The seen and unseen worlds

See that big rock in the upper right hand corner of this photo? It sits on the radiator cover in your bedroom, next to the other rocks you’ve brought back from various shores and woods, along with the beach glass your best friend gave you one year for your birthday.

“You can ride as far as the big rock, and then you have to turn around.”

The big rock marked the end of the driveway, which was as far as you and your sisters were allowed to ride your bikes, when you were little. You grew up on 130 acres of woods and meadows and you were free to explore all of them, but the road, the nearly-carless road, was the boundary of that world.

When your parents had the driveway paved, not all that long ago, they dug up the big rock and hauled it out to you. They figured that you would want that big rock. They were right.

One of your daughters is in the Galapagos Islands right now. She’s teaching English in a little school on an island there, where tall rock cliffs jut vertically out of the sea, where sea lions are as plentiful as the squirrels are in Minneapolis.

Earlier today you watched a six-second video of a sea turtle clambering across the sand, a video sent to you by her on her phone. At the last second the camera swung around and there was her smiling face, her waving hand, her long sweep of dark hair. Hi, daughter, you said to the screen. You could almost smell her hair, hear her voice. And then the video disappeared.

When you were the same age that she is now, you got on a plane in upstate New York and flew across continents and oceans and landed in the middle of the night in a city so foreign that small children looked up at your vast North American height and, terrified, began to scream.

Sometimes, during the half-year you lived there, at a time of night when you knew that no one would be home in the Adirondacks to answer –international phone calls were ruinously expensive back then– you would pick up the heavy Chinese phone in the apartment you shared with a friend and two Chinese roommates and dial your parents’ phone number.

You wanted to hear it ring. You pictured it ringing there in the empty house, on the wall by the dining table, no one around to pick it up. You needed that connection.

This is what you are thinking about these days, in small and large ways: connection. Between people, between ideas, between silences and loudnesses. Between continents and oceans and worlds.

You woke this morning thinking about a friend who lives in Germany, wondering how she is. You lay there in bed picturing her hanging laundry on the line, a task that both of you love. This friend has been part of your life for some years now, a kindred spirit. You send each other small notes, poems.

You’ve never met this friend in person. Never stood in the same room with her, sat side by side drinking coffee and talking. Never spoken on the phone. Everything between the two of you has happened invisibly, in silence, via email.

It often happens that after a day in which she suddenly appears in your mind, you wake to a note from her, written while you were sleeping. That is what happened this morning. Eight weeks and eight poems but no blog post, she wrote. Are you all right?

Of course, of course, you wrote back. But it’s not always easy to know if you’re all right. Sometimes, like now, you’re going along and going along and then you look up and suddenly the world has changed. You’ve vaulted onto some new plane of being without intending to. You read a certain line of poetry, or you listen to a faraway someone’ s voice on the phone, or you come down hard on your heel and something inside twists, and in the twisting, you pivot into a slightly newer person than you were a moment before.

A bunch of flashing neurons, said someone on the radio the other day. That’s all we are. Isn’t that enough? Isn’t that a miracle in and of itself?

It seems like a miracle to you. You love reading about science, how the brain works and the ways in which it compensates when it’s injured. Two halves to a human brain. Two kidneys, two eyes, two ears, two ovaries, two hands and legs and feet.

Bodies are made in duality. Bodies contain two of many almost identical worlds, side by side, working together but separate. Parallel universes.

You’re working on a strange novel these days, a novel which has you in its grip. It’s taken you six hundred pages of wandering before you could begin to see what it was about, at heart, and what it’s partly about is the seen and unseen worlds.

You keep finding yourself writing in and about a place you can’t see and can only imagine, or remember. Where do our spirits go when we sleep? Is a dream real? Were we somewhere before we were here? Where will we go when our bodies die?

The ideas of heaven and hell make you laugh. You care so little about the concepts that you don’t think about them and never have. You’re one of those people who says things like Heaven and hell are right here on earth, and you mean it.

But still. Can’t help but wonder where I’m bound, where I’m bound, sings Johnny. Can’t help but wonder where I’m bound.

What comes after this?

Twelve thousand miles away, is a phone ringing in an empty room as you type this?

Hello stranger, sings Emmylou, put your loving hand in mine. You are a stranger, and you’re a friend of mine.

Right now, as you type this, your old friend Kingsley is in the hospital, where he has been for weeks.

“I’ve been thinking about my father these days,” he said the other night, on the phone. You lay on the couch listening to his voice, so familiar, hoarse now from a dry throat. In the background you heard the chatter of aides, a nurse, something clinking.

