Poem of the Week, by Bob Hicok

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This one goes out to all those who keep the world humming. To the servers and mechanics and plumbers and caterers and farmers and housecleaners and personal care attendants and orderlies and shift workers and convenience store clerks and landscapers and migrant workers and everyone else publicly championed and secretly scorned by those in power. We need more plumber poems, I always say to my students, we need more veteran poems and housecleaner poems and migrant worker poems. Write them. The world needs them. 

 

By Their Works

     – Bob Hicok

Who cleaned up the Last Supper? 
These would be my people. 
Maybe hung over, wanting 
desperately a better job,
standing with rags
in hand as the window
beckons with hills
of yellow grass. In Da Vinci,
the blue robed apostle
gesturing at Christ
is saying, give Him the check.
What a mess they’ve made
of their faith. My God
would put a busboy
on earth to roam
among the waiters
and remind them to share
their tips. The woman
who finished one
half eaten olive
and scooped the rest
into her pockets,
walked her tiny pride home
to children who looked
at her smile and saw
the salvation of a meal.
All that week
at work she ignored
customers who talked
of Rome and silk
and crucifixions,
though she couldn’t stop
thinking of this man
who said thank you
each time she filled
His glass.

 
 
​For more information on Bob Hicok, please click here.​
 

 

 

 

Poem of the Week, by Mary Oliver

Pete in first snow, 2011Yesterday my faithful companion and I were out for his twice-daily walk, and by “walk” I mean amble. Wander. Meander. Pete is fourteen years old now, and the boy who used to tear around the lakes for hours on end, never tiring, with me half-jogging to keep up, and who would then come home to do hot laps with the neighbor dogs in our adjoining back yard, now sways from side to side and every now and then stumbles over sidewalk heaves and steps. He breathes heavily and coughs often (heart failure), his joints are stiff (arthritis), he doesn’t notice the squirrels he used to leap after (eyes/hearing). This has happened gradually, so that I’ve had time to get used to it. Or so I thought.

But when flipping through photos the other day, I found this one and it nearly brought me to my knees. I remember when I took it. It was the first snow of the year that night, probably ten years ago, and he stood there at the end of the leash waiting impatiently for me to take the photo so that he could get back to what he wanted, which was to go, go, go through new snow, down the unshoveled sidewalk.

Petey-boy, I hope you’re still around for this year’s first snow. Are you our good boy? Are you? Are you the best, best dog? 

 * * *

 

from “Work”
     – Mary Oliver

All day I have been pining for the past.
That’s when the big dog, Luke, breathed at my side.
Then she dashed away then she returned
in and out of the swales, in and out of the creeks,
her dark eyes snapping.
Then she broke, slowly,
in the rising arc of a fever.

And now she’s nothing
except for mornings when I take a handful of words
and throw them into the air
so that she dashes up again out of the darkness,

like this–

this is the world.

 
For more information on Mary Oliver, please click here.​
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Poem of the Week, by Alexandra Lytton Regalado

 

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A long time ago, far away, a wiggly baby dressed in a little purple-and-white striped number was handed over to me. She took one look at the tall, strange woman holding her and squinched up her face to cry.

Who could blame her? But I quickly whispered to her that it’s okay, it’s okay, I’m your mama and you’re my little girl and we’re going to have so much fun together. She unsquinched her face and kicked her legs and gave me a big grin and we went back to the hotel. I laid her on my stomach so we could have a chat and get to know each other, whereupon she peed on me a little. Which made me laugh. Which made her laugh. Which made me laugh. Which made her laugh, and this little closed loop of laughing went on for a while.

But then I needed to go to the bathroom, and not knowing yet if she were capable of rolling right off the bed, I lowered her into the little white iron crib that had been set up in the room. It’s okay, I’ll be right back, I said. She stopped laughing and looked up at me with dark, dark eyes. Those dark eyes followed me into the bathroom. She did not smile when I smiled and waved from the open door. She just watched me. I remember being overcome by how a baby has no control –beyond crying– over its world. How everything depends on decisions made by grownups. How the life of this dark-eyed child was now in my hands. The awesome, overwhelming responsibility of it all. Please, please let me be a good mother to her, I remember thinking. Please let me do right by her.

 

The T’ai Chi of Putting a Sleeping Child to Bed
     – Alexandra Lytton Regalado 

        
In the lull of evening, your son nested in your arms
becomes heavier and with a sigh his body
sloughs off its weight like an anchor into deep sleep,
until his small breath is the only thing that exists.

