Wild yeast

I’ve baked a fair amount of bread in my life, but not much in recent years. That’s what happens when you live within a mile or two of several great bakeries. Each sells a kind of bread I can only find there.

Turtle Bread for olive bread and a loaf of multigrain that tastes delicious instead of like twigs. Rustica for levain. Honey & Rye for rye. Great Harvest for whole wheat. Patisserie 46 for croissants. And Bill’s Imported Foods for the baked-daily pocket bread, for which you need to get there before noon because it sells out fast.

Out of curiosity, though, I decided to try a no-knead bread recipe. It seemed odd to me that you could even make yeast bread without kneading it. Isn’t kneading the whole point? Wouldn’t the bread fail to rise if you didn’t knead it? Skepticism. But I gave it a whirl.

What you do is mix flour and water and salt and a tiny, tiny bit of instant yeast in a bowl. Then you put it on your counter and do nothing. It sits there for a long time, like 12-20 hours. Then you dump it into a heavy, preheated pot with a lid, and you bake it in a very hot, preheated oven.

(Note: Given the simplicity of this recipe you would think I could follow it exactly. But no. I added more salt because I hate not-salty-enough bread. I didn’t have a Dutch oven or any heavy-enough pot with a lid, so I baked it in an enamel bowl half the recommended size and stuck a cookie sheet over the top. And I didn’t have instant yeast so I used active dry.)

It was the best bread I’ve ever made. One of the best breads I’ve ever had, period. So tasty that my youthful companion and I gobbled up the entire loaf in less than a day, straight out of the oven and slathered with butter, toasted and slathered with butter, broken up and tossed into bowls of soup, and I made another loaf the next day and another a few days after that.

Why this bread is so good is something I’ve been thinking about for days. It’s as basic as it gets: unbleached white flour, water, salt, yeast. But it’s dense and heavy, unlike most yeast bread that rises so high and light. Chewy. Delicious. Primitive. Interesting.

That’s the word that keeps coming to me: interesting.

The bread requires no human work beyond the few seconds that it takes to mix the ingredients in a bowl. But the yeast is working. For twenty hours, give or take a few in either direction, the yeast is working.

It’s working hard, too. This yeast is deprived. You use a tiny fraction of what you would use in regular, kneaded bread. That’s the first deprivation. You mix it into cold water instead of warm. More deprivation. There’s no sugar in that cold water, not even half a teaspoon, to help the yeast proof. There’s no kneading.

The yeast begins its life in difficult circumstances. Everything that it must do, it must do on its own.

The yeast works in the dark, metabolizing simple sugars and excreting carbon dioxide and alcohol and growing and growing and growing. If you peek at it during those long hours you won’t notice anything until near the end, when suddenly you realize that the ordinary lump of dough in the bowl has grown big and alive-looking. The shiny surface is pocked with tiny holes.

It’s at that point that you pick the whole thing up with both hands –it will come up all of a piece, like a sleeping animal– and put it in a hot pot and from there into the hot oven.

The taste of this bread is the result of deprivation and the hard work that comes in the wake of deprivation. And there’s a wildness in it that might also be the result of the wild yeast that floats into the dough from the air during all those long hours on the counter.

The difference between this no-knead, many-houred bread is the difference between the taste of a “baby” carrot pulled out of a watery plastic bag and the taste of a carrot pulled by its feathery green top out of the backyard.

It’s the difference between a page of writing scribbled out ten minutes before class and a poem that’s been gathering force for years on end, written and rewritten and rewritten again.

Now I’m thinking of long ago, when I used to teach Chinese at a big public high school, and the difference between, say, a Hmong student who had grown up in a Thai refugee camp, a student unsure of the year or day on which he had been born but sure of why he wanted an education, and a born-and-bred American student who had been given a new car as a 16th birthday gift.

I didn’t love one more than the other. I still don’t. But I recognize the difference.

Poem of the Week, by Gregory Djanikian

Something Else
– Gregory Djanikian

There’s the lush grass again,
the white pines green and mysterious.
And the barn, too, in the distance,
fading red, the color of longing.

The afternoon light is gilding the hillside,
the clouds are moving together,
huge, incipient thoughts,

and you’re swooning with desire
wanting the beautiful to lie down with you,
gold-leaf your fingertips and tongue,
green you with fragrance

though you don’t know exactly
what you’re after, whether it’s beauty itself
or whatever lives inside it,
elusive, entire,
peripheral to your wanting—

shadow of wings
you catch obliquely
along the woods’ edge,

river that you hear
without listening.

* * *

For more information on Gregory Djanikian, please click here: http://www.poetryfoundation.org/bio/gregory-djanikian

My Facebook page: https://www.facebook.com/pages/Alison-McGhee/119862491361265

Poem of the Week, by Sharon Olds

Station
– Sharon Olds

Coming in off the dock after writing,
I approached the house,
and saw your long grandee face
in the light of a lamp with a parchment shade
the color of flame.

An elegant hand on your beard. Your tapered
eyes found me on the lawn. You looked
as the lord looks down from a narrow window
and you are descended from lords. Calmly, with no
hint of shyness you examined me,
the wife who runs out on the dock to write
as soon as one child is in bed,
leaving the other to you.

Your long
mouth, flexible as an archer’s bow,
did not curve. We spent a long moment
in the truth of our situation, the poems
heavy as poached game hanging from my hands.


For more information on Sharon Olds, please click here: http://www.poetryfoundation.org/bio/sharon-olds

My Facebook page: https://www.facebook.com/pages/Alison-McGhee/119862491361265

Poem of the Week, by Pablo Neruda

Love Sonnet LXXXIX
– Pablo Neruda

When I die, I wish your hands upon my eyes:
I want the light and the wheat of your beloved hands
to pass once more their cool touch over me:
to sense the softness that changed my fate.

I want you to live while I, asleep, await you.
I want your ears to go on hearing the wind.
I want you to smell the sea’s aroma we loved so together,
and to go on walking the sands we walked.

I want what I love to go on living.
And you, whom I loved and sung above all else,
for all that, flourish again, my flower,

to reach for everything my love demands of you,
so that my shadow is passed through your hair,
so that all can know the reason for my song.

(Translation: Terence Clarke)



For more information on Pablo Neruda, please click here: http://www.poetryfoundation.org/bio/pablo-neruda



My blog: alisonmcghee.com/blog

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Poem of the Week, by Galway Kinnell

St. Francis and the Sow
– Galway Kinnell

The bud
stands for all things,
even those things that don’t flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as St. Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of
the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking
and blowing beneath them:
the long, perfect loveliness of sow.

For more information on Galway Kinnell, please click here: http://www.poetryfoundation.org/bio/galway-kinnell

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Library appearances this coming week!

Greetings, those of you living in the tropics of southeastern Minnesota! I’ll be speaking at four different libraries this week.

Tuesday, Jan. 21, 3:30 p.m., Blooming Prairie Public Library and 7 pm, Northfield Public Library.

Wednesday, Jan. 22, evening, Plainview Public Library.

And Thursday, Jan. 23, 6:30 p.m., Spring Grove Public Library.

Fear not the coming polar vortex, my friends. Slog on out – I’d love to see you there.

Poem of the Week, by Marianne Kunkel

Homeschooled
– Marianne Kunkel

The Nazis? Learned of them in comic books.
Titanic? Heard of it when I mistook
the film for a rom-com on a cruise ship—
glued to my friend’s TV as she skinny-dipped
with a lawn boy, I wondered what the hell
else my parents wouldn’t tell. Six-by-eight cells,
she later said, scrunching her dripping hair,
inside a jail called Gitmo. Then upstairs
in her dad’s office, she skimmed her fingernail
across a world map: Hiroshima, Trail
of Tears, Darfur. No password locking it,
a laptop on the desk showed us portraits
of Katrina—backpacked men wading in streets,
told too late of disaster. Dead last, like me.




For more information on Marianne Kunkel, please click here: http://prairieschooner.unl.edu/?q=blog/around-office-marianne-kunkel

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Joshua Mehigan

How Strange, How Sweet
– Joshua Mehigan

This was a butcher. This, a Chinese laundry.
This was a Schrafft’s with 10-cent custard ice creams.
Off toward the park, that was the new St. Saviour.
Then, for five blocks, not much but chain-link fences.
These foolish things, here today, gone today,
yesterday, forty years ago, tomorrow.
Deloreses and Normas not quite gone,
with slippers on, and heads like white carnations,
little, and brittle, and mum, why did the fine
September weather call you out today?
To dangerously bend and touch a cat.
To lean beside your final door and smile.
To go a block and get a thing you need.
What are you hiding, ladies? What do you know?

Micks were from here to there. Down there, the Mob.
And, way down there, the mob the bill let in.
Far west were Puerto Ricans. Farther west,
in Newark, Maplewood, or Pennsylvania,
one canceled choice away, why, there’s nostalgia,
lipstick, and curls, and gum, and pearls on Sunday.
So here’s a platinum arc from someone’s neck chain,
bass through a tinted window, loudest laughter,
the colored fellow with the amber eyes
who doesn’t need to stand just where he is.
Here sits the son of 1941,
a pendulous pink arm across a chair back;
his sister, she of 1943,
her hair the shade of an orangutan.
Food stamps and welfare, Medicaid and Medicare.
Kilroy was here. Here was where to get out of.

Last come the new inevitable whites.
See how the gracious evening sunshine lights
their balconied high-rise’s apricot
contemporary stucco-style finish.
Smell the pink-orange powder as some punk
sandblasts Uneeda Biscuit off the wall.
Flinch at the miter saw and nail gun,
at three-inch nails that yelp as men dismantle
a rooftop pigeon loft. Those special birds
will not fly home to the implicit neighbor,
or fall like tiny Esther Williamses
in glad succession from a wire, to climb
and circle in the white December sky.
Far up, from blocks away, the pale birds seemed,
when they all turned at once, to disappear.
Across the street, the normal pigeons eat.




For more information on Joshua Mehigan, please click here: http://www.poetryfoundation.org/bio/joshua-mehigan

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Wallace Stevens

The Snow Man, by Wallace Stevens

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;

And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter

Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,

Which is the sound of the land
Full of the same wind
That is blowing in the same bare place

For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.



For more information on Wallace Stevens, please click here:



My blog: alisonmcghee.com/blog

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Poem of the Week, by Nathaniel Perry

In Bloom, Where the Meadow Rises
– Nathaniel Perry

Do you remember when the sky burned down
its wick of light as an April cold came on
the evening of your fifth day in the world?
Of course you don’t, you couldn’t even hold
your head up yet, much less begin to think
to hold one evening’s ash inside, like a drink
held up to the sun, trapping and clutching the light.
But I wonder sometimes if within the slighter
corners of your mind you’ve held a hint of it,
the light I saw beyond the trees which split
the view from our rented front porch, while you
slept, swaddled as if in song, through
the louder sleep of your mother beside you. Rache,
if you can find that evening, which is stationed
in my chest, inside you now, I swear it will
get you somewhere, across a field so filled
with snow the sky and ground are one, across
a field so bleached with drought the giant cross
of shadows from the pines is friction enough
to set the day on fire. You’ll come, rough
in your heart, to the edges of those fields and be lifted
just a fraction of an inch by the gift
of the sky’s old light in you. It will remind
you to invite yourself, the whole of your mind,
the whole history of your self along across
the grass. If you see yourself you can’t be lost;
though I may lose sight of you against the sky,
or in the vetch, in bloom, where the meadow rises.


For more information on Nathaniel Perry, please click here: http://www.kenyonreview.org/conversation/nathaniel-perry/

My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts