Poem of the Week, by Anna Marie Sewell

Screen Shot 2017-07-15 at 4.04.18 PMMama passed, honey. That was the subject line of my friend S’s email to me last week. S had been by the side of the woman who, though not her mother, was close enough to be. S had helped Mama out of this world into whatever comes after. Before work, after work, on weekends, she was with her, a steadying presence full of love and jokes. When Mama told her she was hungry, S would feed her little bites of avocado, apple sauce, ice cream. S was with Mama when she finally said goodbye to the world. Mama was in her 90’s. It was time. 

But it’s not always time. I remember the day that the mother of one of my daughter’s best friends died. I hung up the phone and screamed and threw it across the room. So unfair, that this middle-schooler, a girl I adore, should have to live with that loss. 

The stars of my new novel, Never Coming Back (my first novel for adults in a long time, forthcoming in October), are Clara Winter and her mother Tamar. Tamar has been diagnosed with early-onset Alzheimer’s, which means that she and Clara are running out of time together. While most of us, if we’re lucky, have decades to resolve our relationships with our parents –the ins and outs, the nuances and realizations and disconnections and reconnections– Clara and Tamar have only months. This small, lovely poem by Anna Marie Sewell makes me think about mothers and daughters, parents and children, my friend S and Mama, and all the ways in which we do or don’t cradle each other.  

 

Nocturne: Tiny Now, by Anna Marie Sewell

She is tiny now, my mother
and jokes in the morning, when
her teeth aren’t in, how she whistles
like a little bird. And i want to reach
back to the nights when
she brought the piglets in
laid them in the woodstove oven
so tiny, but she believed in them
and in that warm cradle, the spark
of life rekindled in them. How
do i cradle her? now
she is so tiny, softly
drawing nearer to
the Western Door.
This poem won’t do it.
This poem is for me
a piglet grown, with
my snout astonished
at discovery, how the power
that built a world for me still
reveals itself, blue
slight, soft, tiny

 

For more information on Anna Marie Sewell, please click here.

Poem of the Week, by Richard Wilbur

Calligraphy letters, 2011When it came to homework, I was kind of a hands-off mother, a mother whose life –and whose children’s lives– became instantly better when I made the decision to quit checking the portal. (The portal. The portal. The portal of hell.) My children never asked me to look at or edit their papers, so I didn’t, and when it came to math, I couldn’t help them anyway. But my youngest daughter preferred to do her homework, especially essay assignments, at the dining table when I was working. She would write her papers, I would write my stories. This daughter works best with solid blocks of time, earbuds in and playlist on, while her mother at the other end of the table twitches and rocks and grinds her teeth, trying trying trying to get the words out. My sleek iridescent child, my clattering commotion of keys. This poem feels as if it came straight out of my own heart. 

 

The Writer, by Richard Wilbur

In her room at the prow of the house
where light breaks, and the windows are tossed with linden,
my daughter is writing a story.

I pause in the stairwell, hearing
from her shut door a commotion of typewriter-keys
like a chain hauled over a gunwale.

Young as she is, the stuff
of her life is a great cargo, and some of it heavy:
I wish her a lucky passage.

But now it is she who pauses,
as if to reject my thought and its easy figure.
A stillness greatens, in which

the whole house seems to be thinking,
and then she is at it again with a bunched clamor
of strokes, and again is silent.

I remember the dazed starling
which was trapped in that very room, two years ago;
how we stole in, lifted a sash

and retreated, not to affright it;
and how for a helpless hour, through the crack of the door,
we watched the sleek, wild, dark

and iridescent creature
batter against the brilliance, drop like a glove
to the hard floor, or the desk-top,

and wait then, humped and bloody,
for the wits to try it again; and how our spirits
rose when, suddenly sure,

it lifted off from a chair-back, 
beating a smooth course for the right window
and clearing the sill of the world.

It is always a matter, my darling,
of life or death, as I had forgotten. I wish
what I wished you before, but harder. 

 

For more information on Richard Wilbur, please click here.

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Poem of the Week, by Ellen Bass

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  1. Son to his little sister, who was raging about a boy in her first-grade class: But maybe he acts like that because he’s sad. You never know what his home life is like.
  2. Older daughter, age six, to me during a discussion of what death was, after I had told her that if I died she would be very sad but she would still be okay: No I wouldn’t be sad. Me: . . . you wouldn’t? Her: Nope. If you die then I’ll die too. I can’t be alive without you.
  3. Younger daughter, the first day I ever met her in a far-off land, when they handed her away from everything and everyone she had ever known and into my arms and her face screwed up with terror and confusion: Shhh, don’t cry, little daughter, don’t cry. We’re going to have so much fun. I promise you. I promise you. I promise you.

For My Daughter on Her Twenty-First Birthday
     – Ellen Bass

When they laid you in the crook
of my arms like a bouquet and I looked
into your eyes, dark bits of evening sky,
I thought, of course this is you,
like a person who has never seen the sea
can recognize it instantly.
They pulled you from me like a cork
and all the love flowed out. I adored you
with the squandering passion of spring
that shoots green from every pore.
You dug me out like a well. You lit
the deadwood of my heart. You pinned me
to the earth with the points of stars.
I was sure that kind of love would be
enough. I thought I was your mother.
How could I have known that over and over
you would crack the sky like lightning,
illuminating all my fears, my weaknesses, my sins.
Massive the burden this flesh
must learn to bear, like mules of love.

For more information about Ellen Bass, please click here.