Poem of the Week, by Michael Lee

img_61071) When I was young and had just lost someone I loved, I prayed one night for him to give me a sign from wherever, if anywhere, he was. The next morning I dreamed that his arms were the blanket over me and the bed under me. The sense of comfort disappeared the minute I woke up, but I’ve remembered it all these years. 2) Once, in a CVS, years after she had died, I smelled my grandmother, the powder she always wore. I followed my nose from aisle to aisle until I found her, a small old woman looking at birthday cards. She was not my grandmother, and yet she was my grandmother. 3) Last spring, my friend Kathi and I were on a television show that was being taped outdoors. As Kathi was talking, my friend John Brett, husband of my friend Gail, appeared at the edge of the set. He was smiling, of course, and a giant surge of happiness went through me at the sight of him and I waved at him and thought, I have to tell Gail I saw John! Then I remembered, again, that John had died. But I told Gail anyway. 4) I love this poem below for so many reasons, but most of all for these lines: The theory of six degrees of separation/ was never meant to show how many people we can find,/ it was a set of directions for how to find the people we have lost.

 

Pass On, by Michael Lee

When searching for the lost remember 8 things.

1.
We are vessels. We are circuit boards
swallowing the electricity of life upon birth.
It wheels through us creating every moment,
the pulse of a story, the soft hums of labor and love.
In our last moment it will come rushing
from our chests and be given back to the wind.
When we die. We go everywhere.

2.
Newton said energy is neither created nor destroyed.
In the halls of my middle school I can still hear
my friend Stephen singing his favorite song.
In the gymnasium I can still hear
the way he dribbled that basketball like it was a mallet
and the earth was a xylophone.
With an ear to the Atlantic I can hear
the Titanic’s band playing her to sleep,
Music. Wind. Music. Wind.

3.
The day my grandfather passed away there was the strongest wind,
I could feel his gentle hands blowing away from me.
I knew then they were off to find someone
who needed them more than I did.
On average 1.8 people on earth die every second.
There is always a gust of wind somewhere.

4.
The day Stephen was murdered
everything that made us love him rushed from his knife wounds
as though his chest were an auditorium
his life an audience leaving single file.
Every ounce of him has been
wrapping around this world in a windstorm
I have been looking for him for 9 years.

5.
Our bodies are nothing more than hosts to a collection of brilliant things.
When someone dies I do not weep over polaroids or belongings,
I begin to look for the lightning that has left them,
I feel out the strongest breeze and take off running.

6.
After 9 years I found Stephen.
I passed a basketball court in Boston
the point guard dribbled like he had a stadium roaring in his palms
Wilt Chamberlain pumping in his feet,
his hands flashing like x-rays,
a cross-over, a wrap-around
rewinding, turn-tables cracking open,
camera-men turn flash bulbs to fireworks.
Seven games and he never missed a shot,
his hands were luminous.
Pulsing. Pulsing.
I asked him how long he’d been playing,
he said nine 9 years

7.
The theory of six degrees of separation
was never meant to show how many people we can find,
it was a set of directions for how to find the people we have lost.
I found your voice Stephen,
found it in a young boy in Michigan who was always singing,
his lungs flapping like sails
I found your smile in Australia,
a young girl’s teeth shining like the opera house in your neck,
I saw your one true love come to life on the asphalt of Boston.

8.
We are not created or destroyed,
we are constantly transferred, shifted and renewed.
Everything we are is given to us.
Death does not come when a body is too exhausted to live
Death comes, because the brilliance inside us can only be contained for so long.
We do not die. We pass on, pass on the lightning burning through our throats.
when you leave me I will not cry for you
I will run into the strongest wind I can find
and welcome you home.

 

For more information about Michael Lee, please click here.

 

Poem of the Week, by Naomi Shihab Nye

img_5982I’m the mother of an immigrant and the aunt to immigrants. Family members and many of my dearest friends are gay. I am both a patron and former client of Planned Parenthood. I do not identify as Christian. These four facts alone make me –a white, middle-class born-and-bred citizen of this country– and my immediate and extended family current targets for persecution by my own government. Beyond that, many of my students, colleagues and friends are a) not white, b) Muslim, c) immigrants, d) people living with mental and physical disabilities. Being a patriotic American, which I most certainly am, means that my responsibility is to speak out against fascism. Being a progressive, which I also most certainly am, means keeping my focus on the bigger picture, which is the world as I know it to be, the one that Naomi Nye so beautifully brings to life in this poem.

Gate A-4, by Naomi Shihab Nye

Wandering around the Albuquerque Airport Terminal, after learning
my flight had been delayed four hours, I heard an announcement:
“If anyone in the vicinity of Gate A-4 understands any Arabic, please
come to the gate immediately.”

