Excuse me

IMG_1258A few years ago I sat in a crowded auditorium listening to a speaker lecture on a topic I don’t remember. What I do remember is that fifteen minutes into his lecture, he was interrupted by an audience member who jumped to his feet and, under the guise of asking a question, began to harangue the speaker. The speaker, who was elderly and softspoken, was clearly stunned at the interruption, which had clearly been planned. The audience member grew taller and louder as he launched into his own, counterpoint lecture. He gesticulated. He menaced.

Everyone in the room was instantly on edge, disturbed and deeply uneasy. You could feel the tension in the air. We looked at each other, wild-eyed: What do we do? What should we do? No one moved. But something had to be done. So I jumped up and waved my hand until the angry audience member saw me and paused for a second. 

“Excuse me, but your original question has nothing to do with your comments,” I said. “Please sit down.”

This was someone not used to being challenged. He didn’t know what to do with my interruption. He started questioning me, in annoyance and surprise, lost his train of thought, fumbled, sat down. 

It sounds like such a simple thing, but interrupting this man was extremely hard for me. My heart raced and my hands trembled and I couldn’t stop shaking. But my mission –to put a stick in the spokes of the runaway heckler– was accomplished.

This incident, and others like it, comes back to me a lot these days. We have so much more power, as a group and also as a single human being, than we think we do. People take their cues from leaders, and every day I remind myself that I can be a leader. That I am a leader. Every single one of us is, if we choose to be.

We are surrounded right now with daily assaults, some of them deadly, to human decency and our sense of our country as a functioning democracy. In the midst of this, it helps to remind yourself that you are a leader. Leaders act more often than react. Acting out of optimism, hope, faith and determination to make this world better will give you far more energy than reacting with despair and outrage to every day’s fresh hell. 

What I tell myself: Alison, there are too many fresh hells right now to handle, so don’t try to handle them all. But every single time there’s a chance to be kind, to stop a bully, to thwart a racist or sexist remark, to look someone in the eye and smile, to take positive action, do it. 

Concrete actions that are helping me right now:

In-depth conversations with people who believe differently from me but who remind me that we have far more in common than our voting records.

Hand-writing postcards to get out the vote.

Teaching creative writing classes on the Transformation of Trauma for free.

Distributing poems to all my neighbors.

Donating money, a little every day, to a good cause.

Reading: history, novels, poetry.

History is full of examples of leaders who fomented violence and hate wherever they went, with deadly consequences. We are seeing that right now in our own country. But violence and hate can be counteracted at every turn. Take action. Don’t lose the faith. 

 

 

Poem of the Week, by Keetje Kuipers

Screen Shot 2018-04-05 at 8.44.01 AMLong ago I left behind the simple prayers of my childhood, the ones spoken in unison with others in church, or around the table at a special meal when everyone named something they were thankful for. I’ve never known what God is, and I don’t know what God is to others. If forced to come up with a definition, my definition of God would be something like the feeling of my children on either side of me in bed as I read them to sleep when they were little. God would be the high school students I used to teach, ringed on the floor in our classroom on the giant pillows  I’d made, still and silent and sometimes falling asleep on Friday afternoons as I read them stories. God would be the idea and the feeling of peace, of a place where nothing bad can happen, where only love and comfort dwell. God would be the poems that swell my heart open in a way that almost hurts, like this one below.

 

Prayer, by Keetje Kuipers

Perhaps as a child you had the chicken pox
and your mother, to soothe you in your fever
or to help you fall asleep, came into your room
and read to you from some favorite book,
Charlotte’s Web or Little House on the Prairie,
a long story that she quietly took you through
until your eyes became magnets for your shuttering
lids and she saw your breathing go slow. And then
she read on, this time silently and to herself,
not because she didn’t know the story,
it seemed to her that there had never been a time
when she didn’t know this story—the young girl
and her benevolence, the young girl in her sod house—
but because she did not yet want to leave your side
though she knew there was nothing more
she could do for you. And you, not asleep but simply weak,
listened to her turn the pages, still feeling
the lamp warm against one cheek, knowing the shape
of the rocking chair’s shadow as it slid across
your chest. So that now, these many years later,
when you are clenched in the damp fist of a hospital bed,
or signing the papers that say you won’t love him anymore,
when you are bent at your son’s gravesite or haunted
by a war that makes you wake with the gun
cocked in your hand, you would like to believe
that such generosity comes from God, too,
who now, when you have the strength to ask, might begin
the story again, just as your mother would,
from the place where you have both left off.

