Andes Mint #4: Rocky Mountain High

What you remember from the summer you turned 20:

How it felt to behold the snow-capped Rockies rising up out of the distance, far higher and far more jagged than you, a girl from the foothills of the Adirondacks, knew mountains could be.

How it felt to stand in the living room of a kind stranger who had offered you and your boyfriend shelter that first night, stars whirling in your eyes, the world going black, and wake on the floor a few minutes later with chipped teeth and a fierce headache.

“Altitude sickness,” said the kind stranger. “You took a divot out of the table on your way down.”

How to clean a hotel room. Bathroom first: a) sink, b) tub, c) toilet, d) mirror, e) floor. Mini-fridge: check for leftovers. Strip the bed. Remake the bed. Vacuum. Dust. Lock the door behind you.

How you laughed at the title of the job your boyfriend got at that lodge on the edge of town: Houseboy. How he used to lock himself and three oranges inside a room inside a room inside a room on his lunch hour to teach himself how to juggle. How good he got at it.

How every day around 1 p.m. thunderclouds gathered over the mountain and rain poured down for twenty minutes. The scrape of chairs and tables being hauled inside. The smell of wet cobblestone and pavement. The scrape of chairs and tables being hauled outside again. The rinsed smell of the air.

How it felt to hike up the mountain and ride the gondola down, as if you knew a secret none of the tourists who rode the gondola both ways knew.

How angry you felt the night the cops came to the apartment to arrest your friend for taking a single piece of ham and an orange from the kitchen of the restaurant where he worked.

How triumphant you felt when you dangled a piece of string in a stream high up in the mountains and watched in amazement as a trout impaled itself on the safety pin you had tied onto the end of that string.

How you used to stand by the side of the highway, thumb out, hitching a ride to the Safeway a couple of miles away. The feel of the tall grass brushing your bare legs. The dry smell of sage.

How the boys’ voices drifted back toward you near the summit of that one mountain. Headache, pounding heart, swimmy stars. Altitude sickness, said the kind stranger. How you jackknifed your body so that you could use your hands to climb the rest of the way, like a monkey.

How the girls with long hair and tie-dye skirts, flowers in their hands, danced for hours at that Dead concert that the three of you hitched to. Or took the Greyhound to. How you got up in the middle of the night, in darkness, to get there in time. How the sweet smell of pot drifted over the canyon.

How you got so good at flipping through the Welcome to Colorado magazines that were placed in each hotel room in order to find the Buy One Whopper Get One Free coupon near the back. How you carefully folded the page in quarters so as to tear out the coupon.

How it felt to come home after cleaning all those rooms, tired, and drag yourself up the double flight of stairs (Altitude sickness, said the kind stranger) and put your key in the lock.

How you used to mix a tall glass of lemonade and vodka and sit cross-legged on the balcony to watch the sun set. How you used to sit there and wonder, “Am I a grownup now?”

Andes Mint #3

Once there was a woman who possessed –or was possessed by– an ancient, crappy laptop that a) couldn’t be used on her lap because it literally burned her, and b) had a blank keyboard, as in all the letters had worn off the keys (twice), and c) frequently offered up the blue screen of near-death, which made the woman afraid ever to turn it off, even on an airplane, in case it had covertly signed a DNR somewhere along the way.

The crappy non-lap laptop had one great redeeming feature, however, which is that it was free. And since the woman was soon to be given another (also free, also no-doubt-crappy) non-lap laptop, she soldiered on, Dropboxing daily, emailing herself books-in-progress, and laughing when her youthful companions tried to write essays using the blank keys of the keyboard.

There was one real drawback to the non-lap laptop, however; its ancient, cumbersome battery would hold a charge only for 45 minutes, and the woman preferred to work not at home but in coffeeshops, for the sole reason that a coffeeshop was not her house, and therefore did not contain a washer, a dryer, a dishwasher, a vacuum, a flower garden, a vegetable garden, a refrigerator, a microwave, a dog, the cat’s litterbox, cat vomit, or any of the things that the woman would rather spend time on than her books.

This meant that the woman was constantly in search of outlets. She was an outlet expert. In the blackouts to which her neighborhood was frequently subjected, she often directed friends and neighbors to obscure outlets in nearby neighborhoods, there to charge up their electronica.