And as you move the slow dance through the dim hall
to his bedroom and bow down to deliver his sleeping form,
arms parting, each muscle defining its arc and release—
you remember the feeling of childhood,

traveling beneath a full moon,
your mother’s unmistakable laugh, a field of wild grass,
windows open and the night rushing in
as headlights trace wands of light across your face—

there was a narrative you were braiding,
meanings you wanted to pluck from the air,
but the touch of a hand eased it from your brow
and with each stroke you waded further

into the certainty of knowing your sleeping form
would be ushered by good and true arms
into the calm ocean that is your bed.

 

For more information on Alexandra Lytton Regalado, please click here

 

 

Poem of the Week, by Francine J. Harris

img_3343Sometimes I think cruel things about other people. I don’t want to think these things and sometimes I hate myself for doing so. You say that all matters to you is being kind, I think, and that was so unkind. Sometimes I try to be Buddhist about it: Recognize. Acknowledge. Sit with it. Let it go. Sometimes I turn to one of my lifelong mantras to forestall future cruel thoughts: You don’t know what his story is, Alison, or, You don’t know what his home life is like, Alison, or, She was once somebody’s baby, you know.

Even though I don’t say these cruel things out loud, they bother me. Which might be why this poem upset me so much the first time I read it. As the lines gathered speed, and the poem gathered torment, it seemed so full of cruelty that I had to get away from it, had to push it away from me. It brought back so much awfulness from the past: cruelty of the school bus, cruelty of creative writing workshops, cruelty witnessed on the sidewalks and in school hallways and . . . everywhere. Especially these days, under our current regime.

But I kept reading. And when I got to the ending, that is when I knew that the poet was like me, but braver. She made herself go into the cruelty so that she could come out the other side. 

 

Katherine with the lazy eye. short. and not a good poet, by Francine J. Harris

This morning, I heard you were found in your McDonald’s uniform.
 
I heard it while I was visiting a lake town, where empty woodsy highways
turn into waterside drives. I’d forgot
 
my toothbrush and was brushing with my finger, when a friend
who didn’t know you said he heard it like this: You know Katherine. Short.
 
with a lazy eye. Poet. Not a very good one. Yeah, well she died. the blue
 
on that lake fogs off into the horizon like styrofoam. The picnic tables
full of white people. I ask them where the coffee is. They say at Meijer.
 
I wonder if you thought about getting out of Detroit. When you read at the open mike
you’d point across the street at McDonald’s and told us to come see you.
 
Katherine with the lazy eye. short and not a good poet, I guess I almost cried.

I don’t know why, because I didn’t like you. This is the first time I remembered your name.
 
I didn’t like how you followed around a married man. That your poems sucked
and that I figured they were all about the married man.
 
That sometimes you reminded me of myself, boy crazy. That sometimes
I think people just don’t tell me that I’m kind of, well…slow.
 
Katherine with the lazy eye, short. and not a good poet.
I didn’t like your lazy eye always looking at me. That you called me
 
by my name. I didn’t
like you, since the first time I saw you at McDonald’s.
 
You had a mop. And you were letting some homeless dude
flirt with you. I wondered then, if you thought that was the best
 
you could do. I wondered then if it was.
 
Katherine with the lazy eye, short, and not a good poet.
You were too silly to wind up dead in an abandoned building.
 
I didn’t like you because, what was I supposed to tell you. What.
Don’t let them look at you like that, Katherine. Don’t let them get you alone.
 
You don’t get to laugh like that, like nothing’s gonna get you. Not everyone
will forgive the slow girl. Katherine
 
with the fucked up eye, short. Poetry sucked, musta’ knew better. I avoided you
in the hallway. I avoided you in lunch line. I avoided you in the lake.
 
I avoided you. My lazy eye. Katherine with one hideous eye, shit.
Poetry for boys again, you should have been immune. you were supposed
 
to be a cartoon. your body was supposed to be as twisted as
it was gonna get. Short. and not a good poet. Katherine
 
with no eye no more. I avoided you, hated it, when you said my name. I
really want to leave Detroit. Katherine the lazy short.
 
not a good poet. and shit. Somewhere someone has already asked
what was she like, and a woman has brought out her wallet and said
 
This is her. This is my beautiful baby.    

