Poem of the Week, by Tadeusz Dabrowski

For details on my one-day workshops, including Memoir in Moments on March 30 and The Art of Writing Picture Books on April 3, please click here.

When he was eight, my son –known in the family for his rare, uncanny pronouncements–looked at me one day and said, “Mom, what if we’re all just people in a book, and someone somewhere is writing us?” 

A few months ago, inside a little free library, I saw a hardcover copy of my first published novel. I pulled it out and looked through it –it was like an artifact from a previous life–and an airplane ticket fell out. That too was old and faded, but I made out the name of an acquaintance from many years ago. I pictured him on a plane, high above the clouds, carrying the secret lives of my people with him as he turned the pages.

Secret Reading Matter, by Tadeusz Dąbrowski, translated by Antonia Lloyd-Jones

I take the books left for free recycling mainly for their smell, 
I stick my nose among the pages, into business not my own, 
then stroll around someone else’s home,
peeping into their kitchen and their bedroom. But once 
their smell has faded and the book’s imbued with mine, 
I leave it at a bus stop or in a mailbox.
Busy nonstop with their crimes, their love lives, 
good and evil, keeping an eye on the time
and the setting, the characters haven’t a clue how many books 
they’re carrying away in their clothing


Please click here for more information on Tadeusz Dąbrowski.

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Words by Winter: my podcast

Poem of the Week, by Claribel Alegria

To sign up for one of my spring writing workshops, including our Tuesday evening five-week session that begins March 22, please click here.

Moments: the tray of baked chicken and peas and applesauce that quiet night in the hospital. The first grade teacher who kept me in from recess but refused to tell me what I was doing wrong. How I tried to pick the green nail polish off my fingers at my grandmother’s funeral. That day on the train when he silently put his hand over mine. The morning the phone rang and I knew, I knew, I knew. The look on his face when he saw me standing by the hockey rink. My best friend’s green waitress apron with its deep pockets filled with tips. How we sat on the floor late at night counting them up. When I think of my life it’s only the moments that come shimmering up.

Summing Up, by Claribel Alegria, translated by the author and Darwin J. Flakoll

In the sixty-three years
I have lived
some instants are electric:
the happiness of my feet
jumping puddles
six hours in Machu Picchu
the buzzing of the telephone
while awaiting my mother’s death
the ten minutes it took
to lose my virginity
the hoarse voice
announcing the assassination
of Archbishop Romero
fifteen minutes in Delft
the first wail of my daughter
I don’t know how many years yearning
for the liberation of my people
certain immortal deaths
the eyes of that starving child
your eyes bathing me in love
one forget-me-not afternoon
the desire to mold myself
into a verse
a cry
a fleck of foam.

For more information about poet and “voice for the voiceless and the dispossessed” Claribel Alegria, please click here.​

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Muriel Rukeyser

I’d love to see you in one of my spring workshops! Details here.

Observation: anyone who thinks it’s an insult to describe someone as a “former comedian” has clearly never stood alone in front of a crowd of people with the intention of making them laugh. Doing so takes crazy courage, along with smarts, empathy, compassion, and an ability not only to sense but to change the energy of the room. Go to a Moth show sometime. Stand up on stage and tell a story. Put your heart on the line.

When you do that, you’ll likely be terrified. You’ll look out at the packed room and all you’ll see is the glare of the spotlight. You won’t see all the people cheering you on with the kindness it’s possible to show a stranger who’s putting themself on the line.

I don’t know what will happen in Ukraine. I do know that Zelenskyy, the former comedian, is brave as hell.

Poem (I lived in the first century of world wars), by Muriel Rukeyser

I lived in the first century of world wars.
Most mornings I would be more or less insane,
the newspapers would arrive with their careless stories,
the news would pour out of various devices
interrupted by attempts to sell products to the unseen.
I would call my friends on other devices;
they would be more or less mad for similar reasons.
Slowly I would get to pen and paper,
make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
brave, setting up signals across vast distances,
considering a nameless way of living, of almost unimagined values.
As the lights darkened, as the lights of night brightened,
we would try to imagine them, try to find each other,
to construct peace, to make love, to reconcile
waking with sleeping, ourselves with each other,
ourselves with ourselves. We would try by any means
to reach the limits of ourselves, to reach beyond ourselves,
to let go the means, to wake.

I lived in the first century of these wars.

Poem of the Week, by Molly Brodak

Check out our slew of spring workshops beginning next month, including our five-week Building a Story workshop. 

Me to a friend who claims spell check is the only reason he can spell anything: So before spell check what did you do?

Friend: I would say the word out loud and then look through the dictionary trying to find it by first letter. So a word like psychology? I would begin with S and not find it, then I’d look through all the C’s even though I knew that it couldn’t begin with C. It was slow and agonizing. And all my papers came back with low grades and comments like ‘You really must learn to proofread.’

It hurts to think of this friend trying so hard on his papers and being met with scorn. This same friend will envision a 12’x20′ painting, build panels to paint it on, gather brushes and air compressor and broom and whatever else it takes to make it, then build a block and tackle to haul it up onto the wall.

When it comes to spelling, I’ve never had to work at all, and my essays usually got A’s, but if I ever made a painting it’d come back with “you really must learn to paint.”

Why are so we hard on others? Why are we so hard on ourselves? Dear Molly Brodak, I will be reciting this poem for the rest of my life.

How to Not Be a Perfectionist, by Molly Brodak

People are vivid

and small

and don’t live

very long—

For more information about Molly Brodak, please click here.
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Words by Winter: my podcast

Poem of the Week, by CAConrad

Oh, this poem. When I first read it my long-ago friend Marty shimmered up in my mind, small thin Marty who came to the creative writing classes I taught at the Minnesota AIDS project when I first moved to Minneapolis. I used to bake muffins to pass around and Marty loved them, blueberry especially.

Once, when he and I were in the parking lot talking after class, he reached out and filched a third muffin from the basket. It wants to be free, he said, with that sly smile of his, I’m just liberating it. You’re long gone now, Marty, along with so, so many others from back in those pre-medicine days, but I promise I still see you, and every time I bake blueberry muffins I think of you.

72 Corona Transmutations (excerpt), by CAConrad

                                                my friend

                                                Rex told me

                                                when he was

                                                dying of AIDS

                                    promise me every day of 1993

                        will be the best day with or without me  

                                                27 years later

                                                the promise

                                                still kept 

For more information on CAConrad, please visit their website.

alisonmcghee.com
Words by Winter: my podcas

Poem of the Week, by Lucille Clifton

Photo by Holly McGhee

Once, at a book conference overseas, the women at my table told me they felt sorry for American women like me, that I not only had to work so hard at my writing career but also at home, cleaning and cooking and doing laundry and taking care of my children, while they had cooks and drivers and housekeepers and nannies. I’ve thought about that conversation ever since. Thought about what it says about the systems of racism and sexism most of us struggle within. Thought about famous people and all the people behind them in the shadows, overlooked, overworked, underpaid. Every time I read the last line of this poem the entirety of our country’s history comes over me.

study the masters, by Lucille Clifton

like my aunt timmie.
it was her iron,
or one like hers,
that smoothed the sheets
the master poet slept on.
home or hotel, what matters is
he lay himself down on her handiwork
and dreamed. she dreamed too, words:
some cherokee, some masai and some
huge and particular as hope.
if you had heard her
chanting as she ironed
you would understand form and line
and discipline and order and
america.

For more information about Lucille Clifton, please click here.

alisonmcghee.com
Words by Winter: my podcast

Poem of the Week, by C.L. O’Dell

Ever tried to imitate someone else’s handwriting? It’s hard and fascinating and full of speculation. What’s up with this big poofy T? Is this long straight line at the end supposed to stand in for the last five letters of their surname?

Trying to form letters the way someone else does makes me think how we breathe each other’s air but not quite, walk in each other’s footsteps but not quite, know our dearest ones so well, but…do we? I love this poem.


Forsythias
, by C.L. O’Dell

I think about time.
The forsythias
and the man singing
in the car ahead of me.

When I enter the space
the same shape
he made a moment
before me,

where is the music,
the taste of honey
in his mouth and now
mine, the thought

of kissing his wife good-bye
and the words of a song
lifting off my tongue
as if from memory, but his?

What is mine stays with me,
my heart in the glitter
of his heart. My dreams
have no bones. Love

is never saved in layers
of rock. So much of me
will never be found
on this earth.

For more information about C.L. O’Dell, please visit his website.
alisonmcghee.com
Words by Winter: my podcast

Poem of the Week, by Garous Abdolmalekian

Flags in general make me uneasy, especially now. Tromping around the streets of this little town, I see regular American flags, thin blue line flags, Q flags, skull flags, and other flags I can’t identify and don’t want to.

If I had to fly a flag I think I’d fly a potsticker flag. Hard to go wrong with potstickers.

Pattern, by Garous Abdolmalekian

Your dress waving in the wind.
This
is the only flag I love.

trans. Idra Novey and Ahmad Nadalizadeh (2020)



For more information about Garous Abdolmalekian, please click here.
alisonmcghee.com
Words by Winter: my podcast

Poem of the Week, by Jay Hopler

A few days ago a friend was running in the canyons when he found a hiker lying on the trail, unmoving and unresponsive. He called 911 and gave him CPR until the medics arrived and took over, but the hiker died there, on a warm, sunny day filled with the scent of coastal sage, the sea glinting in the distance.

The ending of this gorgeous poem, which shocked but also thrilled me when I first read it, made me think I shouldn’t send it out, not in this ongoing pandemic. But I changed my mind. Love and the memory of it are what I hope for myself and for everyone in the world, in the end that will come for all of us.

love & the memory of it, by Jay Hopler

spook not at the shook world w/ all its viruses and murder hornets
instead that summer evening call to mind when you drove alone
               over iowa
the light in the fields how long it was how in love you were w/ it
& the air & the world & that girl that atomic girl you would one
               day marry
or call to mind a summer evening half a life from then & the park
               by the river the way her laughter
echoed off the rocks
in sparks that sighed
into the water

it was she that lit the world just then
& not that ember of a sun
her light like a struck string fretting its zing against the pic-
nic tables

may that be the music you hear
when they unplug the ventilator

For more information about Jay Hopler, please click here.

alisonmcghee.com
Words by Winter: my podcas

Poem of the Week, by Robert Okaji

After our dog Petey died it felt like a betrayal to go for a walk without him, without the constant pauses so he could sniff, pee, investigate. I was finally used to hiking without a leash in my hand when we adopted our pup Paco. Now it feels strange when someone else takes him out and I have only myself to account for.

The ghosts of Petey remain: a few black curls clipped the day he died, his old blue collar, his tags, the bright halter and extendable leash that are too big for Paco. The memory of how Petey, after eight months of hard work on his part and mine, heeled at a single command while I’ve never bothered to train small Paco to heel at all – we just keep him on a 4′ lead.

Sometimes we unthinkingly call Paco by his predecessor’s name. Sometimes I wonder if Paco senses the dog who came before him.

While Walking My Dog’s Ghost, by Robert Okaji

I spot a baby rabbit
lying still in a clump of grass
no wider than my hand.

It quivers, but I pretend
not to have seen, for fear
that the dog, ghost or not,

will frighten and chase it
into the brush, beyond
its mother’s range,

perhaps to become lost
and thirsty, malnourished,
filthy, desperate, much

like the dog when we
found each other that hot,
dry evening so long ago.


For more information about Robert Okaji, please check out his website.

alisonmcghee.com
Words by Winter: my podcast