Poem of the Week, by Gerald Stern
Last week I tucked myself behind a long black semi, far enough back so he could see me and my rattletrap moving truck in his big side mirrors. I do this sometimes on the highway when I’m tired or troubled or just want someone else to take over a little of the decision-making. Truckers (with a few exceptions) are the best drivers out there. They have to be.
After a while, the trucker realized I was following him. In construction zones, he’d slow down a little once we were through, so that I could catch up to him. I was hungry and I had to pee but I didn’t want to lose my trucker, so I kept going. More than two hundred miles in, he put on his blinker for the next exit. Damn. So sad to see him go, sad, somehow, to think I’d never see him again. But he’d gotten me within fifty miles of home. I sped up at the exit ramp to say goodbye, and there he was in the window, smiling down at me, with a thumbs-up and a wave.
Waving Good-Bye, by Gerald Stern
I wanted to know what it was like before we
had voices and before we had bare fingers and before we
had minds to move us through our actions
and tears to help us over our feelings,
so I drove my daughter through the snow to meet her friend
and filled her car with suitcases and hugged her
as an animal would, pressing my forehead against her,
walking in circles, moaning, touching her cheek,
and turned my head after them as an animal would,
watching helplessly as they drove over the ruts,
her smiling face and her small hand just visible
over the giant pillows and coat hangers
as they made their turn into the empty highway.
For more information on Gerald Stern, please click here.



At a wedding last weekend I sat near a curvy, beautiful woman with a deep voice who radiated a wild and warm confidence. She was free with opinions and didn’t care what others thought; an artist expressed admiration for a specific modern museum and she laughed outright.
Last week I stood reading Vincent Van Gogh’s letters to his brother Theo. Back then the mail came two or three times a day, sometimes overnight from Paris to Amsterdam or wherever Vincent was living: the yellow house in France, the room in his parents’ house where he would sometimes retreat, from behind the barred window of the asylum where he committed himself.
At a museum yesterday I sat and stared at this painting. It transported me to a world with a wooden school desk and a clock ticking on the wall. The hot waxy smell of melted crayons. Balloons in a summer rain sinking slowly to the ground. A miniature wooden circus in a clearing in the woods. Indistinct voices in the distance playing some kind of game.
