“Matylda, Bright and Tender”

IMG_6459Behold the beautiful cover of my sister Holly’s beautiful new children’s novel Matylda, Bright and Tender (a title I love so much that I say it to myself over and over). Matylda is a leopard gecko, cared for with wonder and devotion by two nine-year-old best friends named Guy and Sussy. There’s a special kinship between Guy and Matylda, whereas Sussy is a little more diffident, a little unsure of herself. Sussy wonders whether Matylda will ever be as close to her as she is to Guy.

But when something awful and unpredictable happens, Sussy is all Matylda has left. It’s up to Sussy to go on alone without her best friend, the one who intuitively understood their pet. Sussy has taken a vow to carry on and do right by Matylda, but at the same time, the mere act of living, of going on with her own life, let alone caring for Matylda, is almost more than she can handle.

This novel is one of those small books that feels vast in its encompassing of tragedy, longing and, ultimately, redemption. How do you go on in the face of something unbearable? Something that no matter how much you wish you could undo, you can’t? Something that, no matter how surrounded you are by love and support, you have to go through alone? The day she lost Guy plays over and over in Sussy’s head. Reconfiguring her life in the face of this new reality is a task she doesn’t know how to do.

Adults who read this book will remember in their bones the long-ago day that time turned for them in just this heartbreaking way. And children will find, in Sussy’s honesty and grief, a memory of courage and love to store away in their own hearts for the future, when they will need it. This is a beautiful book.

 

Poem of the Week, by Tim Nolan

img_6107A long, long time ago I read Innumeracy, a slender, astonishing book by the mathematician John Allen Paulos, in which he explains how the inability of most of us to deal rationally with enormous numbers results in confused personal decisions and public policy as well as susceptibility to pseudoscience of all kinds. In one chapter Paulos lays out the fact that, on average, every breath we take contains a minimum of three molecules of air breathed by every single person who ever lived and breathed on this planet. I think about this fact every single day. It has influenced every aspect of my life, not least of which is that in times of deep grief, it brings me comfort. Breathe in, Alison. Remember that you’re breathing in some of the same air that every single person you love, the ones who are living and the ones who are dead, have breathed. This lovely, elegiac poem by Tim Nolan, one of a series about his mother and her passing, brings me that same sense of loss and comfort.

 

The Blue Light, by Tim Nolan

I asked her to come to me
in whatever way she chose

As the wind, as the ruffling
water, as the red maple leaf

So today I closed my eyes
halfway toward sleep

And she came in a blue light
blue as a tropical ocean

Turning toward a darker blue
as the Sun passed

Coming in blue waves coming
in from the side of my eyes

Somehow bathing me in blue—
a blue that seemed to be

Her gaze –turned to blue—
just as she was a few weeks ago

Her blue eyes and mine meeting
in that long long look

 

For more information on Tim Nolan, please click here.

My dear Mary

IMG_6363August 25th, 1849

My dear Mary,

You would long since have received a letter from me had it not have been for want of leisure. You who have lived here must remember what a scene of hurry & bustle the house always presents, but more particularly in the Summer season, and although my own little home was one of quiet and calm, yet my children and household cares employed the most of my time. But although I would not write you my thoughts were very often with you and I looked forward with a great deal of pleasure to receiving a visit from you in my home (I know no sweeter name to call it).

That’s how the letter begins. It was found in an estate sale box filled with old envelopes and stamps, handwritten on a 15.5″ x 10″ piece of paper, in copperplate script so elegant that somehow it makes me sad when I look at it. Did the writer use a quill pen? How did she keep her lines so even and straight – did she use a ruler? After she wrote the letter, she folded the large piece of paper in half, then in thirds, then in thirds again, so that it became both letter and envelope. She sealed the envelope with red sealing wax and addressed it to Mrs. William Summer of Grimsby.

At first it was hard to decipher that lovely, antique handwriting, but it got easier as I went along. The letter is long, from a woman to her granddaughter, filled with news of the health of family members and friends, the longing of the writer for some peace and quiet, her silent worry over her grandniece’s sweetheart, who had left for Provence a month ago. She has not heard from him since he left the isthmus but has been expecting a letter from him for a month past. We all feel a great deal of anxiety about him but we hope and trust for the best.

The letter sits on the table where I’m typing this blog post. Surrounding it is a computer cable, my Precise V7 Rolling Ball black pen, a glass of water, my credit card, a box containing a deck of cards and the score of every one of the hundreds of rummy games the painter and I have played over the last four years, my cell phone, and a plastic hair clip. The letter is the only item on the table that existed, or even could have existed, 168 years ago when it was written.

Do you want to know how the writer ended her letter, the last paragraph of which is not the perfect copperplate of the rest but almost a scrawl, and which also contains an uncharacteristic misspelling? Now my dear Mary I must bid you good night for it is getting late and baby is crying. You and Willie must come up as soon as possible you do not know how anscious I am to see you both up here and I hope you will not let any thing prevent your coming. Believe ever affectionately, your GrandMadame.

IMG_6361                        IMG_6362

Poem of the Week, by Elizabeth Acevedo

img_2654That photo over there to the right is the very long tail of a very large rat that ran over my bare feet as I stood at the stove cooking dinner. The story behind the tail is one of intrigue and horror – me sauteeing vegetables at the stove while chatting with The Painter who was seated behind me, me suddenly feeling a squirrel or a small cat run over my bare feet, me shrieking and whirling around to tell The Painter that a squirrel or a cat had run over my bare feet, The Painter trying desperately to contain his horror because he had witnessed exactly what ran over my bare feet and rats are not cats. 

Here’s a writing exercise for you: Write about something that the world considers ugly but you secretly think is beautiful. The results might make you feel the same way I did when I read this stunning poem below.

 

For the Poet Who Told Me Rats Aren’t Noble Enough Creatures for a Poem, by Elizabeth Acevedo
        

Because you are not the admired nightingale.
Because you are not the noble doe.
Because you are not the blackbird,
picturesque ermine, armadillo, or bat.
They’ve been written, and I don’t know their song
the way I know your scuttling between walls.
The scent of your collapsed corpse bloating
beneath floorboards. Your frantic squeals
as you wrestle your own fur from glue traps.

Because in July of ’97, you birthed a legion
on 109th, swarmed from behind dumpsters,
made our street infamous for something
other than crack. We nicknamed you “Cat-
killer,” raced with you through open hydrants,
screeched like you when Siete blasted
aluminum bat into your brethren’s skull—
the sound: slapped down dominoes. You reigned
that summer, Rat; knocked down the viejo’s Heinekens,
your screech erupting with the cry of Capicu!
And even when they sent exterminators,
set flame to garbage, half dead, and on fire, you
pushed on.

Because you may be inelegant, simple,
a mammal bottom-feeder, always fucking famished,
little ugly thing that feasts on what crumbs fall
from the corner of our mouths, but you live
uncuddled, uncoddled, can’t be bought at Petco
and fed to fat snakes because you’re not the maze-rat
of labs: pale, pretty-eyed, trained.
You raise yourself sharp fanged, clawed, scarred,
patched dark—because of this alone they should
love you. So, when they tell you to crawl home
take your gutter, your dirt coat, your underbelly that
scrapes against street, concrete, squeak and filth this
page, Rat.

 

For more information on Elizabeth Acevedo, please click here.

Postcard from the Ledge: 13th

img_5354Friends, I’m old enough to remember the Willie Horton ad. I’m old enough to remember when the Central Park Jogger –who was around my age, a jogger like me, white like me, educated like me– was raped and left for dead. I remember being terrified at the idea of “wilding” youths –who, somehow, were always black– out to get girls like me. And I remember three months ago, when I was stunned at the outcome of this election and none of my friends who aren’t white were.

