time, I took a piece of scrap paper and wrote Who to Call at the top, followed by a list of friends. Most of the names on it came instantly, friends I’m always in touch with. Others were surprising –when was the last time we talked?– but then again not really, because we are connected at the core. Glancing at my Who to Call list reminds me I’m not alone, even when it feels like I am.

Love Poems to Our Friends, by Joseph Fasano

Where are the poems for those who know us?

Not for star-crossed loves,
for agonies of longing,
but words for those who go with us
the whole road.

How would they start, I wonder
You let me crash
when I was new to ruin.
You came to me   
though visiting hours were over.
You held me when my loves
were done, were flames.

Yes, we will lose a few
in the changes.
But these are the ones
who save us:
not the charmers,
not the comets of wild passion,
not the ups-and-downs of love’s unlucky hungers,

but the ones who stand
by our shoulder at the funeral
and lead us back to the land of the living
and put our favorite record on the player
and go away, and come back,
always come back,

with bread and wine
and one word, one word: stay

Click here for more information about Joseph Fasano. This poem first appeared on his Instagram page in 2024. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Thich Nhat Hanh

Three days after we adopted Paco, he planted his paws on the beach, eased backward out of his too-loose harness, and took off. He raced down the boardwalk, raced across four lanes of traffic on the Pacific Coast Highway, raced up Broadway, and raced up the five flights of stairs to Rosa Bonheur Street. It was here that I, who had just left the house for a jog, saw a small white dog hurtling toward me. Oh no! Someone’s dog got out!, I thought, followed immediately by Oh no! That’s MY dog!

He slowed down when he saw me and gave me an encouraging look, then raced up Poplar Street to the house, where he waited patiently for me to catch up. In the meantime, cars had pulled over everywhere, drivers jumping out to join bikers and walkers, all of them trying to help the little white dog so clearly without his humans.

When my brain feels like it’s about to break from the endless barrage of bad news, I think of that day and all the other uncountable acts of goodness in the world that we, knowing nothing about each other, including how we vote, instinctively do for each other.

The Good News, by Thich Nhat Hanh

They don’t publish
the good news.
The good news is published
by us. 
We have a special edition every moment,
and we need you to read it.
The good news is that you are alive,
and the linden tree is still there,
standing firm in the harsh Winter.
The good news is that you have wonderful eyes
to touch the blue sky.
The good news is that your child is there before you,
and your arms are available:
hugging is possible.
They only print what is wrong.
Look at each of our special editions.
We always offer the things that are not wrong.
We want you to benefit from them
and help protect them.
The dandelion is there by the sidewalk,
smiling its wondrous smile,
singing the song of eternity.
Listen! You have ears that can hear it.
Bow your head.
Listen to it.
Leave behind the world of sorrow
and preoccupation
and get free.
The latest good news
is that you can do it.

Click here for more information about Thich Nhat Hanh. Despite searching, I’m unable to find where this poem was first published. 
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Tina Kelley

Spots are still available in the July 17-19 mini-session of our popular Write Together sessions, in which we gather on Zoom for an hour in the morning and an hour in the evening and write quietly together from a guided prompt. Cost: $100. Click here for all the details. I’d love to see you in the Zoom room. 

My first password was a long jumble of numbers decreed to me by Compuserve and which I loathed because it had nothing to do with me or my life. My first choose-your-own password was a variation of my brother’s because his made me laugh. All my passwords since then –hundreds of them, because I don’t use a password manager even though yes, I know I should–are variations on the original. It still makes me smile.

Knowing someone’s password is a glimpse into their heart. Their mother’s childhood nickname, their father’s favorite sports team, the birthday of their child, their dog’s name, a zip code of a long ago apartment where they once lived and loved.

Lessons from the List of 100,000 Most Hacked Passwords, by Tina Kelley 
        —what God said after reading the whole thing

Oh my me! If only I had made you more imaginative.
Next upgrade, you need ten times the terabytes
of ingenuity, and boosted self-preservation too.
If you loved yourselves as I love you, sweet dim ones,

would you type in 123456 to crack every nest egg?
Number 14, after qwerty and password, is iloveyou,
which increases my faith in you. But how is yours in me?
There are 138 mentions of Jesus, but twice as many f*&%s.

368 have sex in them, including sexgod. I much prefer
glory2god and love4god, and appreciate how godgod1
ranks above ilovenookie1, if by one. 1,512 uses of love,
116 hates, including the hate in whatever. Tons o sucks.

Monkey ranks 19, dragon 20. Coming in at 37 out of 100,000?
Tinkle. No idea why. My favorite is the pilgrim, supplicant,
who tries to avoid red letter scolding and reset: letmein.
You, my lowercase meek one, get admitted to paradise.

The rest of you, pick one that reminds you to be better
every time you pay your bills or check your balances.
Make it a prayer, a remembrance of your favorite departed.
More than hackthis1. Maybe something, once, about joy?

Click here for more information about poet Tina Kelley. Today’s poem was first published in Presence: A Journal of Catholic Poetry

alisonmcghee.com
My podcast: Words by Winter