Poem of the Week, by Wendell Berry
When my children were tiny they went to a neighborhood preschool two or three mornings a week. It was a gentle place, taught by lovely teachers who never got upset if a glass of milk was toppled or if someone broke a crayon. There was a dress-up corner, a story-time corner, a Lego corner. In nice weather the kids went outside and worked and played in a flower garden the school had created along a biking and walking path.
If it was too cold, there was a big empty room with hardwood floors and lots of tricycles and scooters to zip around on. The one trike that every child craved was known as The Double Bike, because that’s exactly what it was, an elongated trike with two seats, kind of a primitive version of a tandem bicycle. It was a great day when someone got to ride The Double Bike first.
Once I arrived very early to pick up my youngest. Recess was just about to begin. I stood in the doorway and watched as she –not knowing I was there– bent down in a sprinter’s crouch, a giant grin on her face. “Are you ready?” she said to her buddies. “Get ready!” As the door to the trike room opened, she and her friends zoomed toward The Double Bike. When I think of joy, I picture my daughter’s face on that day, how her black hair flew behind her, the echo of her wild laughter.
This past week some of my closest friends and I, quiet activists all, talked briefly about the effects of this past year on our health. Messed-up sleep. Apocalyptic nightmares. Stomach ailments. Weight gain. Weight loss. Heart problems. After the conversation I felt, weirdly, better. What’s that old saying, trouble shared is trouble halved? Solidarity soothes.
But fighting against the forces of darkness is only part of this equation. Doing something for the pure joy of it, like my little girl at the gym, and like the kingfisher in this beautiful poem below, is another kind of activism.
Before Dark
– Wendell Berry
From the porch at dusk I watched
a kingfisher wild in flight
he could only have made for joy.
He came down the river, splashing
against the water’s dimming face
like a skipped rock, passing
on down out of sight. And still
I could hear the splashes
farther and farther away
as it grew darker. He came back
the same way, dusky as his shadow,
sudden beyond the willows.
The splashes went on out of hearing.
It was dark then. Somewhere
the night had accommodated him
—at the place he was headed for
or where, led by his delight,
he came.
When my son was a year and a half he came down with a stomach flu. After a couple of days the vomiting and diarrhea had calmed down, but he was quiet and listless. I wasn’t terribly worried but something told me to take him to the clinic, so I did. His doctor examined him in the little bright-lit room the same way I had grown used to, with calm and gentleness. I trusted this doctor completely and instinctively the minute I met him. He was older, small and lean, with wise eyes.
After a reading from my new novel 
This fall I’m teaching a class on identity and race and creative writers. Last week’s assignment was to choose an author from the wonderful anthology 
Yesterday my faithful companion and I were out for his twice-daily walk, and by “walk” I mean amble. Wander. Meander. Pete is fourteen years old now, and the boy who used to tear around the lakes for hours on end, never tiring, with me half-jogging to keep up, and who would then come home to do hot laps with the neighbor dogs in our adjoining back yard, now sways from side to side and every now and then stumbles over sidewalk heaves and steps. He breathes heavily and coughs often (heart failure), his joints are stiff (arthritis), he doesn’t notice the squirrels he used to leap after (eyes/hearing). This has happened gradually, so that I’ve had time to get used to it. Or so I thought.
Fifteen years ago, you signed a series of legal documents faxed to your home in Minneapolis. The legal documents meant that a patch of land in Vermont was now yours. Despite the fact that you knew this particular part of Vermont well, you hadn’t ever seen this particular hill in real life.
Never Coming Back, my new novel
Sometimes I think cruel things about other people. I don’t want to think these things and sometimes I hate myself for doing so. You say that all matters to you is being kind, I think, and that was so unkind. Sometimes I try to be Buddhist about it: Recognize. Acknowledge. Sit with it. Let it go. Sometimes I turn to one of my lifelong mantras to forestall future cruel thoughts: You don’t know what his story is, Alison, or, You don’t know what his home life is like, Alison, or, She was once somebody’s baby, you know.