Poem of the Week, by Dante di Stefano

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During the Tiananmen uprising/massacre, I was the Chinese teacher at South High School. I wheeled a big bulky television on a cart into my classroom so we could watch history happening, but once it was clear what was about to go down I turned off the television.

Years go by and you live through so many things that don’t turn out as you hope, and you know this will keep on happening. The flip side of this is a kind of gratitude I could not have felt when I was younger, a combination of telescope and microscope: all the awfulness will always be there, and so will a thousand tiny beautiful moments.

We Three Kings, by Dante Di Stefano

I slide myself under our tree
like a mechanic in a body shop
& look up through the lights
& ornaments
& artificial limbs
to the tin angel tied by yarn to the top
like a drunken sailor in a crow’s nest

& I am done with similes
& I put aside the possible shutdowns
& mysterious drones
& the wars
& the horrible rape trial across the Atlantic

& I remember what it was like
to do the same thing
when I was a kid in ’89
not quite a teenager
the year the Berlin wall fell
the year of the Tiananmen Square massacre
the year my father was committed

there is so much in the world
we don’t know & block out or forget

but I am still looking up
past the delicate bric-a-brac of a life
the popsicle stick & pipe cleaner ornaments
fashioned by my two small children
the candy canes they not so secretly pluck from the boughs
the few glass ornaments that have survived the dog & kids
& I am thinking of how grateful I am

how grateful how grateful

looking past the spot where another angel should be
looking for a god in the straw
looking past the infant loneliness squalling in my heart
holding the gift of my own ever unfolding naivete
in the manger of my saying

o star of wonder.

Click here for more information about Dante di Stefano. Today’s poem first appeared in the December 2024 issue of the daily poetry magazine Rattle.

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Poem of the Week, by Suzanne Cleary

Yesterday I wrapped gifts and hit Play over and over on a youtube recording of my niece’s choral group singing a capella. I clapped for a six year old friend who had been instructed by his piano teacher to play Jingle Bells (for someone besides his parents) in preparation for his recital today. I read this poem and dug out my old tape –yes, tape– of the Messiah so I could listen to it, but I had nothing to listen to it on, so I youtubed it instead. Then I read this poem and was, for no reason that makes sense, transported back to 8th grade All-County choir, where I stood on the back riser (always the tall girl) of an unfamiliar bleacher in an unfamiliar school, practicing Amazing Grace over and over with no one I knew, the smell of May sun and spring wind and cotton and empty-school-on-a-weekend rising all around us.

Glory
– Suzanne Cleary

My husband and his first wife once sang Handel’s Messiah
at Carnegie Hall, with 300 others who also had read
the ad for the sing-along, and this is why I know
the word glory is not sung by the chorus,
although that is what we hear.
In fact, the choir sings glaw-dee, glaw-dee
while it seems that glory unfurls there, like glory itself.
My husband sings for me. My husband tells me they practiced
for an hour, led by a short man with glasses,
a man who made them sing glory, twice, so they could hear it
fold back upon itself, swallow itself
in so many mouths, in the grand hall.
Then he taught them glaw-dee, a distortion that creates the right effect,
like Michelangelo distorting the arms of both God and Adam
so their fingertips can touch.
My husband and his first wife and 300 others performed
at 5 o’clock, the Saturday before Christmas,
for a small audience of their own heavy coats,
for a few ushers arrived early, leaning on lobby doors.
But mostly they sang for themselves,
for it is a joy to feel song made of the body’s hollows.
I do not know if their marriage, this day, was still good
or whether it seemed again good
as they sang. I prefer to think of the choral conductor,
who sang with them. He sang all the parts, for love
not glory, or what seemed to be
glory to those who wandered in
and stood at the back of the hall, and listened.

 

– For more information on Suzanne Cleary, please click here.

– My Facebook page.