“Remember that photo you sent me of him?” you say. “The one at the party? I keep it on my desk so I can see his big smile. He smiled a lot, from the looks of it.”

“Yes. He did.”

Kingsley is old, and he is so weak that he cannot lift his legs, and his father has been gone for many, many years now.

“Do you miss him?” you ask. This is not the kind of question that you would have asked, twenty years ago, but it’s the kind of question you ask now.

“He always gave me good advice,” said Kingsley. “I could always go to him, and tell him my problems, and he always had good advice.”

You listened to his tired voice, and you glanced at the photo on your desk of his smiling father, bending over a birthday cake with a big knife in his hand.

“Maybe he’s with you right now,” you say. “Invisible but there.”

When you talk about chronology to your students –chronology defined in a writing class as the order in which something’s told– you tell them that many writers begin in the now and then go back in time to fill in the inbetween, back to the present and back to the past, floating here and there in time. That’s because it feels natural, you say, it’s the way we live our lives.

Once there was a five year old who stopped at the big rock at the end of the driveway.

Once there was an eleven year old who wrapped her arms around her skinny self one fall day after school because the dark blue sky and the fiery maples were so beautiful they hurt.

Once there was a twenty year old who forced herself to leave her hotel room in Taiwan because she was starving, who found a dumpling stall and sat there eating potsticker after potsticker at a penny apiece.

Once there was an exhausted young mother who wore her baby boy strapped to her body because unless he was touching her, part of her, he screamed.

Once there was a woman in mid-life, sitting at a long wooden table typing this post late at night, a glass of wine to her right and an oblong phone in a sea-blue case to her left.

You think you’re one person but you’re not. You’re all the people you ever were, at all times, everywhere.

You’ll be going along, going along, going along, and then something happens, you come down hard on your heel, or you look up at the sky at just the right moment and rays are streaming down from above between the storm clouds, and suddenly you know you’re not exactly the person you were before.

Three days ago you woke up and read the blog of a college friend whose family is gathered around her these days, who writes about what it’s like to “plunge into the truth” of her life. You silently vowed that everything you did that day would be a secret celebration of her, out of love and respect.

On that day of secret celebration, you were hyper-aware, the way she would be, of the scent of lilacs everywhere you walked and ran in this green and rain-laden city. Aware of the pavement underneath your feet. You pressed shuffle on your music and trusted that every song would have meaning, and every song did.

All that day you cried, on and off. Running down the pavement from the Y. Sitting in your car at a red light. Walking the dog past the endless lilacs.

You didn’t care who saw you. They weren’t tears of grief so much as tears of fullness. A song by Jon Dee Graham, that astonishing musician, the man who can’t write a bad song, came shuffling up.

I know it’s hard, but I know it’s sweet, complicated and incomplete, but I am in love with the world so full. Don’t turn away, don’t turn away from a world so full.

I’m trying not to, Jon Dee, you thought. Trying hard.

Is it a stretch to feel that if something once was, it will in some form always be? Invisible, maybe. Untouchable. But still there. Still here.

“When we’re old,” your mother says. “Ten years from now. Always ten years from now.”

The book you’re working on keeps shifting time and place, skywarding up into some place that for lack of a better term you think of as the spirit world, a world parallel to this one but existing in its own dimension of time and space. You don’t want the book to do this –for God’s sake, aren’t you already plotless enough? and don’t your novels already curve endlessly around on themselves?– but the novel does what it wants, and this, apparently, is what it wants.

Maybe this is the way the world really is. You and everyone else live in duality –eyes, ears, hands–and maybe, even if you don’t think of it that way, you already live in more than one world at a time. You already take, on faith, so much that is invisible: Air. Electricity. Love. Why not this too?

It’s possible that what you have long thought of as reality –the things of this world you can touch and hold and smell and taste– is only one small part of a far bigger whole. If, when you talk to your grandmother in the early mornings, to ask her advice or just say hi, you can feel her with you, then isn’t she still there?

If, when you think about a long-ago night when you made your way down to the shore and slept on a quilt on the beach because you wanted the sound of the waves in your ears, and you can smell the salt air and feel your body soothing down into the sand, then isn’t it still happening?

If, when you imagine the hand of someone you love stretched toward you, and imagine his fingers wrapped around yours, are not the two of you holding hands?

Technology and its gadgets are bringing the seen and unseen worlds closer, beginning to dissolve the boundaries you have lived by, have believed in. But it’s possible that the boundaries were never there to begin with.

