Portrait of a Friend: Happy Father's Day

Unlike most friends, this friend has been part of your life for as long as you can remember. He figures in your earliest memories, and there hasn’t ever been a stretch of longer than half a year when you haven’t been in his presence.

He’s a tall man, a big man. He has a big presence and a giant voice. His laugh, when he gets going, will fill a room and make all those around him shake their heads in admiration. This is a man who likes to tell a story.

He’s good at telling them, too. At the diner, where he goes every morning to meet his buddies for coffee, and where you go when you’re visiting, they sometimes egg him on.

“Did you tell Alison about the woman who propositioned you at McDonald’s?” one will say.

“Jesus H Christ!” he’ll say. “No I didn’t!”

“Are you kidding me?” you’ll say. “A woman propositioned you at McDonald’s?”

He will shake his head, that mighty laugh beginning to rumble out of him.

“Tell her,” his friends will say. “Alison needs to know.”

They will wink at you, and grin, while he looks down at the formica diner table, still shaking his head, still laughing. And then he’ll tell it, in that giant voice, so that the whole diner ends up listening. And laughing. And shaking their heads.

He is a man who has never been accused of political correctness. Nor has he, unlike most people in the world, ever tried to be anything other than exactly who he is.

Sometimes he would come to visit you during the four years you spent at that little college in Vermont, where most of the other visiting adults wore pearls and linen dresses and suitcoats and polished shoes.

Over the Adirondacks and into the Green Mountains he would come, cresting the hill in a big old station wagon. The door would open and he would haul himself out. Those were the years of the neon orange polyester shirt and the polyester pants with the grease stain. Those were the years of your friends, unused to big men with giant laughs, unused to hearing “Jesus H Christ!” so frequently and happily roared out in public, looking forward to his visits.

“Al-oh-sun.”

Despite a lifetime of knowing you, and despite the fact that your name is simple to pronounce, that is how he pronounces it.

“Alison,” you sometimes say, even now. “A-li-son. Emphasis on the first syllable. Try it again.”

He looks up and smiles, a gleeful little grin from a big man.

“Jesus H Christ!” he says. “I know how to pronounce your name, Al-oh-sun!”

This easy give and take, this banter, this happiness, wasn’t always there. When you were little, you were often afraid of him.

Was it that big voice, his height and his bigness? He was a man of enormous physical strength. He often spent entire days chopping down trees, chainsawing them into big chunks, then smaller chunks, then splitting them into smaller and smaller chunks that, finally, were small enough to fit inside a woodstove.

So tough and stoic is he in the face of pain that he once had to lie down on the floor of a doctor’s office and refuse to move in order to convince them that something –which turned out to be an appendix that had ruptured more than 24 hours previously– was seriously, terribly wrong.

You remember him once pouring Clorox over his bleeding arm to disinfect it.

Unlike now, he was often angry.

Like most children, you assumed that his anger was directed at you. That you were the cause of it. That you must have done something to bring it on.

Like most of the grownups close to you, he was a familiar mystery. In retrospect, you didn’t know him well. How could you? Each of you kept things hidden from the other.

You remember late nights when you were a girl, him working at the kitchen table, head bent over complicated graphs and charts, filling in tiny boxes with penciled numbers. He worked for a dairy farmers’ cooperative; he was keeping track of milk counts at various farms. Or he was charting milk tank truck routes; milk has to be taken to a processing plant within a certain number of hours, and winter in upstate New York is fearsome and unpredictable.

You remember him figuring out other numbers, bent over a checkbook, writing check after check, paying bills.

“Where does it all go, though?” you remember saying once, when you were in your teens.

You were talking about the money that he made. It was an honest question, an idle question.

“Where does it go!” he roared. That anger again, or what you interpreted as anger, anger at you. “Where does it go!”