 

For more information about Keetje Kuipers, please click here.

 

Poem of the Week, by Olav Hauge

IMG_1168Me to a roomful of high school students last week: “Raise a hand if you’ve lost someone you love to murder.”

Every hand went up.

Every hand. At least that’s how it looked to me, standing there. How do you make your way through something impossibly hard? That was the premise of our conversation, and the students took turns reading out loud from my novel What I Leave Behind, which is about exactly that. Impossible hardship is something these students are no strangers to. Institutionalized racism and sexism and poverty are all designed to keep a few people sitting pretty at the expense of so many, and one result is a roomful of children who have all watched loved ones die violently. 

I asked them how they coped. Some meditated. Some did yoga. Some cooked. Some listened to music. And every one of them seemed to make art: writing, painting, drawing, singing. They clearly understood the power of art, how you can use it to translate and transcend an impossible experience, push it out of you and at the same time absorb it. Art can keep you connected to others. These students are old souls, wise beyond their years. I got back to my hotel that night to find that a friend in Germany had sent me a poem that I’d forgotten, a poem I love. A poem that the minute I saw it felt like the poem to send in honor of these beautiful, powerful youth. We have to do better by them.

This Is the Dream, by Olav Hauge (translated by Robert Hedin and Robert Bly)

This is the dream we carry through the world
that something fantastic will happen
that it has to happen
that time will open by itself
that doors shall open by themselves
that the heart will find itself open
that mountain springs will jump up
that the dream will open by itself
that we one early morning
will slip into a harbor
that we have never known. 

For more information on Olav Hauge, please click here.
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Dear Sister, the backstory

Picture the scene: Me arriving home to find my youngest plopped on the couch happily watching tv alone, surrounded by her stuffed animals, blankie, and an assortment of the pretzels and crackers that at the time comprised most of her body wScreen Shot 2018-09-28 at 1.11.39 PM copyeight and were the reason my nickname for her was Dry Salty Crunchy Carbohydrate.

Me, wary: “Where’s your big brother?”

Her, happy: “Dunno.”

At which point I walked into the kitchen to find this note on the fridge. Which I stuck in a box of my son’s childhood mementoes and forgot about.

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Picture this scene as well: me noticing one weekend day that my youngest seemed to be spending much of her time trundling about the house doing small chores and fetching things for her big sister and big sister’s friend. 

Me to big sister and big sister’s friend, who were clearly enjoying a life of leisure with their indentured servant, suspiciously: “What’s going on here?”

Them, airily: “Nothing. Just playing.”

Later that day I found the above note. Which I stuck in a box of my older daughter’s mementoes and then forgot about. Until a couple of years ago, when they were all in college and I decided to go through those boxes and found both notes and a bunch more. Which gave me the idea to write a book about the sibling relationship that consisted entirely of notes and drawings. And here we are! Dear Sister, a graphic novel-ish book for all ages, illustrated by the fabulous Joe Bluhm, comes out tomorrow wherever you buy your books. 

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To order a copy

From your local indie bookstore
From Amazon
From Barnes & Noble

 

Poem of the Week, by Karla Kuskin

Screen Shot 2018-09-28 at 3.21.51 PMWhen my children were little one of our favorite books was The Philharmonic Gets Dressed. Such a simple story. In apartments all over New York City, orchestra musicians are dressing for the evening performance. Everyone wears black. They muscle their instruments, large and small, into cabs and the subway, and they head to work. My children and I read this book over and over, usually at bedtime, where it soothed their way into sleep. It’s long gone from my shelves, but I still think about it.

