Poem of the Week, by W.S. Merwin

img_0560Last week the painter had a dream in which an old friend, dead in an instant two years ago now, appeared, smiling and so happy to see him.  Do you think he came back because he died so fast and he wanted to say goodbye to you? I asked him when he told me about the dream. Who knows? Maybe, the painter said. Either way it was good to see him, happy and healthy. W.S. Merwin has always been a poet of dreams to me, what with his imagery and the way his unpunctuated poems float on the page. His calm voice drifts across the water, and sometimes one of his poems feels exactly right.

Voices Over Water, by W. S. Merwin

There are spirits that come back to us
when we have grown into another age
we recognize them just as they leave us
we remember them when we cannot hear them
some of them come from the bodies of birds
some arrive unnoticed like forgetting
they do not recall earlier lives
and there are distant voices still hoping to find us

For more information on W.S. Merwin, please click here.

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Poem of the Week, by Ross Gay

How many times have I been driving in my city and glanced over at the face of a pulled-over-by-an-officer driver? Hundreds. How many of those times has the driver been a person of color? Most of the time.

 

Pulled Over in Short Hills, NJ, 8:00 AM, by Ross Gay

It’s the shivering. When rage grows
hot as an army of red ants and forces
the mind to quiet the body, the quakes
emerge, sometimes just the knees,
but, at worst, through the hips, chest, neck
until, like a virus, slipping inside the lungs
and pulse, every ounce of strength tapped
to squeeze words from my taut lips,
his eyes scanning my car’s insides, my eyes,
my license, and as I answer the questions
3, 4, 5 times, my jaw tight as a vice,
his hand massaging the gun butt, I
imagine things I don’t want to
and inside beg this to end
before the shiver catches my
hands, and he sees,
and something happens.

 

For more information on Ross Gay, please click here.

 

Poem of the Week, by T.S. Eliot

Photos 223Sometimes all I want is a poem that’s rhythm and rhyme, words placed and spaced so they turn into a song inside my head. Langston Hughes does that. So does Dylan Thomas. And so does Mr. Eliot, below. I memorized this poem so that it will always be with me. Poem, you are a voice shaken from the yew-tree, and here I am, replying.

Excerpt from Ash-Wednesday, by T.S. Eliot

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty forms between the ivory gates
And smell renews the salt savour of the sandy earth
This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply.

For more information on T.S. Eliot, please click here.
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Poem of the Week, by Kathy Fagan

img_6107This poem haunts me. Not because it’s sad –or maybe it is; I don’t really know what this poem is about– but because when I read it, it brings back times of internal struggle. Like when I was young and trying desperately to work my solo way out of a secret, six-year eating disorder. Partway through this struggle, for reasons I no longer remember, I sat down and made a list of all the people dearest to me. One way to translate “eating disorder,” maybe, is “self-hatred,” but I clearly remember that when I finished the list, all their faces came swimming up in my mind, and every face was smiling at me with love. It came to me in that moment that clothes, size, money, age, looks, where a person went to college– none of it mattered. The one thing that would matter about me to the world, if only I could remember it, was my own spirit. That moment was a turning point in my struggle. And somehow it relates to this beautiful, mysterious poem, because when I read How we looked / didn’t matter for once / because we were flying, I feel as if I’m flying.

 

How We Looked, by Kathy Fagan

          didn’t matter for once 
because we were flying. 

          The crows we were 
clothed in took a running 

          start for the gothic 
and that was all: 

          tooled doors opened 
and waxy air 

          lifted us on its current. 
And though the jeweled 

          light was dim we could tell 
the faces we were 

          seeing were beautiful, 
each with a mouth 

          and voice, and there was 
no doubt then, 

          as our chins and our rib cages, 
our wrists and our knees 

          rose, that what mattered 
was that we obey 

          for once, and when 
the voices said, 

          Look up, Look up, 
though rain fell 

in our eyes, we did.     