Later that night he called you out to that kitchen table. On it was a piece of ruled notebook paper. BUDGET at the top of the page. Underneath, line after line with things like Mortgage and Taxes and Food and Gas and Car Payment, each with a dollar amount jotted next to it. Exact dollar amounts, written from memory, subtracted and subtracted and subtracted from that single figure titled “Income.”

“Now do you see?” he said. “Now do you see where it goes?”

Yes. Now you saw.

You didn’t, not really. But later, many years later, when you yourself were sitting up late at night, your children asleep upstairs, dividing a small number over and over again, trying to make it come out differently, you remembered that night so long ago. That piece of lined paper titled Budget.

He was a young man, back then, which is something else you didn’t know. Grownups, those mysterious beings. To a child, a grownup is born a grownup. Could you have imagined him, back then, as a child himself? No.

When you were a little girl you had no idea how young he was. You do now, though. You look back and you wonder at his youth. What went through his mind? What were his dreams? What had he put aside, for four children and the responsibilities that go with them?

Once, when you were about twelve and he was, what, 36, someone asked the people in the kitchen in which you were both standing this question. “If you could start your life over, would you?”

Almost everyone in the room answered immediately: “No.”

But not him. “Yes,” he said. “I would.”

And not you. “Yes,” you said. “I would.”

Looking back, it seems impossible that you, at that age, could have answered that way. How in the world could you have lived long enough, lived through enough, to want the chance to do it over? But the memory is perfectly clear.

You remember looking at him –that big, tall man, often angry the way he was back then– and recognizing that something in him, something he had never talked about, was in you too. Even if neither of you knew what it was.

If he never talked about the big questions, he was full of small ones. When you would return from a day or overnight at a friend’s house, for example, he would quiz you.

“What did you have for lunch?” he would say, “and what did you have for supper? Where did you sleep? How warm do they keep their house?”

He would lean forward so as not to miss anything, and you would describe it all.

“Jesus H Christ!” he would interject, fascinated and needing more details, which you would supply.

He loves a good story, and so do you. He will happily exaggerate if it will make a good story better, and so will you. His love of a good laugh, his keen interest in the people around him, his frustrated anger at his young children when he was a young man, his deadpan humor, his fierce need to make his own schedule, to be free, to get in his car and drive?

All these are in you too. Early on, you felt yourself so different from him. Not anymore.

You remember him coming out of a gas station on a summer day, somewhere in the middle of the two-week road trips that were your family’s annual vacation, his hands full of candy bars, one for each child.

You remember a dusty wooden-floored building out in the country, where every once in a while a polka band would set up. You remember setting your then-small feet on his enormous ones and holding on while he danced you around the room.

You remember a day in a restaurant with him and his mother, whom you adored, and the rest of the family. You remember his mother losing her balance and falling flat on her back and him, then in his 60′s, silently and swiftly scooping her up in his arms and setting her back upright.

Now, these many years later, you sometimes get eight or nine emails a day from him. Almost all are forwarded posts that he’s gotten from others: astonishing or weird sights, political jokes, cute pictures of animals, unusual historical facts. Jokes, off-color in the extreme, that almost always make you laugh.

Usually, the mere sight of a forwarded email, with those telltale and dreaded endless lines of recipients and senders, means an automatic delete. Not so if he’s the sender. You read them all. You respond to the ones you like best.

He likes late night solitaire. Sometimes, when you’re going to bed, you picture him, far away in that house in the foothills, his still-big body perched on a small chair, gazing at the green screen, seven vertical rows of cards.

The sound of a baseball game turned low on a television in the background of a room, or a baseball game on the radio in a car, any car, brings you back to childhood. When you visit you sit and watch with him, arguing about the Yankees.

You’re lucky people. Lucky to have both lived long enough to live through the storms. Not a day goes by that you don’t get up in the morning and sit and bow your head and thank the world for that. For having come out on the other side. For the loss of fear and the gain of love.

In your 30′s you read a poem, this poem:

* * *

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,

who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

* * *

You memorized it.

Poem of the Week, by Jeanne Murray Walker

If Found, Drop In Any Mail Box. Owner Will Pay Postage
– Jeanne Murray Walker

I’m grading papers in the motel room,
the teacher in me watching as my students
fumble with their keys in the lock of the world.

I crack down on the one who misspells
the minuet amount of imagination a person needs
to live well. And I give a C to the one I suspect

of telling me whatever I want: that summer is a newspaper
printed with no alphabet but pleasure. But I confess,
I feel a twinge for the one who postures,

as if he can’t imagine anyone loving him for himself.
And I admit, I cheat on the good side to help the one
who writes that he and his girl are one cell,

sliced apart by the scalpel of her parents.
When I get to the one who says
that he’s a lonely space ship flying between stars,

I put my red pen down. I could go under the knife
with him, I think, knowing that I won’t.
But let’s say this. It surprises me to find out I love them.

I’d like to tell someone, the woman in the next room, maybe,
like to spread this sweetness, to bring about some
minor good. Can I offer you this pale translation

of my students’ essays? Nothing special.
The sound of their keys turning in the lock of the world.
I drop it as I close the door, in case you need it.


For more information on Jeanne Murray Walker, please click here: http://www.jeannemurraywalker.com/poems.php

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Poem of the Week, by Phebe Hanson

Somewhere I’ll Find You
– Phebe Hanson

So we moved from my small town in western Minnesota
to St. Paul where I had to go to Murray High, a school
with more people than in the entire town of Sacred Heart,

and I had to walk two and a half miles every day because
there were no school buses, but it turned out to be not so
bad after all because I met a boy in confirmation class who

let me ride on the handlebars of his bike on the way home from
school and one Sunday my dad even let this boy pick me up
to go for a walk in Como Park, since after all the paths were

safe, filled with many families swarming with children, and
even though my dad knew the devil went about the city like a
roaring lion seeking whom he might devour, he let me go

with this boy because after all he was a Luther Leaguer and
we had sung together sitting side by side in church, “Yield not to
temptation, for yielding is sin / each vict’ry will help you,

some other to win / fight manfully onward, dark passions subdue /
look only to Jesus, He’ll carry you through,” but as soon as we
left my house this boy said he was going to take me some other

place I’d like very much and it was going to be a surprise so
off we went on the streetcar and new to the city I had no idea where
we were going until we got off and were standing in front of a

movie marquee and I said, “I can’t go in. You know my father
doesn’t let me go to movies. It’s a sin,” but he gently guided me
with his seductive hands, saying “Just come into the lobby to talk.”

There below the sign “Somewhere I’ll Find You,” starring Clark Gable
and Lana Turner in a “torrid tale of love between two people caught
in the chaos of war,” he persuaded me at least to go inside and sit

down and watch part of the movie and if I didn’t like it, we could get
right back on the streetcar and go to Como Park, so I decided since
I already was in this lobby den of iniquity surrounded by posters of

Jezebel movie queens and devilish leading men, I was doomed anyway,
so I might as well go into the darkness with him and even let him put
his arm around me and hold my hand and that’s the way it’s been ever since.



For more information on Phebe Hanson, please click here: http://www.rusoffagency.com/authors/hanson_p/phebe_hanson.htm

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Poem of the Week, by John Hodgen

My Mother Swimming
– John Hodgen

Chest-deep, my brothers and I, the waters of Comet Pond leaping at our little hearts
as we held on for dear life, shrivel-fingered, blue, to the cement boat dock,
as far as we dared go, the self-declared demarcation of our drowning,
our father back on the blanket, lonely as Liechtenstein, his shirt still on, always,
the polioed hunch of his back like a boat overturned on a beach,
my mother swimming alone before us, back and forth, smoothly, shining,
this one time and never again. Soon she would come in to us, gleaming,
pack up the blanket, the basket, sit like silence next to my father all the way home,
their heads and shoulders looming before us, the Scylla and Charybdis
we knew even then we would have to get past to make our way in the world.

But for now, for just this moment, she glowed. She showed us,
moving like language along the water, like handwriting on the horizon,
that even in the oceans of darkness that would come,
the long rivers of abandoned office buildings on a Sunday afternoon,
the silent crow’s-nest shadows of all the true angels of death,
the first step we would take from the train, alighting into the darkness
of our hometown, our mother and father no longer there to meet us,
their shadows long gone, run off and drowned somewhere –
There will be these moments, she said, smiling, as she turned on her back,
floating, moments like diamonds in our hands, candles on the waves,
that we could make our way to them, hold them one by one,
the gold buttons of the opera singer as he changes music into light,
the smile on the face of your lover as she closes the door and turns to you,
the twilight that gathers all afternoon in the nave of the cathedral,
the silver beads of water on the head of the baby being baptized,
the breath she takes in like a dream and lets go.


For more information on John Hodgen, please click here: http://howapoemhappens.blogspot.com/2010/09/john-hodgen.html

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The seen and unseen worlds

See that big rock in the upper right hand corner of this photo? It sits on the radiator cover in your bedroom, next to the other rocks you’ve brought back from various shores and woods, along with the beach glass your best friend gave you one year for your birthday.

“You can ride as far as the big rock, and then you have to turn around.”

The big rock marked the end of the driveway, which was as far as you and your sisters were allowed to ride your bikes, when you were little. You grew up on 130 acres of woods and meadows and you were free to explore all of them, but the road, the nearly-carless road, was the boundary of that world.

When your parents had the driveway paved, not all that long ago, they dug up the big rock and hauled it out to you. They figured that you would want that big rock. They were right.

One of your daughters is in the Galapagos Islands right now. She’s teaching English in a little school on an island there, where tall rock cliffs jut vertically out of the sea, where sea lions are as plentiful as the squirrels are in Minneapolis.

Earlier today you watched a six-second video of a sea turtle clambering across the sand, a video sent to you by her on her phone. At the last second the camera swung around and there was her smiling face, her waving hand, her long sweep of dark hair. Hi, daughter, you said to the screen. You could almost smell her hair, hear her voice. And then the video disappeared.

When you were the same age that she is now, you got on a plane in upstate New York and flew across continents and oceans and landed in the middle of the night in a city so foreign that small children looked up at your vast North American height and, terrified, began to scream.

Sometimes, during the half-year you lived there, at a time of night when you knew that no one would be home in the Adirondacks to answer –international phone calls were ruinously expensive back then– you would pick up the heavy Chinese phone in the apartment you shared with a friend and two Chinese roommates and dial your parents’ phone number.

You wanted to hear it ring. You pictured it ringing there in the empty house, on the wall by the dining table, no one around to pick it up. You needed that connection.

This is what you are thinking about these days, in small and large ways: connection. Between people, between ideas, between silences and loudnesses. Between continents and oceans and worlds.

You woke this morning thinking about a friend who lives in Germany, wondering how she is. You lay there in bed picturing her hanging laundry on the line, a task that both of you love. This friend has been part of your life for some years now, a kindred spirit. You send each other small notes, poems.

You’ve never met this friend in person. Never stood in the same room with her, sat side by side drinking coffee and talking. Never spoken on the phone. Everything between the two of you has happened invisibly, in silence, via email.

It often happens that after a day in which she suddenly appears in your mind, you wake to a note from her, written while you were sleeping. That is what happened this morning. Eight weeks and eight poems but no blog post, she wrote. Are you all right?

Of course, of course, you wrote back. But it’s not always easy to know if you’re all right. Sometimes, like now, you’re going along and going along and then you look up and suddenly the world has changed. You’ve vaulted onto some new plane of being without intending to. You read a certain line of poetry, or you listen to a faraway someone’ s voice on the phone, or you come down hard on your heel and something inside twists, and in the twisting, you pivot into a slightly newer person than you were a moment before.

A bunch of flashing neurons, said someone on the radio the other day. That’s all we are. Isn’t that enough? Isn’t that a miracle in and of itself?

It seems like a miracle to you. You love reading about science, how the brain works and the ways in which it compensates when it’s injured. Two halves to a human brain. Two kidneys, two eyes, two ears, two ovaries, two hands and legs and feet.

Bodies are made in duality. Bodies contain two of many almost identical worlds, side by side, working together but separate. Parallel universes.

You’re working on a strange novel these days, a novel which has you in its grip. It’s taken you six hundred pages of wandering before you could begin to see what it was about, at heart, and what it’s partly about is the seen and unseen worlds.

You keep finding yourself writing in and about a place you can’t see and can only imagine, or remember. Where do our spirits go when we sleep? Is a dream real? Were we somewhere before we were here? Where will we go when our bodies die?

The ideas of heaven and hell make you laugh. You care so little about the concepts that you don’t think about them and never have. You’re one of those people who says things like Heaven and hell are right here on earth, and you mean it.

But still. Can’t help but wonder where I’m bound, where I’m bound, sings Johnny. Can’t help but wonder where I’m bound.

What comes after this?

Twelve thousand miles away, is a phone ringing in an empty room as you type this?

Hello stranger, sings Emmylou, put your loving hand in mine. You are a stranger, and you’re a friend of mine.

Right now, as you type this, your old friend Kingsley is in the hospital, where he has been for weeks.

“I’ve been thinking about my father these days,” he said the other night, on the phone. You lay on the couch listening to his voice, so familiar, hoarse now from a dry throat. In the background you heard the chatter of aides, a nurse, something clinking.

“Remember that photo you sent me of him?” you say. “The one at the party? I keep it on my desk so I can see his big smile. He smiled a lot, from the looks of it.”

“Yes. He did.”

Kingsley is old, and he is so weak that he cannot lift his legs, and his father has been gone for many, many years now.

“Do you miss him?” you ask. This is not the kind of question that you would have asked, twenty years ago, but it’s the kind of question you ask now.

“He always gave me good advice,” said Kingsley. “I could always go to him, and tell him my problems, and he always had good advice.”

You listened to his tired voice, and you glanced at the photo on your desk of his smiling father, bending over a birthday cake with a big knife in his hand.

“Maybe he’s with you right now,” you say. “Invisible but there.”

When you talk about chronology to your students –chronology defined in a writing class as the order in which something’s told– you tell them that many writers begin in the now and then go back in time to fill in the inbetween, back to the present and back to the past, floating here and there in time. That’s because it feels natural, you say, it’s the way we live our lives.

Once there was a five year old who stopped at the big rock at the end of the driveway.

Once there was an eleven year old who wrapped her arms around her skinny self one fall day after school because the dark blue sky and the fiery maples were so beautiful they hurt.

Once there was a twenty year old who forced herself to leave her hotel room in Taiwan because she was starving, who found a dumpling stall and sat there eating potsticker after potsticker at a penny apiece.

Once there was an exhausted young mother who wore her baby boy strapped to her body because unless he was touching her, part of her, he screamed.

Once there was a woman in mid-life, sitting at a long wooden table typing this post late at night, a glass of wine to her right and an oblong phone in a sea-blue case to her left.

You think you’re one person but you’re not. You’re all the people you ever were, at all times, everywhere.

You’ll be going along, going along, going along, and then something happens, you come down hard on your heel, or you look up at the sky at just the right moment and rays are streaming down from above between the storm clouds, and suddenly you know you’re not exactly the person you were before.

Three days ago you woke up and read the blog of a college friend whose family is gathered around her these days, who writes about what it’s like to “plunge into the truth” of her life. You silently vowed that everything you did that day would be a secret celebration of her, out of love and respect.