This book and others like it tantalize me, because the author took something familiar –an orchestra–and focused on the unfamiliar. Musicians not in their orchestra pit at a grand hall, but at home, getting dressed. The backstory. The unthought-about. It’s dangerous to think you know everything about something or someone. It leads to complacency, to boredom, and sometimes to destruction. When I read this poem below and pictured a moon radish, The Philharmonic Gets Dressed floated back into my mind. And lo and behold, Karla Kuskin was the quiet genius behind both.  

 

Write About a Radish, by Karla Kuskin

Write about a radish
Too many people write about the moon.

The night is black
The stars are small and high
The clock unwinds its ever-ticking tune
Hills gleam dimly
Distant nighthawks cry.
A radish rises in the waiting sky.

 

For more information about Karla Kuskin, please click here.

Dear Sister, a siblings book for all ages

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Early reader reviews are already in for Dear Sister, which comes out next Tuesday and is illustrated by the wildly talented Joe Bluhm, and so far they’re all full of love, like these from Goodreads.

“As evidenced by my rarely awarded five star rating, I loved, loved, loved Dear Sister! In fact, I would go so far as to say it is my favorite children’s book of 2018. Cue the fanfare!”

“Hilarious!! Such a fun and sweet book. If you have siblings, you will love the tone and the humor found in these pages!”

“Made me sob. In a very good way.”

Want to know where the idea for Dear Sister came from? In part, from someone I used to call Duggle. Wuggle. Dougie. Douglas. Aka my baby brother, born to a family of three older sisters, me being the oldest, when I was nine years old.

I remember the day he came home from the hospital. My parents let us skip 4-H so we could come straight home and meet our little brother. We tiptoed into the den, where he lay in a blue and white baby carriage. His hair was extremely black and his face was extremely red. He looked up at us suspiciously and after a few minutes started to wail.

Who could blame the poor thing? We were three little girls and he was our living doll, putty in our hands, ours to play with, ours to torture, ours to dress up, ours to hand around one to another. IMG_0898

Doug is still nine years younger than me and always will be. That’s how it works. He’s 6’6” to my 5’10”, no longer a red-faced and rightfully suspicious baby but all grown up and hilariously funny. He and my wonderful sister in law and my wonderful nephews live a few miles from me in Minneapolis.

When my phone barks out the crazy piano tune I assigned to him –Brother is a crazy piano player himself—I pick up.

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“Brother.”

“Sister.”

How lucky am I to have a brother like Doug? Very. Dear Sister was inspired in part by my love for my siblings. I hope you like it. It’s out next Tuesday, and you can preorder it wherever you buy your books! 

To order a copy

From your local indie bookstore
From Amazon
From Barnes & Noble

Poem of the Week, by Betsy Brown

IMG_0531The men I love most get it, with “it” being the malevolence of treating women as if we’re not equal. At one point the other night, when I could suddenly barely talk because of the rage that filled me, a male friend said about sexism, It’s like air, invisible and everywhere. And you breathe it in your whole life, but when the switch flips and you suddenly realize how deep it goes and how awful it is, it’s fucking overwhelming. 

Yes. It is.

Me at 10: Waiting on the stairs to go back into school after kickball, a classmate reached out, grabbed my breast bud and jeered as he twisted it as hard as he could in front of everyone, a moment that changed the course of my life. At 16: Standing on a subway too crowded to move a single inch, a man standing behind me shoved his fingers up my skirt and inside me. At 19: Working as a summer hotel housekeeper, a guest called for help from inside his room, and when I went in, flipped over naked on the bed to show me his erection and ask me to help him with it. At 23: A man I was making out with yanked my underwear down and kept pushing at me until I escaped and ran. 

