Poem of the Week, by Patrick Cavanaugh

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The Dubliners
– Patrick Kavanagh

On Raglan Road of an autumn day
I saw her first and knew
That her dark hair would weave a snare
That I might one day rue
I saw the danger and I passed
Along the enchanted way
And said let grief be a fallen leaf
At the dawning of the day

On Grafton Street in November
We tripped lightly along the ledge
Of a deep ravine where can be seen
The worth of passion’s pledge
The Queen of Hearts still making tarts
And I not making hay
Oh I loved too much and by such by such
Is happiness thrown away

I gave her gifts of the mind
I gave her the secret signs
Known to the artists who have known
The true gods of sound and stone
And word and tint I did not stint
I gave her poems to say
With her own name there
And her own dark hair
Like clouds over fields of May

On a quiet street where old ghosts meet
I see her walking now
Away from me so hurriedly my reason must allow
That I had loved not as I should
A creature made of clay
When the angel woos the clay
He’ll lose his wings at the dawn of day


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For more information on Patrick Kavanagh, please click here: http://www.tcd.ie/English/patrickkavanagh/life.html
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Poem of the Week, by Adelia Prado

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The Mystical Rose
– Adélia Prado (translated from the Brazilian Portuguese by Ellen Doré Watson)

The first time
I became conscious of form,
I said to my mother:
“Dona Armanda has a basket in her kitchen
where she keeps tomatoes and onions”
and began fretting that even lovely things
eventually spoil,
until one day I wrote:
“It was here in this room that my father died,
here that he wound the clock
and rested his elbows
on what he thought was the windowsill
but was the threshold of death.”
I understood that words grouped like that
made it possible to live without
the things they describe,
that my father was returning, indestructible.
It was as if someone had painted a picture
of Dona Armanda’s basket and said:
“Now you can eat the fruit.”
So, there is order in the world!
—where does it come from?
And why does order, which is joy itself,
and bathes in a different light
than the light of day,
make the soul sad?
We must protect the world from time’s corrosion,
cheat time itself.
And so I kept writing: “My father died in this room …
Night, you can come on down,
your blackness can’t erase this memory.”
That was my first poem.


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For more information on Adelia Prado, please click here: http://bombsite.com/articles/2289
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Poem of the Week, by Lisel Mueller

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What the Dog Perhaps Hears
– Lisel Mueller

If an inaudible whistle
blown between our lips
can send him home to us,
then silence is perhaps
the sound of spiders breathing
and roots mining the earth;
it may be asparagus heaving,
headfirst, into the light
and the long brown sound
of cracked cups, when it happens.
We would like to ask the dog
if there is a continuous whir
because the child in the house
keeps growing, if the snake
really stretches full length
without a click and the sun
breaks through clouds without
a decibel of effort,
whether in autumn, when the trees
dry up their wells, there isn’t a shudder
too high for us to hear.

What is it like up there
above the shut-off level
of our simple ears?
For us there was no birth cry,
the newborn bird is suddenly here,
the egg broken, the nest alive,
and we heard nothing when the world changed.


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For more information on Lisel Mueller, please click here: http://www.poetryfoundation.org/bio/lisel-mueller
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Poem of the Week, by Sharon Olds

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Little Things
– Sharon Olds

After she’s gone to camp, in the early
evening I clear our girl’s breakfast dishes
from the rosewood table, and find a small
crystallized pool of maple syrup, the
grains standing there, round, in the night. I
rub it with my fingertip
as if I could read it, this raised dot of
amber sugar, and this time
when I think of my father, I wonder why
I think of my father, of the beautiful blood-red
glass in his hand, or his black hair gleaming like a
broken-open coal. I think I learned to
love the little things about him
because of all the big things
I could not love, no one could, it would be wrong to.
So when I fix on this tiny image of resin
or sweep together with the heel of my hand a
pile of my son’s sunburn peels like
insect wings, where I peeled his back the night before camp,
I am doing something I learned early to do, I am
paying attention to small beauties,
whatever I have –
as if it were our duty to
find things to love, to bind ourselves to this world.


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For more information about Sharon Olds, please click here: http://www.poetryfoundation.org/bio/sharon-olds/
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Poem of the Week, by Bob Hicok

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In Michael Robins’s class minus one
– Bob Hicok

At the desk where the boy sat, he sees the Chicago River.
It raises its hand.
It asks if metaphor should burn.
He says fire is the basis for all forms of the mouth.
He asks, why did you fill the boy with your going?
I didn’t know a boy had been added to me, the river says.
Would you have given him back if you knew?
I think so, the river says, I have so many boys in me,
I’m worn out stroking eyes looking up at the day.
Have you written a poem for us? he asks the river,
and the river reads its poem,
and the other students tell the river
it sounds like a poem the boy would have written,
that they smell the boy’s cigarettes
in the poem, they feel his teeth
biting the page.
And the river asks, did this boy dream of horses?
because I suddenly dream of horses, I suddenly dream.
They’re in a circle and the river says, I’ve never understood
round things, why would leaving come back
to itself?
And a girl makes a kiss with her mouth and leans it
against the river, and the kiss flows away
but the river wants it back, the river makes sounds
to go after the kiss.
And they all make sounds for the river to carry to the boy.
And the river promises to never surrender the boy’s shape
to the ocean.