On that day of secret celebration, you were hyper-aware, the way she would be, of the scent of lilacs everywhere you walked and ran in this green and rain-laden city. Aware of the pavement underneath your feet. You pressed shuffle on your music and trusted that every song would have meaning, and every song did.

All that day you cried, on and off. Running down the pavement from the Y. Sitting in your car at a red light. Walking the dog past the endless lilacs.

You didn’t care who saw you. They weren’t tears of grief so much as tears of fullness. A song by Jon Dee Graham, that astonishing musician, the man who can’t write a bad song, came shuffling up.

I know it’s hard, but I know it’s sweet, complicated and incomplete, but I am in love with the world so full. Don’t turn away, don’t turn away from a world so full.

I’m trying not to, Jon Dee, you thought. Trying hard.

Is it a stretch to feel that if something once was, it will in some form always be? Invisible, maybe. Untouchable. But still there. Still here.

“When we’re old,” your mother says. “Ten years from now. Always ten years from now.”

The book you’re working on keeps shifting time and place, skywarding up into some place that for lack of a better term you think of as the spirit world, a world parallel to this one but existing in its own dimension of time and space. You don’t want the book to do this –for God’s sake, aren’t you already plotless enough? and don’t your novels already curve endlessly around on themselves?– but the novel does what it wants, and this, apparently, is what it wants.

Maybe this is the way the world really is. You and everyone else live in duality –eyes, ears, hands–and maybe, even if you don’t think of it that way, you already live in more than one world at a time. You already take, on faith, so much that is invisible: Air. Electricity. Love. Why not this too?

It’s possible that what you have long thought of as reality –the things of this world you can touch and hold and smell and taste– is only one small part of a far bigger whole. If, when you talk to your grandmother in the early mornings, to ask her advice or just say hi, you can feel her with you, then isn’t she still there?

If, when you think about a long-ago night when you made your way down to the shore and slept on a quilt on the beach because you wanted the sound of the waves in your ears, and you can smell the salt air and feel your body soothing down into the sand, then isn’t it still happening?

If, when you imagine the hand of someone you love stretched toward you, and imagine his fingers wrapped around yours, are not the two of you holding hands?

Technology and its gadgets are bringing the seen and unseen worlds closer, beginning to dissolve the boundaries you have lived by, have believed in. But it’s possible that the boundaries were never there to begin with.

The phone in your back pocket chirps again. You press a button to behold a mother and child sea lion, sunning on the rough shore of a Galapagos sea. The mother sea lion stretches and flops over. Then the camera flips around and a girl with wide eyes and a tumble of long dark curls is smiling at you. Love you, Mom, she whispers.

And immediately the screen goes blank, replaced by a static picture of a tiny white ghost.

What is the meaning of kindness?
Speak and listen to others, from now on,
as if they had recently died.
At the core the seen and unseen worlds are one.

(Solution, by Franz Wright)

Poem of the Week, by Thomas Lux

From The Neighborhood of Make-Believe
– Thomas Lux

It is elsewhere, elsewhere, the neighborhood you seek.
The neighborhood you long for,
where the gentle trolley –ding, ding– passes
through, where the adults are kind
and, better, sane,
that neighborhood is gone, no, never
existed, though it should have
and had a chance once
in the hearts of women, men (farmers dreamed
this place, and teachers, book writers, oh thousands
of workers, mothers prayed for it, hunchbacks,
nurses, blind men, maybe most of all soldiers,
even a few generals, millions
through the millennia…), some of whom,
despite anvils on their chests,
despite taking blow after blow across shoulders and necks,
despite derision and scorn,
some of whom still, still
stand up everyday against ditches swollen with blood,
against ignorance, still dreaming,
full-fledged adults, still fighting,
trying to build a door to that place,
trying to pry open the ugly,
bullet-pocked, and swollen gate
to the other side,
the neighborhood of make-believe.