I grew up in rural, northern, mostly blue collar, white America. I didn’t think much about just how unequally people who didn’t look like me were treated –I didn’t watch much television and I physically didn’t see it in my daily life– and I sure didn’t understand it on a visceral level. My ignorance about race changed fundamentally in my twenties, when I began living in cities, and I’ve spent my adult life playing catch-up. The documentary film “13th” places pattern to the past and present in a brilliant and succinct way. It’s one of the most powerful films I’ve ever seen. Watch it.

Poem of the Week, by Wang Ping

In a recent conversation between me and an abstract painter, he claimed that spellcheck is the only reason he can spell with any degree of accuracy. T14650223_10154741240944276_6632425684321910510_nhat before spellcheck, he would say the word out loud and then look through the dictionary trying to find it by first letter. A word like psychology, for example, he would sound out and then search through all the S words. Not finding it, he would then look through all the C’s even though he was sure that it couldn’t begin with C. It was a slow and agonizing process, and all his papers came back with low grades and comments like “Your insights are terrific but you must learn to proofread.”

In many years of teaching creative writing to students whose grasp of spelling and grammar is sometimes tenuous –usually because they are immigrants or because their brains work differently from mine, and less often because they are lazy– I have had to train myself to see the heart and soul first, and the mechanics second. This has not been an easy task for me, someone to whom spelling is instinctive and usually perfect, and in the back of my mind I always hold close this poem below, my favorite of all the many written by the wild, beautiful and fierce multi-media artist Wang Ping.  

Syntax

She walks to a table
She walk to table 

She is walking to a table
She walk to table now 

What difference does it make
What difference it make 

In Nature, no completeness
No sentence really complete thought 

Language, like woman,
Look best when free, undressed.

For more information on Wang Ping, please click here.

Poem of the Week, by Kevin Young

img_6221Yesterday I sprinkled some sliced almonds into a small pan and turned the flame on low. I stood beside the stove watching over the pan and occasionally flipping the almonds so that they would brown evenly and not burn. When they were dark golden I shook a little sugar over them and stirred until they were caramelized. Then I turned the almonds out onto a plate to cool and took the pan over to the sink. The sink is a strange, cheap, plasticky thing, scarred from hot pans, so I held the pan up to the faucet and ran water in it to cool it down first. The water hit the pan and steam billowed up into my face. Suddenly I was breathing in vaporized sugar – I could feel it in my lungs and taste it as it went down. It was the most amazing sensation. I stood there by the sink and thought, All these years I’ve been alive and this has never once happened to me before. Then I thought of this poem, which I have secretly treasured ever since I first read it because I love how words, if you toss them around in your mind and on your tongue, turn surprising and magical in that same alchemical way. 

 

Errata
     – Kevin Young

Baby, give me just
one more hiss

We must lake it fast
morever

I want to cold you
in my harms

& never get lo

I live you so much
it perts!

Baby, jive me gust
one more bliss

Whisper your
neat nothings in my near

Can we hock each other
one tore mime?

All light wrong?

Baby give me just
one more briss

My won & homely

You wake me meek
in the needs

Mill you larry me?

Baby, hive me just
one more guess

With this sing
I’ll thee shed

 

Click here for more information about Kevin Young.

Poem-like Prose of the Week, by Kao Kalia Yang

img_3440A long time ago, I floated down a tunnel toward a light far away. The floating was slow and the sensation around me was warm and soft. I was conscious the entire time, not thinking but feeling, and the feeling was Here we go again. At a certain point, soft bits of metal touched the top and sides of my head. Nothing hurt. Everything was inevitable. What would happen, would happen. This is my memory of being born. (The soft bits of metal part had always confused me, until one day my mother told me I had been a forceps baby, pulled out at the end with metal tongs.) The below excerpt from Kao Kalia Yang’s beautiful, haunting memoir The Latehomecomer makes me remember it all over again, in a different way. From the sky, I would come again.

 

Prologue to The Latehomecomer, by Kao Kalia Yang

Before babies are born they live in the sky where they fly among the clouds. The sky is a happy place and calling babies down to earth is not an easy thing to do. From the sky, babies can see the course of human lives.

This is what the Hmong children of my generation are told by our mothers and fathers, by our grandmothers and grandfathers.

