Poem of the Week, by Dante di Stefano

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During the Tiananmen uprising/massacre, I was the Chinese teacher at South High School. I wheeled a big bulky television on a cart into my classroom so we could watch history happening, but once it was clear what was about to go down I turned off the television.

Years go by and you live through so many things that don’t turn out as you hope, and you know this will keep on happening. The flip side of this is a kind of gratitude I could not have felt when I was younger, a combination of telescope and microscope: all the awfulness will always be there, and so will a thousand tiny beautiful moments.

We Three Kings, by Dante Di Stefano

I slide myself under our tree
like a mechanic in a body shop
& look up through the lights
& ornaments
& artificial limbs
to the tin angel tied by yarn to the top
like a drunken sailor in a crow’s nest

& I am done with similes
& I put aside the possible shutdowns
& mysterious drones
& the wars
& the horrible rape trial across the Atlantic

& I remember what it was like
to do the same thing
when I was a kid in ’89
not quite a teenager
the year the Berlin wall fell
the year of the Tiananmen Square massacre
the year my father was committed

there is so much in the world
we don’t know & block out or forget

but I am still looking up
past the delicate bric-a-brac of a life
the popsicle stick & pipe cleaner ornaments
fashioned by my two small children
the candy canes they not so secretly pluck from the boughs
the few glass ornaments that have survived the dog & kids
& I am thinking of how grateful I am

how grateful how grateful

looking past the spot where another angel should be
looking for a god in the straw
looking past the infant loneliness squalling in my heart
holding the gift of my own ever unfolding naivete
in the manger of my saying

o star of wonder.

Click here for more information about Dante di Stefano. Today’s poem first appeared in the December 2024 issue of the daily poetry magazine Rattle.

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Poem of the Week, by Dante di Stefano

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Write about something you’ve never told anyone before. That was the prompt a few years ago, given to a tableful of sundry people sitting in a library far from the big city. You have twelve minutes. I’ll let you know when you have two minutes left. Pens to paper. Fingertips on keyboards. We went around the room and read aloud, everyone listening intently. 

One older man read about the night in Vietnam when his best friend died in his arms. How he tried to keep him from dying. How they were both nineteen. How he had whispered to him and his friend whispered back as he bled to death. How he had thought of that boy every day of his life since. When he finished, we were all silent. He looked up at us in confusion and wonder. I have never told anyone about this before, he said, not even my wife.

 

Prompts (for high school teachers who teach poetry), by Dante di Stefano

Write about walking into the building
as a new teacher. Write yourself hopeful.
Write a row of empty desks. Write the face
of a student you’ve almost forgotten;
he’s worn a Derek Jeter jersey all year.
Do not conjecture about the adults
he goes home to, or the place he calls home.
Write about how he came to you for help
each October morning his sophomore year.
Write about teaching Othello to him;
write Wherein of antres vast and deserts idle,
rough quarries, rocks and hills whose heads touch heaven.

Write about reading his obituary
five years after he graduated. Write
a poem containing the words “common”
“core,” “differentiate,” and “overdose.”
Write the names of the ones you will never
forget: “Jenna,” “Tiberious,” “Heaven,”
“Megan,” “Tanya,” “Kingsley,” “Ashley,” “David.”
Write Mari with “Nobody’s Baby” tattooed
in cursive on her neck, spitting sixteen bars
in the backrow, as little white Mike beatboxed
“Candy Shop” and the whole class exploded.
Write about Zuly and Nely, sisters
from Guatemala, upon whom a thousand
strange new English words rained down on like hail
each period, and who wrote the story
of their long journey on la bestia
through Mexico, for you, in handwriting
made heavy by the aquís and ayers
ached in their knuckles, hidden by their smiles.
Write an ode to loose-leaf. Write elegies
on the nub nose of a pink eraser.
Carve your devotion from a no. 2
pencil. Write the uncounted hours you spent
fretting about the ones who cursed you out
for keeping order, who slammed classroom doors,
who screamed “you are not my father,” whose pain
unraveled and broke you, whose pain you knew.
Write how all this added up to a life.

 

 

 

For more information on Dante di Stefano, please click here.