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For more information about Bob Hicok, please click here: http://www.poetryfoundation.org/bio/bob-hicok
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Poem of the Week, by Mary Karr

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A Blessing from My Sixteen Years’ Son
– Mary Karr

I have this son who assembled inside me
during Hurricane Gloria. In a flash, he appeared,
in a heartbeat. Outside, pines toppled.

Phone lines snapped and hissed like cobras.
Inside, he was a raw pearl: microscopic, luminous.
Look at the muscled obelisk of him now

pawing through the icebox for more grapes.
Sixteen years and not a bone broken,
not a single stitch. By his age,

I was marked more ways, and small.
He’s a slouching six foot three,
with implausible blue eyes, which settle

on the pages of Emerson’s “Self Reliance”
with profound belligerence.
A girl with a navel ring

could make his cell phone go brr,
or an Afro’d boy leaning on a mop at Taco Bell —
creatures strange as dragons or eels.

Balanced on a kitchen stool, each gives counsel
arcane as any oracle’s. Bruce claims school
is harshing my mellow. Case longs to date

a tattooed girl, because he wants a woman
willing to do stuff she’ll regret.
They’ve come to lead my son

into his broadening spiral.
Someday soon, the tether
will snap. I birthed my own mom

into oblivion. The night my son smashed
the car fender, then rode home
in the rain-streaked cop car, he asked, Did you

and Dad screw up so much?
He’d let me tuck him in,
my grandmother’s wedding quilt

from 1912 drawn to his goateed chin. Don’t
blame us, I said. You’re your own
idiot now. At which he grinned.

The cop said the girl in the crimped Chevy
took it hard. He’d found my son
awkwardly holding her in the canted headlights,

where he’d draped his own coat
over her shaking shoulders. My fault,
he’d confessed right off.

Nice kid, said the cop.


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For more information on Mary Karr, please click here: http://www.poetryfoundation.org/bio/mary-karr
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Poem of the Week, by Seamus Heaney

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Postscript
– Seamus Heaney
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you’ll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open


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For more information about Seamus Heaney, please click here: http://www.poetryfoundation.org/bio/seamus-heaney
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Poem of the Week, by Ellen Bass

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GATE C 22
– Ellen Bass

At gate C 22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after

the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like satin ribbons tying up a gift. And kissing.

Like she’d just staggered off the boat at Ellis Island,
like she’d been released from ICU, snapped
out of a coma, survived bone cancer, made it down
from Annapurna in only the clothes she was wearing.

Neither of them was young. His beard was gray.
She carried a few extra pounds you could imagine
she kept saying she had to lose. But they kissed lavish
kisses like the ocean in the early morning

of a calm day at Big Sur, the way it gathers
and swells, taking each rock slowly
in its mouth, sucking it under, swallowing it
again and again. We were all watching—

the passengers waiting for the delayed flight to San Jose,
the stewardesses, the pilots, the aproned woman icing
Cinnabons, the guy selling sunglasses. We couldn’t
look away. We could taste the kisses, crushed

in our mouths like the liquid centers of chocolate cordials.
But the best part was his face. When he drew back
and looked at her, his smile soft with wonder, almost
as though he were a mother still

opened from giving birth, like your mother
must have looked at you,
no matter what happened after—
if she beat you, or left you, or you’re lonely now—

you once lay there, the vernix
not yet wiped off and someone gazing at you
like you were the first sunrise seen from the earth.
The whole wing of the airport hushed,

each of us trying to slip into that woman’s middle-aged body,
her plaid bermuda shorts, sleeveless blouse,
little gold hoop earrings, glasses,
all of us, tilting our heads up.

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For more information about Ellen Bass, please click here: http://www.ellenbass.com/index.php
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Poem of the Week, by Li-Young Lee

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Nativity
– Li-Young Lee

In the dark, a child might ask, What is the world?
just to hear his sister
promise, An unfinished wing of heaven,
just to hear his brother say,
A house inside a house,
but most of all to hear his mother answer,
One more song, then you go to sleep.

How could anyone in that bed guess
the question finds its beginning
in the answer long growing
inside the one who asked, that restless boy,
the night’s darling?

Later, a man lying awake,
he might ask it again,
just to hear the silence
charge him, This night
arching over your sleepless wondering,

this night, the near ground
every reaching-out-to overreaches,

just to remind himself
out of what little earth and duration,
out of what immense good-bye,

each must make a safe place of his heart,
before so strange and wild a guest
as God approaches.


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For more information on Li-Young Lee, please click here: http://www.poetryfoundation.org/bio/li-young-lee
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Poem of the Week, by Paul Farley

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The Power
– Paul Farley

Forget all of that end-of-the-pier
palm-reading stuff. Picture a seaside town
in your head. Start from its salt-wrack-rotten smells
and raise the lid of the world to change the light,
then go as far as you want: the ornament
of a promenade, the brilliant greys of gulls,
the weak grip of a crane in the arcades
you’ve built, ballrooms to come alive at night,
then a million-starling roost, an opulent
crumbling like cake icing …
Now, bring it down
in the kind of fire that flows along ceilings,
that knows the spectral blues; that always starts
in donut fryers or boardwalk kindling
in the dead hour before dawn, that leaves pilings
marooned by mindless tides, that sends a plume
of black smoke high enough to stain the halls
of clouds. Now look around your tiny room
and tell me that you haven’t got the power.

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For more information on Paul Farley, please click here: http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=27
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