They teach us that we have chosen our lives. That the people who we would become we had inside of us from the beginning, and the people whose worlds we share, whose memories we hold strong inside of us, we have always known.

From the sky, I would come again.

 

For more information about Kao Kalia Yang, please click here.

Poem of the Week, by Michael Lee

img_61071) When I was young and had just lost someone I loved, I prayed one night for him to give me a sign from wherever, if anywhere, he was. The next morning I dreamed that his arms were the blanket over me and the bed under me. The sense of comfort disappeared the minute I woke up, but I’ve remembered it all these years. 2) Once, in a CVS, years after she had died, I smelled my grandmother, the powder she always wore. I followed my nose from aisle to aisle until I found her, a small old woman looking at birthday cards. She was not my grandmother, and yet she was my grandmother. 3) Last spring, my friend Kathi and I were on a television show that was being taped outdoors. As Kathi was talking, my friend John Brett, husband of my friend Gail, appeared at the edge of the set. He was smiling, of course, and a giant surge of happiness went through me at the sight of him and I waved at him and thought, I have to tell Gail I saw John! Then I remembered, again, that John had died. But I told Gail anyway. 4) I love this poem below for so many reasons, but most of all for these lines: The theory of six degrees of separation/ was never meant to show how many people we can find,/ it was a set of directions for how to find the people we have lost.

 

Pass On, by Michael Lee

When searching for the lost remember 8 things.

1.
We are vessels. We are circuit boards
swallowing the electricity of life upon birth.
It wheels through us creating every moment,
the pulse of a story, the soft hums of labor and love.
In our last moment it will come rushing
from our chests and be given back to the wind.
When we die. We go everywhere.

2.
Newton said energy is neither created nor destroyed.
In the halls of my middle school I can still hear
my friend Stephen singing his favorite song.
In the gymnasium I can still hear
the way he dribbled that basketball like it was a mallet
and the earth was a xylophone.
With an ear to the Atlantic I can hear
the Titanic’s band playing her to sleep,
Music. Wind. Music. Wind.

3.
The day my grandfather passed away there was the strongest wind,
I could feel his gentle hands blowing away from me.
I knew then they were off to find someone
who needed them more than I did.
On average 1.8 people on earth die every second.
There is always a gust of wind somewhere.

4.
The day Stephen was murdered
everything that made us love him rushed from his knife wounds
as though his chest were an auditorium
his life an audience leaving single file.
Every ounce of him has been
wrapping around this world in a windstorm
I have been looking for him for 9 years.

5.
Our bodies are nothing more than hosts to a collection of brilliant things.
When someone dies I do not weep over polaroids or belongings,
I begin to look for the lightning that has left them,
I feel out the strongest breeze and take off running.

6.
After 9 years I found Stephen.
I passed a basketball court in Boston
the point guard dribbled like he had a stadium roaring in his palms
Wilt Chamberlain pumping in his feet,
his hands flashing like x-rays,
a cross-over, a wrap-around
rewinding, turn-tables cracking open,
camera-men turn flash bulbs to fireworks.
Seven games and he never missed a shot,
his hands were luminous.
Pulsing. Pulsing.
I asked him how long he’d been playing,
he said nine 9 years

7.
The theory of six degrees of separation
was never meant to show how many people we can find,
it was a set of directions for how to find the people we have lost.
I found your voice Stephen,
found it in a young boy in Michigan who was always singing,
his lungs flapping like sails
I found your smile in Australia,
a young girl’s teeth shining like the opera house in your neck,
I saw your one true love come to life on the asphalt of Boston.

8.
We are not created or destroyed,
we are constantly transferred, shifted and renewed.
Everything we are is given to us.
Death does not come when a body is too exhausted to live
Death comes, because the brilliance inside us can only be contained for so long.
We do not die. We pass on, pass on the lightning burning through our throats.
when you leave me I will not cry for you
I will run into the strongest wind I can find
and welcome you home.

 

For more information about Michael Lee, please click here.