Within six blocks of the woman’s house there were nine coffeeshops. How easy and convenient to work at any one of them! Except that the woman didn’t work at any of them, due to outlet stinginess.

The woman knew her neighborhood outlets intimately. She knew exactly where the three outlets at Gigi’s were located, including the one where only the top half worked, and she knew that she would be lucky to get within two tables of any of them. She knew where the six outlets at Dunn Bros. were located, and that they too would almost always be taken.

She knew the whereabouts of the three outlets in the secret upstairs enclave at Lund’s, and while they were not as frequently taken, she also knew that she couldn’t count on getting one. She still loved the secret upstairs enclave at Lund’s, though, because she liked looking down through its wrought-iron balcony at both the shoppers and the beautiful produce in the produce section below.

She knew that the Caribou attached to that Lund’s was an outlet desert, so she never made any outlet attempts there. She knew that at Bruegger’s, she stood a good chance of the hidden outlet in Booth #1 or the out in-the-open outlet in Booth #4 or the outlets between the two armchairs, as well as a couple of the tables with the hard wooden chairs.

But the woman preferred not to write at Bruegger’s, mainly because she had once written a super-difficult book there over the course of months, and she now had painful associations with that particular Bruegger’s. She had equally painful associations with another nearby Bruegger’s, at which she had written another super-difficult book over the course of months. (In fact, Bruegger’s in general were tainted for the woman; mostly she just zipped into one every now and then on a Wednesday morning, to take advantage of the Wednesday bagel sale, and then zipped out again.)

And lo, this is how the woman came to do so much writing in a Starbucks located in a tony suburb of Minneapolis approximately three miles south of her house. An elitist Starbucks, where every single tiny table had an outlet all to itself, as did all the extremely large and soft couches and armchairs. The woman had yet to run into anyone at that Starbucks wandering around holding a laptop with that particular helpless, weary, why-are-there-no-outlets look on his face. The most she ever got, at that particular Starbucks, was someone asking politely if he could use the other half of her double outlet.

Would the woman rather have claimed her writing life at Spy House? Or Uncommon Grounds? Or even at Dogwood Coffee, despite its unfortunate location? Yes.

Was it embarrassing to admit that she did so much of her writing at a Starbucks located in a small strip mall in a tony suburb of Minneapolis where most of the customers were conservative businesspeople with senatorial haircuts having business meetings or nannies shepherding small well-dressed children? Yes.

But there you have it. Some people measure out their lives in coffee spoons, and others in outlets.

*If anyone knows where the photos included in this post are from, please let me know.

Andes Mint #2: In the Wake

一. The Journalism Awards. A long time ago, I was one of eight judges for a yearly journalism award series. All the judges had to read hundreds of  newspaper articles published in Minnesota in the previous year, select their favorites in a variety of categories, then meet for a full day in order to confer about our choices and arrive at a clear winner in each category.

This was a volunteer position and it was far, far more work than I had bargained for at a time when I was desperately short on time and energy. Nevertheless, I read all the articles and reported for duty early in the morning, sitting around a large conference table in a sterile room with the other judges.

The other judges were from varied backgrounds, a mix of men and women. I sat next to another woman who was closer to my age than the other judges. She was the only black person in the room; the rest of us, as far as I could tell, were white.

One of the articles the panel was of divided opinion on was a series about a housing project in a primarily black neighborhood. The series was not one of my top choices, nor was it my neighbor’s. Others argued passionately in favor of this series as winner. My neighbor was an articulate woman, deft and agile in her responses to the others. But gradually, instead of a give and take among all of us, questions and commentary were directed solely at her.

Why? Because the series was about a black neighborhood, and she was black.

This had to have been my thousandth encounter with that particular kind of simplistic equation, but for reasons I still don’t understand it hit me that day like a gut punch. I felt sick to my stomach. I sat next to her, not saying a word, listening as the discussion grew more and more heated: the other judges urging her to change her vote to Yes.

“I’m confused,” I remember one judge saying, toward the end of the discussion. “This is your community. Why wouldn’t you want this series to win?”

You have to say something, I told myself. No one is talking about what is really happening here. I raised my hand.

“The only reason you just said that to her is because she’s the only black person in this room,” I said. “What does her race have to do with the merits of the article? This is a journalism contest.”

That’s what I was trying to say, but I didn’t say it like that. I don’t remember how I said it. What I remember is hardly being able to talk, flushing, my hands and voice trembling.

