Poem of the Week, by William Stafford

60004839212__30E2EEDE-424A-48BE-B9AD-706C3B31C6F8Last fall I began getting letters like this from the president, the vice-president, the NRA, anti-abortion organizations. Not my typical mail. Why me? Then it came to me: in August a friend died, a Marine combat veteran, and in his honor I made a donation to the Wounded Warrior project, which must have triggered a hundred conservative mailing lists.

Given my political leanings, it would be easy to post those letters on Twitter with a snarky comment and watch the equally snarky responses roll in, but that would only make things worse. Here’s the thing: most people are not zealots. You can be a pacifist and still support veterans. You can be an atheist and still respect your neighbor’s need to pray to a God you don’t believe in. You can have deep qualms about abortion and still support the right to have one.

You can despise your uncle’s racist comments and cut off contact with him, or you can remember how he taught you to ride a bike and showed up at all your basketball games. You can remember how it felt when you woke up to your own internalized racism. You can choose to open a conversation with him, one that might open a mental window, one that will take a lot of patience that you might assume neither of you have. 

But you do have that patience. We all do, once we recognize how deep the darkness is, and how easy it is to get lost. 

 

A Ritual to Read to Each Other, by William Stafford

If you don’t know the kind of person I am
and I don’t know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dike.

And as elephants parade holding each elephant’s tail,
but if one wanders the circus won’t find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider—
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give — yes or no, or maybe —
should be clear: the darkness around us is deep.

 


​For more information about William Stafford, please click here.​

 

My websiteMy blogMy Facebook page

Twitter and Instagram: @alisonmcgheewriter 

 

Poem of the Week, by Armen Davoudian

IMG_E4279Last summer, driving to Vermont, I detoured past my grandparents’ dairy farm. That’s how I think of it –their farm, on McGhee Hill Road–even though it’s been almost half a century since it changed hands, bought by city dwellers who turned the barn into a house and the house into guest quarters. 

This time, instead of crawling past in my rental car, I parked. The new owner came out and against my will I started crying. She showed me around and I pointed out where the Christmas tree used to stand, where the long dining room and pantry used to be, the bedroom with the secret doorway.

As a little girl my sisters and I spent a week every summer at our grandparents’ farm, roaming the woods and fields and barn, going to Dairy Queen for ice cream. My grandmother, big efficient whirlwind of a farm wife and English teacher. My grandfather, tall and lean and handsome, washing up with Lava soap at the soapstone wash sink, a man who didn’t finish high school but could recite endless poetry. 

You can’t ever go back. But the past lives inside you, and it can’t ever be taken away, either. 

 

 

Wake-up Call, by Armen Davoudian

 
I can see my mother, apron over her nightgown,
setting the table for breakfast, a stack of lavash
steaming at the center, honey and milk skin,
feta with fruit, chickpea-and-chicken mash
dusted with cinnamon. I can see my father,
already in his coveralls and cap,
filling a cup to the brim with hot tapwater
and emptying it into another cup
and emptying that cup into another
until all three are warmed for tea. I can hear
the kettle whistling and pull the covers tight
around my head, against the coming light,
for any moment now they will open the door
and lift the covers and find that I’m not there.

 

 

For more information on Iranian poet Armen Davoudian, please check out his website

 

 

My websiteMy blogMy Facebook page
Twitter and Instagram: @alisonmcgheewriter 

 

Poem of the Week, by Martha Postlethwaite

Shack hammockWho am I? What is my place in this world? How do I stay steady and strong and never stop trying to help the world? Our burning planet. The onrush of artificial intelligence. This heedless erosion of democracy. These are my three biggest panics.

Panic is the right word but not the right reaction, because in me it leads to resignation that leads to paralysis. So I’ve been quiet the last few months, thinking. Reflecting. Insighting, which wasn’t a word but is now. Smiling at everyone I encounter, saying hello, giving a compliment. Trying to forge that human connection, person by person, moment by moment. Trying to create a clearing. 

Clearing, by Martha Postlethwaite

Do not try to save
the whole world
or do anything grandiose.
Instead, create
a clearing
in the dense forest
of your life
and wait there
patiently,
until the song
that is your life
falls into your own cupped hands
and you recognize and greet it.
Only then will you know
how to give yourself
to this world
so worthy of rescue.

​For more information about Martha Postlethwaite, please click here​.

My websiteMy blogMy Facebook page. Twitter and Instagram: @alisonmcgheewriter 

Poem of the Week, by Lisel Mueller

IMG_2176Once, when he was about eight, my son looked up at me and said, “Mama, what if we’re all characters in a book, and someone is writing us right now?”

