Poem of the Week, by Ted Kooser

A Washing of Hands
– Ted Kooser

She turned on the tap and a silver braid
unraveled over her fingers.
She cupped them, weighing that tassel,
first in one hand and then the other,
then pinched through the threads
as if searching for something, perhaps
an entangled cocklebur of water,
or the seed of a lake. A time or two
she took the tassel in both hands,
squeezed it into a knot, wrung out
the cold and the light, and then, at the end,
pulled down hard on it twice,
as if the water were a rope and she was
ringing a bell to call me, two bright rings,
though I was there.




For more information on Ted Kooser, please click here: http://tedkooser.net/



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

400 Words

At 20, I got on a plane and flew from Vermont to Taipei. I had the name of a cheap hotel and I took a cab there from the airport.

Neon lit the night city with its weird and garish light. Wooden shacks leaned against concrete buildings; people squatted on the narrow streets, eating spears of orange fruit and sipping cups of tea. Dark-haired toddlers were everywhere, wearing jackets so padded that their tiny arms stuck straight out.

When I got out of the cab, everyone stared. This was a long time ago; foreigners were few and far between in Taiwan. Toddlers looked up at me –way up– and screamed.

I felt like screaming, too. My Chinese was bad. I was filled with fear. What had I gotten myself into?

Once in my cinderblock room I realized that I was starving, with only fish-flavored crackers left over from the plane to eat. But I couldn’t force myself out of that room. There was a deep bathtub, like a shoebox turned on end, and I drew my knees up to my chest and stayed in it, more or less continually, for three whole days.

On the fourth day, I emerged. It wasn’t bravery that drew me forth, but starvation. At the front desk three Chinese men milled about, chattering softly in Mandarin. At the sight of me they too froze and stared. The giant white American girl.

Nimen hao,” I said. “Wo feichang feichang e.”
Hi. I’m very, very hungry.

All three leapt into action. They conferred, then one guided me across the street to a small building. He nodded and smiled encouragingly and pointed to a rickety table, then to a menu handwritten on a piece of torn paper taped to the wall. I recognized the characters for potsticker, ordered three dozen and ate them all.

I was alone in what felt like another world. I had none of what I needed to survive: no friends, no family, no place to stay, no college-designed program abroad, not enough money. And I had a fierce and inborn belief that I had and would ever have only myself to rely on, there in Taiwan, or anywhere.

But I was wrong. All it took was one admission –I’m starving– from a scared and hungry girl, and strangers crowded around, wanting to help. The kindness in those men’s eyes has stayed with me always.

Poem of the Week, by Rainer Maria Rilke

from The Ninth Elegy, by Rainer Maria Rilke

Praise this world to the angel, not the unsayable one,
you won’t impress him with your glorious emotions; out there,
where he feels with more feeling, you’re but a novice. Rather show him
some common thing, shaped through the generations,
that lives as ours, near to our hand and in our sight.
Tell him of things. He’ll stand more awed; as you did
beside the ropemaker in Rome or the potter by the Nile.
Show him how joyful, how pure, how much ours, a thing can be,
how even the lamenting of sorrow resolves into pure form,
serves as a thing, or dies into a thing –, and, in going across,
blissfully flows from the violin. –And these things,
that live by going away, know that you praise them; fleeting,
they look to us for rescue, us, the most fleeting of all.
They want us to transform them completely in our invisible heart
into – oh infinitely – into ourselves. Whoever finally we will be.

(Rainer Maria Rilke, translated by Galway Kinnell and Hannah Lieberman)



For more information on Rilke, please click here: http://www.poets.org/poet.php/prmPID/295



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Czeslaw Milosz

Blacksmith Shop, by Czeslaw Milosz

I liked the bellows operated by rope.
A hand or a foot pedal – I don’t remember.
But that blowing and blazing of fire!
And a piece of iron in the fire, held there by tongs,
Red, softened, ready for the anvil,
Beaten with a hammer, bent into a horseshoe,
Thrown in a bucket of water, sizzle, steam.
And horses hitched to be shod,
Tossing their manes; and in the grass by the river
Plowshares, sledge runners, harrows waiting for repair.
At the entrance, my bare feet on the dirt floor,
Here, gusts of heat; at my back, white clouds,
I stare and stare. It seems I was called for this:
To glorify things just because they are.

Translated by the author and Robert Hass

For more information about Czeslaw Milosz, please click here: http://www.poetryfoundation.org/bio/czeslaw-milosz


My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Jane Hirshfield

Optimism
– Jane Hirshfield

More and more I have come to admire resilience.
Not the simple resistance of a pillow, whose foam
returns over and over to the same shape, but the sinuous
tenacity of a tree: finding the light newly blocked on one side,
it turns in another. A blind intelligence, true.
But out of such persistence arose turtles, rivers,
mitochondria, figs–all this resinous, unretractable earth.




For more information on Jane Hirshfield, please click here: http://www.poetryfoundation.org/bio/jane-hirshfield



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Tony Hoagland

Jet
– Tony Hoagland

Sometimes I wish I were still out
on the back porch, drinking jet fuel
with the boys, getting louder and louder
as the empty cans drop out of our paws
like booster rockets falling back to Earth

and we soar up into the summer stars.
Summer. The big sky river rushes overhead,
bearing asteroids and mist, blind fish
and old space suits with skeletons inside.
On Earth, men celebrate their hairiness,

and it is good, a way of letting life
out of the box, uncapping the bottle
to let the effervescence gush
through the narrow, usually constricted neck.

And now the crickets plug in their appliances
in unison, and then the fireflies flash
dots and dashes in the grass, like punctuation
for the labyrinthine, untrue tales of sex
someone is telling in the dark, though

no one really hears. We gaze into the night
as if remembering the bright unbroken planet
we once came from,
to which we will never
be permitted to return.
We are amazed how hurt we are.
We would give anything for what we have.

​For more information on Tony Hoagland, please click here: http://www.nytimes.com/2010/02/05/books/05book.html?_r=0​


My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Poem of the Week, by Shelley Whitaker

The Fox Den
–  Shelley Whitaker

As a kid on Spring evenings
while junebugs hooked their legs
into every drop of water and lassos
of grey moths sliced the air,
I would sit mid-driveway
waiting for a family of fox pups
to emerge from their hole in the earth
beside our house. Every May evening
they were born from red straw beds
of those woods; sharp-eyed, black-chinned
creatures burning behind the trees
like apparitions of the sunset.

I would always rise too quickly,
plastic zippers buzzing, shoelace
slapping concrete, scaring them
underground again. It knocked
the heart out of me to send something
back into blackness, to think a necklace
of sun-hungry dogs was snaking its way
back towards the center of the world,
all because I shuddered, all because
I thought I heard the wind call
my name, and rushed to meet it.




For more information on Shelley Whitaker, please click here: http://www.versedaily.org/2014/aboutshelleywhitaker.shtml



My blog: alisonmcghee.com/blog

My Facebook page: http://www.facebook.com/home.php?#!/pages/Alison-McGhee/119862491361265?ref=ts

Wild yeast

I’ve baked a fair amount of bread in my life, but not much in recent years. That’s what happens when you live within a mile or two of several great bakeries. Each sells a kind of bread I can only find there.

Turtle Bread for olive bread and a loaf of multigrain that tastes delicious instead of like twigs. Rustica for levain. Honey & Rye for rye. Great Harvest for whole wheat. Patisserie 46 for croissants. And Bill’s Imported Foods for the baked-daily pocket bread, for which you need to get there before noon because it sells out fast.

Out of curiosity, though, I decided to try a no-knead bread recipe. It seemed odd to me that you could even make yeast bread without kneading it. Isn’t kneading the whole point? Wouldn’t the bread fail to rise if you didn’t knead it? Skepticism. But I gave it a whirl.

What you do is mix flour and water and salt and a tiny, tiny bit of instant yeast in a bowl. Then you put it on your counter and do nothing. It sits there for a long time, like 12-20 hours. Then you dump it into a heavy, preheated pot with a lid, and you bake it in a very hot, preheated oven.

(Note: Given the simplicity of this recipe you would think I could follow it exactly. But no. I added more salt because I hate not-salty-enough bread. I didn’t have a Dutch oven or any heavy-enough pot with a lid, so I baked it in an enamel bowl half the recommended size and stuck a cookie sheet over the top. And I didn’t have instant yeast so I used active dry.)

It was the best bread I’ve ever made. One of the best breads I’ve ever had, period. So tasty that my youthful companion and I gobbled up the entire loaf in less than a day, straight out of the oven and slathered with butter, toasted and slathered with butter, broken up and tossed into bowls of soup, and I made another loaf the next day and another a few days after that.

Why this bread is so good is something I’ve been thinking about for days. It’s as basic as it gets: unbleached white flour, water, salt, yeast. But it’s dense and heavy, unlike most yeast bread that rises so high and light. Chewy. Delicious. Primitive. Interesting.

That’s the word that keeps coming to me: interesting.

The bread requires no human work beyond the few seconds that it takes to mix the ingredients in a bowl. But the yeast is working. For twenty hours, give or take a few in either direction, the yeast is working.

It’s working hard, too. This yeast is deprived. You use a tiny fraction of what you would use in regular, kneaded bread. That’s the first deprivation. You mix it into cold water instead of warm. More deprivation. There’s no sugar in that cold water, not even half a teaspoon, to help the yeast proof. There’s no kneading.

The yeast begins its life in difficult circumstances. Everything that it must do, it must do on its own.

The yeast works in the dark, metabolizing simple sugars and excreting carbon dioxide and alcohol and growing and growing and growing. If you peek at it during those long hours you won’t notice anything until near the end, when suddenly you realize that the ordinary lump of dough in the bowl has grown big and alive-looking. The shiny surface is pocked with tiny holes.

It’s at that point that you pick the whole thing up with both hands –it will come up all of a piece, like a sleeping animal– and put it in a hot pot and from there into the hot oven.

The taste of this bread is the result of deprivation and the hard work that comes in the wake of deprivation. And there’s a wildness in it that might also be the result of the wild yeast that floats into the dough from the air during all those long hours on the counter.

The difference between this no-knead, many-houred bread is the difference between the taste of a “baby” carrot pulled out of a watery plastic bag and the taste of a carrot pulled by its feathery green top out of the backyard.

It’s the difference between a page of writing scribbled out ten minutes before class and a poem that’s been gathering force for years on end, written and rewritten and rewritten again.

Now I’m thinking of long ago, when I used to teach Chinese at a big public high school, and the difference between, say, a Hmong student who had grown up in a Thai refugee camp, a student unsure of the year or day on which he had been born but sure of why he wanted an education, and a born-and-bred American student who had been given a new car as a 16th birthday gift.

I didn’t love one more than the other. I still don’t. But I recognize the difference.

Poem of the Week, by Gregory Djanikian

Something Else
– Gregory Djanikian

There’s the lush grass again,
the white pines green and mysterious.
And the barn, too, in the distance,
fading red, the color of longing.

The afternoon light is gilding the hillside,
the clouds are moving together,
huge, incipient thoughts,

and you’re swooning with desire
wanting the beautiful to lie down with you,
gold-leaf your fingertips and tongue,
green you with fragrance

though you don’t know exactly
what you’re after, whether it’s beauty itself
or whatever lives inside it,
elusive, entire,
peripheral to your wanting—

shadow of wings
you catch obliquely
along the woods’ edge,

river that you hear
without listening.

* * *

For more information on Gregory Djanikian, please click here: http://www.poetryfoundation.org/bio/gregory-djanikian

My Facebook page: https://www.facebook.com/pages/Alison-McGhee/119862491361265

Poem of the Week, by Sharon Olds

Station
– Sharon Olds

Coming in off the dock after writing,
I approached the house,
and saw your long grandee face
in the light of a lamp with a parchment shade
the color of flame.

An elegant hand on your beard. Your tapered
eyes found me on the lawn. You looked
as the lord looks down from a narrow window
and you are descended from lords. Calmly, with no
hint of shyness you examined me,
the wife who runs out on the dock to write
as soon as one child is in bed,
leaving the other to you.

Your long
mouth, flexible as an archer’s bow,
did not curve. We spent a long moment
in the truth of our situation, the poems
heavy as poached game hanging from my hands.


For more information on Sharon Olds, please click here: http://www.poetryfoundation.org/bio/sharon-olds

My Facebook page: https://www.facebook.com/pages/Alison-McGhee/119862491361265