 

 

For more information about Francine J. Harris, please click here.

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Poem of the Week, by Albert Goldbarth

21034365_1822136601133837_3288638729780497471_nHurricanes and earthquakes and floods and the ongoing human cruelty inflicted by our elected employees against their fellow human beings. Jeez. It’s enough to make me understand (a tiny bit, anyway) why religious people start tossing around terms like “the end times.” Screw that, though. Enough good people determined to make the world better will do just that. Let us be like the whales in this strange and unforgettable poem by Albert Goldbarth, and sing to each other.

 

Forces, by Albert Goldbarth

It’s different for the spiderweb: 
the only architecture 
in a five-block radius not 
undone by yesterday’s tornado. 

Out at the More-4-Less, strands 
of uncooked spaghetti were driven, 
unbroken, like nails, through concrete. 
Different levels: different forces. 

I remember when Anna told me 
about the deep-sea dive that almost 
killed her, hammered and disoriented 
and tossed like debris in the middle 

of two converging vectors of power. 
That’s what she said. The whales 
only knew they were singing 
to each other. 

 

 

​For more information on Albert Goldbarth, please ​click here.

Poem of the Week, by Kay Ryan

IMG_0447People look at me with confusion when I tell them I’m deeply wary of charismatic people, with charisma defined in the broad sense as “a personal magic of leadership arousing special popular loyalty or enthusiasm for a public figure (such as a political leader).” But wait, isn’t charisma charming, magnetic, powerful? Sometimes. And sometimes it’s a mask for manipulation, a bottomless need for adulation, attention, look at me look at me look at me, take care of me and do as I say because I am more important than you. Charismatic people so often go unchecked, no matter their behavior, because a) people are drawn to them by that magnetic personality and b) charismatic people often snap at anyone who calls them out on their behavior, in a vicious, malevolent and wildly cruel way. 

Which means that the only thing to do is exactly that: call them on their behavior. Not after seventy years of uncontrolled power-grabbing, but the first time it happens. When I began (only a few years ago, sadly) to call people on their awful, manipulative behavior –sometimes only in my own mind and sometimes with a fake-it-till-you-make-it calm in public– the relief was immediate and enormous. We’re all in this world together, friends. Don’t stand for bad behavior. Call it when you see it, and tell your elected employees to call it when they see it. Otherwise we end up exactly where we are in this country, right now, with unchecked petty tyrants trying to take down our democracy. I turn to this poem below, by the strange and wondrous poet Kay Ryan, for strength.

 

Relief, by Kay Ryan

We know it is close
to something lofty.
Simply getting over being sick
or finding lost property
has in it the leap,
the purse, the quick humility
of witnessing a birth–
how love seeps up
and retakes the earth.
There is a dreamy
wading feeling to your walk
inside the current
of restored riches,
clocks set back,
disasters averted.

 

​Fo​r more information on Kay Ryan, please click here.

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Poem of the Week, by Mary Jo Salter

IMG_7772The other day a new friend walked into my house and stopped to look at some photos perched on a bookcase. “Is that you?” he said, pointing to one of a girl on a windsurfer. “No, that’s my daughter,” I said, admiring her, how the wind was blowing her long hair back. Then time did one of its weird pivots and I startled and sort of laugh/winced, because why had I said the girl on the windsurfer was my daughter? She wasn’t. She was me, long ago, when I was the age that my daughter is now. Do we, at some point, evolve into the mothers of our own selves? What a beautiful and sorrowful thought, a thought which keeps me re-reading Mary Jo Salter’s haunting poem below. 

 

Here I Am, by Mary Jo Salter

Here I am, making my grand tour
the summer after graduation.
What is this? Must be the Rome train station.
We never noticed we were poor.
Backpacks and low-rise jeans—
we never lived beyond our means.
(Back then there were no ATMs.)
Here we are,
my friends and me.
We’re napping on a bank of the Thames,
when love was free.

Here I am with that girl I met
on the trip to Brussels or Bruges.
(My God, her duffel bag is huge!)
What was her name? Yvonne? Yvette?
She ditched me; I’m forgetting why.
Oh yeah—when I slept with that Swedish guy.
His sleeping bag was full of fleas.
Here we are,
with our bread and cheese,
on a park bench in the Tuileries,
when love was free.

