Poem of the Week, by Maria Baranda

(Excerpt from) 1
    – Maria Baranda (translated from the Spanish by Joshua Edwards)

Everything begins with the moon and a desolate sky,
a place of frail words to open
the native prose of dreams. Calm
country poplars, Indian laurels
rise up, anxious on this island of memory.
There go the men who sail into port
when the word burns like a suburb
of truth, a mark on the page
that formed the earth. They approach too quickly.
They have lost the light and now break open a sea curd
in which time crackles.
They want to erase their names, to plant scams
in slow spirals of foam.
They recite a verse in an exiled country
like a clear net around infinite oceans.
There is blood between the rocks.
You listen to them. You wait for their silence.
You know they constitute an era.
Who will defend them from themselves?
Who will endure their eternal burden,
their first night of wind?
They’ll remain in books forever.
Syllables of gratitude, sentences where the remnants
of their century glimmer.
They are a sliver of light within the atlas of time.
You pray for them.
You open a coconut and you drink from it.
Bells ring where birds chirp,
where fish throb with the calmness
of a heart that’s on its own.
Once again the dream flows beneath your palm-thatched hut.
Who delights in you? Who says such prayers for you?


For more information about Maria Baranda, please click here: http://www.shearsman.com/pages/books/authors/barandaA.html

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Poem of the Week, by Jim Harrison

June the Horse
– Jim Harrison

Sleep is water. I’m an old man surging
upriver on the back of my dream horse
that I haven’t seen since I was ten.
We’re night riders through cities, forests, fields.

I saw Stephanie standing on the steps of Pandora’s Box
on Sheridan Square in 1957. She’d never spoken
to me but this time, as a horse lover, she waved.

I saw the sow bear and two cubs. She growled
at me in 1987 when I tried to leave the cabin while her cubs
were playing with my garbage cans. I needed a drink
but I didn’t need this big girl on my ass.

We swam up the Neva in St. Petersburg in 1972
where a girl sat on the bank hugging a red icon
and Raskolnikov, pissed off and whining, spat on her feet.

On the Rhône in the Camargue fighting bulls
bellowed at us from a marsh and 10,000 flamingos
took flight for Africa.

This night-riding is the finest thing I do at age seventy-two.
On my birthday evening we’ll return to the original
pasture where we met and where she emerged from the pond
draped in lily pads and a coat of green algae.
We were children together and I never expected her return.

One day as a brown boy I shot a wasp nest with bow and arrow,
releasing hell. I mounted her from a stump and without
reins or saddle we rode to a clear lake where the bottom
was covered with my dreams waiting to be born.
One day I’ll ride her as a bone-clacking skeleton.
We’ll ride to Veracruz and Barcelona, then up to Venus.

For more information on Jim Harrison, please click here: http://www.poetryfoundation.org/bio/jim-harrison

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Ghazal*

Ocean Ghazal

He came spiraling back up the stairs, all four flights, two at a time
Dark coat flying, dark eyes searching, something more to tell her, that last time.

At night by the ocean, salt spray and laughter and a dive in dark water.
Kisses, soft, then silence and her body, alive with longing. It was time.

A stranger on a yellow windsurfer like his, slicing through the northern ocean.
Curving the board back and forth to shore before her, the girl displaced in time.

Memory conjures a face, floating beyond the streaks of the bus window.
Please, please tell her what you didn’t, those last weeks, running out of time.

Pesto is garlic and basil, oil and cheese. Salt. Dip your finger in green,
deep green its taste, green your finger in her mouth, green still seen in time.

When someone dies where do his memories go? Memories only you two know?
You are so much older now than that day he left you behind in time.

 

*ghazal, defined

Poem of the Week, by Elizabeth Barrett Browning

If thou must love me, let it be for nought
– Elizabeth Barrett Browning (from Sonnets for the Portuguese)

If thou must love me, let it be for nought
Except for love’s sake only. Do not say
‘I love her for her smile—her look—her way
Of speaking gently,—for a trick of thought
That falls in well with mine, and certes brought
A sense of pleasant ease on such a day’—
For these things in themselves, Belovèd, may
Be changed, or change for thee,—and love, so wrought,
May be unwrought so. Neither love me for
Thine own dear pity’s wiping my cheeks dry,—
A creature might forget to weep, who bore
Thy comfort long, and lose thy love thereby!
But love me for love’s sake, that evermore
Thou mayst love on, through love’s eternity.