For more information on Thomas Lux, please click here: http://www.poetryfoundation.org/bio/thomas-lux

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Poem of the Week, by Naomi Shihab Nye

 

Shoulders
– Naomi Shihab Nye

A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.
No car must splash him.
No car drive too near to his shadow.
This man carries the world’s most sensitive cargo
but he’s not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.
His ear fills up with breathing.
He hears the hum of a boy’s dream
deep inside him.
We’re not going to be able
to live in this world
if we’re not willing to do what he’s doing
with one another.
The road will only be wide.
The rain will never stop falling.



For more information on Naomi Shihab Nye, please click here.

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Poem of the Week, by Philip Booth

First Lesson
– Philip Booth

Lie back daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls. A dead-
man’s float is face down. You will dive
and swim soon enough where this tidewater
ebbs to the sea. Daughter, believe
me, when you tire on the long thrash
to your island, lie up, and survive.
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.

 

For more information on Philip Booth, please click here.

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Poem of the Week, by Margaret Mackinnon

The Invented Child
– Margaret Mackinnon
(I spring from the pages into your arms.)

Someone who once knew him said
Walt Whitman sang before breakfast
behind his bedroom door—
broken arias, bits of patriotic tunes,
the way my child sings this morning
in early spring, the way
the raucous mockingbirds fill the warming air
with their own borrowed songs.
The world is once again its hopeful green.
Bold forsythia bursts its spindly stalks.
The young trees again flicker on the slopes,
and when he ended his days on dusty
Mickle Street, Whitman must have remembered
mornings like this—
Nights, no longer really sleeping, confined
to the paralytic chair, say he remembered
that earlier, softer air, the light on the water
in that clearing he had called Timber Creek,
the idea of it—
Say he thought again of those days
when he was still fat & red & tanned,
when he’d strip off his clothes
and roll his great flesh in the pond’s black marl.

In the close, bug-ridden room in Camden,
he spoke, sometimes, of a grandson,
fine boy, a Southern child who sometimes wrote,
once stopped by—
No one ever saw him.
An old poet. His invented child.
Though why shouldn’t a man
who’d always lived in words create something
to endure his sore, soiled world?
There is at Timber Creek, Whitman wrote about the trees
their rough bark, the massive limbs and trunks
as if they were the bodies of those he’d loved.
Some people believe the souls of unborn children
rest in trees. Say he saw them, then,
caught their soft breath
sweet as the spice bush, lush as the early crocus.
In the long, hard work of his imagination,
say he watched their disembodied hearts
sway among the new leaves,
watched the eager light shine on another fine morning
until the sky lifted above him
like exultant, fresh desire—
and the children descended,
and then the crowns of the trees were all on fire.

 

– For more information on Margaret Mackinnon, please click here: http://imagejournal.org/page/artist-of-the-month/margaret-mackinnon

Facebook: https://www.facebook.com/pages/Alison-McGhee/119862491361265?fref=ts

Poem of the Week, by Adam Zagajewski

Try to Praise the Mutilated World
– Adam Zagajewski

Try to praise the mutilated world.
Remember June’s long days,
and wild strawberries, drops of wine, the dew.
The nettles that methodically overgrow
the abandoned homesteads of exiles.
You must praise the mutilated world.
You watched the stylish yachts and ships;
one of them had a long trip ahead of it,
while salty oblivion awaited others.
You’ve seen the refugees heading nowhere,
you’ve heard the executioners sing joyfully.
You should praise the mutilated world.
Remember the moments when we were together
in a white room and the curtain fluttered.
Return in thought to the concert where music flared.
You gathered acorns in the park in autumn
and leaves eddied over the earth’s scars.
Praise the mutilated world
and the gray feather a thrush lost,
and the gentle light that strays and vanishes
and returns.

 

For more information on Adam Zagajewski, please click here.