These memories and others, which are nothing compared to what so many of my women friends have endured, bring back the humiliation and bewilderment and self-hatred I felt when they happened, when all I could think was What did I do wrong? Which is why the ending lines of the poem below, by the remarkable Betsy Brown, will be with me forever.    

 

Midwest Boys, by Betsy Brown

In Oshkosh, Wisconsin,
we kept it in mind
I-41 went clear down

to Florida. These scoop-necked
midsized midwestern
towns, set up separate originally

on waterways for trading–
first furs, then lumber,
the worker drinkers

voiceless then fierce
for the hell of it, tense
machinery, construction.

As a teenager you noted
mainly the routes out.
Spring, the dead mud,

the bad paint job, drifting jarred
eaves troughs, sullen pickup
sunk to its axles on the lawn.

A boy’s mind turns to the road.
Tract houses, one, one,
all along the frontage road

with tequila and Old Style, pot,
cheap speed; if you’re
a girl you try to remember:

They shoved candlesticks
up Linda. They drew on her
with her Bonne Bell.

If you pass out
they’ll strip you,
you won’t know

and if you’re lucky only
photograph you. These pictures
show up on bulletin boards.

In Eau Claire, 1992, teenage
boys dropped rocks from
an overpass over I-94,

aiming for windshields.
Martin Blommer in his
Winnebago, hit by a 32-

pound rock; his wife alongside
didn’t hear it, the crash,
the RV veered in a second

into the median, staggering
to stop, and he, in silence,
transfixed instantly, forever.

32 pounds. These are
my highways. I remember.
Long-play radio stations,

driving in moonlight
past hours of white
white mute fields.

I never wanted
to go back to Florida.
As a girl I didn’t

have much to compare–
dime bags, shot glasses, lives
that trudged with losses

and butane. I can’t forgive them.
Where could one drunk girl
find an ocean?

In the first forced blink of spring
I hate you.
I remember your names.

My curse on you is this:
May you have daughters
and may you love them.

 

 

For more information about Betsy Brown, please click here.

 

 

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Poem of the Week, by Veronica Patterson

IMG_0711It was the summer of a long pink skirt, ice cream cones, cartwheels on the beach, waitress shifts followed by late nights at the bar followed by breakfast at the diner, a little rented room and a refrigerator shared with twelve other girls. This was Cape Cod, a long time ago, and my buddies Doc and RJ and Stu would descend on weekends. After we walked back from the bar I’d hold the back door open for them and they’d sneak upstairs to my room (guests weren’t allowed) to sleep on the floor around my bed. One weekend they brought a new boy with them, someone I’d never met, and I instantly liked him. That night we all decided to sleep on the beach instead of sneaking into my room. We spread quilts and looked up at the stars, waves lapping at the shore.

The new boy and I were next to each other. RJ and Doc and Stu all fell asleep but I was too aware of the boy, and he was too aware of me. I was shy that way and he must have been too, because we lay motionless on the sand, not touching, not sleeping. Hours passed. Toward dawn I turned on my side and my foot touched his, and silently he reached out and pulled me into his arms and curled his body around mine. We fell asleep, our friends around us, and when we woke up in the morning there he was, smiling at me. The poem below brought that lovely memory washing back over me. It reminds me, in these days of justified anger and pain, how much sweetness there can be between a girl and a boy, a woman and a man.   

 

Perseids, Later, by Veronica Patterson

          A tease of clouds intermits
the searing blueblack. Cicadas
drone in a 3 a.m. silence
          and I fall back

          onto an Army blanket, 1956,
a meadow outside Ithaca, lying with sister
and brother, in the grip of fierce
          dreams and longings, my skin

          alive with up,
drawn to the studded dark, whose
tiny burns might be those of a sparkler
          twirled too fast.

          This night, as you sleep inside,
I lift binoculars to contain
these pricking lights, which
          perforate,

          and still pull me
to them. Your dream wafts from the house,
a stay. In waning heat, in my thin
          nightshirt, I feel

          the years accordion,
and I shiver. Each of us
gets to be vast sometime. Three
          meteors streak

          the length
of a star-glazed strand
of my hair. How can the birds sleep
in this confetti of light.