The room went silent. That’s what happens sometimes, when the elephant is named, even partially, even by a scared person who can hardly get the words out. We all took a break. I went out in the hallway and turned a corner and sat down on the marble floor and wrapped my arms around my legs. My neighbor turned the same corner, her phone to her ear, walked to the end of the hall and hunched against the wall, talking quietly into her phone for a long time. We said nothing to each other.

Until a year or so later, when we ran into each other at some kind of book event. She looked at me and I looked at her and we both smiled. She introduced me to her friend as “that one I told you about, the one who defended me at that horrible judging thing.”

I don’t really know why that one day has stayed with me all these years, or why I hate even driving by the building where we all sat around that ugly conference table all day long. Maybe it’s because I felt, for about fifteen minutes, the weight of what she had to deal with every damn day.

二. Getting BBQ. It was nighttime and I stopped to get some takeout at a bbq place. This was a place that looked kind of like a gas station-turned-smokehouse. I was the only white person in the place. That’s the kind of thing I notice right away, because it’s rare. I sat on a bench to wait for my order. This was years ago, before I made my life-changing decision to talk to everyone I find myself sitting next to, so I was quiet.

But I could feel the man next to me looking at me. I didn’t look back at him.

“Hi,” he said.

A hi calls for a response, in my world.

“Hi,” I said, still not really looking at him.

“You’re afraid of me, aren’t you?”

That made me look at him, in a sideways kind of way. He was a big, powerfully-built man, sitting there on the bench with his knees spread and his hands dangling between them.

“No,” I said. “I’m not afraid of you.”

“I think you’re lying,” he said.

“Why would I be afraid of you?” I said.

“Because I’m big,” he said. “And I’m black. I’m a big, black man. I bet if we were outside right now, in this neighborhood, and you saw me coming toward you on the sidewalk, you’d want to cross the street. Wouldn’t you?”

This was one of the first times in my life someone had spoken to me with such directness. I looked straight at him. He wasn’t smiling. Neither was I. We just sat there, looking at each other.

三 . Target. It was a hurried day, about eight years ago now, and my three children and I were doing a massive Target shop, one that fills an entire extra-large Target cart. We labored our way through the cashier line and then piled all the bags back into the cart to shove it out to our car in the parking lot. We got to the automatic double exit doors, which opened for us, only to set off that hideous BEEP BEEP BEEP which means that something in the cart either hasn’t been paid for or hasn’t had its special tag removed.

“Oh for God’s sake,” I said. We rolled our eyes at each other and waited for the manager guy to hustle over, which he did. One by one he started pulling items out of the bags. There were hundreds of items; this was going to take forever.

“Look,” I said. “We’re really in a hurry here (lie), my kids all have to be different places (lie), I’ve got a meeting (lie); can we just go?”

The guy made a half-hearted effort to look through a few more items as I stood there acting like an important person who did not have time to waste in this manner. Then he looked up at me –I’m tall– and smiled weakly.

“I guess you’re good to go,” he said.

I thanked him and we shoved the cart out into the blinding sunlight.

“Good work, Mom,” my children told me.

“Not really,” I said. “I just acted the part. Imagine if I were black and a teenager and wearing a hoodie, like”– and I named a couple of their friends. “Would it have gone down the same way?”

My son and daughters, all city kids raised in city schools, didn’t have to think for a second:

“Nope.”

“Not a chance.”

“No way in hell.”

The only reason that manager let me go is because I’m white, female, educated, articulate and middle-class, and because I know how to use those things to my advantage. Which is what I had just done.

I’m thinking about that day at Target right now. And I’m thinking about a black teenage boy in Florida who was wearing a hoodie as he walked home, his hands full of candy.

Andes Mint #1

In college, I used to haul myself through a night at the library with Andes mints. Fifty pages of philosophy reading = one Andes mint. (That must be a lie, because I can’t imagine getting through even ten pages of philosophy reading without wanting to claw my eyeballs out, but the number 50 sticks in my head, so I’m staying with it.)

An hour of listening to Chinese tapes in a tiny white soundproof room in the sub-basement of the language lab = two Andes mints.

Managing to complete one tiny problem in Baby Physics (I think the class was actually called Physics for Non-Majors, but I’ve always thought of it as Baby Physics), while all around me others were sailing through, having taken Baby Physics as their easy class for the semester (hello, Cecil Marlowe, I can still see you zipping merrily along in that lab while I sweated helplessly nearby) = three Andes mints.

That’s how it went, people. To this day Andes mints have a peculiar power over me.

Last summer at this time was when I set myself a personal challenge of Doing One New Thing Every Day for a month and chronicling it here. Learning how to count to ten in Mongolian. Devising a Signature Cocktail. Taking the cat on a walk with a wee little cat harness and little leash (do not attempt this at home). Typing an entire blog post with my two big toes. Etcetera. I contemplated doing the same thing again this year, but decided against it for reasons that have much to do with a) a dream I had the other night and b) laziness.

Also, it’s hard to believe that an entire year has passed since my month of doing new things. I mean, I’m sitting here typing this at the same table, on the same crappy laptop that literally burns my lap if I set it there, wearing the same exact sundress that I wore all last summer. I choose to take all this as a sign that the newness of last year has not yet worn off.

But I still want to challenge myself. So I will tell one tiny story here every day for a month. You’d think that as a fiction writer, the word “story” wouldn’t intimidate me, but it kind of does. Which is why I’m calling them Andes Mints instead.

A few nights ago I had a weirdly vivid dream. (If you’re the kind of person who hates it when other people start blabbing on about their dreams, my apologies.) In it, I had taken a job as pastor of a small one-room country church. Yes, I know, me, a pastor, but still, this was a dream, and that’s the way it went down.

The tiny country church was frame, painted white on the outside and left unpainted on the interior. This was my first Sunday on the job, and as I walked up to the door (which was on the side of the one-room church), I realized that I hadn’t prepared a thing. No idea what hymns to sing, what scripture to read, what sermon to preach. (Apparently, this was a traditional church; that they hired me as their pastor makes no sense to me either, BUT: dream.) (Just trying to reinforce that this was a DREAM. Got it?)

It was one of those horrid dreams in which you realize that you’re completely unprepared, and there are people counting on you, and you’re going to fail epically, and your heart is pounding as you walk into the tiny church. Beyond that, you barely know any scripture, and the only hymn that’s coming to you is Amazing Grace, and why the hell did they hire YOU to be their pastor. Etc.

At that point in the dream, it came to me that I could tell the congregation that I had somehow managed to leave all my notes and sermon in Vermont, and here I was in the Dakotas, so obviously I was going to have to wing it, and my huge, huge apologies; this would never happen again.

(That this would be a total lie didn’t bother me one bit. The onus was on them, right? They were the ones who had hired a pastoral idiot to be their minister.)

Then:

Just tell them a story, a voice said to me at that point. That’s all they really want anyway.

Instantly, the dream changed from one of those nightmare anxiety dreams to a dream of great calm. I knew exactly what story I was going to tell them. It would be about my son and his first tattoo. So I walked into the church and that’s what I did.

(Story below if you care to read it.)

* * *

Once there was a baby boy. He was an intense and passionate baby. Before he was born, a couple of weeks before his official due date, his mother sensed that he wasn’t yet ready to be born. She could feel that he needed a little more time, just a bit more, so that all his nerves would knit together and he would be ready for the outside world, with its unpredictable loud noises and its occasional bright lights and the sensation of air all about.

But the baby was born anyway, despite his mother’s sense that just a little more time would have been a good thing. He took a long time entering the world – three days – and by the time he made it they, they being others who were not his mother, felt that extra caution was necessary in case he was sick after his long and difficult journey.

So in went the tubes and on went monitors and there he lay in a bright room with a paper cup taped to the top of his head. His mother held him in her arms in a rocking chair and fed him, and a few days later home he went, minus the tubes and the paper cup.

Soft lights. Quiet. Tight swaddling in a baby blanket. Constant touch. These were things that he seemed to crave.

Many years later his mother thinks of the word “swaddle” and can feel her hands moving invisibly: smooth out the square of flannel, fold down one corner, lay the baby diagonally down, up with the bottom corner and then across – tight – with one side and then across – tight – with the other. Presto, swaddle-o.

The baby wanted to be held all the time. If not held all the time he screamed and shook and made himself sick. So his mother held him all the time. She had a contraption she called the “Red Thing” that she strapped on when she got up, and into the Red Thing he went, so that he faced out. His thin legs dangled down. His thin arms dangled out. His head lolled until his neck muscles were strong enough to hold it up.

From dawn till late at night, the baby boy’s back lay against his mother’s chest and he faced out. She cooked with the baby dangling before the flames – dangerous! but she was careful – and she vacuumed with the baby swinging with the rhythm of the long vacuum pole, and she never sat down with the baby in the Red Thing because if she sat, he screamed.

They stayed in motion. Much of the time, the mother ended up pushing an empty stroller down the sidewalk because the baby screamed if he wasn’t in the Red Thing. When the weather turned cold, the mother buttoned her long winter overcoat all the way up and put a stocking cap on the baby, so that oncomers smiled at the mother and then shifted their eyes downward and smiled at the baby boy. It was a two-for-one smile.

When the mother did sit down, she took the baby boy out of the Red Thing and sat him on her lap with a stack of books beside them. They read their picture books together, baby boy on lap, mother propping each book up while he reached out and turned the pages.

Where the Wild Things Are.

Mike Mulligan and the Steam Shovel.

Good Night, Moon.

Lon Popo.

Outside Over There.

Ferdinand.

Ferdinand was the boy’s favorite, the story about the little Spanish bull who didn’t want to fight, the little bull who wanted to sit just quietly under the cork tree and smell the flowers.

How many hours did the mother and the boy spend together, sitting on the couch, reading picture books? Many. Many many. Many years’ worth of many. It was their favorite thing.

When the baby turned into a boy, he went to sleep every night listening to stories on tape. He and his mother went to the library and checked out the stories on tape, and sometimes they bought them, and the boy knew the stories so well and loved them so well that once he was in bed he reached out and blindly pressed “Play,” not caring that he wasn’t anywhere near the beginning.

Once, on a long car trip, the boy woke from sleep to look at his mother and say, “Is this where we are?”

Years went by. The boy grew and grew. He grew until he was very tall and very thin, so tall that he towered over his tall mother. More years went by, and the boy turned eighteen.

One day, the boy sent his mother a text message: “Would you kill me if I got a tattoo?”

The mother would have been happy if the boy never got a tattoo, because she had been there at the moment when he was born. She could still see his newborn skin, so soft and paper-thin that touching it was like touching air. She could still remember crying in fury and sorrow the first time a mosquito bit that skin. That first scar.

But the boy was eighteen now, and 6’4,” and his body was his own. His body had always been his own, his mother reminded herself. She wanted to wrap her arms around that body and keep it safe, but. . .

But.

What sort of tattoo would he get, his mother wondered, and where would he put it? She thought of the needles drilling down through the layers of his skin, the ink pushing below the surface, and how much it would hurt. She tried to think of other things. It was hard.

“Not as long as it’s a heart on your bicep with an arrow and the word ‘mom’ in the middle,” the mother texted back.

The boy did his research and saved his paycheck, and the day came when off he went, to St. Sabrina’s Parlor in Purgatory. He got his tattoo. There it is down there. It is not a heart on his biceps with an arrow and the word “mom” in the middle.

But it could have been.

Poem of the Week, by Dylan Thomas

Fern Hill
– Dylan Thomas

Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the cock on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace.

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.

 

For more information, please click here: http://www.dylanthomas.com/

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Michelle Boisseau

Collect Call
– Michelle Boisseau

Whatever he means, my brother means no harm.
It’s 6 a.m. in his time zone. Was he awake
all night dreaming these children? a girl
my daughter’s age named Music,
and 12-year-old twin sons
born six months apart:
Seth Gábriel and Seth Gäbriel, named
for an archangel of double messages
whose secret translations my brother keeps.

And he meant no harm years ago
when he scooped up a toddler at the zoo
and ran with her as far as Monkey Island
before the crowd pried away the child he fought
to save from them. While he was strapped
onto the stretcher and lifted, a cracker on a plate,
he watched me watch him speed away,
climb the stairs that wind through a hole
in the clouds and close around him like an eye.

“Oh, I have lots of children,”
he suddenly remembers, “lots and lots,
but I never get to see them.”
Perhaps each tooth he lost was sown
into a child that sprang up like a god
with a fanciful name. I hunch the phone
against my shoulder, try not to set him off:
“And how do you manage to support them all?”
“I give them lots of ideas.”

Upstairs I hear doors slamming, the kids
awake, running, laughing, a game
of can’t-catch-me. The winner chooses
the place at the table; the other pours the milk.
Perhaps he means the wind loved him.
Or that the blond aspen behind the Seven-Eleven
wept grateful in his arms.

Or maybe he does have real children,
sometime a woman slowly undressed
a small nervous man and gave him
a bit of evidence he wasn’t denied
every fruit in the garden—children,
jobs, houses, beds—our easy windfall.


For more information on Michelle Boisseau, please click here: http://www.michelleboisseau.com/bio.html

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Poem of the Week, by Max Garland

Sciurus Carolinesis
– Max Garland      


It’s hopeless how she loves this life.

The gray squirrel digs a small moon’s

worth of craters in the yard.

Some she fills, some leaves open.

I’ve seen her work a walnut, still green,

round and round, shaving the surface

down to the meat. It moves in her claws

like a planet, or a bead

bigger and quicker than worry.

By love, I mean she uses the day

down to the last morsel of light—digs, barks,

insults the crow, wields

and lashes her tail like a glorified whip.

There’s a charge in her, wild volts.

A livid motion, leaping from red pine

to hackberry, the single forepaw catching first,

swinging under, then over, then onto

the branch. She’s a circus

when she takes to the power lines,

racing the live wire above the lowly

addresses. She’s a spiral of serious sleep

in the high hollow of the pin oak.

By love, I mean filling herself

with small right intentions. By life,

I mean she looks at you from the railings.

A kind of dare is in her, her tail curled

like a bass clef, or mutant fern.

You won’t catch her. She’s scrolling

from scent to sound to slightest motion.

However the light moves

might be ruin, or rich enough to rob.

The way she ransacks, hoards, loses,

lashes, bluffs the crouched cat,

the unleashed dog, her death,

a dozen times a day, is what I mean

by hopeless how she loves this life.



For more information about Max Garland, please click here: http://en.wikipedia.org/wiki/Max_Garland

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Poem of the Week, by Sydney Lea

To a Young Father
– Sydney Lea

This riverbend must have always been lovely.
Take the one-lane iron bridge shortcut across
the town’s west end and look downstream
to where the water backs up by the falls.
Boys once fished there with butterball bait
because the creamery churned by hydro
and the trout were so rich, says my ancient neighbor,
they tasted like heaven, but better. Try to
stop on the bridge if no one’s coming
to see the back of the furniture mill

in upside-down detail on the river,
assuming the day is clear and still.
I’ve lived here and driven this road forever.
Strange therefore that I’ve never taken
the same advice I’m offering you.
I’ve lived here, but I’ve too often been racing
to get to work or else back home
to my wife and our younger school-age children,
the fifth and last of whom will be headed
away to college starting this autumn.

I hope I paid enough attention
to her and the others, in spite of the lawn,
the plowing, the bills, the urgent concerns
of career and upkeep. Soon she’ll be gone.
Try to stop on the bridge in fall:
that is, when hardwood trees by the river
drop carmine and amber onto the surface;
or in spring, when the foliage has gotten no bigger
than any newborn infant’s ear
such that the light from sky to stream

makes the world, as I’ve said—or at least this corner—
complete, in fact double. I’d never have dreamed
a household entirely empty of children.
It’ll be the first time in some decades,
which may mean depression, and if so indifference
to the river’s reflections, to leaves and shades,
but more likely—like you, if you shrug off my counsel
or even take it—it’ll be through tears
that I witness each of these things, so lovely.
They must have been lovely all these years.


For more information on Sydney Lea, please click here: http://sydneylea.net/

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Portrait of a Friend: Happy Father's Day

Unlike most friends, this friend has been part of your life for as long as you can remember. He figures in your earliest memories, and there hasn’t ever been a stretch of longer than half a year when you haven’t been in his presence.

He’s a tall man, a big man. He has a big presence and a giant voice. His laugh, when he gets going, will fill a room and make all those around him shake their heads in admiration. This is a man who likes to tell a story.

He’s good at telling them, too. At the diner, where he goes every morning to meet his buddies for coffee, and where you go when you’re visiting, they sometimes egg him on.

“Did you tell Alison about the woman who propositioned you at McDonald’s?” one will say.

“Jesus H Christ!” he’ll say. “No I didn’t!”

“Are you kidding me?” you’ll say. “A woman propositioned you at McDonald’s?”

He will shake his head, that mighty laugh beginning to rumble out of him.

