Poem of the Week, by Tony Hoagland
Q: Does writing about hard things ever make you agitated and upset, so that you have to walk away from the writing and regain your equilibrium?
A: Nope. Life is what’s hard. Writing is always solace.
This exchange took place in a university undergraduate creative writing class a couple of weeks ago. Writing is how I translate all the emotion and experience of living into something that’s bigger than me. It’s a means of transcendence, a way to push away all that hugeness and also absorb it. To make a connection with other human beings you don’t know and have never met.
So is reading, poetry especially. For decades Tony Hoagland’s work has been solace. It’s like he saw into my heart and wrote poems meant just for me, even though he was beloved by so many. I meant to write him a letter this fall, telling him how much he means to me, but he died last week, so my letter will never be written. Don’t take it personal, they said; but I did, I took it all quite personal– Oh Tony, I’m so sad you’re gone.
Personal, by Tony Hoagland
Don’t take it personal, they said;
but I did, I took it all quite personal—
the breeze and the river and the color of the fields;
the price of grapefruit and stamps,
the wet hair of women in the rain—
And I cursed what hurt me
and I praised what gave me joy,
the most simple-minded of possible responses.
The government reminded me of my father,
with its deafness and its laws,
and the weather reminded me of my mom,
with her tropical squalls.
Enjoy it while you can, they said of Happiness
Think first, they said of Talk
Get over it, they said
at the School of Broken Hearts
but I couldn’t and I didn’t and I don’t
believe in the clean break;
I believe in the compound fracture
served with a sauce of dirty regret,
I believe in saying it all
and taking it all back
and saying it again for good measure
while the air fills up with I’m-Sorries
like wheeling birds
and the trees look seasick in the wind.
Oh life! Can you blame me
for making a scene?
You were that yellow caboose, the moon
disappearing over a ridge of cloud.
I was the dog, chained in some fool’s backyard;
barking and barking:
trying to convince everything else
to take it personal too.
I’ve sent out many Tony Hoagland poems in the past, and I could send out Tony Hoagland poems every week for a year; that’s how much I loved him. For more poems by Tony, please click here.
A few years ago I sat in a crowded auditorium listening to a speaker lecture on a topic I don’t remember. What I do remember is that fifteen minutes into his lecture, he was interrupted by an audience member who jumped to his feet and, under the guise of asking a question, began to harangue the speaker. The speaker, who was elderly and softspoken, was clearly stunned at the interruption, which had clearly been planned. The audience member grew taller and louder as he launched into his own, counterpoint lecture. He gesticulated. He menaced.
Long ago I left behind the simple prayers of my childhood, the ones spoken in unison with others in church, or around the table at a special meal when everyone named something they were thankful for. I’ve never known what God is, and I don’t know what God is to others. If forced to come up with a definition, my definition of God would be something like the feeling of my children on either side of me in bed as I read them to sleep when they were little. God would be the high school students I used to teach, ringed on the floor in our classroom on the giant pillows I’d made, still and silent and sometimes falling asleep on Friday afternoons as I read them stories. God would be the idea and the feeling of peace, of a place where nothing bad can happen, where only love and comfort dwell. God would be the poems that swell my heart open in a way that almost hurts, like this one below.
Me to a roomful of high school students last week: “Raise a hand if you’ve lost someone you love to murder.”
If home is defined as the place where you don’t have to think –you can just be— then you can find home not just in a place but a person. I believe in love at first sight –it’s happened to me–and I also believe in recognition at first sight. Sometimes they’re the same thing. A knowing. An old understanding. The instinctive, animal perception that you are in the presence of a kindred spirit. You look at them, they look at you, and you both relax. You already know each other.
eight and were the reason my nickname for her was Dry Salty Crunchy Carbohydrate.

When my children were little one of our favorite books was The Philharmonic Gets Dressed. Such a simple story. In apartments all over New York City, orchestra musicians are dressing for the evening performance. Everyone wears black. They muscle their instruments, large and small, into cabs and the subway, and they head to work. My children and I read this book over and over, usually at bedtime, where it soothed their way into sleep. It’s long gone from my shelves, but I still think about it. 


The men I love most get it, with “it” being the malevolence of treating women as if we’re not equal. At one point the other night, when I could suddenly barely talk because of the rage that filled me, a male friend said about sexism, It’s like air, invisible and everywhere. And you breathe it in your whole life, but when the switch flips and you suddenly realize how deep it goes and how awful it is, it’s fucking overwhelming.
It was the summer of a long pink skirt, ice cream cones, cartwheels on the beach, waitress shifts followed by late nights at the bar followed by breakfast at the diner, a little rented room and a refrigerator shared with twelve other girls. This was Cape Cod, a long time ago, and my buddies Doc and RJ and Stu would descend on weekends. After we walked back from the bar I’d hold the back door open for them and they’d sneak upstairs to my room (guests weren’t allowed) to sleep on the floor around my bed. One weekend they brought a new boy with them, someone I’d never met, and I instantly liked him. That night we all decided to sleep on the beach instead of sneaking into my room. We spread quilts and looked up at the stars, waves lapping at the shore.