 

 

​For more information on Veronica Patterson, please click here.​

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Poem of the Week, by Izumi Shikibu

Digital story, cartwheelEvery summer in my teens I canoed with friends through the Rideau region of lakes and canals in Ontario. We camped every night, swam, cooked, laughed, told ghost stories and played games. One annual camping spot was on a lake with an enormous rope swing tied to an overhanging tree. You grabbed the rope, stepped back as far as you could, swung out over the water and then plummeted. The rope swing took nerve. The drop was steep and the water cold, and once you committed, you had to leap – if you swung back you’d crash against the tree and the rocky bluff. Leaping from it was wild and exhilarating. Once, as I swung out, I looked down to see a long water snake swirling in the water directly below me. My fear of snakes is lifelong and deep-seated, and I was horrified, but there was no going back. I plummeted with my eyes closed and struck out for shore the second I surfaced.

In all the years between then and now, life has taught me a thousand times over that the most beautiful things are often shot through with sorrow and loss. But when I first read this poem, by a woman who lived and died many centuries before I was born, it was that memory –the snake, the long plummet into the freezing water, the wild surge of life as I tore toward shore–that came rushing back to me.

 

“Although the wind . . .”
             – by 11th-century poet Izumi Shikibu, translated by Jane Hirshfield

Although the wind
blows terribly here,
the moonlight also leaks
between the roof planks
of this ruined house.

 

For more information on Shikibu, who lived and wrote in the 10th and 11th centuries, please click here.

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Poem of the Week, by Thomas Reiter

pigs-eye-2014A few years ago my brother sent me a photo of my nephew, with the caption Getting his mind blown at Nickelodeon Universe. Nickelodeon Universe is a crowded and noisy place, but in the photo, my tiny nephew stands alone in a huge open space, his head craned up, staring at something I can’t see. The photo conveys profound stillness and concentration. Sometimes it pops up on my screensaver and I wonder again what my nephew was staring at, what was going through his mind.

That photo makes me think of my grandmother, who once, in the middle of a thunderstorm, saw a ball of fire –molten electricity–appear in her living room. It raced around the floor, she told me, it climbed the walls and the stairs. Half a century later, she still shuddered at the memory. That photo of my nephew reminds me of the time I was walking down a country road and saw in the distance a quivering blackness that quaked and chirped. It turned out to be a tree so covered with black birds that it looked like an otherworldly living creature. Sometimes the world turns inside out for a minute and we stop, like the poet below, and stare. We don’t know then that we will remember that moment forever. 

 

To the Boy Who Burned a Snowman, by Thomas Reiter

I thought of you again this morning
after a spring snowfall; of how, one
after another, wooden matches
—your mother’s stove lighters?—
flared as you came up the road
long after dark so many years ago,
a boy I’d never seen before.

I watched from an upstairs window:
you set the head against your forefinger,
the other end against your thumb,
and with a dip of the shoulder
like a submarine pitcher, a fireman,
pinwheeled a burst off the macadam.

No design but play, yet somehow
one with distance landed beside
the snowman I fashioned that morning—
an impulse from the crystalline yard,
my children grown and gone.

The hound’s-tooth coat, its frayed hem
trailing on the snow, its worth
fallen far below Goodwill, caught fire
that climbed to the woolen muffler
mice had nested in. And last the Tinkertoy
arms outstretched to you. You didn’t

see me, nor did I tap a threatening
gesture on the pane. A full moon,
and so of all the proud men
created from that out-of-season snow
he was his own light. You took

a step back as if to run, but then
slowly approached. You stood facing him
as though something—a secret?—
passed between snowman and boy.

You never reappeared, who started him
on his way home. He’d had his time.
I watched him pass into the spring grass,
where his absence would abound.

 

For more information on Thomas Reiter, please read this interview.

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