For more information on Elizabeth Barrett Browning, please click here: http://www.poets.org/poet.php/prmPID/152

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Longing for the Dance

Longing for the Dance

What were you faithful to, back then, alone
long nights when those in other rooms slept on?
You’d look out at the stars, those nights you spun

a world of other places, all undone
from your small self, so still in the small bed
that you were faithful to, back then, alone

in dark that held the sky, the moon. First one
breath in, then two, then three. Always awake
you’d look out at the stars, those nights you spun

out lives where you were grown, were not the one
without the skin to make the hurt, hurt less.
What were you faithful to, back then, the lone

girl that you were, with dreams you told to none
for fear they’d not come true, would disappear?
You’d look out at the stars, those nights you spun.

Long gone now, then. Long years have taught that none
of those who dream are lost, can be undone.
What were you faithful to, back then, alone?
Look now. Look at the dreams, that dark you spun.

Poem of the Week, by Patricia Fargnoli

Roofmen
– Patricia Fargnoli

Over my head the roofmen are banging shingles into place
and over them the sky shines with a light that is
almost past autumn, and bright as copper foil.

In the end I will have something to show for their hard labor–
unflappable shingles, dry ceilings, one more measure of things
held safely in a world where safety is impossible.

In another state, a friend tries to keep on living
though his arteries are clogged,
though the operation left a ten-inch scar

and, near his intestines, an aneurysm blossoms
like a deformed flower. His knees and feet
burn with constant pain.

We go on. I don’t know how sometimes.
For a living, I listen eight hours a day to the voices
of the anxious and the sad. I watch their beautiful faces

for some sign that life is more than disaster–
it is always there, the spirit behind the suffering,
the small light that gathers the soul and holds it

beyond the sacrifices of the body. Necessary light.
I bend toward it and blow gently.
And those hammerers above me, bend into the dailiness

of their labor, beneath concentric circles: a roof of sky,
beneath the roof of the universe,
beneath what vaults over it.

And don’t those journeymen
hold a piece of the answer– the way they go on
laying one gray speckled square after another,

nailing each down, firmly, securely.



For more information on Patricia Fargnoli, please click here: http://www.joefargnoli.com/

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Poem of the Week, by Kevin Hart

Snow
– Kevin Hart

Some days
The snow has taken me in
To know the time of snow, to live
Inside a world so quiet

Its music
Is all a shimmering. Some evenings
When quite alone
I turn off every light

And watch the snow
Enjoy the dark, moving lushly
Through spiky air,
Finding more time

In time
Than when I stretch myself
And am
My father’s father. Oh yes,

There is
A sparkling choir, there surely is,
And dark ice air
Through which we fall.



For more information about Kevin Hart, please click here: http://www.poetryinternational.org/piw_cms/cms/cms_module/index.php?obj_id=678

Poem of the Week, by Carole Satyamurti

Life on Mir
– Carole Satyamurti
  (Note: Mir was the former Russian space station)

       
They took small fish, to observe

the effects of weightlessness in water.


Goldfish, ordinary on earth, were now

miraculous, their glitter precious currency,

their tiny mouths’ O and O a greeting.


So that when they died some men wept,

feeling, as if for the first time,

how grave a life is. Any life at all.



For more information on Carole Satyamurti, please click here: http://www.poetrypf.co.uk/carolesatyamurtibiog.html

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Poem of the Week, by Mark Irwin

Woolworth’s
– Mark Irwin (for Gerald Stern)


Everything stands wondrously multicolored

and at attention in the always Christmas air.

What scent lingers unrecognizably

between that of popcorn, grilled cheese sandwiches,


malted milkballs, and parakeets? Maybe you came here

in winter to buy your daughter a hamster

and were detained by the bin


of Multicolored Thongs, four pair

for a dollar. Maybe you came here to buy

some envelopes, the light blue par avion ones


with airplanes, but caught yourself, lost,

daydreaming, saying it’s too late over the glassy

diorama of cakes and pies. Maybe you came here


to buy a lampshade, the fake crimped

kind, and suddenly you remember

your grandmother, dead


twenty years, floating through the old

house like a curtain. Maybe you’re retired,

on Social Security, and came here for the Roast


Turkey Dinner, or the Liver and Onions,

or just to stare into a black circle

of coffee and to get warm. Or maybe


the big church down the street is closed

now during the day, and you’re homeless and poor,

or you’re rich, or it doesn’t matter what you are


with a little loose change jangling in your pocket,

begging to be spent, because you wandered in

and somewhere between the bin of animal crackers


and the little zoo in the back of the store

you lost something, and because you came here

not to forget, but to remember to live.



For more information on Mark Irwin, please click here: http://www.markirwinauthor.com/

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"And the water made a sound like memory when we sailed. . ."

This was a long time ago. You were, what, twenty years old? Yes, twenty, which is about how old you are in that crappy photo to the right.

You were living in Taiwan, eating potstickers and shrimp fried rice and mapo dofu, taking classes in a random sort of way, washing your clothes in a big sink –did you know it’s very hard to get laundry soap out of jeans by hand? It is– wandering the streets of Taipei, sometimes getting on a random bus and riding it as far as it went in order to see the sights, knowing that eventually the bus would circle back and you could get off where you got on.

(But did you know that not all buses eventually circle back? Some buses rumble along for hours until they’re far, far away, and then the bus driver parks and turns off the bus and motions you to get out, that this is the end of the line.)

You were living in Taipei in an apartment where your roommates taught you that you didn’t need to bathe and wash your waist-length hair every day, “taught” being, in this case, a synonym for “made you pay the water bill yourself because what kind of person other than a crazy American girl washes their hair every day?”

Potstickers, a penny apiece. Watermelon shakes, sesame ice cream, also cheap. Rent, cheap. The bus, cheap. Clothes, cheap. Everything was cheap except apples, which were absurdly expensive and came individually packaged in little foam and gilt-wrapped boxes.

For money, you taught English and sold your blood. You did everything on the cheap, which is how you and your two friends came to take the pig-and-vegetable boat to Orchid Island, off the southern tip of Taiwan. You had heard that there was nothing there but ocean and sand and the Tao people who had always lived there.

“You’re going to Orchid Island?” one of your Chinese roommates said. “Hey, bring me back a monkey, will you?”

Were there monkeys on Orchid Island? You had no idea. It seemed possible. Anything seemed possible, back then in Taiwan.

“Sure,” you said. “I’ll bring you back a monkey.”

You and your two friends could have taken another, faster boat, but it was more expensive. You could have taken a plane, which was also more expensive. The pig-and-vegetable boat was cheap, which is how you came to stand in a line on an industrial dock, waiting to board.

The only other passengers, and there were many of them, were green-uniformed Taiwanese soldiers. As you boarded the boat, you were handed a plastic bag.

“What’s this for?” you asked one of the soldiers standing next to you.

“Don’t know,” he said, and shrugged.

You both found out once you left shore. The pig-and-vegetable boat pitched and tossed in the big waves, under the blue sky, and the sun beat down as you and the soldiers began barfing into the plastic bags, which quickly filled and left you with nowhere to turn but the ocean itself, where the wind blew both spray and barf back at you.

Before long you were lying on the filthy floor, tossed beneath the metal deck benches with each swell, covered with vomit, not caring if in your sickened state you rolled up against a soldier, because you were all in the same boat, literally, and you knew you would die if this kept on much longer.

Which could probably have happened, but didn’t. By the time you docked at Orchid Island, four hours or four months later, you and your two friends were so weak and worn out that when a man on a motorbike sped up to one and motioned her to get on, she got on.

Off she zoomed, clinging to the man, and up a hill they disappeared. Who was he? Where was he taking her? Another man on another motorbike appeared and your second friend got on and zipped away down the road.

You waited your turn and it came. Here is a man, here is a motorbike. Sure, why not? Off you went, assuming that he would take you someplace and that when that someplace appeared, you would see your friends again.

And so it happened. The three of you reunited at an abandoned half-built hotel. Who were the men on the motorbikes? You never found out. They didn’t want anything, not even money. They disappeared, their motorbikes whining like mosquitoes as they rounded a distant hill.

Was there any place to stay on Orchid Island? No. How you ended up staying in the kindergarten room of a two-room school, you have no idea. Tiny chairs, tiny tables, a floor to sleep on, and on it you slept.

Besides dried fish and a strange fruit whose name you don’t know, you don’t remember what you ate. You don’t remember talking to anyone but your two friends. There were the Tao people, the Orchid Islanders, but they didn’t speak Mandarin.They wore few clothes and lived, it seemed, on dried fish and that nameless fruit.

Next morning you woke before dawn, like always. Your two friends were sound asleep on the floor of the kindergarten. You walked down the road to the beach –Orchid Island was all beach– and sat down on the sand to watch the sun come up.

Clouds on the far horizon lit themselves from beneath with pink and orange and the sky began to turn gold. You were wearing your pink skirt, that same pink skirt you wore almost every day when you lived in Taiwan, and the sand under your bare feet was cool and soft and white. You pulled your knees up and wrapped your arms around them and watched the world take form.

The South China Sea was calm that morning, with a gentle surf. Far across the sand you saw something coming toward you. It looked to be an enormous animal of some kind. You don’t remember being afraid. There was something un-scary about it.

The sky grew lighter and the animal turned into a prone man, elbowing his way across the sand. His thighs tapered to stubs just below the narrow band of cloth tied around his butt. He finned his way up to you, sitting there on the sand, and laughed and gestured with one arm toward the water.

What was he asking you? To go swimming? You shook your head and smiled back at him. He kept talking, laughing. You shook your head and lifted your shoulders and tilted your head. You tried a few words in Mandarin, but he didn’t understand it, and you didn’t understand his language.

Then he was off, finning his laborious way across that vast expanse of sand to the water. He looked back as if to make sure you were still there. You were. You waved.

He reached the water and turned into a fish. He was no longer a man, he was a creature of the ocean, a beautiful man-fish in that beautiful water. Flipping and diving and surfacing and diving again. You have never seen anyone so effortless in the water before or since.

The sun was up by the time he returned, clutching something between his teeth, those powerful shoulders of his propelling him back across the sand. You met him halfway and he plucked the something from his mouth: a piece of coral, orange-pink like the sunrise you had just watched. An intricate whorled pattern.

He laughed again and dropped it into your hand, closed your fingers around it. A gift. That was all the sea-man wanted, to give you a gift. He waited until you smiled, until he was sure you liked the coral, and then he was off, looking back at you and smiling, making his way back across the sand to the sea that made him whole.

Your friends were still sleeping on the cement floor of the kindergarten when you returned. You stayed on the island for two more days, eating dried fish, digging your toes into the white sand, wandering up and down the road and the hills. You didn’t see the ocean man again.

When you left you didn’t take the pig-and-vegetable boat. You flew back to Taiwan in a tiny plane that held the pilot and the three of you, sitting on a vinyl bench seat that had been ripped out of a school bus and shoved haphazardly into the space behind the pilot. There was nothing between you and the sky but the thin skin of the tiny, droning plane.

When you got back to the apartment you showed the coral to your Chinese roommate and tried to explain the ocean man to her, what it had been like sitting on the beach while the sun came up, watching him fin his way across the sand to you. She was mildly interested.

“Nice,” she said, examining the coral. “But where’s my monkey?”

For years you carried that coral with you. It sat on every desk you had, in each apartment, from state to state.

You don’t know how or where you lost it, in which move to which apartment or house, but you did.

* * *

. . .And in one of the chapters I was blinded by love
And in another, anger made us sick like swallowed glass
& I lay in my bunk and slept for so long,
I forgot about the ocean,
Which all the time was going by, right there, outside my cabin window.

And the sides of the ship were green as money,
and the water made a sound like memory when we sailed.

Then it was summer. Under the constellation of the swan,
under the constellation of the horse.

At night we consoled ourselves
By discussing the meaning of homesickness.
But there was no home to go home to.
There was no getting around the ocean.
We had to go on finding out the story
by pushing into it —

(from Voyage, a poem by Tony Hoagland)