Well—one pauses these days. Gate A-4 was my own gate. I went there.

An older woman in full traditional Palestinian embroidered dress, just
like my grandma wore, was crumpled to the floor, wailing. “Help,”
said the flight agent. “Talk to her. What is her problem? We
told her the flight was going to be late and she did this.”

I stooped to put my arm around the woman and spoke haltingly.
“Shu-dow-a, Shu-bid-uck Habibti? Stani schway, Min fadlick, Shu-bit-
se-wee?” The minute she heard any words she knew, however poorly
used, she stopped crying. She thought the flight had been cancelled
entirely. She needed to be in El Paso for major medical treatment the
next day. I said, “No, we’re fine, you’ll get there, just later, who is
picking you up? Let’s call him.”

We called her son, I spoke with him in English. I told him I would
stay with his mother till we got on the plane and ride next to 
her. She talked to him. Then we called her other sons just 
for the fun of it. Then we called my dad and he and she spoke for a while
in Arabic and found out of course they had ten shared friends. Then I 
thought just for the heck of it why not call some Palestinian poets I know
and let them chat with her? This all took up two hours.

She was laughing a lot by then. Telling of her life, patting my knee,
answering questions. She had pulled a sack of homemade mamool
cookies—little powdered sugar crumbly mounds stuffed with dates and
nuts—from her bag—and was offering them to all the women at the gate.
To my amazement, not a single woman declined one. It was like a
sacrament. The traveler from Argentina, the mom from California, the
lovely woman from Laredo—we were all covered with the same powdered
sugar. And smiling. There is no better cookie.

And then the airline broke out free apple juice from huge coolers and two
little girls from our flight ran around serving it and they
were covered with powdered sugar, too. And I noticed my new best friend—
by now we were holding hands—had a potted plant poking out of her bag,
some medicinal thing, with green furry leaves. Such an old country tradi-
tion. Always carry a plant. Always stay rooted to somewhere.

And I looked around that gate of late and weary ones and I thought, This
is the world I want to live in. The shared world. Not a single person in that
gate—once the crying of confusion stopped—seemed apprehensive about
any other person. They took the cookies. I wanted to hug all those other women, too.

This can still happen anywhere. Not everything is lost.

For more information on Naomi Shihab Nye, please click here.

Poem of the Week, by Jessy Randall

img_5354Hello, you’ve reached the Crisis Connection. This is Anna. Could you tell me your first name? I remember the sound of that woman’s voice. This was many many years ago. Someone close to me was in terrible shape, and nothing I did helped, and in panic and desperation I had called the hotline seeking guidance as to how to help. My name is Alison but that doesn’t matter it’s not me who needs help it’s my friend and I don’t know what to do and I began to describe the situation as she listened. And listened. Her calm and her focus, over more than a thousand miles of an invisible cell phone connection, was tangible. How are you feeling right now, Alison? Where are you, Alison? What’s your plan for the next few hours? Is there a way you can take care of yourself in this hard time? To this day I can hear her voice, so calm and warm in my ear. Saying my name. Listening. I remember looking up at the sky at one point. It was late at night, far from the city, and the stars were thick in the heavens. After a long time my voice was slow and tired, but I now had a little more energy to keep going. I will remember that conversation the rest of my life. The poem below made me think of Anna, and that long ago dark night. I wish there were some way to tell her how grateful I will always be to her.

Suicide Hotline Hold Music
     – Jessy Randall

We play cheerful music on the suicide hotline—
cheerful but not too cheerful.
Nothing with lyrics.
Sometimes, when I finally talk to them,
they’re crying, and sometimes they keep crying.
I fight the urge to tell them jokes.
Sometimes they get on my nerves.
Sometimes I ask them to see things from my point of view.
They gulp. They try. Even in crisis
they are polite.
I ask them where it hurts.
They always have an answer.
Here’s what they don’t know. When I play the music,
I’m still on the line. I listen to them breathing.
If their breathing slows, I keep playing
the hold music. I’m like a deejay and I’m like
a doctor. I adjust the music with care. I fine-tune,
giving them what they need at just that moment.
I’ll ask them to hold and play the music again.
I have a button I can press that makes the music skip.
The same sound repeats for twenty seconds.
When I get back on the line with them, they never fail
to let me know about the problem. They’re helpful.
“Thank you,” I say. “We’ll fix that for next time.”
It reminds them they are part of the world. Then
they tell me things, sometimes haltingly,
sometimes in one big rush. How they feel,
how bad it is.
I can keep them on the line for hours.
The main thing is to keep them on the line.

For more information on Jessy Randall, please click here.