Once, before the scale at the Y was digital, I stepped on it ready to maneuver the sliding weights, only to find that the unknown woman who had stood on it before me weighed, to the ounce, exactly as much as me. 

Somehow those two memories are connected, and somehow the poem below brings them back to me. I don’t understand why we are here in the world, or what the meaning of our lives is. I don’t understand why life is so unfair. Sometimes I wonder if there is a shadow Alison in a nearby, invisible world, living an alternate Alison life, and if she has the answers I don’t. 

 

In November, by Lisel Mueller

Outside the house the wind is howling 
and the trees are creaking horribly. 
This is an old story 
with its old beginning, 
as I lay me down to sleep. 
But when I wake up, sunlight 
has taken over the room. 
You have already made the coffee 
and the radio brings us music 
from a confident age. In the paper 
bad news is set in distant places. 
Whatever was bound to happen 
in my story did not happen. 
But I know there are rules that cannot be broken. 
Perhaps a name was changed. 
A small mistake. Perhaps 
a woman I do not know 
is facing the day with the heavy heart 
that, by all rights, should have been mine.

 

For more information about Lisel Mueller, please click here.

My websiteMy blogMy Facebook page.
Twitter and Instagram: @alisonmcgheewriter 

Poem of the Week, by Gerard Manley Hopkins

img_3440How I first found this poem is lost to me –was it in one of my grandmother’s huge and heavy high school English anthologies?–but it stunned me. I remember laboriously copying it word by word, line by line, complete with the strange little marks I would later learn were scansion, into my diary. 

What the poem was about I couldn’t have told you when I was a child, but I knew that the poet, dead long before I was born, had reached into the future and written it for me. In the same intuitive way I understood the made-up words wanwood and leafmeal, I knew the Margaret of the poem was me. The sorrow and longing that welled up from the first sentence to the last were in me then and they are in me still. At age nine this poem explained something deep and true and achingly beautiful about the world, something I already knew in my bones, and I knew it would be the poem of my life.

 

Spring and Fall, by Gerard Manley Hopkins

to a young child

Margaret, are you grieving
over Goldengrove unleaving?
Leaves, like the things of man, you
with your fresh thoughts care for, can you?
Ah! as the heart grows older
it will come to such sights colder
by and by, nor spare a sigh
though worlds of wanwood leafmeal lie;
and yet you will weep and know why.
Now no matter, child, the name:
sorrow’s springs are the same.
Nor mouth had, no nor mind, expressed
what heart heard of, ghost guessed;
It is the blight man was born for,
It is Margaret you mourn for. 

 

 

For more information on Gerard Manley Hopkins, please click here.

Website

Blog

Facebook page

@alisonmcghee

Poem of the Week, by Alison Luterman

WesternThe summer I turned nineteen I took the bus west to Wisconsin, to work at a mom and pop resort where the owners housed us in a firetrap and fed us leavings from the guests’ plates. After the second bout of food poisoning –through which we worked between dashes to the bathroom–my friend Polly and I quit.

Before dawn we snuck into the resort kitchen, loaded up on rolls and butter and apples, and waited, laughing, in the dark for the Greyhound, then jumped on board, still laughing.We had a layover in Chicago and we took ourselves and our duffels out to dinner at The Berghoff, spending most of the little bit we had earned that summer. The waiters flirted with us and we flirted back.

We were free, we were free, we were free. Now I know you can hold a moment of freedom in your heart your whole life long. My love affair with the west began that summer in Montana. Wide-open streets, the snow-capped Rockies, how it felt to laugh and jump naked late at night into the shockingly cold water of Flathead Lake.

 

Canoe, by Alison Luterman

When I was young, years ago, canoeing on the green
Green River, with my young first husband,

I wriggled out of my shorts, eased over the lip
of our little boat, and became eel-woman,

naked and glistening, borne along in the current.
He paddled, I floated and spun,

and let the ripples take me.
Even an hour of that kind of freedom

can last for years and years,
can become a touchstone you return to

long after the rented canoe has been returned,
and the road trip has ended, and then the marriage,

and then the husband’s brief life, and you yourself
have become someone else entirely; still

you return in your mind to the days
you could set up a tent in the dark,

and build a small fire
from birch bark and newspaper

and sit beside it, sipping tea, savoring your muscles’ sweet ache,
as one by one the uncountable stars came out.

 

For more information about Alison Luterman, please check out her website.

