Poem of the Week, by Jalal Al-din Muhammad Rumi

IMG_6537Once, a long time ago, someone close to me handed me a memo and asked me to read it. It was a work memo that summarized some unfair working conditions. I didn’t know who had written it, but my first comment was “Wow. Whoever wrote this can’t spell worth a damn and doesn’t know how to use punctuation, either.” The person who had handed me the memo didn’t hear me say this, for which I was instantly grateful, because it turned out that they had written it. This was a person I loved with all my heart. The shame I felt in that moment is something that will be with me forever. 

The older I get, the softer I want to be. The judgment I carried around when I was young was mostly internal, but it was harsh. And what good did it do anyone? What good did it do me? In the course of my life I have seen how people blossom when they are surrounded with love and acceptance. And I have watched them wither and turn silent and wary when faced with judgment and scorn. Please, from now on let me be only ground. Let me be crumbled, that others may flower around me

 

A Continual Autumn, by Jalal Al-din Muhammad Rumi

Inside each of us there’s
a continual autumn.
Our leaves fall and are
blown out over the water,
a crow sits in the blackened limbs and
talks about what’s gone.
There’s a necessary dying, and
then we are reborn breathing again.

Very little grows on jagged rock.
Be ground.
Be crumbled
so wildflowers will come up where you are.

 

​For more information on Rumi, please click here.​

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Poem of the Week, by Peggy Shumaker

28056283_10156130850921407_3444412315520744499_nMy youngest didn’t walk until she was 22 months old. Instinct told me she was fine so I didn’t worry about this, but I observed her with interest. One day, when I was in the kitchen and she was sitting in a patch of sun on the living room floor, her back to me, I watched in wonder as she rose –no hands, no support, no nothing– to a full stand and began to walk. I had never seen a child go from crawling to perfect walking in an instant like that. She never went back to crawling.

I remember my daughter and her silent rise from the floor. I remember the older man I watched fall on the ice while crossing my street, and his panicked struggle to rise. I remember my grandmother falling in a restaurant, her own panicked struggle to rise before my father knelt and in one swift motion swept her up in his arms. Our first and wild instinct is to get up when we fall, to lift ourselves up, up, up. I’m thinking now of my beautiful dog on his last day of life this past March, when I watched him haul himself up, and I said to the painter, Look! He’s up! I’m going to call the vet and tell her not to come! and as soon as I said the words, he collapsed before us on all four legs and never rose again. Sometimes the simplest poems, like this one below, are the ones that bring memories rushing over me.

 

Placing Our Feet with Care on This Earth

In Los Angeles, my friend will soon learn to walk.
Her ankles will remember how to line up

so her weight can settle down
and they can hold up.

In Alaska, snowmelt’s ankle-deep
slush puddles firm up overnight.

Slick, this world. Our soles
get away from us.

 

 

For more information on Peggy Shumaker, please read her bio.

Poem of the Week, by Maria Mazziotti Gillan

IMG_0116-2Neither my friend nor I had been to a high school reunion in many years –in my case, decades–and we were both nervous. The years we had spent growing up together in upstate New York seemed far away, and we hadn’t kept in touch with many classmates. So we met early, at the bar in that tiny stoplight-less town, and fortified ourselves with gin while paging through our yearbook to remind ourselves of faces and names. At one point I said to him,  It’s been decades. We don’t look the same, will anyone else?  

Of course not. The banquet room was full of strangers. But as the night wore on, fragments of memory returned. In the curve of a middle-age woman’s smile I flashed back on the girl she used to be, laughing down the hall, her long dark hair parted in the middle. A man came smiling up to me —Alison!–and I remembered dancing at a bar with him and some other friends the week we graduated. Another classmate came up to my friend and told him, almost crying, how much she admired the man he had become. 

So what was it like?, the painter asked me when we talked late that night. It was like saying goodbye to my former self, I said, like putting my childhood to bed. All of which reminds me of this poem, which I loved the minute I read it years ago. Sometimes it’s so hard to know you’re beautiful when you’re young.

 

Nighties
        – Maria Mazziotti Gillan

At my bridal shower, someone gave me
a pink see-through nightgown and pink satin
slippers with slender heels and feathers.
The gown had feathers on it, too.

I’ve always hated my legs and even then,
when I was still thin and in good shape,
I didn’t want to wear that nightgown
or slippers, didn’t want to parade

in front of you like some pinup.
But I wore them anyway, all those negligees
I got as shower presents, sleazy nylon
I didn’t know was tacky. When I wore

sporty nightgowns, I’d leap into bed
not wanting you to notice how
the nightgown revealed what I thought
my biggest flaw. In all the young years

of our marriage, I wore a different nightgown
every night, not that it stayed on for long,
and afterward I’d pull it back on, not wanting
our children to see me naked in our bed.

I felt so sophisticated in those nightgowns,
like the ones Doris Day wore in movies.
Only years later, when my daughter buys me
a nightgown made of soft and smooth blue silk,

do I realize that the first ones I owned
were imitations of this one
I hold now to my cheek, grateful
to have been once so young,

to have loved you in nylon and silk
and in my own incredible skin.

 

For more information on Maria Mazziotti Gillan, please click here.


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Poem of the Week, by Laura Hansen

Shack hammock (1)Long ago, when I taught Mandarin at a big city high school in Minneapolis, some of my students would stay after school and talk with me. One was a Hmong young man, quiet and shy, with halting English. He would sit in the chair by my desk and cast his glance at the floor. For a long time I would inwardly urge him to look at me —look at me look at me come on look me in the eye– and then it came to me that his avoiding my direct gaze was part of his culture, and a sign of respect. All my annoyance melted away and from then on I was more soft-spoken, gentle, and slow in his presence. 

The poem below makes me think of that long-ago student, and others too: The young man with OCD who sat in the chair next to me clicking and clicking and clicking his pen, asking How am I doing in this class? How am I doing in this class? How am I doing in this class?  and then I’m sorry I keep asking, I’m sorry I keep asking. Sometimes, if it felt right, I would put my hand over his as he clicked his pen. And when he apologized for his constant How am I doing in this class? I would say, No worries. Whenever you need to ask, ask, and I’ll tell you, which seemed like the right thing to do. 

Every time I read this poem, by the lovely Laura Hansen, I think of the unnoticed and unsung among us. The girl who taps her fingers up and down her legs, the child who calls up the MGM lion on Youtube over and over to watch him roar, the man who walks up and down my block with a flower in his pocket. We are not immortal, no, nor are we more sacred, but the sacred comes to us in our solitude. 

 

Sometimes I Pray that You Won’t Talk to Me, by Laura Hansen

Adrienne knew the wholeness of being alone,
as a plane rides lonely and level on its radio beam.

And, I admit, there are times when I wish
that you would walk on without saying hello.

I may be at a table at Arby’s, reading or staring,
and you may think that I am lonely, alone,

but I will be thinking my own thoughts
with no regard to how I look as I unwrap

my Jr. sandwich, slow-turning the pages
of the latest mystery I’ve been reading.

If you see me in the park, on a bench
or on a trail, know that I am not looking for you.

I will be waiting, like Mary O., for the trees
to reveal the yellow paint-splash of the warbler.

It will be dangerous to approach me, lost
as I am inside my own head. I may

mistake you for a honeybee. Or a tiger.
Conversation comes hard for the wanderer,

for the one born with silence always
clamoring for attention in our heads.

Our eyes hear more than voices,
our feet lead us away from your world.

We are not immortal, no, nor are we
more sacred, but the sacred comes to us

in our solitude, in the brush of tree bark
under our hands, in the soft way the sun

cups the star-studded Potentilla
in the fast food parking lot,

yes, even there.

 

 

​For more information on Laura Hansen, please check out her website.​

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Poem of the Week, by Naomi Shihab Nye

Photos 223For years I’ve written haikus for people I don’t know. They send me a photo of someone and a few words about that person, along with $30, and I conjure up something about the person looking back at me from the photo. This takes some time. I want to get to something essential, something of this human being’s heart and soul. No one has ever sent me a photo of someone they don’t love dearly, and I respect that love and want the haiku to reflect it. Once it’s finished, I hand-letter the haiku on a piece of card stock and mail it back. All the proceeds go to support a school I’m involved with in Haiti. The photo/haiku/school forms an invisible triangle: 1) Me at my wooden desk gazing at 2) a photo of someone I don’t know in support of 3) both the sender and students, none of whom I’ve met in real life. You can’t order a poem like you order a taco, except sometimes you can. Poems are everywhere. Like the wondrous Ms. Nye says, what we have to do is live in a way that lets us find them.

 

Valentine for Ernest Mann, by Naomi Shihab Nye

You can’t order a poem like you order a taco.
Walk up to the counter, say, “I’ll take two”
and expect it to be handed back to you
on a shiny plate.

Still, I like your spirit.
Anyone who says, “Here’s my address,
write me a poem,” deserves something in reply.
So I’ll tell a secret instead:
poems hide. In the bottoms of our shoes,
they are sleeping. They are the shadows
drifting across our ceilings the moment 
before we wake up. What we have to do
is live in a way that lets us find them.

Once I knew a man who gave his wife
two skunks for a valentine.
He couldn’t understand why she was crying.
“I thought they had such beautiful eyes.”
And he was serious. He was a serious man
who lived in a serious way. Nothing was ugly
just because the world said so. He really
liked those skunks. So, he re-invented them
as valentines and they became beautiful.
At least, to him. And the poems that had been hiding
in the eyes of skunks for centuries 
crawled out and curled up at his feet.

Maybe if we re-invent whatever our lives give us
we find poems. Check your garage, the off sock
in your drawer, the person you almost like, but not quite.
And let me know.

 

​For more information on ​Naomi Shihab Nye, please click here.

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Poem of the Week, by Dorianne Laux

Screen Shot 2018-04-05 at 8.44.54 AMA few days ago at the store I stood in line, my groceries on the conveyor belt: butter, greens, an avocado, carrots and peppers and potatoes. The person behind me placed their items on the belt: two packages of ice cream sandwiches. About once a year I get a craving for an ice cream sandwich, and looking at the picture on the boxes made me want one. I turned to see who was buying them. She was middle-aged, with faded hair and a worn, tired face, wearing a jacket with a broken zipper. Hunched over. She’s been through some things, was the thought in my mind, and I waited for her to look up so I could smile at her and chat a little while we waited for the cashier. But she never did look up. And I thought of this poem, by the wondrous Dorianne Laux. So many people out there, all of us maybe, who have been through some things. Oh, the water.

 

Oh, The Water, by Dorianne Laux

You are the hero of this poem,
the one who leans into the night
and shoulders the stars, smoking
a cigarette you’ve sworn is your last
before reeling the children into bed.

Or you’re the last worker on the line,
lifting labeled crates onto the dock,
brown arms bare to the elbow,
your shirt smelling of seaweed and soap.

You’re the oldest daughter
of an exhausted mother, an inconsolable
father, sister to the stones thrown down
on your path. You’re the brother
who warms his own brother’s bottle,
whose arm falls asleep along the rail of his crib.

We’ve stood next to you in the checkout line,
watched you flip through tabloids or stare
at the TV Guide as if it were the moon,
your cart full of cereal, toothpaste, shampoo,
day-old bread, bags of gassed fruit,
frozen pizzas on sale for 2.99.

In the car you might slide in a tape, listen
to Van Morrison sing Oh, the water.
You stop at the light and hum along, alone.

When you slam the trunk in the driveway,
spilling the groceries, dropping your keys,
you’re someone’s love, their one brave hope;
and if they don’t run to greet you or help
with the load, they can hear you,
they know you’ve come home.

 
 
​For more information on Dorianne Laux, please ​check out her website.
 

Poem of the Week, by Hafiz

Excerpt from a small, vinyl, dark-blue diary I kept when I was in fifth grade: It’s weird but when you walk into a room of people you can feel the air. The air is a color and a texture that you can see and feel and it’s how people are feeling. But what’s really weird is you can change how they feel if you concentrate really hard.
IMG_0072

I believed this at ten, and I still believe it. Emotional energy is invisible, but it’s real, and with focus and intention, you can shift it. When we were in our twenties, my sister and I used to go to parties together. Sometimes those parties would feel flat and dull, not fun. My sister and I would look at each other and murmur social overdrive, social overdrive, and then throw ourselves into the scene with the goal of putting everyone at ease and making everyone feel connected and happy.

 

Before every class I teach, I silently breathe in and out and vow to meet the participants where they are, not where I am. With intuition and insight and deep intention, you can lift up another human being. Or a roomful of them, or a nation. The trick is channeling not anger and bitterness –no matter how despairing the situation–but love and kindness.  Something that Hafiz, who lived and died 700 years ago, knew well.

 

With That Moon Language, by Hafiz (translated by Daniel Ladinsky)

Admit something:

Everyone you see, you say to them,
“Love me.”

Of course you do not do this out loud;
otherwise, someone would call the cops.

Still though, think about this,
this great pull in us
to connect.
Why not become the one
who lives with a full moon in each eye
that is always saying,
with that sweet moon language,
what every other eye in this world
is dying to hear?​

For more information about the Persian poet Hafiz, please click here.

Poem of the Week, by John Ashbery

img_5354Growing up in the age of Darwinian elementary schools –the gym teacher would choose the two best athletes to captain every team, and one by one they would pick off first the good athletes, then the midlings, then the uncoordinated, until finally there was only one child remaining, huddled against the wall– I hated gym class. Not because I was bad at sports (I’m not) but because I can’t stand cruelty. And that little ritual was fundamentally cruel.

I don’t see the point of competition unless you’re competing with yourself, trying to get better at something you value, something you love. All the years I sat on bleachers cheering on my children, it was an effort to remember that I was supposed to cheer for their team and not any random child on the field who made a great goal, who ran fast, who helped lift up another player. There were times when the other parents glared at me because in my absentmindedness/idiocy I would cheer for the opposing team.

I still don’t like team sports. What I don’t like about them is exactly what I despise in my country today, which is the idea that there are winners and losers, and winning is what matters. What is happening in my country right now is so far beyond right vs. left. What is happening right now is wrong, and on some level, every single one of us knows it. No matter how you spin it, there is no excuse –not one, ever– to torture children and their families. Democracy is crumbling and fascism is rising and the elected officials who should stop it, who should call out injustice and hold abusers accountable, are silent despite our protests. This poem starts out sweet and ends up terrifying, and boy does it feel familiar. It doesn’t end this way, but I would like it too: We are all one here, and if one of us goes the other goes too. 

 

 

How to Continue, by John Ashbery

Oh there once was a woman 
and she kept a shop 
selling trinkets to tourists 
not far from a dock 
who came to see what life could be 
far back on the island. 

And it was always a party there 
always different but very nice 
New friends to give you advice 
or fall in love with you which is nice 
and each grew so perfectly from the other 
it was a marvel of poetry 
and irony 

And in this unsafe quarter 
much was scary and dirty 
but no one seemed to mind 
very much 
the parties went on from house to house 
There were friends and lovers galore 
all around the store 
There was moonshine in winter 
and starshine in summer 
and everybody was happy to have discovered 
what they discovered 

And then one day the ship sailed away 
There were no more dreamers just sleepers 
in heavy attitudes on the dock 
moving as if they knew how 
among the trinkets and the souvenirs 
the random shops of modern furniture 
and a gale came and said 
it is time to take all of you away 
from the tops of the trees to the little houses 
on little paths so startled 

And when it became time to go 
they none of them would leave without the other 
for they said we are all one here 
and if one of us goes the other will not go 
and the wind whispered it to the stars 
the people all got up to go 
and looked back on love

 

For more information on John Ashbery, please click here.
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Poem of the Week, by Dorothea Grossman

Randoms, Calvin & HobbesMy son was two years old and we were in the backyard. It was early spring, and I was digging around in the dirt when he suddenly bent double and started laughing and pointing. Dinosaurs, he said, dinosaurs! I followed his pointing finger to the patch of ferns next to us. They were just beginning to unfurl their fronds, and the stem of each was bent and curved, and in that instant I saw what he saw: the long curved necks of T-Rexes. My laughing little boy, looking at the world in a way I’d never seen it before. I have never looked at ferns the same way since. The memory of that day almost chokes me up, and so does this small poem. 

 

The Two Times I Loved You Most in a Car, by Dorothea Grossman

It was your idea 
to park and watch the elephants 
swaying among the trees 
like royalty 
at that make-believe safari 
near Laguna.
I didn’t know anything that big 
could be so quiet.

And once, you stopped 
on a dark desert road 
to show me the stars 
climbing over each other 
riotously
like insects
like an orchestra 
thrashing its way 
through time itself 
I never saw light that way 
again. 

 

For more information on Dorothea Grossman, please click here.​

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Poem of the Week, by Lisel Mueller

Screen Shot 2018-04-05 at 8.43.51 AMRough, rough week. Children torn from their parents at borders, the suicides of loved people who projected happiness, the cruelty of our elected employees and the ongoing and unfathomable cowardice of their minions who stand by, watching our democracy crumble. Last night I scrolled through poem after poem, looking for one with clear eyes and a level gaze, like this one below. A poem that sees the situation for what it is and imagines it as it can be. Time for us to be the goddesses who remake this world. 

 

The End of Science Fiction
     – Lisel Mueller

This is not fantasy, this is our life.
We are the characters
who have invaded the moon,
who cannot stop their computers.
We are the gods who can unmake
the world in seven days.
Both hands are stopped at noon.
We are beginning to live forever,
in lightweight, aluminum bodies
with numbers stamped on our backs.
We dial our words like Muzak.
We hear each other through water.
The genre is dead. Invent something new.
Invent a man and a woman
naked in a garden,
invent a child that will save the world,
a man who carries his father
out of a burning city.
Invent a spool of thread
that leads a hero to safety,
invent an island on which he abandons
the woman who saved his life
with no loss of sleep over his betrayal.
Invent us as we were
before our bodies glittered
and we stopped bleeding:
invent a shepherd who kills a giant,
a girl who grows into a tree,
a woman who refuses to turn
her back on the past and is changed to salt,
a boy who steals his brother’s birthright
and becomes the head of a nation.
Invent real tears, hard love,
slow-spoken, ancient words,
difficult as a child’s
first steps across a room. 

For more information about Lisel Mueller, please click here.  

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