“Tell her,” his friends will say. “Alison needs to know.”

They will wink at you, and grin, while he looks down at the formica diner table, still shaking his head, still laughing. And then he’ll tell it, in that giant voice, so that the whole diner ends up listening. And laughing. And shaking their heads.

He is a man who has never been accused of political correctness. Nor has he, unlike most people in the world, ever tried to be anything other than exactly who he is.

Sometimes he would come to visit you during the four years you spent at that little college in Vermont, where most of the other visiting adults wore pearls and linen dresses and suitcoats and polished shoes.

Over the Adirondacks and into the Green Mountains he would come, cresting the hill in a big old station wagon. The door would open and he would haul himself out. Those were the years of the neon orange polyester shirt and the polyester pants with the grease stain. Those were the years of your friends, unused to big men with giant laughs, unused to hearing “Jesus H Christ!” so frequently and happily roared out in public, looking forward to his visits.

“Al-oh-sun.”

Despite a lifetime of knowing you, and despite the fact that your name is simple to pronounce, that is how he pronounces it.

“Alison,” you sometimes say, even now. “A-li-son. Emphasis on the first syllable. Try it again.”

He looks up and smiles, a gleeful little grin from a big man.

“Jesus H Christ!” he says. “I know how to pronounce your name, Al-oh-sun!”

This easy give and take, this banter, this happiness, wasn’t always there. When you were little, you were often afraid of him.

Was it that big voice, his height and his bigness? He was a man of enormous physical strength. He often spent entire days chopping down trees, chainsawing them into big chunks, then smaller chunks, then splitting them into smaller and smaller chunks that, finally, were small enough to fit inside a woodstove.

So tough and stoic is he in the face of pain that he once had to lie down on the floor of a doctor’s office and refuse to move in order to convince them that something –which turned out to be an appendix that had ruptured more than 24 hours previously– was seriously, terribly wrong.

You remember him once pouring Clorox over his bleeding arm to disinfect it.

Unlike now, he was often angry.

Like most children, you assumed that his anger was directed at you. That you were the cause of it. That you must have done something to bring it on.

Like most of the grownups close to you, he was a familiar mystery. In retrospect, you didn’t know him well. How could you? Each of you kept things hidden from the other.

You remember late nights when you were a girl, him working at the kitchen table, head bent over complicated graphs and charts, filling in tiny boxes with penciled numbers. He worked for a dairy farmers’ cooperative; he was keeping track of milk counts at various farms. Or he was charting milk tank truck routes; milk has to be taken to a processing plant within a certain number of hours, and winter in upstate New York is fearsome and unpredictable.

You remember him figuring out other numbers, bent over a checkbook, writing check after check, paying bills.

“Where does it all go, though?” you remember saying once, when you were in your teens.

You were talking about the money that he made. It was an honest question, an idle question.

“Where does it go!” he roared. That anger again, or what you interpreted as anger, anger at you. “Where does it go!”

Later that night he called you out to that kitchen table. On it was a piece of ruled notebook paper. BUDGET at the top of the page. Underneath, line after line with things like Mortgage and Taxes and Food and Gas and Car Payment, each with a dollar amount jotted next to it. Exact dollar amounts, written from memory, subtracted and subtracted and subtracted from that single figure titled “Income.”

“Now do you see?” he said. “Now do you see where it goes?”

Yes. Now you saw.

You didn’t, not really. But later, many years later, when you yourself were sitting up late at night, your children asleep upstairs, dividing a small number over and over again, trying to make it come out differently, you remembered that night so long ago. That piece of lined paper titled Budget.

He was a young man, back then, which is something else you didn’t know. Grownups, those mysterious beings. To a child, a grownup is born a grownup. Could you have imagined him, back then, as a child himself? No.

When you were a little girl you had no idea how young he was. You do now, though. You look back and you wonder at his youth. What went through his mind? What were his dreams? What had he put aside, for four children and the responsibilities that go with them?

Once, when you were about twelve and he was, what, 36, someone asked the people in the kitchen in which you were both standing this question. “If you could start your life over, would you?”

Almost everyone in the room answered immediately: “No.”

But not him. “Yes,” he said. “I would.”

And not you. “Yes,” you said. “I would.”

Looking back, it seems impossible that you, at that age, could have answered that way. How in the world could you have lived long enough, lived through enough, to want the chance to do it over? But the memory is perfectly clear.