The phone in your back pocket chirps again. You press a button to behold a mother and child sea lion, sunning on the rough shore of a Galapagos sea. The mother sea lion stretches and flops over. Then the camera flips around and a girl with wide eyes and a tumble of long dark curls is smiling at you. Love you, Mom, she whispers.

And immediately the screen goes blank, replaced by a static picture of a tiny white ghost.

What is the meaning of kindness?
Speak and listen to others, from now on,
as if they had recently died.
At the core the seen and unseen worlds are one.

(Solution, by Franz Wright)

Poem of the Week, by Thomas Lux

From The Neighborhood of Make-Believe
– Thomas Lux

It is elsewhere, elsewhere, the neighborhood you seek.
The neighborhood you long for,
where the gentle trolley –ding, ding– passes
through, where the adults are kind
and, better, sane,
that neighborhood is gone, no, never
existed, though it should have
and had a chance once
in the hearts of women, men (farmers dreamed
this place, and teachers, book writers, oh thousands
of workers, mothers prayed for it, hunchbacks,
nurses, blind men, maybe most of all soldiers,
even a few generals, millions
through the millennia…), some of whom,
despite anvils on their chests,
despite taking blow after blow across shoulders and necks,
despite derision and scorn,
some of whom still, still
stand up everyday against ditches swollen with blood,
against ignorance, still dreaming,
full-fledged adults, still fighting,
trying to build a door to that place,
trying to pry open the ugly,
bullet-pocked, and swollen gate
to the other side,
the neighborhood of make-believe.

For more information on Thomas Lux, please click here:


Poem of the Week, by Naomi Shihab Nye


– Naomi Shihab Nye

A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.
No car must splash him.
No car drive too near to his shadow.
This man carries the world’s most sensitive cargo
but he’s not marked.
Nowhere does his jacket say FRAGILE,
His ear fills up with breathing.
He hears the hum of a boy’s dream
deep inside him.
We’re not going to be able
to live in this world
if we’re not willing to do what he’s doing
with one another.
The road will only be wide.
The rain will never stop falling.

For more information on Naomi Shihab Nye, please click here.


Poem of the Week, by Philip Booth

First Lesson
– Philip Booth

Lie back daughter, let your head
be tipped back in the cup of my hand.
Gently, and I will hold you. Spread
your arms wide, lie out on the stream
and look high at the gulls. A dead-
man’s float is face down. You will dive
and swim soon enough where this tidewater
ebbs to the sea. Daughter, believe
me, when you tire on the long thrash
to your island, lie up, and survive.
As you float now, where I held you
and let go, remember when fear
cramps your heart what I told you:
lie gently and wide to the light-year
stars, lie back, and the sea will hold you.


For more information on Philip Booth, please click here.


Twitter: @alisonmcghee

Poem of the Week, by Margaret Mackinnon

The Invented Child
– Margaret Mackinnon
(I spring from the pages into your arms.)

Someone who once knew him said
Walt Whitman sang before breakfast
behind his bedroom door—
broken arias, bits of patriotic tunes,
the way my child sings this morning
in early spring, the way
the raucous mockingbirds fill the warming air
with their own borrowed songs.
The world is once again its hopeful green.
Bold forsythia bursts its spindly stalks.
The young trees again flicker on the slopes,
and when he ended his days on dusty
Mickle Street, Whitman must have remembered
mornings like this—
Nights, no longer really sleeping, confined
to the paralytic chair, say he remembered
that earlier, softer air, the light on the water
in that clearing he had called Timber Creek,
the idea of it—
Say he thought again of those days
when he was still fat & red & tanned,
when he’d strip off his clothes
and roll his great flesh in the pond’s black marl.

In the close, bug-ridden room in Camden,
he spoke, sometimes, of a grandson,
fine boy, a Southern child who sometimes wrote,
once stopped by—
No one ever saw him.
An old poet. His invented child.
Though why shouldn’t a man
who’d always lived in words create something
to endure his sore, soiled world?
There is at Timber Creek, Whitman wrote about the trees
their rough bark, the massive limbs and trunks
as if they were the bodies of those he’d loved.
Some people believe the souls of unborn children
rest in trees. Say he saw them, then,
caught their soft breath
sweet as the spice bush, lush as the early crocus.
In the long, hard work of his imagination,
say he watched their disembodied hearts
sway among the new leaves,
watched the eager light shine on another fine morning
until the sky lifted above him
like exultant, fresh desire—
and the children descended,
and then the crowns of the trees were all on fire.


– For more information on Margaret Mackinnon, please click here: