Poem of the Week, by X.J. Kennedy

​I was driving the first time I heard Joan Osborne sing One of Us. Her voice came pouring out of my tinny car radio and instantly I knew this would be one of the songs of my life, like Fast Car by Tracy Chapman (and, yes, Alison by Elvis Costello). I think of One of Us to myself a lot these days, like last week when ICE hauled a man out of his car in front of the Walker Art Center, his terrified wife screaming and screaming, and when the working, nursing mother of an infant was held in jail for three weeks because she mistakenly didn’t show up for a court appointment eight years ago when she was a teen. It’s delusional to think they won’t be coming for you and me. We’re all one.


A Scandal in the Suburbs, by X.J. Kennedy

We had to have him put away,
For what if he’d grown vicious?
To play faith healer, give away
Stale bread and stinking fishes!
His soapbox preaching set the tongues
Of all the neighbors going.
Odd stuff: how lilies never spin
And birds don’t bother sowing.
Why, bums were coming to the door—
His pockets had no bottom—
And then-the foot-wash from that whore!
We signed. They came and got him.

Click here for more information about X.J. Kennedy. This poem first appeared in New and Selected Poems, 1955-2007, published in 2007 by The Johns Hopkins University Press. 
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Keetje Kuipers

The other day, after a funeral, longtime friends and I had a quiet, deep conversation about the possibility of something beyond the rules of any one religion, lives before and beyond this one, a higher consciousness and good that transcends the castigation and stone-throwing surrounding us.

My definition of God? Maybe something like the feeling of my children on either side of me as I read them to sleep when they were little. The high school students I used to teach, ringed on the floor of our classroom on the giant pillows  I’d made, silent and absorbed on Friday afternoons as I read to them. Crouching in my garden, bees and butterflies floating from flower to flower as I dig in the dirt. The idea and feeling of peace, of a place where only love and comfort dwell. Poems that open my heart in a way that almost hurts, like this one.

Prayer, by Keetje Kuipers

Perhaps as a child you had the chicken pox
and your mother, to soothe you in your fever
or to help you fall asleep, came into your room
and read to you from some favorite book,
Charlotte’s Web or Little House on the Prairie,
a long story that she quietly took you through
until your eyes became magnets for your shuttering
lids and she saw your breathing go slow. And then
she read on, this time silently and to herself,
not because she didn’t know the story,
it seemed to her that there had never been a time
when she didn’t know this story—the young girl
and her benevolence, the young girl in her sod house—
but because she did not yet want to leave your side
though she knew there was nothing more
she could do for you. And you, not asleep but simply weak,
listened to her turn the pages, still feeling
the lamp warm against one cheek, knowing the shape
of the rocking chair’s shadow as it slid across
your chest. So that now, these many years later,
when you are clenched in the damp fist of a hospital bed,
or signing the papers that say you won’t love him anymore,
when you are bent at your son’s gravesite or haunted
by a war that makes you wake with the gun
cocked in your hand, you would like to believe
that such generosity comes from God, too,
who now, when you have the strength to ask, might begin
the story again, just as your mother would,
from the place where you have both left off.

Click here for more information about Keetje Kuipers. Today’s poem was originally published in the winter of 2007, in Rattle, Issue #28.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Faith Shearin

When my son was eleven he went away to camp for a full month, a decision I was not at all sure of. The camp was three hours away in another state and I missed him terribly and wrote and sent packages and tried not to worry and hoped he was having fun, which it turned out he was. At the end of camp, parents had a choice: they could pick their child up or their child could ride back to the city on the camp bus. I chose to drive up, not knowing that literally every other camper would take the bus back.

When I got there it was raining lightly. The woods were green and deep, the cabins were empty, and I suddenly felt inadequate, as if I’d deprived my son of a few more hours of fun on the bus with his friends. No one was there but a few counselors and a quiet boy in a blue rain jacket, watching me with calm eyes, waiting for me to recognize him, this same boy who had once lived inside me.

Spelling Bee, by Faith Shearin

In the spelling bee my daughter wore a good
brown dress and kept her hands folded.
There were twelve children speaking

into a microphone that was taller than
they were. Each time it was her turn
I could barely look. It wasn’t that I wanted

her to win but I hoped she would be
happy with herself. The words were too hard
for me; I would have missed chemical,

thermos, and dessert. Each time she spelled
one correctly my heart became a bird.
She once fluttered so restlessly beneath

my skin and, on the morning of her arrival,
her little red hands held nothing.
Her life since has been a surprise: she can

sew; she can draw; she can read. She hates
raisins but loves science. All the parents
must feel this, watching from the cheap

folding chairs. Somewhere inside them
love took shape and now
it stands at the microphone, spelling.

Click here for more information about poet Faith Shearin. Today’s poem is from her collection Moving the Piano, published in 2011 by Stephen F. Austin State University Press.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Stanley Kunitz

I’ve kept two journals in my life, one at age nine and the other at nineteen. Most entries as a nine-year-old were about my cute baby brother or the boy I had a crush on. As a nineteen-year-old I wrote in code about things that felt overwhelming. Yesterday I read an interview with a woman who’s kept journals since she was a child. Sometimes she reaches for one and leafs through it, remembering who she used to be and the changes she’s been through. I wish I’d done that, I said to the Painter last night, then I would remember all the selves I’ve ever been. Who and what are our true affections? How do we reconcile our hearts to their feasts of losses?

The Layers, by Stanley Kunitz

I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.

Click here for more information about Stanley Kunitz, who, in 2000, at age ninety-five, became the tenth poet laureate of the United States. Today’s poem is from from The Collected Poems of Stanley Kunitz​, published in 1978. 

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Wendy Cope

Sometimes I look at the people around me, on the bus, on the sidewalk, in the theater, in the grocery store, and think about the secret love stories they carry in their hearts. Stories they haven’t told anyone else, maybe, or a love so far in the past that no one in their lives today remembers that person but them. I hope that when they remember that love and how treasured they felt, even for a few days or a few months or a few years, that somewhere in the world their former love thinks of them, and smiles, and lights up for a minute.

Postcards, by Wendy Cope

At first I sent you a postcard
from every city I went to.
𝘎𝘳ü𝘴𝘴𝘦 𝘢𝘶𝘴 𝘉𝘢𝘵𝘩, 𝘢𝘶𝘴 𝘉𝘪𝘳𝘮𝘪𝘯𝘨𝘩𝘢𝘮,
𝘈𝘶𝘴 𝘙𝘰𝘵𝘵𝘦𝘳𝘥𝘢𝘮, 𝘢𝘶𝘴 𝘛𝘦𝘭 𝘈𝘷𝘪𝘷.
𝘔𝘪𝘵 𝘓𝘪𝘦𝘣𝘦. Cards from you arrived
in English, with many commas.
𝘏𝘰𝘱𝘦, 𝘺𝘰𝘶’𝘳𝘦 𝘧𝘪𝘯𝘦 𝘢𝘯𝘥 𝘴𝘵𝘪𝘭𝘭 𝘢𝘭𝘪𝘷𝘦,
says one from Hong Kong. By that time
we weren’t writing quite as often.

Now we’re nearly nine years away
from the lake and the blue mountains,
And the room with the balcony,
But the heat and light of those days
can reach this far from time to time.
Your latest was from Senegal,
mine from Helsinki. I don’t know
if we’ll meet again. Be happy.
If you hear this, send a postcard.

Click here for more information about Wendy Cope. Today’s poem is from If I Don’t Know, published in 2001 by Faber and Faber.

alisonmcghee.com
My podcast: Words by Winter


Poem of the Week, by J. Hope Stein

This past week, helping to coax a new baby into the world, I beamed her images of some of the things waiting for her, like her first ice cream cone. The smell of lily of the valley in spring. Maple leaves turned fiery in autumn. Cotton sheets hung in the sun. A porch swing. Ferdinand the little Spanish bull, who didn’t want to fight. A great green room with a telephone and a red balloon. The cocoon of love that would surround her. In trying to reassure her that the world isn’t all chaos and cruelty, I ended up reassuring myself.

little astronaut, by J. Hope Stein

a newborn rests her head on the earth of mother.
everything else is outer space.

Click here for more information about J. Hope Stein. This poem is from her collection little astronaut, published in 2022 by Andrew McMeel Publishing.

alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by Gregory Djanikian

Is it pure racism? Is that the only reason? I asked a friend late Thursday night, after they voted the repulsive bill into being. Do they not know any immigrants? I ask myself, do they not know their doctors, their teachers, their cooks, servers, friends? What about the people who pick their food, landscape their lawns, line up at the day labor pickup sites, or used to, before they were too scared to do anything but hide? Do they not know anything about their own families?

Because unless you’re Indigenous or your ancestors were brought here in chains, you yourself are descended from immigrants, people who left everything behind for a dream. There’s strength in that for me. If they had that kind of determination and strength to make things better, Alison, I tell myself, then so do you.

Immigrant Picnic, by Gregory Djanikian

It’s the Fourth of July, the flags
are painting the town,
the plastic forks and knives
are laid out like a parade.

And I’m grilling, I’ve got my apron,
I’ve got potato salad, macaroni, relish,
I’ve got a hat shaped   
like the state of Pennsylvania.

I ask my father what’s his pleasure
and he says, “Hot dog, medium rare,”
and then, “Hamburger, sure,   
what’s the big difference,”   
as if he’s really asking.

I put on hamburgers and hot dogs,   
slice up the sour pickles and Bermudas,
uncap the condiments. The paper napkins   
are fluttering away like lost messages.

“You’re running around,” my mother says,   
“like a chicken with its head loose.”

“Ma,” I say, “you mean cut off,
loose and cut off  being as far apart   
as, say, son and daughter.”

She gives me a quizzical look as though   
I’ve been caught in some impropriety.
“I love you and your sister just the same,” she says,
“Sure,” my grandmother pipes in,
“you’re both our children, so why worry?”

That’s not the point I begin telling them,
and I’m comparing words to fish now,   
like the ones in the sea at Port Said,   
or like birds among the date palms by the Nile,
unrepentantly elusive, wild.   

“Sonia,” my father says to my mother,
“what the hell is he talking about?”
“He’s on a ball,” my mother says.

“That’s roll!” I say, throwing up my hands,
“as in hot dog, hamburger, dinner roll….”

“And what about roll out the barrels?” my mother asks,
and my father claps his hands, “Why sure,” he says,
“let’s have some fun,” and launches   
into a polka, twirling my mother   
around and around like the happiest top,  
 
and my uncle is shaking his head, saying
“You could grow nuts listening to us,”  
 
and I’m thinking of pistachios in the Sinai
burgeoning without end,   
pecans in the South, the jumbled
flavor of them suddenly in my mouth,
wordless, confusing,
crowding out everything else.

Click here for more information about Gregory Djanikian.
alisonmcghee.com

My podcast: Words by Winter

Poem of the Week, by Julia Hartwig

One night in college I woke up because something kept crashing down the stairwell. I peeked out and saw two giant, drunk, laughing male acquaintances throwing my bike down the stairwell, hauling it up, and throwing it down again.

Did I yell at them to stop? Nope. Did I grab my bike and bring it into my room? Nope. Tell them they owed me a new bike? Nope. What I did was instantly accept that my bike and I had met our fate and there was nothing to do about it. All I was conscious of feeling was a deep, exhausted resignation.

There have been other times in my life, when wronged, that I’ve done the same thing: give up and give in without even the beginnings of resistance. These memories are profoundly disturbing to me and I’ve finally trained myself out of it. So should everyone, especially these days, when what rightfully belongs to all of us is being snatched away by those who have no right to take it.

Demand It Courageously, by Julia Hartwig

Make some room for yourself, human animal.
      Even a dog jostles about on his master’s lap to
improve his position. And when he needs space he
runs forward, without paying attention to commands
or calls.
      If you didn’t manage to receive freedom as a gift,
demand it as courageously as bread and meat.
      Make some room for yourself, human pride and
dignity.
      The Czech writer Hrabal said:
      I have as much freedom as I take.

Click here for more information about Polish poet Julia Hartwig. Today’s poem is from In Praise of the Unfinished, published in 2008 by Knopf. 
alisonmcghee.com
My podcast: Words by Winter

Poem of the Week, by David Hernandez

Smile and say hi to everyone you pass. Be your kindest self. Focus all your energy on the students in this room. Make life better for everyone you can, every time you can. These are the vows I make and constantly break but keep re-upping nonetheless. My latest scheme: adding “with joy!” or “joyfully!” to my daily to-do lists. Vacuum joyfully! Weed with joy! Joyfully write1000 words! Weirdly, this helps.

Anyone Who Is Still Trying, by David Hernandez

Any person, any human, any someone who breaks
          up the fight, who spackles holes or FedExes
ice shelves to the Arctic to keep the polar bears
          afloat, who talks the wind-rippled woman
down from the bridge. Any individual, any citizen
          who skims muck from the coughing ocean,
who pickets across the street from antigay picketers
          with a sign that reads, GOD HATES MAGGOTS,
or, GOD HATES RESTAURANTS WITH ZAGAT RATINGS
          LESS THAN 27. Any civilian who kisses
a forehead heated by fever or despair, who reads
          the X ray, pins the severed bone. Any biped
who volunteers at soup kitchens, who chokes
          a Washington lobbyist with his own silk necktie—
I take that back, who gives him mouth-to-mouth
          until his startled heart resumes its kabooms.
Sorry, I get cynical sometimes, there is so much
          broken in the system, the districts, the crooked
thinking, I’m working on whittling away at this
          pessimism, harvesting light where I can find it.
Any countryman or countrywoman who is still
          trying, who still pushes against entropy,
who stanches or donates blood, who douses fires
          real or metaphorical, who rakes the earth
where tires once zeroed the ground, plants something
          green, say spinach or kale, say a modest forest
for restless breezes to play with. Any anyone
          from anywhere who considers and repairs,
who builds a prosthetic beak for an eagle—
          I saw the video, the majestic bird disfigured
by a bullet, the visionary with a 3-D printer,
          with polymer and fidelity, with hours
and hours and hours, I keep thinking about it,
          thinking we need more of that commitment,
those thoughtful gestures, the flight afterward. 

For more information on David Hernandez, please click here.

Poem of the Week, by Lowell Jaeger

I’ve driven the Mexi-Cali border its full length many times, slowed and stopped for border patrol checks many times. I can predict the drivers whose vehicles will be pulled over and inspected. They usually don’t look like me, which is itself a problem.

Then came Kansas, a few months ago. Cops pulled me over for fictitious reasons and asked a series of questions–are you concealing a kidnapped child; are you concealing rocket launchers; are you transporting fentanyl and methamphetamines across state lines–that would have been laughable if the men standing next to my rolled-down window hadn’t been so flat-eyed and humorless. If they hadn’t been carrying guns and badges. If I hadn’t known no one would know if they chose to do something awful to me.

But here’s the thing: we can choose to turn off the lights and sirens. We can choose not to scare each other. We can choose to be the safe harbor, the soft landing, the helping hand. If not now, then when? See you at the protests.

After Second Shift, by Lowell Jaeger

She’s stopped to shop for groceries.
Her snow boots sloshing
up and down the aisles, the store
deserted: couple stock boys
droning through cases of canned goods,
one sleepy checker at the till.

In the parking lot, an elderly man
stands mumbling outside his sedan,
all four doors wide to gusting sleet
and ice. She asks him, Are you okay?
He’s wearing pajama pants, torn slippers,
rumpled sport coat, knit wool hat.

Says he’s waiting for his wife.
I just talked to her on the payphone
over there. He’s pointing at
the Coke machine. What payphone?
she says. That one, he says.
It’s cold, she says, and escorts him inside.

Don’t come with lights
and sirens, she tells the 9-1-1
dispatcher. You’ll scare him.

They stand together. The checker
brings him a cup of coffee.
They talk about the snow.

So much snow.
They watch for the cop.
This night, black as any night,
or a bit less so.

Click here for more information about poet Lowell Jaeger. Today’s poem appeared in Or Maybe I Drift Off Alone, published in 2016 by Shabda Press. 

alisonmcghee.com
My podcast: Words by Winter