    Here I am,
    a woman in the middle
    of her life,
    and her life
    is an endless riddle.
    In all of Europe
    I couldn’t stir up
    a memory more un-
    likely and foreign
    than me at twenty-two.
    I can’t help gazing
    at her bright young eyes,
    at her nice firm thighs.
    Was I ever twenty-two?
    Look at her skin, it’s amazing.
    Can you be me? Am I you?

Here I am at the Berlin Wall.
They tore it down, but it’s still there
in this picture, like my long dark hair.
But there’s a wall between her and me
that, like me, won’t be getting thinner.
Here we are,
myself and me,
thinking, Ich bin ein Berliner,
but who is free?

    Here I am,
    looking at this kernel
    of myself,
    and I feel
    so strangely maternal.
    Do I have a choice?
    I can’t believe I’m hearing
    my own mother’s voice
    giving me advice:

Did you pack your passport?
Sign your traveler’s checks?
Don’t talk to men,
they only want sex;
keep a ladylike appearance
and when was the last time you sent
a postcard to your parents?

Here it is.
Here’s my postcard to me.
I’ve become my own mother;
never thought I’d be.
But here I am …
here I am.

 

For more information on Mary Jo Salter, please click here.

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Poem of the Week, by David Hernandez

img_3441“Hi, this is Alison McGhee, patriotic citizen, calling from 55408.” Ever since the atrocity, which is my term for what went down last November, I make calls or send emails every day. I march if there’s a march. Taking action is the one thing that keeps me from sinking into a kind of paralyzed despair at both the crumbling of democracy I see all around me and the cruelty that is being encouraged and applauded. 

But taking action doesn’t just mean protesting. It means doubling down on kindness, on friendliness, on generosity. These are my vows, which I frequently break but keep re-upping: Smile and say hi to everyone you pass. Be your kindest self. Focus all your energy on the students in this room. Make life better for everyone you can, every time you can.  

The world gives back to you the energy you put into it, as David Hernandez –a poet new to me but whose work I’m now tracking down wherever I can find it– says so beautifully in this poem below.

 

Anyone Who Is Still Trying, by David Hernandez

Any person, any human, any someone who breaks
          up the fight, who spackles holes or FedExes
ice shelves to the Arctic to keep the polar bears
          afloat, who talks the wind-rippled woman
down from the bridge. Any individual, any citizen
          who skims muck from the coughing ocean,
who pickets across the street from antigay picketers
          with a sign that reads, GOD HATES MAGGOTS,
or, GOD HATES RESTAURANTS WITH ZAGAT RATINGS
          LESS THAN 27. Any civilian who kisses
a forehead heated by fever or despair, who reads
          the X ray, pins the severed bone. Any biped
who volunteers at soup kitchens, who chokes
          a Washington lobbyist with his own silk necktie—
I take that back, who gives him mouth-to-mouth
          until his startled heart resumes its kabooms.
Sorry, I get cynical sometimes, there is so much
          broken in the system, the districts, the crooked
thinking, I’m working on whittling away at this
          pessimism, harvesting light where I can find it.
Any countryman or countrywoman who is still
          trying, who still pushes against entropy,
who stanches or donates blood, who douses fires
          real or metaphorical, who rakes the earth
where tires once zeroed the ground, plants something
          green, say spinach or kale, say a modest forest
for restless breezes to play with. Any anyone
          from anywhere who considers and repairs,
who builds a prosthetic beak for an eagle—
          I saw the video, the majestic bird disfigured
by a bullet, the visionary with a 3-D printer,
          with polymer and fidelity, with hours
and hours and hours, I keep thinking about it,
          thinking we need more of that commitment,
those thoughtful gestures, the flight afterward. 

 

For more information on David Hernandez, please click here.

 

Poem of the Week, by Anna Marie Sewell

Screen Shot 2017-07-15 at 4.04.18 PMMama passed, honey. That was the subject line of my friend S’s email to me last week. S had been by the side of the woman who, though not her mother, was close enough to be. S had helped Mama out of this world into whatever comes after. Before work, after work, on weekends, she was with her, a steadying presence full of love and jokes. When Mama told her she was hungry, S would feed her little bites of avocado, apple sauce, ice cream. S was with Mama when she finally said goodbye to the world. Mama was in her 90’s. It was time. 

But it’s not always time. I remember the day that the mother of one of my daughter’s best friends died. I hung up the phone and screamed and threw it across the room. So unfair, that this middle-schooler, a girl I adore, should have to live with that loss. 

The stars of my new novel, Never Coming Back (my first novel for adults in a long time, forthcoming in October), are Clara Winter and her mother Tamar. Tamar has been diagnosed with early-onset Alzheimer’s, which means that she and Clara are running out of time together. While most of us, if we’re lucky, have decades to resolve our relationships with our parents –the ins and outs, the nuances and realizations and disconnections and reconnections– Clara and Tamar have only months. This small, lovely poem by Anna Marie Sewell makes me think about mothers and daughters, parents and children, my friend S and Mama, and all the ways in which we do or don’t cradle each other.  

 

Nocturne: Tiny Now, by Anna Marie Sewell

She is tiny now, my mother
and jokes in the morning, when
her teeth aren’t in, how she whistles
like a little bird. And i want to reach
back to the nights when
she brought the piglets in
laid them in the woodstove oven
so tiny, but she believed in them
and in that warm cradle, the spark
of life rekindled in them. How
do i cradle her? now
she is so tiny, softly
drawing nearer to
the Western Door.
This poem won’t do it.
This poem is for me
a piglet grown, with
my snout astonished
at discovery, how the power
that built a world for me still
reveals itself, blue
slight, soft, tiny

 

For more information on Anna Marie Sewell, please click here.

Poem of the Week, by Yehuda Amichai, translated by Assia Gutmann

Screen Shot 2017-07-15 at 7.55.54 AMRemember the man in the photo to the right? He stood in front of those tanks during the Tiananmen Square protest in 1989, nothing but a briefcase in his hands. When the tanks tried to maneuver around him, he stepped in front of them again. I don’t know what became of him.

When the protest happened, I was teaching Mandarin at a big urban high school in Minneapolis, and I wheeled a television into the classroom each day so that we could watch world history being made. I was young and naive and I assumed that the protest –thousands of pro-democracy unarmed students occupying a massive public square– would end peacefully. I was wrong.  

But the Tiananmen pro-democracy movement continues to this day. One of the bravest to carry its flame throughout his life was one of my heroes, poet, human rights activist and Nobel Peace Prize laureate Liu Xiaobo*, who died yesterday from liver cancer after spending much of his adult life in prison. He consistently refused offers of freedom in return for admissions of guilt. He hoped to transcend his own personal nightmare, writing “If you want to enter hell, don’t complain of the dark.” In these terrible, ominous times –a time when our own elected employees seem bent on destroying American democracy– his example brings strength.Screen Shot 2017-07-15 at 11.12.38 AM

His wife, Liu Xia, entered into hell with him. Also a poet and activist, she suffers physical and emotional problems from the cruelty of their long separation and, now, his death. Their love was unwavering. Liu once said that it was the thought of his wife that kept him steady and strong. In mourning, I combed through my thousands of poems last night, looking for one to mark the passing of a person who had such courage and steadfastness. In the end I took a sideways turn and chose this one by Yehuda Amichai, in honor of the remarkable love between husband and wife.

 

In the Middle of This Century, by Yehuda Amichai (translated by Assia Gutmann)

In the middle of this century we turned to each other
with half faces and full eyes
like an ancient Egyptian picture
and for a short while.

I stroked your hair
in the opposite direction to your journey,
we called to each other,
like calling out the names of towns
where nobody stops
along the route.

Lovely is the world rising early to evil,
lovely is the world falling asleep to sin and pity,
in the mingling of ourselves, you and I,
lovely is the world.

The earth drinks men and their loves
like wine,
to forget. 
It can’t.
And like the contours of the Judean hills,
we shall never find peace.

In the middle of this century we turned to each other,
I saw your body, throwing shade, waiting for me,

the leather straps for a long journey
already tightening across my chest.
I spoke in praise of your mortal hips,
you spoke in praise of my passing face,
I stroked your hair in the direction of your journey,
I touched your flesh, prophet of your end,
I touched your hand which has never slept,
I touched your mouth which may yet sing.

Dust from the desert covered the table
at which we did not eat
but with my finger I wrote on it
the letters of your name

 
 

*Transliterated Mandarin is not pronounced the way it looks in English. Phonetically, Liu’s name is pronounced more like this: Lee-yu Shee-yow Baw. His wife’s name is pronounced more like Lee-yu Shee-yah.

 
​For more information on Yehuda Amichai, please click here.​
For more information on Liu Xiaobo, please click here.