Poem of the Week, by Sara Teasdale

The other night I dreamed I saw a girl in a treehouse, reading. A girl in a hay fort, reading. A girl in her room, reading about worlds she didn’t live in, worlds that weren’t hers but maybe someday could be.

All the girls were me. All were alone, none were lonely. None needed someone else to tell her what she could or couldn’t do with her life. Do unto others as you would not have them do unto you, Supreme Court injustices. I will disregard you. You’re afraid of that girl with a book because you should be.

The Crystal Gazer, by Sara Teasdale

I shall gather myself into myself again,
   I shall take my scattered selves and make them one,
Fusing them into a polished crystal ball
   Where I can see the moon and the flashing sun.

I shall sit like a sibyl, hour after hour intent,
   Watching the future come and the present go,
And the little shifting pictures of people rushing
   In restless self-importance to and fro.

For more information about Sara Teasdale, please click here.
alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Jim Moore

When someone signs up for a workshop they often say something like Alison, I need you to be hard on me. Don’t sugarcoat anything. I just tilt my head and smile.

When I was young I sat through lots of tense workshops in which a few lukewarm-nice things were said and then the “real” critique started, about everything wrong with the piece. Too many times I watched students turn bright red, fight back tears.

“I do best when a teacher is tough on me.” Do you, though? What about when someone focuses on what’s beautiful, what is yours and yours alone? Watch a wild, silent power emerge. The teacher in this poem speaks to the artist in me.

A Young Man, a Stranger, Smiled at Me, by Jim Moore

           Maybe I reminded him of his grandfather
or his favorite teacher in grade school,
           the one who lied to him
about his painting of the goldfish bowl,
           who looked hard at it and said, Beautiful.

For more information about Jim Moore, please visit his website.

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Anne Carson

I once had a hideous job traveling to various colleges for short stints teaching Speed Reading (useless), Study Skills (mostly useless), and Mnemonics (useless unless memorizing long random numbers is your thing). The job paid almost nothing so I camped in state parks and scooped up extra packages of crackers, butter, mayonnaise, and marmalade at fast-food restaurants for supplemental calories.

But the students were great, because students are always great, and sometimes they were sad to say goodbye. Our paths will cross again in an airport someday, I used to tell them, and I believed it. I still believe it, even though it’s never happened. Someday I will meet them again: lost friends, lost students, lost loves. We’ll each be late for our flights, with time for only a few words, so we’ll have to make them count: I hope you know how much I loved you.

excerpted from The Glass Essay, by Anne Carson

Perhaps the hardest thing about losing a lover is
to watch the year repeat its days.
It is as if I could dip my hand down

into time and scoop up
blue and green lozenges of April heat
a year ago in another country.

I can feel that other day running underneath this one
like an old videotape—

For more information about Anne Carson, please click here. 

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Ada Limón

When I was a little kid I loved the book The Prophet, by Kahlil Gibran, to the extent that I memorized my favorite lines: Your children are not your children. They are the sons and daughters of life’s longing for itself. Then I grew up and had children, and then my children grew up, and sometimes it feels so befuddling, like wait, stop, come back, how did this all happen so fast?

This is when I instinctively and silently recite one of my mantras – They’re people in the world before they’re your children, Alison – a line that came to me years ago and which I never fully understood until three days ago, when I read this poem by the wondrous Ada Limón.

What I Didn’t Know Before, by Ada Limón

was how horses simply give birth to other
horses. Not a baby by any means, not
a creature of liminal spaces, but a four-legged
beast hellbent on walking, scrambling after
the mother. A horse gives way to another
horse and then suddenly there are two horses,
just like that. That’s how I loved you. You, 
off the long train from Red Bank carrying
a coffee as big as your arm, a bag with two
computers swinging in it unwieldily at your
side. I remember we broke into laughter
when we saw each other. What was between
us wasn’t a fragile thing to be coddled, cooed
over. It came out fully formed, ready to run.

For more information about Ada Limón, whose poems are beloved to me, please visit her website.

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Robert Frost

In the book I’m writing, a desperate child imagines himself far above the planet, far from the endlessly breaking bad news. He isn’t wired for the constant barrage of awfulness. None of us are. This is why I love and admire people like thirty-three-year-old Chris Smalls, who, independent from any giant outside organization, unionized the Staten Island Amazon warehouse last week. Smalls and three friends saw injustice, jumped in and built the Amazon Labor Union from scratch. There are so many good people out there just jumping in and getting things done, so many ideas we haven’t yet tried.

Riders, by Robert Frost

The surest thing there is is we are riders,
And though none too successful at it, guiders,
Through everything presented, land and tide
And now the very air, of what we ride.

What is this talked of mystery of birth
But being mounted bareback on the earth?
We can just see the infant up astride,
His small fist buried in the bushy hide.

There is our wildest mount, a headless horse.
But though it runs unbridled off its course,
And all our blandishments would seem defied,
We have ideas yet that we haven’t tried.


For more information about Robert Frost, check out this site, where an unknown someone has written about him in an odd, strangely phrased (“happily buried”?) and somehow charming way.

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Ursula K. Le Guin

Click here for details on my one-day spring workshops, including The Intuitive Leap on April 7 and Freedom of Form on April 8.

The animal world I can understand: kill or be killed, kill or watch your children be killed. But so many of the things humans kill about are invisible and imaginary, like the boundaries between nations, like nations themselves, like the invisible systems of capitalism and other systems we all live and struggle within. That’s harder for me to wrap my head around.

The Next War, by Ursula K. Le Guin

It will take place,
it will take time
it will take life,
and waste them.

Click here for more information about Ursula K. Le Guin.​

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Tadeusz Dabrowski

For details on my one-day workshops, including Memoir in Moments on March 30 and The Art of Writing Picture Books on April 3, please click here.

When he was eight, my son –known in the family for his rare, uncanny pronouncements–looked at me one day and said, “Mom, what if we’re all just people in a book, and someone somewhere is writing us?” 

A few months ago, inside a little free library, I saw a hardcover copy of my first published novel. I pulled it out and looked through it –it was like an artifact from a previous life–and an airplane ticket fell out. That too was old and faded, but I made out the name of an acquaintance from many years ago. I pictured him on a plane, high above the clouds, carrying the secret lives of my people with him as he turned the pages.

Secret Reading Matter, by Tadeusz Dąbrowski, translated by Antonia Lloyd-Jones

I take the books left for free recycling mainly for their smell, 
I stick my nose among the pages, into business not my own, 
then stroll around someone else’s home,
peeping into their kitchen and their bedroom. But once 
their smell has faded and the book’s imbued with mine, 
I leave it at a bus stop or in a mailbox.
Busy nonstop with their crimes, their love lives, 
good and evil, keeping an eye on the time
and the setting, the characters haven’t a clue how many books 
they’re carrying away in their clothing


Please click here for more information on Tadeusz Dąbrowski.

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Claribel Alegria

To sign up for one of my spring writing workshops, including our Tuesday evening five-week session that begins March 22, please click here.

Moments: the tray of baked chicken and peas and applesauce that quiet night in the hospital. The first grade teacher who kept me in from recess but refused to tell me what I was doing wrong. How I tried to pick the green nail polish off my fingers at my grandmother’s funeral. That day on the train when he silently put his hand over mine. The morning the phone rang and I knew, I knew, I knew. The look on his face when he saw me standing by the hockey rink. My best friend’s green waitress apron with its deep pockets filled with tips. How we sat on the floor late at night counting them up. When I think of my life it’s only the moments that come shimmering up.

Summing Up, by Claribel Alegria, translated by the author and Darwin J. Flakoll

In the sixty-three years
I have lived
some instants are electric:
the happiness of my feet
jumping puddles
six hours in Machu Picchu
the buzzing of the telephone
while awaiting my mother’s death
the ten minutes it took
to lose my virginity
the hoarse voice
announcing the assassination
of Archbishop Romero
fifteen minutes in Delft
the first wail of my daughter
I don’t know how many years yearning
for the liberation of my people
certain immortal deaths
the eyes of that starving child
your eyes bathing me in love
one forget-me-not afternoon
the desire to mold myself
into a verse
a cry
a fleck of foam.

For more information about poet and “voice for the voiceless and the dispossessed” Claribel Alegria, please click here.​

alisonmcghee.com

Words by Winter: my podcast

Poem of the Week, by Muriel Rukeyser

I’d love to see you in one of my spring workshops! Details here.

Observation: anyone who thinks it’s an insult to describe someone as a “former comedian” has clearly never stood alone in front of a crowd of people with the intention of making them laugh. Doing so takes crazy courage, along with smarts, empathy, compassion, and an ability not only to sense but to change the energy of the room. Go to a Moth show sometime. Stand up on stage and tell a story. Put your heart on the line.

When you do that, you’ll likely be terrified. You’ll look out at the packed room and all you’ll see is the glare of the spotlight. You won’t see all the people cheering you on with the kindness it’s possible to show a stranger who’s putting themself on the line.

I don’t know what will happen in Ukraine. I do know that Zelenskyy, the former comedian, is brave as hell.

Poem (I lived in the first century of world wars), by Muriel Rukeyser

I lived in the first century of world wars.
Most mornings I would be more or less insane,
the newspapers would arrive with their careless stories,
the news would pour out of various devices
interrupted by attempts to sell products to the unseen.
I would call my friends on other devices;
they would be more or less mad for similar reasons.
Slowly I would get to pen and paper,
make my poems for others unseen and unborn.
In the day I would be reminded of those men and women,
brave, setting up signals across vast distances,
considering a nameless way of living, of almost unimagined values.
As the lights darkened, as the lights of night brightened,
we would try to imagine them, try to find each other,
to construct peace, to make love, to reconcile
waking with sleeping, ourselves with each other,
ourselves with ourselves. We would try by any means
to reach the limits of ourselves, to reach beyond ourselves,
to let go the means, to wake.

I lived in the first century of these wars.

Poem of the Week, by Molly Brodak

Check out our slew of spring workshops beginning next month, including our five-week Building a Story workshop. 

Me to a friend who claims spell check is the only reason he can spell anything: So before spell check what did you do?

Friend: I would say the word out loud and then look through the dictionary trying to find it by first letter. So a word like psychology? I would begin with S and not find it, then I’d look through all the C’s even though I knew that it couldn’t begin with C. It was slow and agonizing. And all my papers came back with low grades and comments like ‘You really must learn to proofread.’

It hurts to think of this friend trying so hard on his papers and being met with scorn. This same friend will envision a 12’x20′ painting, build panels to paint it on, gather brushes and air compressor and broom and whatever else it takes to make it, then build a block and tackle to haul it up onto the wall.

When it comes to spelling, I’ve never had to work at all, and my essays usually got A’s, but if I ever made a painting it’d come back with “you really must learn to paint.”

Why are so we hard on others? Why are we so hard on ourselves? Dear Molly Brodak, I will be reciting this poem for the rest of my life.

How to Not Be a Perfectionist, by Molly Brodak

People are vivid

and small

and don’t live

very long—

For more information about Molly Brodak, please click here.
alisonmcghee.com
Words by Winter: my podcast