Poem of the Week, by Barbara Crooker

In the Middle
– Barbara Crooker

of a life that’s as complicated as everyone else’s,
struggling for balance, juggling time.
The mantle clock that was my grandfather’s
has stopped at 9:20; we haven’t had time
to get it repaired. The brass pendulum is still,
the chimes don’t ring. One day you look out the window,
green summer, the next, and the leaves have already fallen,
and a grey sky lowers the horizon. Our children almost grown,
our parents gone, it happened so fast. Each day, we must learn
again how to love, between morning’s quick coffee
and evening’s slow return. Steam from a pot of soup rises,
mixing with the yeasty smell of baking bread. Our bodies
twine, and the big black dog pushes his great head between,
his tail is a metronome, 3/4 time. We’ll never get there,
Time is always ahead of us, running down the beach, urging
us on faster, faster, but sometimes we take off our watches,
sometimes we lie in the hammock, caught between the mesh
of rope and the net of stars, suspended, tangled up
in love, running out of time.


For more information on Barbara Crooker, please click here: http://www.barbaracrooker.com/

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Poem of the Week, by Leigh Hunt

Jenny Kissed Me
– Leigh Hunt

Jenny kissed me when we met,
Jumping from the chair she sat in;
Time, you thief, who love to get
Sweets into your list, put that in;
Say I’m weary, say I’m sad,
Say that health and wealth have missed me,
Say I’m growing old, but add,
Jenny kissed me.


For more information on Leigh Hunt, please click here: http://www.poetryfoundation.org/bio/leigh-hunt

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Poem of the Week, by Wesley McNair

Waving Goodbye
– Wesley McNair

Why, when we say goodbye
at the end of an evening, do we deny
we are saying it at all, as in We’ll
be seeing you, or I’ll call, or Stop in,
somebody’s always at home? Meanwhile, our friends,
telling us the same things, go on disappearing
beyond the porch light into the space
which except for a moment here or there
is always between us, no matter what we do.
Waving goodbye, of course, is what happens
when the space gets too large
for words – a gesture so innocent
and lonely, it could make a person weep
for days. Think of the hundreds of unknown
voyagers in the old, fluttering newsreel
patting and stroking the growing distance
between their nameless ship and the port
they are leaving, as if to promise I’ll always
remember, and just as urgently, Always
remember me. It is loneliness, too,
that makes the neighbor down the road lift
two fingers up from his steering wheel as he passes
day after day on his way to work in the hello
that turns into goodbye? What can our own raised
fingers to for him, locked in his masculine
purposes and speeding away inside the glass?
How can our waving wipe away the reflex
so deep in the woman next door to smile
and wave on her way into her house with the mail,
we’ll never know if she is happy
or sad or lost? It can’t. Yet in that moment
before she and all the others and we ourselves
turn back to our disparate lives, how
extraordinary it is that we make this small flag
with our hands to show the closeness we wish for
in spite of what pulls us apart again
and again: the porch light snapping off,
the car picking its way down the road through the dark.

For more information on Wesley McNair, please click here: http://www.poetryfoundation.org/bio/wesley-mcnair

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Poem of the Week, by Thomas Allan Orr

Soybeans
– Thomas Allan Orr

The October air was warm and musky, blowing
Over brown fields, heavy with the fragrance
Of freshly combined beans, the breath of harvest.

He was pulling a truckload onto the scales
At the elevator near the rail siding north of town
When a big Cadillac drove up. A man stepped out,
Wearing a three-piece suit and a gold pinky ring.
The man said he had just invested a hundred grand
In soybeans and wanted to see what they looked like.

The farmer stared at the man and was quiet, reaching
For  the tobacco in the rear pocket of his jeans,
Where he wore his only ring, a threadbare circle rubbed
By working cans of dip and long hours on the backside
Of a hundred acre run. He scooped up a handful
Of small white beans, the pearls of the prairie, saying:

Soybeans look like a foot of water on the field in April
When you’re ready to plant and can’t get in;
Like three kids at the kitchen tables
Eating macaroni and cheese five nights in a row;
Or like a broken part on the combine when
Your credit with the implement dealer is nearly tapped.

Soybeans look like prayers bouncing off the ceiling
When prices on the Chicago grain market start to drop;
Or like your old man’s tears when you tell him
How much the land might bring for subdivisions.
Soybeans look like the first good night of sleep in weeks
When you unload at the elevator and the kids get Christmas.

He spat a little juice on the tire of the Cadillac,
Laughing despite himself and saying to the man:
Now maybe you can tell me what a hundred grand looks like.”

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Poem of the Week, by Carl Sandburg

River Roads
– Carl Sandburg

Let the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let ’em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old
swimmers from old places.

Let the redwing streak a line of vermillion on the green wood lines.
And the mist along the river fix its purple in lines of a woman’s
shawl on lazy shoulders.

–For more information on Carl Sandburg, please click here: http://www.poetryfoundation.org/bio/carl-sandburg

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Poem of the Week, by Coleman Barks

Hummingbird Sleep
– Coleman Barks

A hummingbird sleeps among the wonders.
Close to dark, he settles on a roosting limb
and lowers his body temperature
to within a few degrees of the air’s own.

As the bird descends into torpor,
he assumes his heroic sleep posture,
head back, tilted beak pointing to the sky,
angling steep, Quixotic, Crimean.

This noctivation, the ornithologist word for it,
is very like what bears do through the winter.
Hummingbirds live the deep drop every night.
You can yell in his face and shake the branch.

Nothing. Gone. Where? What does he dream of?
He dreams he is the great air itself, the substance
he swims in every day, and the rising light
coming back to be his astonishing body.

For more information on Coleman Barks, please click here: http://www.colemanbarks.com/


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Poem of the Week, by Richard Kenney

Coda
– Richard Kenney

I tried lacing loss into these lines,
thinking to bind it safely there.

But when much lifetime had raced by I
saw rather

trapped in the scrag noose, too,
joy and daylight.

I bottled also bile in these poems,
thinking to isolate

the toxin. But when much lifetime had raced by I
found it on the mantel.

I thought to lower these poems into a salt dome—
stable, it’s said, for aeons.

And who isn’t one?
Once

I tried to write invisibly,
but all lifetime is a candle.

F​or more information on Richard Kenney, please click here: http://www.poetryfoundation.org/bio/richard-kenney​

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Poem of the Week, by Tony Hoagland

The Word
– Tony Hoagland

Down near the bottom
of the crossed-out list
of things you have to do today,

between “green thread”
and “broccoli” you find
that you have penciled “sunlight.”

Resting on the page, the word
is beautiful, it touches you
as if you had a friend

and sunlight were a present
he had sent you from some place distant
as this morning—to cheer you up,

and to remind you that,
among your duties, pleasure
is a thing

that also needs accomplishing.
Do you remember?
that time and light are kinds

of love, and love
is no less practical
than a coffee grinder

or a safe spare tire?
Tomorrow you may be utterly
without a clue

but today you get a telegram,
from the heart in exile
proclaiming that the kingdom

still exists,
the king and queen alive,
still speaking to their children,

—to any one among them
who can find the time,
to sit out in the sun and listen.

For more information about Tony Hoagland, please click here: http://www.poetryfoundation.org/bio/tony-hoagland

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Poem of the Week, by Archibald MacLeish

The Young Dead Soldiers, by Archibald MacLeish

The young dead soldiers do not speak.

Nevertheless, they are heard in
the still houses: who has not
heard them?

They have a silence that speaks for
them at night and when the clock
counts.

They say: We were young. We
have died. Remember us.

They say: We have done what we
could but until it is finished it is not
done.

They say: We have given our lives
but until it is finished no one can
know what our lives gave.

They say: Our deaths are not ours;
they are yours; they will mean what
you make them.

They say: Whether our lives and
our deaths were for peace and a
new hope or for nothing we cannot
say: it is you who must say this.

They say: We leave you our deaths.
Give them their meaning.

We were young, they say. We
have died. Remember us.

 

F​or more information on Archibald MacLeish, please click here: http://www.poetryfoundation.org/bio/archibald-macleish​


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