 

Click here for more information about Kathy Fagan.

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Poem of the Week, by Naomi Shihab Nye

Naomi NyePeople who have been reading the poem of the week on this blog for years now must think, seeing this week’s selection, Wow, does this woman love Naomi Shihab Nye. And they would be right. Sometimes, walking down the street, I recite lines from her poems, maybe because they’re beautiful, maybe because they make me feel less alone, maybe because they remind me, always, that kindness is all that matters. At a restaurant a couple of weeks ago, a friend said to me, “I read a poem today that I think you would love. It’s by a woman named Naomi something”–and I said, “Naomi Shihab Nye!” Once, a couple of years ago, I saw a tiny notice in the paper that she was giving a talk that very night at a school near me –she lives in Texas and this was in Minneapolis– so I zipped right over. The talk was in a high school classroom and I sat in a chair in the front row. And afterward I asked if she minded a photo. So that’s me, with Naomi my hero, and this concludes my Naomi Shihab Nye story in favor of her beautiful poem, of which I love this line most of all: Each carries a tender spot: Something our lives forgot to give us. 

 

Jerusalem, by Naomi Shihab Nye

“Lets be the same wound if we must bleed.
         Lets fight side by side, even if the enemy
is ourselves: I am yours, you are mine.”
                                    —Tommy Olofsson, Sweden

I’m not interested in
who suffered the most.
I’m interested in
people getting over it.
Once when my father was a boy
a stone hit him on the head.
Hair would never grow there.
Our fingers found the tender spot
and its riddle: the boy who has fallen
stands up. A bucket of pears
in his mother’s doorway welcomes him home.
The pears are not crying.
Later his friend who threw the stone
says he was aiming at a bird.
And my father starts growing wings.

Each carries a tender spot:
something our lives forgot to give us.
A man builds a house and says,
“I am native now.”
A woman speaks to a tree in place
of her son. And olives come.
A child’s poem says,
“I don’t like wars,
they end up with monuments.”
He’s painting a bird with wings
wide enough to cover two roofs at once.

Why are we so monumentally slow?
Soldiers stalk a pharmacy:
big guns, little pills.
If you tilt your head just slightly
it’s ridiculous.

There’s a place in my brain
where hate won’t grow.
I touch its riddle: wind, and seeds.
Something pokes us as we sleep.

It’s late but everything comes next.

 

For more information on Naomi Shihab Nye, please click here.

Poem of the Week, by Miguel M. Morales

img_3440I wanted to write about why I love this poem so much, but it grabbed me by the throat and told me that it could speak for itself, thanks.

This Is a Migrant Poem, by Miguel M. Morales


This is a migrant poem 
a farmworking poem, a poem that covers itself 
in long sleeves to avoid the burning sun. 

That drinks enough water to avoid 
dehydration but not enough to get water sickness. 

This poem carries a machete, a hoe, a spade, 
a knife, shears, and a file for filo. 

This poem walks irrigated rows collecting mud 
on its boots that add five pounds to each foot. 

This poem guards the cornfield where his sister, 
his mother, and his cousins, squat to pee. 

This poem ducks down hitting the dirt to avoid the 
echoing crop duster spraying anti-poem toxins that 
burn our eyes and throats. 

This poem is egg and chorizo burritos in aluminum foil, 
steamed shut by the heat waiting for you at lunch 
in a foam cooler in the trunk at the end of rows of soybean. This poem. 
This poem smells of blood—and meat. 

This poem flows from carcasses into open drains 
of slaughter houses, on kill floors, in chilled freezers 
with knives cutting, cutting, cutting, cutting—always cutting. 

They duct tape knives into this poem’s hands 
to cut even when its cut hands can cut no longer. 

This poem is a gift of a strong back, of sturdy legs,
of silence, of patience. 

And a never-ending work ethic 
          a never ending work ethic 
                      a never ending work of ethics. 

