Poem of the Week, by Dorianne Laux
The suicide of Alan Krueger last week, a man I didn’t know but whose work I admire, a man clearly beloved by so many, hit me hard. It brought me back to my early twenties, when the suicide of someone I loved both ended his life and permanently altered mine. Crying comes hard to me and does not bring relief, but it came anyway this week. At one point I found myself alone, apologizing out loud for things I wish I’d done differently.
I’m haunted by the sense that the cruelty and hatred so on display these days made things worse for Alan Krueger. It makes things worse for everyone. The only thing I can do, like the poet below, is try to subvert it with kindness.
For the Sake of Strangers, by Dorianne Laux
No matter what the grief, its weight,
we are obliged to carry it.
We rise and gather momentum, the dull strength
that pushes us through crowds.
And then the young boy gives me directions
so avidly. A woman holds the glass door open,
waits patiently for my empty body to pass through.
All day it continues, each kindness
reaching toward another – a stranger
singing to no one as I pass on the path, trees
offering their blossoms, a retarded* child
who lifts his almond eyes and smiles.
Somehow they always find me, seem even
to be waiting, determined to keep me
from myself, from the thing that calls to me
as it must have once called to them –
this temptation to step off the edge
and fall weightless, away from the world.
*Note that this poem was published in 1994, when this word was in common usage.
For more information on Dorianne Laux, please check out her website.
One of the top-rated MFA programs in the country once recruited me to fly out and interview for a fiction position. A day into the interview, deep in discussion of teaching technique with the faculty and students, I subtly began to portray myself as less interested in criticism and more interested in nurturing a creative spark. This wasn’t what they wanted in a teacher and I knew it. I was in effect throwing the interview, but I wasn’t sure why. 
A few days ago at sunset the sky was unearthly. The Painter came home, grabbed his camera and tripod and headed to the beach to take a bunch of photos. My internal, unspoken take on this, having never seen him take a sunset photo before: You had a frustrating day in the studio. Nothing was working with your paintings. You feel blocked, so you’re trying something new, to change up the energy and get things moving again. 
We were classmates. He was a country kid, like me, and like me, he was condemned to ride the bus for miles and miles. I dreaded that bus every day of my life –it was a place of fear and intimidation and endless cruelty. 
My daughter at eight: What would happen if you die? I tell her she would be very sad but everyone would take such good care of her, and she says No, they wouldn’t. Because I would be dead too, of sadness. My son at four shuffles out of the bedroom in his first pair of flip-flops, having put them on himself with the strap between his second and third toes. It’s fine, mama, don’t worry, they don’t hurt, I can walk. My grandmother, flustered and red-faced in the small kitchen where she’s trying to make dinner for me: Oh Alison, I’m just no use at all anymore. Me outwardly protesting but inwardly stricken by the knowledge that in that single instant, everything is now changed. 
My five year old nephew is currently huddled behind closed doors inside his family’s new freestanding pantry, where he fits neatly into the bottom cupboard. I know this because my brother texts me ongoing updates as to this fixation with the pantry, along with the fact that my nephew just declared he’s no longer a ninja genius but a secret agent. (Didn’t surprise me at all. I never bought the ninja genius line.) My nephew cracks me up and breaks my heart the way all little kids, over and over, break my heart. 
In the lobby of the Minnesota Public Radio headquarters are three white egg-shaped chairs. Whenever I’m there I crawl into one of them, sit cross-legged, and close my eyes. Sitting in one is like wearing a warm sweatshirt with the hood pulled entirely over your head. My love for those chairs is inordinate. When I picture a safe place to comfort myself when sad or troubled, those egg-shaped chairs come to mind. 
A few years ago a lifelong minor heart glitch spiraled out of control. I didn’t tell anyone until a couple hours before the surgery to fix it, so as not to worry them, and I took a Lyft to the hospital. But just before the procedure, as the surgical team was pushing the gurney into the OR, I put my hand on the arm of the nearest blue-masked nurse. Please take good care of me, I said. I don’t want to die. 
The day after I moved to Minneapolis, I bought a sewing machine. This was in the days of newspaper ads, and I found a used one for $60 and insisted my then-boyfriend and I track it down that very day. That ancient, impossibly heavy machine is what I’ve used to make all the quilts I’ve ever made, sewing together blocks I hand-stitch piecemeal. Story quilts, every one of them, made not according to a pattern but out of my head and heart. 
Someone close to me sent me a booklet a while ago, photos and written memories of her life. It’s a fascinating glimpse into a childhood spent solo with older parents in upper Manhattan, a gentle childhood filled not with money, of which there was very little, but with family card games, shared meals, trips to museums and playgrounds, school days and summer camp upstate. Black and white photos show a small, smiling girl in the embrace of a mother and father who clearly adored her. Here they are leaning against a railing by Rockaway Beach. Here they are on the stoop of an apartment building. Here’s the little girl on the first day of school. 
Alison McGhee 