Poem of the Week, by Derek Walcott

IMG_0342People who say they have “no regrets” mystify me. Regrets, oh I’ve got a few. Like last night when I couldn’t get back to sleep for thinking about the times I yelled at my children when they were little. This didn’t happen much, but every time it did, my self-hatred was huge. It still is. As a mother I wanted always and only to be a comfort to my kids. But when you’re yelling, you’re not a comfort, are you?

In the dark hours before dawn, in hopes of forgiving myself by understanding myself, I tried to see myself as the little girl I used to be, the child who, like all children, had little control over her own life. No dice.

This morning I wrote notes to my children, telling them how sorry I was for having yelled. Because what else can I do? You can’t go back in time and undo things. Then my favorite line from this beautiful poem —give back your heart to itself–drifted into my head. 

 

Love After Love, by Derek Walcott

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

For more information about Derek Walcott, please click here.

Poem of the Week, by Paul Hostovsky

IMG_1937

A beloved friend I lost touch with many years ago has been on my mind lately, so I googled him. My guess was he’d be out there somewhere, invisibly changing the world with his brilliance at math, and I was right.

In our early twenties my friend gave me a small book titled Innumeracy, about how statistics influence every aspect of our lives. One chapter detailed how every breath we take contains a minimum of three molecules of air breathed by every person who has ever been alive.

The knowledge that we will always be part of each other changed the way I think, and live, and write. Those we love and those we don’t,  those who love us and those who don’t – like it or not, we are connected forever. This beautiful poem makes me want to put my arms around the whole world and hold it tight. 

 

History of Love, by Paul Hostovsky

Because he loves the way she has
of touching him
and because she loves the way he has
of loving her
each has learned the other’s
way and the other’s touch
so when love turns
and the world turns
and the lovers turn from each other and go
to other lovers they take
they take all they know
of love and of touch
and they give it to another
and in this way love grows rich
and wise and wide among us
and in this way we are also
loving those who will come after
and those who came before
we ever came to love

 

 

For more information about Paul Hostovsky, please check out his website.

Poem of the Week, by Tess Gallagher

Shack, view straight up from the hammockYears ago I bought some raw land on a slope in Vermont. Hired someone to grade a tiny cleared patch in the woods. Drilled a well. Bought a one-room cabin kit off eBay and hired a carpenter to put it together. Spent many days and nights staring up from the porch and the hammock at the enormously tall pines pictured to the right.

The cabin was a seasonal place but even in summer it was always dark and cool. After some years I craved sunlight, so I asked a lumberjack friend if he would cut down a few of the pines. He said yes, if he could do it in the middle of winter. I don’t like to cut down trees, he said, even though he was a lumberjack. And I only do it in winter, when all the birds have left the nests.

When I read this poem I thought of him, my lumberjack friend who snowshoed alone up the unplowed dirt road to the cabin in February, towing his chainsaw and axe on a toboggan behind him, and went to work in the frozen stillness so he wouldn’t hurt the birds. 

 

Choices, by Tess Gallagher

I go to the mountain side
of the house to cut saplings,
and clear a view to snow
on the mountain. But when I look up,
saw in hand, I see a nest clutched in
the uppermost branches.
I don’t cut that one.
I don’t cut the others either.
Suddenly, in every tree,   
an unseen nest
where a mountain   
would be.  

                              for Drago Štambuk

 

​For more information on Tess Gallagher, please ​click here.

Website

Blog

Facebook page

@alisonmcghee

Poem of the Week, by Gregory Orr

IMG_4207Certain moments are burned into your brain and heart, moments that even as they happened you knew would haunt you forever, like the way your little boy nodded and kept nodding, that one afternoon on the couch. Looking back now, through the tunnel of time, there are passages so rough that you narrowed time down to half-hour segments in order to make it through. Had to trust that somehow the invisible ship would carry you from one invisible shore and deposit you on another. That you would find yourself again.

You do find yourself again, over and over, but you’re not the same person you were before. Each time, there has been a long season of necessary silence, and even if you look the same, you aren’t. Maybe we don’t heal so much as shift, and yield, and absorb in a way that lets us keep living with all the everythings that happen in a life.  

 

Aftermath Sonnet, by Gregory Orr

Letting my tongue sleep, 
and my heart go numb.

Sensing that speech
too soon,
after such a wound,
would only be
a different bleeding.

Even needing to leave
the page blank.
Long season
of silence—
trusting that under

its bandage of snow,
the field of me is healing.

 

For more information about Gregory Orr, please click here​.​

Website

Blog

Facebook page

@alisonmcghee

 

 

For more information about Gregory Orr, please https://www.poetryfoundation.org/poets/gregory-orr.