Poem of the Week, by Langston Hughes

img_0494Quite a year we just had. A year that drove that poor little garden gnome in the photo on the right to drink, not to mention me with my cabinet full of gin. So many poems feel like possibilities to greet the new year, but this one by Langston Hughes feels the most possible. It’s strange, because if asked I would never list Langston Hughes on my Favorite Poet list, but lines from his poems come drifting through my mind almost every day. Like this one: Hold fast to dreams, for if dreams go, life is a barren field frozen with snow. And this one: They’ll see how beautiful I am and be ashamed– I, too, am America. And this one: I’ve known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers. And most of all, I see that my own hands can make the world that’s in my mind. Goodbye, 2016. Here’s to the baby new year.

I look at the world
     – Langston Hughes

I look at the world
From awakening eyes in a black face—
And this is what I see:
This fenced-off narrow space
Assigned to me.

I look then at the silly walls
Through dark eyes in a dark face—
And this is what I know:
That all these walls oppression builds
Will have to go!

I look at my own body
With eyes no longer blind—
And I see that my own hands can make
The world that’s in my mind.
Then let us hurry, comrades,
The road to find.

For more information about Langston Hughes, please click here.

Poem of the Week, by Tom Hennen

After a lifetime of winter (the Adirondack mountains, Vermont, Minnesota) I can do without -40 windchills, insta-frozen nose hairs, ice and the mummification required to step onto the front steps with shovel in hand, but I could never do without the change of seasons. Spring, summer, fall, winter: I don’t know how life is experienced by people who live in places where nothing much changes, weatherwise. I only know what it feels like to wake up and step outside and smell the air and look at the sky and listen to ice melting or birds singing or wind in the leaves, to see that first maple leaf flutter red to the ground in the fall or that first pussy willow budding in the spring, and how it hurts my heart. Not hurts, exactly, but that’s part of it. Stretches my heart. Fills my heart. Reminds me that time is turning, for all of us —In the darkness of the barn their woolly backs were full of light gathered on summer pastures–and how nothing ever really goes away. Every summer is held deep in the heart of every winter.

 

Sheep in the Winter Night, by Tom Hennen

Inside the barn the sheep were standing, pushed close to one
another. Some were dozing, some had eyes wide open listening
in the dark. Some had no doubt heard of wolves. They looked
weary with all the burdens they had to carry, like being thought
of as stupid and cowardly, disliked by cowboys for the way they
eat grass about an inch into the dirt, the silly look they have
just after shearing, of being one of the symbols of the Christian
religion. In the darkness of the barn their woolly backs were
full of light gathered on summer pastures. Above them their
white breath was suspended, while far off in the pine woods,
night was deep in silence. The owl and rabbit were wondering,
along with the trees, if the air would soon fill with snowflakes,
but the power that moves through the world and makes our
hair stand on end was keeping the answer to itself.

 

For more information on Tom Hennen, please click here.

Poem of the Week, by Ed Skoog

Last night I woke up around 2 and lay in bed picturing the bag of French roast, the French press, the blue teakettle on the black stove, the heavy cream in the fridge, and how great it would be, come morning, to pour the coffee into the speckled enamel mug I stole from my daughter. Then I pictured that daughter, away at cimg_3336ollege, and how when I make coffee for her she sits quietly at the kitchen table, her head slightly bowed, silent, because she’s not a morning person, and how her black hair shines in the lamplight. Then I pictured the other daughter, who lives in Boston and whose room still smells like her, and I resisted the urge to get up and walk across the hall and open the door to her so I could breathe her in. Then I pictured the son who lives in Chicago and I remembered the collection of duct tape + cardboard swords he made when he was a little boy. And the other people I most love –the best friend, the painter, the sisters and brother and parents and friends– gathered together in my mind in the dark. All this is to say that when I read the poem below, it feels exactly like those middle of the night thoughts – that everything that matters is small and specific and enormous at the same time.

When
     – Ed Skoog

when you go
off to work
when you are
asleep in lamplight
when you take the baby
upstairs
midway through the movie
or have lost your
phone and ask
me to call it
or one of us
runs up to the store
or when I drink
too much and forget
myself
when deadlines
overwhelm
and you wake
searching the bed
for spreadsheets
when I shower after you
the water still hot

For more information on Ed Skoog, please click here.

Poem of the Week, by Kaylin Haught

img_5353Young woman across the street, waving and calling to me as I trudge through the snowdrifts on the way home from my astonishingly wonderful church for the non-churchy, where I go seeking solidarity amongst my equally post-election troubled neighbors and friends: “Mama! Mama!”
Me, calling back: “I’m not your mama!”
YW: “Thank you, mama, come here!”
Me, crossing the street in an Oh, what the hell sort of way: “. . . Yes?”
YW, gesturing to a small car with two enormous rolled rugs sticking out of the trunk and windows): “Please mama, please help.”
Me: “Honey, are you nuts? You’re half my age and twice as solid.”
YW: “Thank you mama, God bless you mama.”
Me, after deciding that the universe has brought me this interesting experience and I might as well roll with it, heaving the first rug out of the trunk/window and dragging it with difficulty and no help across the entryway to her apartment building, then repeating the process with Rug #2, at which point she gestures happily for me to follow her down a hallway with Rug #1: “No way, sister. You’re on your own now.”