You remember looking at him –that big, tall man, often angry the way he was back then– and recognizing that something in him, something he had never talked about, was in you too. Even if neither of you knew what it was.

If he never talked about the big questions, he was full of small ones. When you would return from a day or overnight at a friend’s house, for example, he would quiz you.

“What did you have for lunch?” he would say, “and what did you have for supper? Where did you sleep? How warm do they keep their house?”

He would lean forward so as not to miss anything, and you would describe it all.

“Jesus H Christ!” he would interject, fascinated and needing more details, which you would supply.

He loves a good story, and so do you. He will happily exaggerate if it will make a good story better, and so will you. His love of a good laugh, his keen interest in the people around him, his frustrated anger at his young children when he was a young man, his deadpan humor, his fierce need to make his own schedule, to be free, to get in his car and drive?

All these are in you too. Early on, you felt yourself so different from him. Not anymore.

You remember him coming out of a gas station on a summer day, somewhere in the middle of the two-week road trips that were your family’s annual vacation, his hands full of candy bars, one for each child.

You remember a dusty wooden-floored building out in the country, where every once in a while a polka band would set up. You remember setting your then-small feet on his enormous ones and holding on while he danced you around the room.

You remember a day in a restaurant with him and his mother, whom you adored, and the rest of the family. You remember his mother losing her balance and falling flat on her back and him, then in his 60′s, silently and swiftly scooping her up in his arms and setting her back upright.

Now, these many years later, you sometimes get eight or nine emails a day from him. Almost all are forwarded posts that he’s gotten from others: astonishing or weird sights, political jokes, cute pictures of animals, unusual historical facts. Jokes, off-color in the extreme, that almost always make you laugh.

Usually, the mere sight of a forwarded email, with those telltale and dreaded endless lines of recipients and senders, means an automatic delete. Not so if he’s the sender. You read them all. You respond to the ones you like best.

He likes late night solitaire. Sometimes, when you’re going to bed, you picture him, far away in that house in the foothills, his still-big body perched on a small chair, gazing at the green screen, seven vertical rows of cards.

The sound of a baseball game turned low on a television in the background of a room, or a baseball game on the radio in a car, any car, brings you back to childhood. When you visit you sit and watch with him, arguing about the Yankees.

You’re lucky people. Lucky to have both lived long enough to live through the storms. Not a day goes by that you don’t get up in the morning and sit and bow your head and thank the world for that. For having come out on the other side. For the loss of fear and the gain of love.

In your 30′s you read a poem, this poem:

* * *

Sundays too my father got up early
and put his clothes on in the blueblack cold,
then with cracked hands that ached
from labor in the weekday weather made
banked fires blaze. No one ever thanked him.

I’d wake and hear the cold splintering, breaking.
When the rooms were warm, he’d call,
and slowly I would rise and dress,
fearing the chronic angers of that house,
Speaking indifferently to him,

who had driven out the cold
and polished my good shoes as well.
What did I know, what did I know
of love’s austere and lonely offices?

* * *

You memorized it.

Poem of the Week, by Jeanne Murray Walker

If Found, Drop In Any Mail Box. Owner Will Pay Postage
– Jeanne Murray Walker

I’m grading papers in the motel room,
the teacher in me watching as my students
fumble with their keys in the lock of the world.

I crack down on the one who misspells
the minuet amount of imagination a person needs
to live well. And I give a C to the one I suspect

of telling me whatever I want: that summer is a newspaper
printed with no alphabet but pleasure. But I confess,
I feel a twinge for the one who postures,

as if he can’t imagine anyone loving him for himself.
And I admit, I cheat on the good side to help the one
who writes that he and his girl are one cell,

sliced apart by the scalpel of her parents.
When I get to the one who says
that he’s a lonely space ship flying between stars,

I put my red pen down. I could go under the knife
with him, I think, knowing that I won’t.
But let’s say this. It surprises me to find out I love them.

I’d like to tell someone, the woman in the next room, maybe,
like to spread this sweetness, to bring about some
minor good. Can I offer you this pale translation

of my students’ essays? Nothing special.
The sound of their keys turning in the lock of the world.
I drop it as I close the door, in case you need it.


For more information on Jeanne Murray Walker, please click here: http://www.jeannemurraywalker.com/poems.php

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