This poem shows you the bigger picture. 
This poem is pragmatic, strategic, and erratic. 

This poem reaches as it climbs ladders, as it stoops over, 
as it pulls from branches, vines, as it unearths other poems 
and tosses them into buckets and sacks slung across its stanzas. 

This poem is paid by the word, by the piece, 
by the hour, by the day, by the acre. 

This poem has no benefits, no days off, 
no health insurance, no childcare. 

This poem is child labor. This poem is sexual assault. 
This poem is deportation. This poem is missing wages,
broken vehicles, sunstroke. 

This poem avoids irrigation ditches where 
La Llorona hopes to drown it. 

This poem knows she commands water and sends waves 
of humidity and tempting mirages of cool rippling lakes. 

This poem wears a rosary and a scapular and prays to St. Francis of Assisi 
to protect them from snakes and rats that live in the fields 
and to St. Michael the archangel to protect them from the farmer’s son 

who watches his sisters 
          who follows his sisters  
                     who pulls at his sisters. 

This poem wakes up early, works all damn day, sweats all damn day. 
This poem always needs a shower to wash off the dirt, to wash out the dirt, 
to wash away the dirt. 

This poem goes to bed early to do it all again 
                                                                        tomorrow. 

This Poem is a Migrant Poem. 
A. Farm. Working. Poem.

For more information on Miguel M. Morales, please click here.

Poem of the Week, by Tim Nolan

img_6107A long, long time ago I read Innumeracy, a slender, astonishing book by the mathematician John Allen Paulos, in which he explains how the inability of most of us to deal rationally with enormous numbers results in confused personal decisions and public policy as well as susceptibility to pseudoscience of all kinds. In one chapter Paulos lays out the fact that, on average, every breath we take contains a minimum of three molecules of air breathed by every single person who ever lived and breathed on this planet. I think about this fact every single day. It has influenced every aspect of my life, not least of which is that in times of deep grief, it brings me comfort. Breathe in, Alison. Remember that you’re breathing in some of the same air that every single person you love, the ones who are living and the ones who are dead, have breathed. This lovely, elegiac poem by Tim Nolan, one of a series about his mother and her passing, brings me that same sense of loss and comfort.

 

The Blue Light, by Tim Nolan

I asked her to come to me
in whatever way she chose

As the wind, as the ruffling
water, as the red maple leaf

So today I closed my eyes
halfway toward sleep

And she came in a blue light
blue as a tropical ocean

Turning toward a darker blue
as the Sun passed

Coming in blue waves coming
in from the side of my eyes

Somehow bathing me in blue—
a blue that seemed to be

Her gaze –turned to blue—
just as she was a few weeks ago

Her blue eyes and mine meeting
in that long long look

 

For more information on Tim Nolan, please click here.

Poem of the Week, by Elizabeth Acevedo

img_2654That photo over there to the right is the very long tail of a very large rat that ran over my bare feet as I stood at the stove cooking dinner. The story behind the tail is one of intrigue and horror – me sauteeing vegetables at the stove while chatting with The Painter who was seated behind me, me suddenly feeling a squirrel or a small cat run over my bare feet, me shrieking and whirling around to tell The Painter that a squirrel or a cat had run over my bare feet, The Painter trying desperately to contain his horror because he had witnessed exactly what ran over my bare feet and rats are not cats. 

Here’s a writing exercise for you: Write about something that the world considers ugly but you secretly think is beautiful. The results might make you feel the same way I did when I read this stunning poem below.

 

For the Poet Who Told Me Rats Aren’t Noble Enough Creatures for a Poem, by Elizabeth Acevedo
        

Because you are not the admired nightingale.
Because you are not the noble doe.
Because you are not the blackbird,
picturesque ermine, armadillo, or bat.
They’ve been written, and I don’t know their song
the way I know your scuttling between walls.
The scent of your collapsed corpse bloating
beneath floorboards. Your frantic squeals
as you wrestle your own fur from glue traps.

Because in July of ’97, you birthed a legion
on 109th, swarmed from behind dumpsters,
made our street infamous for something
other than crack. We nicknamed you “Cat-
killer,” raced with you through open hydrants,
screeched like you when Siete blasted
aluminum bat into your brethren’s skull—
the sound: slapped down dominoes. You reigned
that summer, Rat; knocked down the viejo’s Heinekens,
your screech erupting with the cry of Capicu!
And even when they sent exterminators,
set flame to garbage, half dead, and on fire, you
pushed on.

Because you may be inelegant, simple,
a mammal bottom-feeder, always fucking famished,
little ugly thing that feasts on what crumbs fall
from the corner of our mouths, but you live
uncuddled, uncoddled, can’t be bought at Petco
and fed to fat snakes because you’re not the maze-rat
of labs: pale, pretty-eyed, trained.
You raise yourself sharp fanged, clawed, scarred,
patched dark—because of this alone they should
love you. So, when they tell you to crawl home
take your gutter, your dirt coat, your underbelly that
scrapes against street, concrete, squeak and filth this
page, Rat.

 

For more information on Elizabeth Acevedo, please click here.

Poem of the Week, by Kevin Young

img_6221Yesterday I sprinkled some sliced almonds into a small pan and turned the flame on low. I stood beside the stove watching over the pan and occasionally flipping the almonds so that they would brown evenly and not burn. When they were dark golden I shook a little sugar over them and stirred until they were caramelized. Then I turned the almonds out onto a plate to cool and took the pan over to the sink. The sink is a strange, cheap, plasticky thing, scarred from hot pans, so I held the pan up to the faucet and ran water in it to cool it down first. The water hit the pan and steam billowed up into my face. Suddenly I was breathing in vaporized sugar – I could feel it in my lungs and taste it as it went down. It was the most amazing sensation. I stood there by the sink and thought, All these years I’ve been alive and this has never once happened to me before. Then I thought of this poem, which I have secretly treasured ever since I first read it because I love how words, if you toss them around in your mind and on your tongue, turn surprising and magical in that same alchemical way. 

 

Errata
     – Kevin Young

Baby, give me just
one more hiss

We must lake it fast
morever

I want to cold you
in my harms

& never get lo

I live you so much
it perts!

Baby, jive me gust
one more bliss

Whisper your
neat nothings in my near

Can we hock each other
one tore mime?

All light wrong?

Baby give me just
one more briss

My won & homely

You wake me meek
in the needs

Mill you larry me?

Baby, hive me just
one more guess

With this sing
I’ll thee shed

 

Click here for more information about Kevin Young.

Poem-like Prose of the Week, by Kao Kalia Yang

img_3440A long time ago, I floated down a tunnel toward a light far away. The floating was slow and the sensation around me was warm and soft. I was conscious the entire time, not thinking but feeling, and the feeling was Here we go again. At a certain point, soft bits of metal touched the top and sides of my head. Nothing hurt. Everything was inevitable. What would happen, would happen. This is my memory of being born. (The soft bits of metal part had always confused me, until one day my mother told me I had been a forceps baby, pulled out at the end with metal tongs.) The below excerpt from Kao Kalia Yang’s beautiful, haunting memoir The Latehomecomer makes me remember it all over again, in a different way. From the sky, I would come again.

 

Prologue to The Latehomecomer, by Kao Kalia Yang

Before babies are born they live in the sky where they fly among the clouds. The sky is a happy place and calling babies down to earth is not an easy thing to do. From the sky, babies can see the course of human lives.

This is what the Hmong children of my generation are told by our mothers and fathers, by our grandmothers and grandfathers.

They teach us that we have chosen our lives. That the people who we would become we had inside of us from the beginning, and the people whose worlds we share, whose memories we hold strong inside of us, we have always known.

From the sky, I would come again.

 

For more information about Kao Kalia Yang, please click here.