YW: “Thank you mama! God bless you mama!”

Whatever the above anecdote –which ended with me heaving both rugs down the hallway, angling them into her apartment, propping them against the wall of her living room and then leaving without unwrapping and arranging them for her, much to her chagrin– has to do with today’s poem of the week, I’m not sure, other than it falls into the categories of Life is interesting and mystifying and Some people have no qualms asking for exactly what they want and My back hurts now and Sometimes I just feel like saying yes.

God Says Yes To Me
– by Kaylin Haught

I asked God if it was okay to be melodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly
what you want to
Thanks God I said
And is it even okay if I don’t paragraph
my letters
Sweetcakes God said
who knows where she picked that up
what I’m telling you is
Yes Yes Yes

For more information on Kaylin Haught, please click here.

Poem of the Week, by Nancy Henry

img_5354Poetry sites are bookmarked on my computer and the first thing I do when I wake up is go from one to the other, reading poems. Four per morning, sometimes more. I hardly ever read any poems I like. Why do you read poems you don’t like? asks the man who knows me best, watching me sigh and roll my eyes. Because I have to read a ton of poems I don’t like in order to find one I do like, which is the truth. Maybe one out of a hundred poems will seize me. Even so, one out of a hundred poems adds up. They add up and up and up, to a beautiful tumble of beautiful poems I will keep reading forever. You know what else adds up? Cruel statements add up, and vicious diatribes add up, and chants of lock her up add up, and rallies of falsehoods and hatred add up. But good deeds add up too, damn it, and so do people who fill a hollow no one else can fill, as in this beautiful poem below. Hail to the unsung and underpaid caregivers, for they are the ones who mend the wounds, smooth the sheets, clean the vomit of humanity from the streets and from our souls.

People Who Take Care
     – Nancy Henry

People who take care of people
Get paid less than anybody
people who take care of people
are not worth much
except to people who are
sick, old, helpless, and poor
people who take care of people
are not important to most other people
are not respected by many other people
come and go without much fuss
unless they don’t show up
when needed
people who make more money
tell them what to do
never get shit on their hands
never mop vomit or wipe tears
don’t stand in danger
of having plates thrown at them
sharing every cold
observing agonies
they cannot tell at home
people who take care of people
have a secret
that sees them through the double shift
that moves with them from room to room
that keeps them on the floor
sometimes they fill a hollow
no one else can fill
sometimes through the shit
and blood and tears
they go to a beautiful place, somewhere
those clean important people
have never been.

For more information on Nancy Henry, please click here.

Poem of the Week, by Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

For more information about Maggie Smith, please click here.

Poem of the Week, by Kevin Carey

11666099_1232950340052033_2760881278274778804_nTough choosing a poem this week amidst the hours spent hiking, walking, trying to tromp my way into some form of inner calm. More hours on the couch scrolling through my thousands of poems. Searching for certain poets, the ones who bring me comfort because they’re fearless, because they talk about life the way it is, because they use ordinary words to write about ordinary things that in their magic hands turn transcendent and remind me that I’m not in this alone. That I am never alone. That all over this country right now, there are others waking every morning and breathing in and breathing out and reminding themselves that the world has never been easy, that humankind has always been under threat by the few among us who take pleasure in being cruel, in inciting violence, in tearing apart the social fabric because . . . why? because they can, I guess. Yes, we are always under siege by those who would divide us for their own sick pleasure, and also yes, we are always fighting back. Sometimes with harshness, and sometimes with a book that lasts for a lifetime, as in this beautiful poem.

Reading to My Kids
     – Kevin Carey

When they were little I read
to them at night until my tongue
got tired. They would poke me
when I started to nod off after twenty pages
of Harry Potter or Lemony Snicket.
I read (to them) to get them to love reading
but I was never sure if it was working
or if it was just what I was supposed to do.
But one day, my daughter (fifteen then)
was finishing Of Mice and Men in the car
on our way to basketball.
She was at the end when I heard her say,
No, in a familiar frightened voice
and I knew right away where she was.
“Let’s do it now,” Lennie begged,
“Let’s get that place now.”
“Sure, right now. I gotta. We gotta,”
and she started crying, then I started crying,
and I think I saw Steinbeck
in the back seat nodding his head,
and it felt right to me,
like I’d done something right,
and I thought to myself, Keep going,
read it to me, please, please, I can take it.


For more information about Kevin Carey, please click here.

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